Was Florida State Really the "Berkeley of the South"

Total Page:16

File Type:pdf, Size:1020Kb

Was Florida State Really the J. Stanley Marshall. The Tumultuous Sixties: Campus Unrest and Student Life at a Southern University. Tallahassee: Sentry Press, 2006. xxvi + 316 pp. $27.50, cloth, ISBN 978-1-889574-25-7. Reviewed by David Lee McMullen Published on H-Florida (September, 2006) J. Stanley Marshall was president of Florida State during the late sixties and early seventies. State University from 1969 to 1976, during one of During that time I worked on the student newspa‐ the most fascinating periods in the university's per, The Flambeau, and served as its editor-in- history. These years were a period of conflict be‐ chief in 1971. As editor, I meet with President tween the old and new, when student life at the Marshall regularly to discuss some of the events university changed dramatically. As president, and issues presented in his book. Marshall faced student and faculty activism on a The Tumultuous Sixties will certainly be of in‐ variety of issues, including free speech, the Viet‐ terest to those familiar with the university during nam War, civil rights, the status of women, envi‐ this time period. More importantly, however, this ronmental concerns, labor, and the nomination of book provides a valuable perspective for students a Tallahassee judge to the U.S. Supreme Court. Be‐ of Florida history. For scholars, The Tumultuous yond this, there was streaking, famous and con‐ Sixties provides meaningful insights into the chal‐ troversial visitors to campus, including the Jorda‐ lenges of running a large state university under nian King, Helen Hayes, Jane Fonda, and Abbie the microscope of the numerous publics it must Hoffman. From the perspective of FSU today, it serve, including students, faculty, staff, parents, was also the beginning of the Bobby Bowden era. alumni, and major donors. Because it is located in There can be little doubt that this was a tumul‐ the Florida capital, FSU also falls under the watch‐ tuous period in the university's history and read‐ ful eye of a large capital press corps, a perspective ing this book helps to explain why Marshall be‐ that is often magnified by the demagoguery of came one of FSU's more controversial presidents. public officials. Further, this book provides a win‐ I approached the book with considerable dow into the thought process of a community knowledge of the events depicted. I know many of leader confronted with the challenges of a rapidly the key participants discussed in the book, includ‐ changing society. Interestingly, I found the univer‐ ing President Marshall. I was a student at Florida sity's response strikingly similar to what occurred H-Net Reviews in the 1920s and 1930s when labor unions at‐ than Champion wanted to deal with, so he passed tempted to organize southern workers, and in the the presidency on to Marshall. 1950s and 1960s during the civil rights movement. Suddenly thrust into the presidency, Marshall A primary strength, as well as a weakness, of was immediately faced with the resignations of this book is that it focuses intently on the exploits several other members of the universit's adminis‐ of the Students for a Democratic Society (SDS) tration, which helps to explain his preoccupation chapter at FSU, often short-changing far more im‐ with faculty and student activists. Beyond this, portant events. At frst I thought this was simply a given the far more serious student demonstra‐ marketing ploy to sell more copies of the book. tions occurring on campuses in other parts of the Then I discovered that approximately half of the country, Marshall focused his attention on issues book is devoted to SDS and realized that from related to campus security and holding the uni‐ Marshall's perspective this brief series of events versity to the letter of the law. The "Night of the overshadowed much of his presidency. While SDS Bayonets," for example, was ultimately the result was involved in the most dramatic student of trying to prevent SDS, an unrecognized student demonstration of the period--what became known group, from using a meeting room in the universi‐ as the "Night of the Bayonets"--SDS never repre‐ ty union, something the group had done several sented more than a few dozen of the more than times earlier. twenty thousand students attending FSU at the Looking back at the "Night of Bayonets," even time. Marshall suggests that the university played di‐ Marshall took over the leadership of the uni‐ rectly into the hand of SDS activists. SDS was versity unexpectedly upon the resignation of Pres‐ known for incendiary rhetoric and playing con‐ ident John Champion. Champion, a man Marshall frontational politics. Its members wanted to be ar‐ describes as a classic southern gentleman, ap‐ rested, they wanted to make headlines around the pears to have been overwhelmed by faculty and state. Even then, the event would have failed if it student protest over his decision to burn an edi‐ were not for the heavy-handed approach taken by tion of the campus literary magazine because it Leon County Sheriff Raymond Hamlin, who enlist‐ included a short story that contained the words ed the support of 35 volunteer riot police. The "shit" and "fuck." Interestingly, those same two sheriff and his men came on to campus with load‐ words could be heard in the movie version of ed M-1 rifles and fxed bayonets to arrest a small Ulysses, which was being shown at a local theatre group of non-violent students--58 according to during the "Free Speech" demonstrations at FSU. Marshall's account. Protests centered on the First Amendment right I was not on campus when this event took and generated considerable debate among stu‐ place, but students who were, and whose opinions dents and the faculty of the College of Arts and I respect, felt strongly that Sheriff Hamlin--an old- Sciences. The confrontation drew statewide media school southern lawman who liked to chew unlit coverage and a great deal of political rhetoric. I cigars--made an excessive and unnecessary dis‐ was a reporter for the Tallahassee Democrat dur‐ play of force. If anything, the actions of the sheriff ing these events and remember how Mallory exacerbated the situation. Such a confrontation is Horne, a prominent legislator, told our capitol re‐ reminiscent of numerous encounters between lo‐ porter, "The whole thing makes me goddamn cal southern law enforcement and labor and civil mad. If I used language like that they'd throw my rights demonstrators during earlier decades. ass in the poky." The heat was apparently more Scholars will fnd the numerous parallels of con‐ siderable interest. 2 H-Net Reviews "Night of the Bayonets," perhaps more than which were totally noncontroversial. Lieberman any other event in Marshall's presidency, was re‐ proposed teaching a course called "How to Make a sponsible for driving a wedge between him and a Revolution." The course, I suspect, would have vocal minority of faculty and students within the been rather harmless and attracted mostly Lieber‐ university. It is for this reason that I believe the man's groupies and a few curious students. Unfor‐ author goes to such lengths to explain his thought tunately for Jack, the course was discovered by process during the period, inflating the dangers State Senator Dempsey Barron who turned it into facing the university in order to justify the actions a statewide scandal, and half the capital press he took. Personally, I think he would have been corps showed up for his frst class meeting. If better served to let the matter die and focus on there was ever a mountain created from a mole‐ the numerous other events that occurred during hill, this was it. his years at the helm of the university. However, Perhaps the most revealing comment in the because these events are the subject of an unpub‐ book is when Marshal recounts a confrontation lished doctoral dissertation by Stephen Parr,[1] it with a group of anti-Vietnam war protestors who appears that Marshall felt a need to offer his side displayed a Vietcong fag. Marshall said, "[M]y re‐ of the story. Regardless, as someone who has stud‐ action was a mixture of anger and fear" (p. 98). ied radical protest, I found Marshall's thought That probably explains much about why Marshall process extremely fascinating. made many of the decisions he did during his SDS at Florida State, according to Marshall, presidency. It was a period of dramatic change, was lead primarily by two students--Phil Sanford, and fear and anger are two emotions that were an Australian, and Jack Lieberman, a South Flori‐ shared by many Americans during this period. dian. "Radical Jack," a student Marshall said was The second half of the book is a collection of "the leading fgure in the FSU protests," was con‐ snippets--accounts of other groups on campus, sidered "comical" by most of the students who tales of visiting dignitaries, anecdotes about knew him (p. 68). Jack was a nice guy with a few prominent fgures on campus, the hiring of Bobby groupies, mostly young women. He enjoyed the Bowden, the basketball team that made it to the limelight and was willing to do almost anything to national championship game in 1972, and the stay in it. If he was a serious threat to the safety of time a member of the Florida Board of Regents the university, I never saw it. As Marshall sug‐ called FSU dormitories "Taxpayers' Whorehous‐ gests, although he never comes out and says it di‐ es." This is the part of the book that will be of rectly, Radical Jack was probably a pawn of San‐ greatest interest to those who are familiar with ford, who appears to have been the one serious Florida State during this period.
Recommended publications
  • Jane Fonda Blisters Vietnam War Effort
    =11 Book Talk Fonda A re-play of the Jane Fonda Dr. Arlene Akerlund, assis- speech delivered at SJS tant professor of English, yesterday in the C.U. Ball- will discuss Ernest Heming- room will be on radio station way's novel "Islands in the KSJS 90.7 tonight at 8 and on Stream," today at noon in station KSJO at 8 tomorrow rooms A and B of the Spartan artan Datil Cafeteria. night. Serving the San Jose State College Community Since 1934 Vol. 58 SAN JOSE CALIFORNIA 95114, WEDNESDAY MARCH 3, 1971 No 77 Jane Fonda Blisters #1$ Vietnam War Effort kkitellompoiffatielt" By LANCE FREDERIKSEN "You don't hear of this because we do have lost control of their forces. Daily Political Writer not have a responsible press. But let me "If the men get a gung-ho officer, 111 q - Jane Fonda, actress and anti-war assure you, MyLai is not an isolated they'll fragg him," she declared, "So activist, urged an overflow crowd of incident," Miss Fonda added. the officers won't make them cut their .,A.0044 . about 2,000 listeners yesterday after- Miss Fonda recently attended the hair, stop smoking dope, or, above all, noon in the College Union Ballroom to war crimes investigation sponsored by go on dangerous missions." "make peace with the people of Viet- the Vietnam Veterans Against the War. Fragging, Miss Fonda explained, :Iv nam." The meeting, held in Detroit, Jan. 31, occurs when a fragmentation bomb is The audience enthusiastically and Feb. 1-2, was organized by 2,000 ex- rolled under an officer's tent.
    [Show full text]
  • 10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs
    10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs hollywoodreporter.com/lists/10-surprising-facts-oscar-winner-ruth-e-carter-her-designs-1191544 The Hollywood Reporter The Academy Award-winning costume designer for 'Black Panther' fashioned a headpiece out of a Pier 1 place mat, trimmed 150 blankets with a men's shaver, misspelled a word on Bill Nunn's famous 'Do the Right Thing' tee, was more convincing than Oprah and originally studied special education. Ruth E. Carter in an Oscars sweatshirt after her first nomination for "Malcolm X' and after her 2019 win for 'Black Panther.' Courtesy of Ruth E. Carter; Dan MacMedan/Getty Images Three-time best costume Oscar nominee Ruth E. Carter (whose career has spanned over 35 years and 40 films) brought in a well-deserved first win at the 91st Academy Awards on Feb. 24 for her Afrofuturistic designs in Ryan Coogler’s blockbuster film Black Panther. 1/10 Carter is the first black woman to win this award and was previously nominated for her work in Spike Lee’s Malcolm X (1992) and Steven Spielberg’s Amistad (1997). "I have gone through so much to get here!” Carter told The Hollywood Reporter by email. “At times the movie industry can be pretty unkind. But it is about sticking with it, keeping a faith and growing as an artist. This award is for resilience and I have to say that feels wonderful!" To create over 700 costumes for Black Panther, Carter oversaw teams in Atlanta and Los Angeles, as well as shoppers in Africa.
    [Show full text]
  • Smoothing the Wrinkles Hollywood, “Successful Aging” and the New Visibility of Older Female Stars Josephine Dolan
    Template: Royal A, Font: , Date: 07/09/2013; 3B2 version: 9.1.406/W Unicode (May 24 2007) (APS_OT) Dir: //integrafs1/kcg/2-Pagination/TandF/GEN_RAPS/ApplicationFiles/9780415527699.3d 31 Smoothing the wrinkles Hollywood, “successful aging” and the new visibility of older female stars Josephine Dolan For decades, feminist scholarship has consistently critiqued the patriarchal underpinnings of Hollywood’s relationship with women, in terms of both its industrial practices and its representational systems. During its pioneering era, Hollywood was dominated by women who occupied every aspect of the filmmaking process, both off and on screen; but the consolidation of the studio system in the 1920s and 1930s served to reduce the scope of opportunities for women working in off-screen roles. Off screen, a pattern of gendered employment was effectively established, one that continues to confine women to so-called “feminine” crafts such as scriptwriting and costume. Celebrated exceptions like Ida Lupino, Dorothy Arzner, Norah Ephron, Nancy Meyers, and Katherine Bigelow have found various ways to succeed as producers and directors in Hollywood’s continuing male-dominated culture. More typically, as recently as 2011, “women comprised only 18% of directors, executive producers, cinematographers and editors working on the top 250 domestic grossing films” (Lauzen 2012: 1). At the same time, on-screen representations came to be increasingly predicated on a gendered star system that privileges hetero-masculine desires, and are dominated by historically specific discourses of idealized and fetishized feminine beauty that, in turn, severely limit the number and types of roles available to women. As far back as 1973 Molly Haskell observed that the elision of beauty and youth that underpins Hollywood casting impacted upon the professional longevity of female stars, who, at the first visible signs of aging, were deemed “too old or over-ripe for a part,” except as a marginalized mother or older sister.
    [Show full text]
  • Long-Lost NATIONTIME by William Greaves to Premiere in Gary, Indiana
    FOR IMMEDIATE RELEASE Contact: Karen Toering, Founder/Director GIBFF [email protected] 219.200.4243 ​ Long-Lost NATIONTIME by William Greaves to Premiere in Gary, Indiana THE GARY INTERNATIONAL FILM FESTIVAL PRESENTS Historic documentary filmed at 1972 Black National Political Convention 4K restoration by IndieCollect August 22, 2020 Gary SouthShore Railcats Stadium - Doors at 4:30pm Film at 6pm View NATIONTIME trailer: https://youtu.be/zMn0uDbTReQ ​ On the heels of the 2020 Democratic National Convention, The Gary International Black Film Festival is ​ ​ proud to present the Gary premiere of William Greaves’s long-lost documentary, NATIONTIME – GARY, ​ about the Black National Political Convention of 1972 in the city where it all started -- Gary, Indiana. The Gary SouthShore Railcats Stadium is the site for the Saturday, August 22 outdoor community ​ ​ screening bringing the voices of the People of Gary to the watershed political moment where the Black community came together to set an agenda for change. “The people of Gary were both witness and engaged participants in this history making moment. The story of the 1972 convention is our story.” said GIBFF founder, Karen Toering This screening is one of a variety of events leading to the upcoming 2020 Black National Convention ​ presented by The Movement 4 Black Lives on August 28. A panel featuring participants from the 1972 ​ ​ and the 2020 Convention will be on hand for a post-film discussion Tickets are free for the in-person and the online screening. Pre-registration is required. Outdoor screening tickets: bit.ly/nationtimeGary Online screening tickets - bit.ly/nationtimeOnline ​ ​ ​ This is the director’s original 90-minute cut of the film that was never released.
    [Show full text]
  • 2012 Annual Report
    2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M.
    [Show full text]
  • 2010 Annual Report
    2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.
    [Show full text]
  • RIOC NEWS Community, Identity, Conversations & Innovations
    RIOC NEWS Community, Identity, Conversations & Innovations From left to right, top row: Mary Jackson, Eleanor Roosevelt, Ruth Bader Ginsburg, Chien Shiung Wu, Bottom: Pura Belpre, Audre Lorde, Frida Khalo, Betty Friedan. Vol. 6, Issue 8: March 16, 2021 Community Highlight: Roosevelt Island Girl Scouts The Girl Scouts of Roosevelt Island hail from every building and are a beautiful and inclusive representation of our diverse community. Currently, the island has five troops serving 50-60 girls from second to 12th grade, or, respectively, Brownie, Junior, Cadette, Senior, and Ambassador levels. They are currently seeking a leader for a Daisy (kindergarten and first grade) troop. The mission of Girl Scouts is to build girls of courage, confidence and character that make the world a better place. The island Girl Scouts do this right here, in our community, often in close partnership with island organizations. Girl Scouts identify issues they care about and take action to advocate for improvements in their community and the world. For example, one troop earned their Bronze Award by working with RIOC and PSD to add more “No U Turn” signage to increase visibility and safety. Among other activities, the Girl Scouts have held inter-generational crafting and social evenings with RIDA, served meals for Mother’s Day and Thanksgiving at the Senior Center, planted numerous gardens with iDig2Learn, supported the Wildlife Freedom Foundation, and volunteered IN TH IS ISSUE at events including Fall for Arts, Roosevelt Island Day, the holiday Tree Lighting Ceremony, and the Pumpkin Smash. They practice philanthropy by donating portions of cookie proceeds to causes that matter to them.
    [Show full text]
  • Jodie Foster a Hollywood Prodigy
    Presents JODIE FOSTER A HOLLYWOOD PRODIGY A 52’ documentary Written by Yal Sadat and directed by Camille Juza Produced by HAUT ET COURT TV and PETIT DRAGON PROVISIONAL DELIVERY: SEPTEMBER 2020 1 PITCH It’s hard to imagine a more “Hollywood” tale than that of Jodie Foster. She was practically born on a movie set. Pushed by a mother who wanted to make her a star, she comes from a world of stereotypes. And yet she is a very unusual figure in this industry. She is an intellectual who speaks French and is a confirmed Francophile. She plays complex characters that have nothing to do with the temptresses loved by American cinema. At first, she was that Lolita who fascinated the crowds and appealed to every gaze – even those of predators. But her status as this precocious young beauty almost cost her her career, before she decided to take matters into her own hands and become the most powerful actress and female director in Hollywood. How did the former child star, discovered in Disney TV movies and reinvented as a 12-year-old prostitute in Taxi Driver, manage to conquer a powerful, patriarchal industry that probably never really understood her? Too radical for the Hollywood oligarchy but too mainstream for the militant groups that reproached her for hiding her homosexuality and maintaining ties with Mel Gibson and Roman Polanski, Jodie Foster is problematic. She lived out her feminism as a lonesome cowgirl, alone against the world, settling for films that got her voice heard. It’s as if she was jealously guarding a secret.
    [Show full text]
  • 1 JANE FONDA to RECEIVE 42ND AFI LIFE ACHIEVEMENT AWARD America's Highest Honor for a Career in Film to Be Presented June 5, 2
    JANE FONDA TO RECEIVE 42ND AFI LIFE ACHIEVEMENT AWARD America’s Highest Honor for a Career in Film to be Presented June 5, 2014 Tribute will Air on TNT and Turner Classic Movies in June 2014 FOR IMMEDIATE RELEASE, LOS ANGELES, CA, October 5, 2013 – Sir Howard Stringer, Chair of the American Film Institute’s Board of Trustees, announced today the Board’s decision to honor Jane Fonda with the 42nd AFI Life Achievement Award, the highest honor for a career in film. The award will be presented to Fonda at a gala tribute on June 5, 2014 in Los Angeles, CA. The 42nd AFI Life Achievement Award tribute special will return for its second year on TNT when it airs in June 2014, followed by encores on sister network Turner Classic Movies (TCM). “Jane Fonda is American film royalty,” said Stringer. “A bright light first introduced to the world as the daughter of Henry Fonda, the world watched as she found her own voice and forged her own path as an actor and a cultural icon. Today she stands tall among the giants of American film, and it is AFI's honor to present Jane Fonda with its 42nd Life Achievement Award.” The Academy Award®-winning actor of KLUTE (1971) and COMING HOME (1978), Fonda has starred in more than 40 films since her screen debut. Spanning decades, her diverse career features celebrated comedies – including CAT BALLOU (1965) and 9 TO 5 (1980) – as well as powerful dramatic performances such as THEY SHOOT HORSES, DON’T THEY? (1969), JULIA (1977), THE CHINA SYNDROME (1979), THE MORNING AFTER (1986) and ON GOLDEN POND (1981) – in which she starred with her father, Henry Fonda, the AFI Life Achievement Award recipient in 1978.
    [Show full text]
  • December 7, 2016 Pulitzer Nominee, Award-Winning Author & Reporter
    NEWS RELEASE Contact: Carla Davis, Marketing Communications Director December 7, 2016 Pulitzer Nominee, Award-Winning Author & Reporter Wil Haygood to Give 2017 MLK Lecture Best known as the author of the New York Times bestseller The Butler: A Witness to History Wil Haygood will deliver the 2017 Dr. Martin Luther King, Jr. lecturer. Dr. Martin Luther King, Jr. Lecture Sunday, January 15, 2 pm at Main Library in downtown Akron. Haygood’s topic is “A Legal Giant, a Butler, and a King.” Best known as the author of the New York Times bestseller The Butler: A Witness to History, Wil Haygood is a distinguished writer whose career has spanned decades. He was an associate producer on the film adaptation of his book, The Butler, which was sparked from his Washington Post article. The movie featured performances by Academy Award winners Forest Whittaker, Cuba Gooding, Jr., Robin Williams, Vanessa Redgrave and Jane Fonda and Oprah Winfrey. He worked for 30 years at two newspapers (The Boston Globe and The Washington Post); during that time, he witnessed Nelson Mandela’s release after 27 years of imprisonment, was taken hostage by Somalian rebels, covered New Orleans post-Hurricane Katrina for 33 straight days without a break, traveled with Barack Obama, and was nominated for a Pulitzer Prize. Translated into over a dozen languages, The Butler: A Witness to History, is the story of Eugene Allen, the White House butler who served U.S. presidents from Harry Truman to Ronald Reagan. Allen’s time as a butler led him to become a “discreet stage hand who for three decades helped keep the show running in the most important political theatre of all.” The Butler book received the following honors: Ohioana Book Award, the Scribes Book Award and a BCALA Literary Award, finalist for an NAACP Image Award, the Dayton Literary Peace Prize, an Andrew Carnegie Medal for Excellence and the Benjamin Hooks National Book Award.
    [Show full text]
  • The American Film Institute: Institute: Film American The
    by October 16, 2017 16, October by x247 6800 777 718 [email protected] RSVP THE AMERICAN FILM INSTITUTE: CELEBRATING 50 YEARS An Afternoon with Jean Picker Firstenberg and special guests SATURDAY, OCTOBER 21, 2017 at 2:00 P.M. Museum of the Moving Image 36-01 35th Avenue, Astoria, NY 11106 Attendees at AFI’s Back to the Rose Garden gala in 1989. Photo: Joan Marcus / Courtesy of AFI Jean Picker Firstenberg, who was the president and CEO of the American Film Institute for more than half of its 50 years, has written (with James Hindman) the definitive story—an engaging and insightful memoir—BECOMING AFI: 50 Years Inside the American Film Institute. To celebrate the publication of the book by Santa Monica Press, this special program will feature a panel discussion with notable AFI alumni followed by a book signing and reception. Guests include: Marsha Mason, actress Barbara Schock, chair of the NYU Graduate Film program Fred Elmes, cinematographer Paul Warner, director Terry Lawler, executive director of New York Women in Film and James Hindman, co-writer, former AFI Television and former director of the co-director, COO, and provost. Directing Workshop for Women The discussion, moderated by Chief Curator David Schwartz, will include clips highlighting AFI’s remarkable history. Celebrating its 50th anniversary, the American Film Institute, born in 1967 at the dawn of the New Hollywood, has since established itself as one of the nation’s most respected cultural and educational entities, including a world-class graduate film school; publications; unique, state-of-the art programming; film festivals; and the Life Achievement Award.
    [Show full text]
  • Hooray for Hollywood the Sequel
    Hooray for Hollywood! The Sequel Music & Color; The Glamour Years Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 HoorayMusic & Color; for The GlamourHollywood! Years Movie Makers Walt Disney (1901–1966) Alfred Hitchcock (1899–1980) Scott 1355 Legends of Hollywood series • Scott 3226 The creator of Mickey Mouse and a host of other magical The master of the suspense film genre — which he is said cartoon characters began his professional career as an virtually to have invented — Hitchcock’s thrillers usually animator in the early 1920s with a friend, Ub Iwerks, and involved an ordinary person getting swept up in threatening with the financial backing of Walt’s brother Roy. With the events beyond his or her control and understanding. His first help of Walt and Roy’s wives, Lily and Edna, they produced U.S. film, Rebecca (1940) for David Selznick, won that year’s three cartoons featuring a mouse (who was almost named Oscar for Best Picture. He was voted Greatest Director of all Mortimer) in 1928, but it wasn’t until Disney added Time by Entertainment Weekly, whose list of 100 Greatest synchronized music to Steamboat Willie that their fortune was Films included four of his, more than any other director: made. Numerous popular short animated features followed, Psycho (1960, #11), Vertigo (1958, #19), North by Northwest including Flowers and Trees (1932), the first color cartoon (1959, #44), and Notorious (1946, #66).
    [Show full text]