1 JANE FONDA to RECEIVE 42ND AFI LIFE ACHIEVEMENT AWARD America's Highest Honor for a Career in Film to Be Presented June 5, 2
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Jane Fonda Blisters Vietnam War Effort
=11 Book Talk Fonda A re-play of the Jane Fonda Dr. Arlene Akerlund, assis- speech delivered at SJS tant professor of English, yesterday in the C.U. Ball- will discuss Ernest Heming- room will be on radio station way's novel "Islands in the KSJS 90.7 tonight at 8 and on Stream," today at noon in station KSJO at 8 tomorrow rooms A and B of the Spartan artan Datil Cafeteria. night. Serving the San Jose State College Community Since 1934 Vol. 58 SAN JOSE CALIFORNIA 95114, WEDNESDAY MARCH 3, 1971 No 77 Jane Fonda Blisters #1$ Vietnam War Effort kkitellompoiffatielt" By LANCE FREDERIKSEN "You don't hear of this because we do have lost control of their forces. Daily Political Writer not have a responsible press. But let me "If the men get a gung-ho officer, 111 q - Jane Fonda, actress and anti-war assure you, MyLai is not an isolated they'll fragg him," she declared, "So activist, urged an overflow crowd of incident," Miss Fonda added. the officers won't make them cut their .,A.0044 . about 2,000 listeners yesterday after- Miss Fonda recently attended the hair, stop smoking dope, or, above all, noon in the College Union Ballroom to war crimes investigation sponsored by go on dangerous missions." "make peace with the people of Viet- the Vietnam Veterans Against the War. Fragging, Miss Fonda explained, :Iv nam." The meeting, held in Detroit, Jan. 31, occurs when a fragmentation bomb is The audience enthusiastically and Feb. 1-2, was organized by 2,000 ex- rolled under an officer's tent. -
Was Florida State Really the "Berkeley of the South"
J. Stanley Marshall. The Tumultuous Sixties: Campus Unrest and Student Life at a Southern University. Tallahassee: Sentry Press, 2006. xxvi + 316 pp. $27.50, cloth, ISBN 978-1-889574-25-7. Reviewed by David Lee McMullen Published on H-Florida (September, 2006) J. Stanley Marshall was president of Florida State during the late sixties and early seventies. State University from 1969 to 1976, during one of During that time I worked on the student newspa‐ the most fascinating periods in the university's per, The Flambeau, and served as its editor-in- history. These years were a period of conflict be‐ chief in 1971. As editor, I meet with President tween the old and new, when student life at the Marshall regularly to discuss some of the events university changed dramatically. As president, and issues presented in his book. Marshall faced student and faculty activism on a The Tumultuous Sixties will certainly be of in‐ variety of issues, including free speech, the Viet‐ terest to those familiar with the university during nam War, civil rights, the status of women, envi‐ this time period. More importantly, however, this ronmental concerns, labor, and the nomination of book provides a valuable perspective for students a Tallahassee judge to the U.S. Supreme Court. Be‐ of Florida history. For scholars, The Tumultuous yond this, there was streaking, famous and con‐ Sixties provides meaningful insights into the chal‐ troversial visitors to campus, including the Jorda‐ lenges of running a large state university under nian King, Helen Hayes, Jane Fonda, and Abbie the microscope of the numerous publics it must Hoffman. -
The University of Wisconsin Eau Claire Organized Crime
THE UNIVERSITY OF WISCONSIN EAU CLAIRE ORGANIZED CRIME IN THE 20TH CENTURY: PROHIBITION’S AFFECT ON THE WESTERN UNITED STATES DEPARTMENT OF HISTORY BY BLAKE CLAY-COLTIN FISCHER SUPERVISING PROFESSOR: JOSEPH ORSER COOPERATING PROFESSOR: SELIKA DUCKSWORTH-LAWTON EAU CLAIRE, WISCONSIN DECEMBER 2013 Copyright of this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin-Eau Claire, with the consent of the author. 1 CONTENTS Abstract……………..………………………...…………………………………………..………..3 Introduction……..………………………………………………………………………………....4 Jewish, Italian-American Criminal Corporation…...………………………………………………...……………………………...…..7 Chapter 1: Gambling…...……………………………………………..………………………...12 Pre-World War II Gambling…………………………………………………………………………..…..13 “Bugsy” Siegel, and the Flamingo Hotel…...…………………………...……………………………………..………………………15 Chapter 2: Managing Their Public Perception/Image………………………………………………………,,……………………….19 Hollywood and the “Godfather” image....…...………………………………………………………………..……………………...19 Media Mangament…………………………………………………………………………………………...22 Robin Hood, the “Gangster”……………………………………………….……………………..23 Publicity…Flamingo Style!..............................................................................................................25 Chapter 3: Manipulation of Authority…………………………......………………………...…28 “Faces of Face”……………………………………………………….…………………………..29 Conclusion……………………………………………………………..………………………….34 Bibliography……………………………………………………………..………………………..36 2 Abstract The story of organized crime in America -
1-2 Front CFP 12-6-13.Indd
Page 2 Colby Free Press Friday, December 6, 2013 Area/State WWeathereather Two angel trees up in Colby BBrieflyriefly The deadline for Briefl y is noon the day before. Items submitted in the By Sam Dieter morning will be set up for the following day, space available. The deadline Colby Free Press for Monday’s paper is noon Friday. [email protected] People in Colby have been Santa City open now open weekends volunteering to get presents this Santa City will be open 1 to 5 p.m. weekends until Monday, Dec. holiday season for local kids 16. After that, it will be open from 6 to 8 p.m. weeknights as well. On who need the help. Christmas Eve, hours will be 1 to 3 p.m. Bring the whole family with their The Colby Berean Church Christmas lists. For information, call the Colby Chamber at 460-3401. has had an Angel Tree up in the church for the last two Sundays, Piano recital set for Sunday as a way for members to donate Piano students of Pat Ziegelmeier will perform in a Christmas recital at gifts to local kids. Todd Mur- 1:30 p.m. Sunday in the sanctuary of the Colby United Methodist Church. dock, a volunteer who set up the The program will be a variety of Christmas selections. There is no charge, angel tree, said the trees are set and everyone is welcome. For information, call Ziegelmeier at 460-5518. up to help Prison Fellowship, an organization that ministers to Combined choirs to give special program prison inmates and helps them Everyone is invited to the Colby United Methodist Church service at 11 reunite with their families after a.m. -
10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs
10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs hollywoodreporter.com/lists/10-surprising-facts-oscar-winner-ruth-e-carter-her-designs-1191544 The Hollywood Reporter The Academy Award-winning costume designer for 'Black Panther' fashioned a headpiece out of a Pier 1 place mat, trimmed 150 blankets with a men's shaver, misspelled a word on Bill Nunn's famous 'Do the Right Thing' tee, was more convincing than Oprah and originally studied special education. Ruth E. Carter in an Oscars sweatshirt after her first nomination for "Malcolm X' and after her 2019 win for 'Black Panther.' Courtesy of Ruth E. Carter; Dan MacMedan/Getty Images Three-time best costume Oscar nominee Ruth E. Carter (whose career has spanned over 35 years and 40 films) brought in a well-deserved first win at the 91st Academy Awards on Feb. 24 for her Afrofuturistic designs in Ryan Coogler’s blockbuster film Black Panther. 1/10 Carter is the first black woman to win this award and was previously nominated for her work in Spike Lee’s Malcolm X (1992) and Steven Spielberg’s Amistad (1997). "I have gone through so much to get here!” Carter told The Hollywood Reporter by email. “At times the movie industry can be pretty unkind. But it is about sticking with it, keeping a faith and growing as an artist. This award is for resilience and I have to say that feels wonderful!" To create over 700 costumes for Black Panther, Carter oversaw teams in Atlanta and Los Angeles, as well as shoppers in Africa. -
Smoothing the Wrinkles Hollywood, “Successful Aging” and the New Visibility of Older Female Stars Josephine Dolan
Template: Royal A, Font: , Date: 07/09/2013; 3B2 version: 9.1.406/W Unicode (May 24 2007) (APS_OT) Dir: //integrafs1/kcg/2-Pagination/TandF/GEN_RAPS/ApplicationFiles/9780415527699.3d 31 Smoothing the wrinkles Hollywood, “successful aging” and the new visibility of older female stars Josephine Dolan For decades, feminist scholarship has consistently critiqued the patriarchal underpinnings of Hollywood’s relationship with women, in terms of both its industrial practices and its representational systems. During its pioneering era, Hollywood was dominated by women who occupied every aspect of the filmmaking process, both off and on screen; but the consolidation of the studio system in the 1920s and 1930s served to reduce the scope of opportunities for women working in off-screen roles. Off screen, a pattern of gendered employment was effectively established, one that continues to confine women to so-called “feminine” crafts such as scriptwriting and costume. Celebrated exceptions like Ida Lupino, Dorothy Arzner, Norah Ephron, Nancy Meyers, and Katherine Bigelow have found various ways to succeed as producers and directors in Hollywood’s continuing male-dominated culture. More typically, as recently as 2011, “women comprised only 18% of directors, executive producers, cinematographers and editors working on the top 250 domestic grossing films” (Lauzen 2012: 1). At the same time, on-screen representations came to be increasingly predicated on a gendered star system that privileges hetero-masculine desires, and are dominated by historically specific discourses of idealized and fetishized feminine beauty that, in turn, severely limit the number and types of roles available to women. As far back as 1973 Molly Haskell observed that the elision of beauty and youth that underpins Hollywood casting impacted upon the professional longevity of female stars, who, at the first visible signs of aging, were deemed “too old or over-ripe for a part,” except as a marginalized mother or older sister. -
Cinematic Specific Voice Over
CINEMATIC SPECIFIC PROMOS AT THE MOVIES BATES MOTEL BTS A&E TELEVISION NETWORKS CHOZEN S1 --- IN THEATER "TURN OFF CELL PHONE" MESSAGE FX NETWORKS E!: BELL MEDIA WHISTLER FILM FESTIVAL TRAILER BELL MEDIA AGENCY FALLING SKIES --- CLEAR GAZE TEASE TNT HOUSE OF LIES: HANDSHAKE :30 SHOWTIME VOICE OVER BEST VOICE OVER PERFORMANCE ALEXANDER SALAMAT FOR "GENERATIONS" & "BURNOUT" ESPN ANIMANIACS LAUNCH THE HUB NETWORK JUNE STUNT SPOT SHOWTIME LEADERSHIP CNN NATIONAL GEOGRAPHIC CHANNEL SUMMER IMAGE "LIFE" SHAW MEDIA INC. Page 1 of 68 TELEVISION --- VIDEO PRESENTATION: CHANNEL PROMOTION GENERAL CHANNEL IMAGE SPOT GENERIC :45 RED CARPET IMAGE FOX BROADCASTING COMPANY HAPPY DAYS FOX SPORTS MARKETING HOLIDAY CAMPAIGN TELEMUNDO MEDIA MUCH: TMC --- SERENA RYDER BELL MEDIA AGENCY SUMMER BY BRAVO DESERT ISLAND :60 BRAVO GENERAL CHANNEL IMAGE CAMPAIGN COMPETITIVE CAMPAIGN DIRECTV DISCOVERY BRAND ANTHEM DISCOVERY, RADLEY, BIGSMACK FOX SPORTS 1 LAUNCH CAMPAIGN FOX SPORTS MARKETING LAUNCH CAMPAIGN PIVOT THE HUB NETWORK'S SUMMER CAMPAIGN THE HUB NETWORK ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE SPOT BRAG PHOTOBOOTH CBS TELEVISION NETWORK BRAND SPOT A&E TELEVISION NETWORKS Page 2 of 68 NBC 2013 SEASON NBCUNIVERSAL SUMMER BY BRAVO DESERT ISLAND :60 BRAVO ZTÉLÉ – HOSTS BELL MEDIA INC. ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE CAMPAIGN NICKELODEON HALLOWEEN IDS 2013 NICKELODEON HOLIDAY CAMPAIGN TELEMUNDO MEDIA NICKELODEON KNIT HOLIDAY IDS 2013 NICKELODEON SUMMER BY BRAVO DESERT ISLAND CAMPAIGN BRAVO NICKELODEON SUMMER IDS 2013 NICKELODEON GENERAL CHANNEL IMAGE SPOT --- LONG FORMAT "WE ARE IT" NUVOTV AN AMERICAN COACH IN LONDON NBC SPORTS AGENCY GENERIC: FBC COALITION SIZZLE (1:49) FOX BROADCASTING COMPANY PBS UPFRONT SIZZLE REEL PBS Page 3 of 68 WHAT THE FOX! FOX BROADCASTING CO. -
Long-Lost NATIONTIME by William Greaves to Premiere in Gary, Indiana
FOR IMMEDIATE RELEASE Contact: Karen Toering, Founder/Director GIBFF [email protected] 219.200.4243 Long-Lost NATIONTIME by William Greaves to Premiere in Gary, Indiana THE GARY INTERNATIONAL FILM FESTIVAL PRESENTS Historic documentary filmed at 1972 Black National Political Convention 4K restoration by IndieCollect August 22, 2020 Gary SouthShore Railcats Stadium - Doors at 4:30pm Film at 6pm View NATIONTIME trailer: https://youtu.be/zMn0uDbTReQ On the heels of the 2020 Democratic National Convention, The Gary International Black Film Festival is proud to present the Gary premiere of William Greaves’s long-lost documentary, NATIONTIME – GARY, about the Black National Political Convention of 1972 in the city where it all started -- Gary, Indiana. The Gary SouthShore Railcats Stadium is the site for the Saturday, August 22 outdoor community screening bringing the voices of the People of Gary to the watershed political moment where the Black community came together to set an agenda for change. “The people of Gary were both witness and engaged participants in this history making moment. The story of the 1972 convention is our story.” said GIBFF founder, Karen Toering This screening is one of a variety of events leading to the upcoming 2020 Black National Convention presented by The Movement 4 Black Lives on August 28. A panel featuring participants from the 1972 and the 2020 Convention will be on hand for a post-film discussion Tickets are free for the in-person and the online screening. Pre-registration is required. Outdoor screening tickets: bit.ly/nationtimeGary Online screening tickets - bit.ly/nationtimeOnline This is the director’s original 90-minute cut of the film that was never released. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
RIOC NEWS Community, Identity, Conversations & Innovations
RIOC NEWS Community, Identity, Conversations & Innovations From left to right, top row: Mary Jackson, Eleanor Roosevelt, Ruth Bader Ginsburg, Chien Shiung Wu, Bottom: Pura Belpre, Audre Lorde, Frida Khalo, Betty Friedan. Vol. 6, Issue 8: March 16, 2021 Community Highlight: Roosevelt Island Girl Scouts The Girl Scouts of Roosevelt Island hail from every building and are a beautiful and inclusive representation of our diverse community. Currently, the island has five troops serving 50-60 girls from second to 12th grade, or, respectively, Brownie, Junior, Cadette, Senior, and Ambassador levels. They are currently seeking a leader for a Daisy (kindergarten and first grade) troop. The mission of Girl Scouts is to build girls of courage, confidence and character that make the world a better place. The island Girl Scouts do this right here, in our community, often in close partnership with island organizations. Girl Scouts identify issues they care about and take action to advocate for improvements in their community and the world. For example, one troop earned their Bronze Award by working with RIOC and PSD to add more “No U Turn” signage to increase visibility and safety. Among other activities, the Girl Scouts have held inter-generational crafting and social evenings with RIDA, served meals for Mother’s Day and Thanksgiving at the Senior Center, planted numerous gardens with iDig2Learn, supported the Wildlife Freedom Foundation, and volunteered IN TH IS ISSUE at events including Fall for Arts, Roosevelt Island Day, the holiday Tree Lighting Ceremony, and the Pumpkin Smash. They practice philanthropy by donating portions of cookie proceeds to causes that matter to them. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.