DOCSLIB.ORG

The Year Round. a Weekly Journal, Conducted by Charles Dickens

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Year Round. a Weekly Journal, Conducted by Charles Dickens _:^ •^ "THE STOKY OF OUR LIVES FROM YEAE TO YEAE.—SIIAKKSPEARE. ALL THE YEAR ROUND. A WEEKLY JOURNAL, CONDUCTED BY CHARLES DICKENS. WITH WHICH IS INOOKPOEATED HOUSEHOLD WORDS. r°- 466,] SATURDAY, MARCH 28, 186S, [PKICE 2C?, opinion. Sergeant," I concluded, in au airy way. THE MOONSTONE. "Back your opinion." Bt TH» ADTHOE OF "TBB Woiuit IS WHrrB," &c. &c. Instead of taking offence, Sergeaut Cuff seized my baud, and shook it till my fingers ached again. CHAPTEE XXn.—(CONTINTIEU.) " [ declare to Heaven," says this strange I TALKED to the wmdow to compose myself, officer solemnly, " I would take to domestic he rain had given over; and, who should 1 service to-morrow, Mr. Betteredge, if I had a 36 in the courtyard, but Mr. Begbie, tbe gar- chauce of being employed along willi You! To ener, waiting outside to continue .the dog-rose say you are as Iranspareut as a child, sir, is to ontroversy with Sergeant Cuff. pay the children a compliment which nine out " My compliments to the Sairgeut," said Mr. of ten of them don't deserve. There ! there ! tegbie, the moment he set eyes on me. I' If we won't begin to dispute again. You shall e's minded to walk to the station, I'm agree- have it out of me on easier terms than that. ble logo with him." I won't say a word raore about her ladysiiip, or " What!" cries the Sergeant, behind me, about Miss Verinder—I'll ouly turn prophet, are you not convinced yet ?" for once in a way, and for your saie. I have " The deil a bit I'm convinced 1" answered warned you already that you haven't doue with IT. Begbie. the Moonstone yet. Very well. Now I'll tell you, at parting, of three things wliich will " Theu I'll walk to the station!" says the happen in the future, aud which, I believe, will ergeant. force theraselves on your attention, whether " Theu I'll meet you at the gate !" says Mr. you like it or not." t^bie. I was angry enough, as yon kuow—but how " Go on!" I said, quite unabashed, and just 'as auy mau's anger to hold out against such as airy as ever. n mterruption as this? Sergeant Cuff noticed " l''irst," said the Sergeaut, " you will hear tie change in me, and encouraged it by a word something from the Yollands—wheu the post­ I season. "Comel corae!" he said, " why uot man delivers Rosauua's letter at Cobb's Hole, reat my view of the case as her ladyship treats on Monday next." ; ? Why not say, the circumstances have fatally If he had thrown a bucket of cold water over ilsled me?" me, I doubt if I could have felt It much more To take anything as her ladyship took it, unpleasantly than I felt those words. Miss 'as a privilege worth enjoying—even with the Rachel's assertion of her innocence had left isadvantage of it's havmg been offered to me Rosanna's conduct—the makiug the new night­ y Sergeant Cuff. I cooled slowly down to ray gown, the hiding tbe smeared nightgown, aud aatomary level. I regarded any other opinion all the rest of it—entirely without explanation. f Miss Rachel, than my lady's opinion or raine, And this had uever occurred to me, till Sergeaut ith a lofty contempt. The only thiug I could Cuff forced it on my miud all in a moineut! ot do, was to keep off the subject of the "In the second place,"proceeded the Sergeant, [oonstone! My own good sense ought to " you will hear of the three Indians agam. You »Te warned me, I know, to let the matter rest will hear of tliera in the ueighbourhood, if Miss -but, there! the virtues which distinguish tlie Rachel reraains in the neighbourhood. You resent generation were not invented m my tirae. will hear of thera in Londou, if Miss Rachel ergeant Cuff had hit me ou the raw, and, goes to London." lough I did look down upon him witii con- Having lost all interest in the three jugglers, impt, the tender place still tingled for all that. and having thoroughly convinced myself of ray he eud of it was that I perversely led hira youug lady's inuocence, I took this second pro­ ick to the subject of her ladyship's letter, phecy easily enough. " So much for two of lam quite satisfied rayself," I said. "But the tliree things that are going to happen," I sver mind that! Go on, *as if I was still open said. " Now for the third !'* ' conviction. You think Miss llachel is not " Third, and last," said Sergeaut Cuff, " you ' be believed on her word; and you say we will, sooner or later, hear soraething of that *U hear of the Moonstone agaiu. Back your money-lender in London, whom I have twice VOL. UX. 4:GG plarch 23, 1868.] ALL THE YEAR ROUND. [Condoeted by taken the liberty of mentioning already. Give " So you have really made up your mmd, me your pocket-book, aud I'll make a uote for sir?" I said, as we met in the hall. "Why you of his name and address—so tbat there not wait a day or two louger, aud give Miss may be no mistake about it if the thing really Rachel another chance?" happens." The foreign varnish appeared to have all He wrote accordingly on a blank leaf:— worn off Mr. Franklin, now that the time had "Mr. Septimus Luker, Middlesex-place, Lam­ come for saying good-bye. Instead of replying to beth, London." rae in words, he put the letter which her lady­ " There," he said, pointing to the address, ship had addressed to bim into my hand. The " arc the last words, on the subject of the Moon­ greater part of it said over agaiu what had been stone, whieh I shall trouble you with for the said already in the other communication re­ present. Time will show whether I ara right ceived by rae. But there was a bit about Miss or wroug. In the mean wliile, sir, I carry away Raehel added at the end which will account for with mc a sincere personal liking for you, which the steadiness of Mr. Franklin's determination I think does honour to both of us. If we don't if it accounts for nothing else. meet again before my professional retirement takes place, I hope you will come aud see rae " You will wonder, I dare say" (her ladyship in a little house near London, which I have got wrote) " at ray allowing my own daughter to my eye on. There will be grass walks, Mr. keep me perfectly in the tfark. A Diamond Betteredge, I promise you, in my garden. Aud worth twenty thousand pouuds has been lost— as for ihe wliite moss rose " and I am left to infer that the mystery of its " The deil a bit ye'll get the white moss rose disappearance is no mystery to Rachel, and to gi'ow, unless ye bud him ou the dogue-rose Ihat some incomprehensible obligation of sUence first," cried a voice at the window. has been laid on her, by some person or persons We both turned round. There was the ever­ utterly unknown to me, with some object m lasting Mr. Begbie, too eager for the controversy view at which I cannot even guess. Is it con­ to wait any longer at the gate. The Sergeant ceivable that I should allow myself to be triSed wrung my hand, and darted out into the court­ with in this way ? It is quite conceivable, m yard, hotter still on his side. " Ask him about Rachel's present state. She is in a condition the moss rose, when lie comes back, and see if of nervous agitation pitiable to see. I dare I have left him a leg to stand ou !" cried the not approach the subject of the Moonsbme great Cuff, hailiug rae through the window again until tirae has done something to quiet ' in his turn. " Gentlemen, both !" I answered, her. To help this end, I bave not hesitated to moderating them again as I bad moderated dismiss the poUee-officer. The mystery which them once already, " In the matter of the baffles us, baffles him too This Is not a matter moss rose there is a great deal to be said on in which any stranger can help us. He adds to both sides !" I might as well (as the Irish say) what I have to suffer; and he maddens ,Rachel have whistled jigs lo a milestone. Away they if she ouly hears his name. went together, fighting the battle of the roses " My plans for the future are as well settled without asking or giving quarter on either side. as they can be. My present idea is to take The last I saw of them, Mr. Begbie was shaking Rachel to London—partly to relieve her mmd his obstinate head, and Sergeant Cuff had got by a complete change, partly to try what may him by the arm like a prisoner in charge. Ah, be done by consulting the best medical ad­ well I well! I owu I couldu't help liking the vice. Can I ask you to meet us in town P My Sergeant—though I hated him all the tirae. dear Franklin, you, in your way, must imitate Explain that state of ralud, if you can.
Load more

Recommended publications
  • The Proliferation of the Grotesque in Four Novels of Nelson Algren
    THE PROLIFERATION OF THE GROTESQUE IN FOUR NOVELS OF NELSON ALGREN by Barry Hamilton Maxwell B.A., University of Toronto, 1976 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department ot English ~- I - Barry Hamilton Maxwell 1986 SIMON FRASER UNIVERSITY August 1986 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME : Barry Hamilton Maxwell DEGREE: M.A. English TITLE OF THESIS: The Pro1 iferation of the Grotesque in Four Novels of Nel son A1 gren Examining Committee: Chai rman: Dr. Chin Banerjee Dr. Jerry Zaslove Senior Supervisor - Dr. Evan Alderson External Examiner Associate Professor, Centre for the Arts Date Approved: August 6, 1986 I l~cr'ct~ygr.<~nl lu Sinnri TI-~J.;~;University tile right to lend my t Ire., i6,, pr oJcc t .or ~~ti!r\Jc~tlcr,!;;ry (Ilw tit lc! of which is shown below) to uwr '. 01 thc Simon Frasor Univer-tiity Libr-ary, and to make partial or singlc copic:; orrly for such users or. in rcsponse to a reqclest from the , l i brtlry of rllly other i111i vitl.5 i ty, Or c:! her- educational i r\.;t i tu't ion, on its own t~l1.31f or for- ono of i.ts uwr s. I furthor agroe that permissior~ for niir l tipl c copy i rig of ,111i r; wl~r'k for .;c:tr~l;rr.l y purpose; may be grdnted hy ri,cs oi tiI of i Ittuli I t ir; ~lntlc:r-(;io~dtt\at' copy in<) 01.
    [Show full text]
  • I Certify That the Thesis Entitled Twisted Things
    I certify that the thesis entitled Twisted Things: Playing with Time submitted for the degree of Doctor of Philosophy is the result of my own work and that where reference is made to the work of others, due acknowledgment is given. I also certify that any material in the thesis which has been accepted for a degree or diploma by any university or institution is identified in the text. ʹI certify that I am the student named below and that the information provided in the form is correctʹ Full Name: Virginia Stewart Murray Signed ..................................................................................…….… Date .................................................................................…….…… Twisted Things: Playing with Time by Virginia Stewart Murray (BA Dip Ed) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Deakin University January 2012 Table of Contents Volume One Creative Component Introduction to Thesis 1 Preface: Neither Fish nor Fowl 3 TWISTED THINGS 7 Volume Two Exegesis Playing with time: an exegesis in three chapters Introduction 127 Chapter One: On the Beach: A Contextual History Part 1 141 Part II 158 Chapter 2: Glamour and Celebrity: 1950s Australian Style 172 Chapter 3: The Role of the Unconscious: Playing with Time in Film 236 Camera Consciousness and Reterritorialisation in 12 Monkeys 249 Sheets of the Past in Jacob’s Ladder 257 Incompossible Worlds in Donnie Darko 264 Suddenly Thirty and the Peaks of the Present 269 Conclusion 280 Works Cited 287 Filmography 299 Works Consulted
    [Show full text]
  • Chabon-Michael-The-Final-Solution.Pdf
    THE FINAL SoLUTIoN ALSo BY MICHAEL CHABoN Summerland The Amazing Adventures of Kavalier & Clay Wonder Boys Werewolves in Their Youth A Model World and Other Stories The Mysteries of Pittsburgh THE FINAL SoLUTIoN A Story of Detection Michael Chabon First published in a slightly different form in The Paris Review in 2003. The steadfast generosity of Sir Arthur Conan Doyle enabled the author to begin this novella; that of the MacDowell Colony enabled him to complete it. Fourth Estate An Imprint of HarperCollins Publishing THE FINAL SOLUTION. Copyright © 2004 by Michael Chabon. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address HarperCollins Publishers Inc., 10 East 53rd Street, New York, NY 10022. HarperCollins books may be purchased for educational, business, or sales promotional use. For information, please write: Special Markets Department, HarperCollins Publishers Inc., 10 East 53rd Street, New York, NY 10022. The epigraph is taken from "Alternating Currents," in A Kiss in Space: Poems by Mary Jo Salter. Knopf, 1999. FIRST U.S. EDITION Printed on acid-free paper Book design by Jennifer Ann Daddio Illustrations by Jay Ryan Library of Congress Cataloging-in-Publication Data is available upon request. ISBN 0-06-076340-X To the memory of AMaNDA DaVIS First reader or these pages The distinction's always fine between detection and invention. - MARY JO SALTER THE FINAL S°LUTI°N 1 A boy with a parrot on his shoulder was walking along the railway tracks.
    [Show full text]
  • A Constructivist Grounded Theory of HE Teacher Practice Enactments at a Landbased College
    Title: “TAKING THE PATH OF LEAST RESISTANCE”: A CONSTRUCTIVIST GROUNDED THEORY OF H.E TEACHER PRACTICE ENACTMENTS AT A UK LANDBASED COLLEGE Name: Eve Rapley This is a digitised version of a dissertation submitted to the University of Bedfordshire. It is available to view only. This item is subject to copyright. “TAKING THE PATH OF LEAST RESISTANCE”: A CONSTRUCTIVIST GROUNDED THEORY OF H.E. TEACHER PRACTICE ENACTMENTS AT A UK LANDBASED COLLEGE E. RAPLEY Ph.D. 2017 UNIVERSITY OF BEDFORDSHIRE Institute for Research in Education (IREd) “TAKING THE PATH OF LEAST RESISTANCE”: A CONSTRUCTIVIST GROUNDED THEORY OF H.E. TEACHER PRACTICE ENACTMENTS AT A UK LANDBASED COLLEGE by Eve Rapley A thesis submitted to the University of Bedfordshire in partial fulfilment of the requirements for the degree of Doctor of Philosophy September 2017 Academic Thesis: Declaration of Authorship I, EVE RAPLEY declare that this thesis and the work presented in it are my own and has been generated by me as the result of my own original research. “TAKING THE PATH OF LEAST RESISTANCE”: A CONSTRUCTIVIST GROUNDED THEORY OF H.E. TEACHER PRACTICE ENACTMENTS AT A UK LANDBASED COLLEGE I confirm that: 1. This work was done wholly or mainly while in candidature for a research degree at this University; 2. Where any part of this thesis has previously been submitted for a degree or any other qualification at this University or any other institution, this has been clearly stated; 3. Where I have cited the published work of others, this is always clearly attributed; 4. Where I have quoted from the work of others, the source is always given.
    [Show full text]
  • The Valley of Ghosts Wallace, Edgar
    The Valley of Ghosts Wallace, Edgar Published: 1922 Type(s): Novels, Crime/Mystery Source: http://gutenberg.net.au 1 About Wallace: Richard Horatio Edgar Wallace (April 1, 1875–February 10, 1932) was a prolific British crime writer, journalist and playwright, who wrote 175 novels, 24 plays, and countless articles in newspapers and journals. Over 160 films have been made of his novels, more than any other author. In the 1920s, one of Wallace's publishers claimed that a quarter of all books read in England were written by him. (citation needed) He is most famous today as the co-creator of "King Kong", writing the early screenplay and story for the movie, as well as a short story "King Kong" (1933) credited to him and Draycott Dell. He was known for the J. G. Reeder detective stories, The Four Just Men, the Ringer, and for creat- ing the Green Archer character during his lifetime. Source: Wikipedia Also available on Feedbooks for Wallace: • Four Just Men (1905) • Room 13 (1924) • The Door with Seven Locks (1926) • Mr J G Reeder Returns (1932) • Planetoid 127 (1927) • The Avenger (1926) • The Angel of Terror (1922) • The Mind of Mr J G Reeder (1925) • The Daffodil Mystery (1920) • The Joker (1926) Copyright: This work is available for countries where copyright is Life+70. Note: This book is brought to you by Feedbooks. http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Chapter 1 Fate and an easy-running Spanz brought Andrew Macleod to the en- virons of Beverley.
    [Show full text]
  • Unfinished Business
    UNFINISHED BUSINESS The Fight for Women’s Rights Large print exhibition guide Contents BODY 7 Image 9 Biology 30 Autonomy 54 MIND 84 Education 86 Political presence 102 Work 116 VOICE 151 Protest and partnership 153 Recover 173 Express 192 Acknowledgements 202 The Fight for Women’s Rights Today’s debates on women’s rights are rooted in a long history of activism. Women and their allies around the world have fought for change with passion, imagination and tenacity. Despite these efforts, not all women enjoy the same rights, depending on their race, class, disability, sexuality or the way they express their identity. The fight for a better world is unfinished business. Focussing on the United Kingdom, this exhibition shines a light on some of the extraordinary women and campaigns that insisted on change – and on those that continue to do so. But what is yet to come? Who else should be celebrated? What stories are missing? #UnfinishedBusiness 3 Gender equality in the UK and around the world These statistics are taken from the United Nation’s Gender Inequality Index. The measures in the Index provide a detailed picture of gender inequality in each country, and identify priority areas for improvement. The United Kingdom scores highly in many areas, and was ranked 27 of 162 countries in the latest 2018 Index. However, the fight for women’s rights is unfinished business, and the Index highlights how the UK can still improve gender equality. Source: hdr.undp.org/en/data 4 Placards On loan from Bishopsgate Institute ‘Grow a Pair’. Placard used by an unknown protestor on the Women’s March on London, 21 January 2017 ‘Unequal pay, discrimination, sexual abuse, domestic violence, reproductive rights, parental rights, LGBTQIA rights, everyday sexism, fascism’.
    [Show full text]
  • A Few Observations on American Fiction, 1851-1875
    A Few Observations On American Fiction, 1851-1875 BY LYLE H. WRIGHT AT the present time, I am engaged in compiling a bibli- Ix. ography of American fiction published in this country between 1851 and 1875. It is to be a continuation of my earlier published work which covered the years 1774 to 1850. In the course of my work, I have visited several libraries known to have good collections in this field. I spent a very profitable month at this Society's Library where one of the outstanding collections of American fiction is to be found, thanks to the efforts of Clarence Saunders Brigham, Director. During my search, I have brought to light many novels and tales that had dropped completely out of sight. Literary historians will say, I am sure, that some of these titles were better forgotten, but that is a bibliographical impossibility. No doubt, some statistics covering the number of novels written on any one subject will have to be revised upward. Moreover, with a better knowledge of the total output of fiction which falls within the scope of my work—I estimate the total will exceed four thousand titles—the scholar has a much broader view of the literary activity in this field during the third quarter of the nineteenth century. It is not my purpose here to evaluate these resurrected works or the works of any author in this twenty-five year period. I wish only to offer my observations and venture a few opinions, based on my findings, on a number of out-of- the-way facts, and to discuss a few points not to be found in 76 AMERICAN ANTIQUARIAN SOCIETY [April, literary histories.
    [Show full text]
  • A History of Millburn Township Ebook
    A History of Millburn Township eBook A History of Millburn Township »» by Marian Meisner Jointly published by the Millburn/Short Hills Historical Society and the Millburn Free Public Library. Copyright, July 5, 2002. file:///c|/ebook/main.htm9/3/2004 6:40:37 PM content TABLE OF CONTENTS I. Before the Beginning - Millburn in Geological Times II. The First Inhabitants of Millburn III. The Country Before Settlement IV. The First English Settlements in Jersey V. The Indian Deeds VI. The First Millburn Settlers and How They Lived VII. I See by the Papers VIII. The War Comes to Millburn IX. The War Leaves Millburn and Many Loose Ends are Gathered Up X. The Mills of Millburn XI. The Years Between the Revolution and the Coming of the Railroad XII. The Coming of the Railroad XIII. 1857-1870 XIV. The Short Hills and Wyoming Developments XV. The History of Millburn Public Schools XVI. A History of Independent Schools XVII. Millburn's Churches XVIII. Growing Up file:///c|/ebook/toc.htm (1 of 2)9/3/2004 6:40:37 PM content XIX. Changing Times XX. Millburn Township Becomes a Centenarian XXI. 1958-1976 file:///c|/ebook/toc.htm (2 of 2)9/3/2004 6:40:37 PM content Contents CHAPTER I. BEFORE THE BEGINNING Chpt. 1 MILLBURN IN GEOLOGICAL TIMES Chpt. 2 Chpt. 3 The twelve square miles of earth which were bound together on March 20, Chpt. 4 1857, by the Legislature of the State of New Jersey, to form a body politic, thenceforth to be known as the Township of Millburn, is a fractional part of the Chpt.
    [Show full text]
  • Édith Piaf: a Cultural History
    ÉDITH PIAF: A CULTURAL HISTORY ÉDITH PIAF A Cultural History David Looseley LIVERPOOL UNIVERSITY PRESS Édith Piaf: A Cultural History First published 2015 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2015 David Looseley The right of David Looseley to be identified as the author of this book has been asserted by him in accordance with the Copyright, Design and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available print ISBN 978-1-78138-257-8 epdf ISBN 978-1-78138-425-1 Typeset by Carnegie Book Production, Lancaster Printed in the UK by CPI Group (UK) Ltd, Croydon CR0 4YY. Contents CONTENTS Acknowledgements vii Chronology 1 Introduction 15 part i: narrating piaf 1 Inventing la Môme 27 2 Piaf and her public 45 3 A singer at war 65 part ii: piaf and chanson 4 A new Piaf 83 5 High art, low culture: Piaf and la chanson française 97 6 Ideology, tragedy, celebrity: a new middlebrow 113 part iii: afterlives 7 Losing Piaf 135 8 Remembering Piaf 153 9 Performing Piaf 171 Conclusion 185 Notes 193 References 233 Index 243 v For my granddaughter Elizabeth (Lizzie) Looseley-Burnet, with love Acknowledgements Acknowledgements would like to express my gratitude to the following, who in I various ways have helped me with the research for this book: Jacques d’Amboise, Ewan Burnet, Erica Burnham of the University of London in Paris, Di Holmes, Jim House, John and Josette Hughes, the late Tony Judt, Rhiannon Looseley, Bernard Marchois of the Musée Édith Piaf, Sue Miller, Cécile Obligi of the Bibliothèque nationale’s Département des arts du spectacle, Cécile Prévost-Thomas, Keith Reader, Philip Tagg, Florence Tamagne and Vera Zolberg.
    [Show full text]
  • Violence in Western Movies
    Violence in Western Movies Kaisa Pääkkö Deg ree Thesis Media Culture 1 2012 DEGREE THESIS Arcada Degree Programme: Media Culture Identification number: Author: Kaisa Pääkkö Title: Violence in Western Movies Supervisor (Arcada): Kauko Lindfors Commissioned by: Abstract: The aim of this thesis is to determine how violence is used in films of the Western genre. The focus is on the importance of violence as a structuring element in narratives typical of the genre, a device for characterization and as a signifying agent of morality or ideology. The basis of the thesis is the assumption that violence is a defining and integral part of Western stories and that, as the genre has developed, the way that violence is depicted stylistically and utilized as a plot device has changed over time, consequently altering the messages conveyed by the films. The method used to answer the questions posed in the thesis is to research relevant background information – the history of the genre, the function of violence in film – about the genre and then analyzing two films, The Tin Star and Unforgiven, on that foundation. As one of the films is a traditional Western, from an era with more stringent regulation of depictions of violence, and the other a revisionist Western from a quarter of a century later, they serve to exemplify the drastic changes in the genre. The conclusions drawn from the analysis largely support the suppositions of the thesis, as violence is shown to be a crucial element in both films, albeit with distinct differences in the values imparted by them. Both films demonstrate the way violence is used to shape Western stories and characters, but the positive portrayal of heroes wielding violence for the good of community in The Tin Star is starkly contrasted with the desolate, purposeless killing in Unforgiven .
    [Show full text]
  • Stalinism Revisited Stalinism Revisited
    CYAN MAGENTA YELLOW BLACK Stalinism Revisited Stalinism Revisited Stalinism Revisited brings together representatives of multiple generations to create a rich examination The Establishment of Communist Regimes in East-Central Europe of the study and practice of Stalinism. While the articles are uniformly excellent, the book’s signal contribution is to bring recent research from Eastern European scholars to an English-speaking audience. Thus the volume is not just a “state of the discipline” collection, in which articles are collected to reflect that current situation of scholarship in a given field; instead, this one includes cutting edge scholarship that will prompt more of the same from other scholars in other fields/subfields. I would recommend this book highly to anyone interested in understanding the technology of Stalinism in both StalinismStalinism thought and practice. Nick Miller Boise State University The Sovietization of post-1945 East-Central Europe—marked by the forceful imposition of the Soviet- type society in the region—was a process of massive socio-political and cultural transformation. Despite its paramount importance for understanding the nature of the communist regime and its RevisitedRevisited legacy, the communist take-over in East Central European countries has remained largely under- researched. Two decades after the collapse of the communist system,Stalinism Revisited brings together a remarkable international team of established and younger scholars, engaging them in a critical re-evaluation of the institutionalization of communist regimes in East-Central Europe and of the period of “high Stalinism.” Sovietization is approached not as a fully pre-determined, homogeneous, and monolithic transformation, but as a set of trans-national, multifaceted, and inter-related processes of large-scale institutional and ideological transfers, made up of multiple “takeovers” in various fields.
    [Show full text]
  • Cinematic Visions of Los Angeles: Representations of Identity and Mobility in the Cinematic City Fox, Kenneth James
    Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city Fox, Kenneth James The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1767 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LT-H-111111423-i ai3890 iýýmX ýw Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city Kenneth James Fox Queen Mary, University of London Thesis submitted for the degree of Doctor of Philosophy February 2006 Cinematic visions of Los Angeles: Representations of identity and mobility in the cinematic city Table of Contents Thesis Abstract Acknowledgements (ii) Foreword: From Ballyshannon to Los Angeles 1-4 Chapter One 5-54 The Cinematic City Chapter Two 55 - 85 Los Angeles: interweaving the material and the cinematic city Chapter Three 86 - 118 Reconstructing past visions of Los Angeles: mobility and identity in the noir cinematic city Chapter Four 119-158 Cinematic visions of future Los Angeles Chapter Five 159 -191 Cinematic visions of contemporary Los Angeles: Chapter Six 192 - 228 Cinematic visions of Latina/o Los Angeles Chapter Seven 229 - 260 Los Angeles: A cinematic city of hybridity? Chapter Eight 261 - 281 Cinematic Los Angeles: a new imaginary? Bibliography 282 - 309 Filmography 310 - 320 Appendix 1 (Stills in Volume 2) 1- 65 THESIS ABSTRACT Kenneth James Fox Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city.
    [Show full text]