DOCSLIB.ORG

Wwciguide April 2016.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Air Check Dear Member, The Guide This month, be sure to join us for the premiere of the cross-platform three-part series 10 Homes, The Member Magazine for WTTW and WFMT Parks, and Towns that Changed America, hosted by Geoffrey Baer, which spotlights the special Renée Crown Public Media Center places that change the way Americans live, work, and play. Explore American architecture, design, 5400 North Saint Louis Avenue and urban planning as Geoffrey shows how our homes, towns, and parks reflect our nation’s history, Chicago, Illinois 60625 values, ingenuity, and hopes for the future. With the series, we will also launch an immersive mobile Main Switchboard website at wttw.com/10thatchanged where you can discover more homes, (773) 583-5000 towns, and parks; exclusive video and other stories; interactive games and Member and Viewer Services features; a timeline and map across America; and more. (773) 509-1111 x 6 WFMT Radio Networks Also in April, WTTW11 brings you the premiere of Ken Burns’ fascinating (773) 279-2000 two-part biography of baseball player and civil rights activist Jackie Chicago Production Center Robinson, the first to break the color barrier in Major League Baseball; (773) 583-5000 and we will also revisit two other popular Ken Burns series: JAZZ and The Websites National Parks: America’s Best Idea. Enjoy more episodes of our digital wttw.com series Chat, Please! and watch the fun and informative “Chef’s Choice” wfmt.com episode of Check, Please!, which the Chicago Tribune called “must-see TV President & CEO for any Chicagoan who dines out.” There will be new episodes of popular Daniel J. Schmidt favorites Call the Midwife, Father Brown, and Death in Paradise, and the COO & CFO new action-packed detective series Luther, starring Idris Elba. Don’t miss The Interview Show, hosted Reese Marcusson by Mark Bazer; Point Taken, a weekly interactive panel discussion series; the inside stories of Britain’s EVP Radio & Project Development Prince Philip, Wallis Simpson, and Pope (now Saint) John Paul; and a remembrance of the young diarist Steve Robinson Anne Frank. And, finally, we close out April with a new season of WTTW’s landmark music series Guide Staff Soundstage, which will commence with a rousing concert by country legend Toby Keith, taped in our Publisher own Grainger Studio. Watch all of this anytime and anywhere – on WTTW11, on wttw.com/video, or Anne Gleason via the PBS video app. Art Director On 98.7WFMT and wfmt.com, as the worldwide celebration of William Shakespeare 400 rolls on, we Television Contributors devote April 23 (Shakespeare’s birthday) to musical inspirations from the Bard’s astounding dramatic Julia Maish legacy; check out wfmt.com for related content. We’ll be featuring comedians and musical humor on Dan Soles April Fool’s Day and, from the Metropolitan Opera, we present new productions of Strauss’ Elektra, Radio Contributor Donizetti’s Roberto Devereux, Verdi’s Otello and Simon Boccanegra, and Puccini’s Madama Butterfly. Andrea Lamoreaux Distribution Manager Be sure to take advantage of your very own Member Perks on page 4 and many more at wfmt.com/ Pat Sheppard benefits. Each month, you’ll find a wide variety of restaurant, theatre, museum, concert, and other discounts, so you can make the most of everything Chicago has to offer. Advertising Sales WTTW: Douglas Carleton On behalf of all of us at WTTW and WFMT, heartfelt thanks for your continuing support. (773) 279-2128 Sincerely, WFMT: Paul Ansell (773) 279-2101 The Guide: The Member Magazine for WTTW and WFMT Dan Schmidt (ISSN 2329-1338) April 2016 President & CEO Volume 31, Number 220 The Guide: The Member Magazine for WTTW and WFMT is published monthly (for contributors of $40 or more annually) by Window To The World Communications, Inc., 5400 Inside the Guide North Saint Louis Ave., Chicago, IL 60625-4698. Periodical postage paid 3 Member Connections 14 Multi-Channel Primetime Grid at Chicago, IL and additional mailing 4 Member Perks 17 Do it Yourself Saturdays offices. 5 TV Listings 21 At-a-Glance POSTMASTER: Send address changes to The Guide: The Member 6 WTTW Digital Channel Highlights 22 Radio Listings Magazine for WTTW and WFMT, 5400 7 Women’s History Month Programming 31 Sponsors North Saint Louis Ave., Chicago, IL 8 WTTW Kid Grid 60625-4698. Copyright 2014, Window To The World Communications, Inc., Chicago, IL. ON THE COVER: Geoffrey Baer at Lyndhurst, overlooking the Hudson River in Tarrytown, New York. Photo: Jonathan Hillyer 2 APRIL 2016 MEMBER CONNECTIONS Live Piano Concert Wild Kratts LIVE! WFMT’s monthly live series, The PianoForte Salon Series, WHAT continues its season of broadcasts and you’re invited to be part of The PianoForte Salon Series the audience! Join WFMT for a live performance and conversation WHERE this month The Zodiac Trio. The program features the music of PianoForte Studios Bartók, Shostakovich, and 1335 S. Michigan Avenue in Khachaturian. Chicago The Zodiac Trio – Kliment Krylovskiy, clari- WHEN Friday, April 1, 12:00 pm net; Vanessa Mollard, vio- lin; and Riko Higuma, piano – enjoys an international concert schedule that spans three continents and presents an eclectic repertoire that mixes contem- porary with the traditional. The ensemble formed in 2006 at Manhattan School of Music before becoming the first American group and the only ensemble with a wind instrument to enter the esteemed Ysaÿe Quartet Chamber Music program at the Paris Superior Conservatory. WHAT Admission to this concert is free. For more information, visit Wild Kratts LIVE! pianofortefoundation.org. WHERE Rosemont Theatre 5400 N. River Road Independent Lens: in Rosemont WHAT Peace Officer Screening WHEN Indie Lens Pop-Up: Sunday, April 10, 1:00 and 4:30 pm WTTW, in partnership with the Department of Cultural Affairs and Peace Officer (2 shows) Screening & Discussion Special Events, present a free screening and discussion of the Indie Lens Pop-up documen- WHERE tary film, Peace Officer. Chicago Cultural Center The increasingly tense The popular WTTW Kids show Wild Kratts is 78 E. Washington Street in relationship between law coming to the live stage. Animated Kratt Brothers, Chicago enforcement and the Martin and Chris, “come to real life” in a classi- WHEN public is seen through cally Wild Kratts story. In “To the Creature Rescue,” Saturday, April 16, 2:00 pm the eyes of someone the Kratt Brothers activate some fan favorite who’s been on both sides: Creature Power Suits to confront a comic villain. a former sheriff who es- Through hilarious pratfalls and amazing animal tablished Utah’s first “wow” facts, the Wild Kratts team rescues their SWAT team, only to see the same unit kill his son-in-law in a con- favorite invention from Zach’s clutches so the ani- troversial standoff 30 years later. Now a private investigator, Dub mals of the creature world are safe once again. seeks the truth in this case and other officer-involved shootings. To learn more about this popular and family- For more information, visit wttw.com/events. friendly event, visit wttw.com/events. Cornerstones of Rock LIVE! This special Cornerstones of Rock concert is a WHAT nostalgic celebration of the local “garage bands” Cornerstones of Rock LIVE! that rose to national prominence in the 1960s and ‘70s, and remain as favorites today with their sing- WHERE North Shore Center along hits. This special shines a spotlight on the for the Performing Arts local groups from the Chicago area who defined 9501 Skokie Boulevard this era as they rose through the teen clubs all the in Skokie way to national prominence. Come see them live in concert featuring The Ides WHEN Sunday, May 1, 5:00 pm of March, The Buckinghams, The New Colony Six with Bruce Mattey and Ray Graffia, The Cryan Shames, and more! Each pair of tickets comes with the Cornerstones of Rock DVD/CD as a bonus! To purchase tickets, please visit wttw.com/events. 2016 APRIL 3 MEMBER PERKS $10 Off Tickets to NEW COUNTRY WTTW Members have the exclusive opportunity to receive $10 off tickets to the Midwest premiere of The New York Times Critics’ Pick NEW COUNTRY, starring comedian, actor, and writer Mark Roberts, best known for his TV work on the hit comedy sitcoms Two and a Half Men and Mike & Molly. In NEW COUNTRY, good-ole bad boy and country music star Justin Spears has the world on its knees. Tomorrow he’s tying the knot, but tonight, he’s tying one on with his entourage of ruthless manag- ers, faux fans and friends, and his favorite pig-farming uncle. So how does this ram- bunctious rodeo go so wrong, so fast? Welcome to NEW COUNTRY, where the hits just keep on comin’, and the raucous fun quickly turns to men behaving badly and gun totin’ chickens coming home to roost. This no-holds-barred show runs through May 14 at The Den Theatre, 1333 N. Milwaukee Avenue in Chicago. To redeem this special offer, please call (800) 838-3006 or visit NewCountryThePlay.com and $5 off Tickets to Where Did use code WTTW when purchasing tickets. Offer is valid for all performances through May 14. We Sit on the Bus? Where Did We Sit on the Bus? directed by $10 Off First Time Flyer Packages Chay Yew, is an electric one-man show pulsing WTTW Members have the exclusive opportunity to receive $10 off First Time Flyer Packages at iFLY, with Latin rhythms, rap, hip-hop, spoken word, the world’s largest Indoor Skydiving operation! iFLY is now delivering the dream of flight to adventure and live looping. During a third grade lesson on seekers in the Lincoln Park area.
Recommended publications
  • Whrb 95.3 Fm

    Whrb 95.3 Fm

    N December 2019 January/February 2020 Volume 48, No. 2 95.3 FM Pachelbel: Canon and Gigue in D; King, Musica da Camera (Linn) Schumann: Carnaval, Op. 9; Uchida (Philips) Brahms: Symphony No. 2 in D, Op. 73; Munch, Boston Sym- phony Orchestra (Erato LP) Vaughan Williams: The Lark Ascending; Brown, Marriner, Academy of St. Martin-in-the-Fields (London) WHRB Mozart: Eine kleine Nachtmusik; Koopman, Amsterdam Bar- oque Orchestra (Erato) Vivaldi: The Four Seasons; Shaham, Orpheus Chamber Orches- 95.3 FM tra (DG) Fauré: Pavane, Op. 50; Orpheus Chamber Orchestra (DG) ® Holst: The Planets, Op. 32; Holst, London Symphony Orchestra Legend has it that the WHRB Orgy tradition began over (Koch) seventy-five years ago, in the spring of 1943. At that time, it is said that one Harvard student, then a staff member of WHRB, returned to the station after a particularly difficult exam and Monday, December 2 played all of Beethoven’s nine symphonies consecutively (from 78 rpm records) to celebrate the end of a long, hard term of midnight SCIENTOLOGY: A MUSICAL EXPLORA- ® TION studying. The idea caught on, and soon the Orgy concept was The Scientology Orgy is an in-depth exploration of songs expanded to include live jazz, rock, hip-hop, blues, and even about scientology and by scientologists, spanning time and sports Orgies. The Orgy® tradition lives on even today at WHRB. genre. Scientology is part of a new wave of religious exploration During the Reading and Exam Periods of Harvard College, and was created in response to the more traditional religions. In essence, religion is a way to explain humankind and its reactions WHRB presents marathon-style musical programs devoted to a to the world including love, pain, excitement, and anger, just to single composer, performer, genre, or subject.
  • Event. Location

    Event. Location

    12th Annual A remarkable CHAMBER EVENT. MUSIC FESTIVAL A remarkable of the LOCATION. BLUEGRASS 2018 Overview Festival Program Now in its 12th year, the FRIDAY, MAY 25, 2018 Chamber Music Festival of the Bluegrass is a premier The Meeting House Central Kentucky cultural destination. Join CMS Artistic Directors David Haydn Finckel and Wu Han for Trio in C major for Piano, Violin, and Cello, Hob. XV:27 (1797) special performances in the Allegro 1820 Meeting House and the Wu Han, Huang, Finckel Meadow View Barn. Chamber music enthusiasts will also Schumann enjoy two educational lectures, Quartet in E-flat major for Piano, Violin, Viola, and Cello, Op. 47 (1842) led by Patrick Castillo, Andante cantabile exploring the history of each Wu Han, Keefe, Lipman, Atapine featured piece of music. Waxman 2018 ARTISTS Carmen Fantasie for Viola and Piano (1947) Lipman, Pohjonen JUHO POHJONEN, Piano WU HAN, Piano Brahms Trio in E-flat major for Horn, Violin, and Piano, Op. 40 (1865) PAUL HUANG, Violin Finale: Allegro con brio ERIN KEEFE, Violin Vlatkovic, Pohjonen MATTHEW LIPMAN, Viola DMITRI ATAPINE, Cello DAVID FINCKEL, Cello RADOVAN VLATKOVIC´ , Horn Friday, May 25 at 6:30pm: Patrons’ Gala and Dinner 12th Annual CHAMBER MUSIC FESTIVAL of the BLUEGRASS SATURDAY, MAY 26, 2018 AT 11:00 AM Dvorák, 14’ SUNDAY, MAY 27, 2018 AT 5:00 PM THE MEETING HOUSE Drobnosti (Miniatures) for Two Violins and Viola, MEADOW VIEW BARN Op. 75a (1887) Haydn, 16’ Cavatina: Moderato Mozart, 26’ Trio in C major for Piano, Violin, and Cello, Capriccio: Poco allegro Quartet in G minor for Piano, Violin, Viola, and Hob.
  • FANTOM OPERY Text Napsal

    FANTOM OPERY Text Napsal

    Floor Jansen Tuomas Holopainen Emppu Vuorinen Troy Donockley Jukka Nevalainen Marco Hietala Kai Hahto Sami Vänskä Tarja Turunen Anette Olzon Emppu Vuorinen – Troy Donockley – Floor Jansen – Tuomas Holopainen – Kai Hahto – Marco Hietala Rok vydání: 2007 AAMMAARRAANNTTHH Album: DARK PASSION PLAY Předehra Baptised with a perfect name. The doubting one by heart. Alone without himself. War between him and the day. Need some one to blame. In the end, little he can do alone. Ref.: You believe but what you see. You receive but what you give. Caress the one, the Never-Fading. Rain in your heart - the tears of snow-white sorrow. Caress the one, the hiding amaranth. In a land of the daybreak. Apart from the wandering pack. In this brief flight of time we reach. For the ones, whoever dare. Ref.: You believe but what you see. You receive but what you give. I: Caress the one, the Never-Fading. Rain in your heart - the tears of snow-white sorrow. Caress the one, the hiding amaranth. In a land of the daybreak. :I Mezihra Reaching, searching for something untouched. Hearing voices of the Never-Fading calling. Calling … Calling … Ref.: I: Caress the one, the Never-Fading. Rain in your heart - the tears of snow-white sorrow. Caress the one, the hiding amaranth. In a land of the daybreak. :I Daybreak. 4:51 Text napsal: AAMMAARRAANNTTHH TUOMAS HOLOPAINEN Předehra Pokřtěn perfektním jménem. Pochybující svým srdcem. Osamělostí sám bez sebe. Válka mezi ním a dnem. Potřebuje na někoho hodit vinu. Nakonec toho sám zvládne málo. Ref.: Věříš, ale co vidíš.
  • Newsletter • Bulletin Summer 2002 Été

    Newsletter • Bulletin Summer 2002 Été

    NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Summer 2002 Été P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 A new Canadian star!!! by Renate Chartrand Opernglas’ featured a six-page interview with her on the occasion of her Covent Garden debut as Donna Anna with Bryn Terfel as Don Giovanni. (Perhaps while I am writing this, ‘Opera Canada’ is doing the same?) For several years she was based in Vienna, singing lead roles at the State Opera. Elsewhere in Europe she has had great success as Elsa, Arabella, Tatiana, Desdemona and Alice Ford in Munich, Paris, Glyndebourne and Milan. Four years ago in Hamburg she had already caught my at- tention as a great Ellen Orford in Peter Grimes. As is the custom in Europe we joined the fans wait- ing for her at the stage door and asked her whether she is thinking of doing Tosca. Yes, next year in San Francisco. This year she will sing her first Elisabetta (Don Carlo) in Salzburg, Ariadne in Barcelona and her Met debut as Lisa (Pique Dame) is planned for 2004. For us Ottawans of greatest interest will be her first Sieglinde in Toronto’s (continued on page 3) Adrianne Pieczonka Kat’a Kabanova During my trip to Germany in April I had the pleasure of witnessingBrian a Canadian star being born. Soprano Adrianne Pieczonka made the front page of the ‘Hamburger Abendblatt’Law with the comment “A star was born” follow- ing the opening night of Kat’a Kabanova by Janacek at the Hamburg State Opera.
  • Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, Thaddaeusbourne@Gmail.Com

    Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]

    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and
  • Spring 2008-Final

    Spring 2008-Final

    Wagneriana Endloser Grimm! Ewiger Gram! Spring 2008 Der Traurigste bin ich von Allen! Volume 5, Number 2 —Die Walküre From the Editor ven though the much-awaited concert of the Wagner/Liszt piano transcriptions was canceled due to un- avoidable circumstances (the musicians were unable to obtain a visa), the winter and early spring months E brought several stimulating events. On January 19, Vice President Erika Reitshamer gave an audiovisual presentation on Wagner’s early opera Das Liebesverbot. This well-attended event was augmented by photocopies of extended excerpts from the libretto, with frequently amusing commentary by the presenter on Wagner’s influences and foreshadowings of his future operas. February 23 brought the excellent talk by Professor Hans Rudolf Vaget of Smith College. Professor Vaget spoke about Wagner’s English biographer Ernest Newman, whose seminal four-volume book The Life of Richard Wagner has never been surpassed in its thoroughness. In the early part of the twentieth century, the music critic Newman served as a counterbalance to his fellow countryman Houston Stewart Chamberlain, Wagner’s son-in-law and an ardent Nazi. The talk also included aspects of Thomas Mann’s fictional writings on Wagner, as well as the philoso- pher and musician Theodor Adorno and Wagner’s other son-in-law Franz Beidler. On April 19 we learned the extent of Buddhism’s influence on Wagner’s operas thanks to a lecture and book signing by Paul Schofield, author of The Redeemer Reborn: Parsifal as the Fifth Opera of Wagner’s Ring. The audience members were so interested in what Mr.
  • HOLLYWOOD FILMS in the NON-WESTERN WORLD: What Are the Criteria Followed by the Chinese Government When Choosing Hollywood Film Imports?

    HOLLYWOOD FILMS in the NON-WESTERN WORLD: What Are the Criteria Followed by the Chinese Government When Choosing Hollywood Film Imports?

    HOLLYWOOD FILMS IN THE NON-WESTERN WORLD: What Are the Criteria Followed by the Chinese Government When Choosing Hollywood Film Imports? Marta Forns Escudé 2013/38 Marta Forns Escudé Institut Barcelona d’Estudis Internacionals (IBEI) [email protected] ISSN: 1886-2802 IBEI WORKING PAPERS 2013/38 Hollywood Films in the Non-Western World: What Are the Criteria Followed by the Chinese Government When Choosing Hollywood Film Imports? © Marta Forns Escudé © IBEI, de esta edición Edita: CIDOB edicions Elisabets, 12 08001 Barcelona Tel. 93 302 64 95 Fax. 93 302 21 18 E-mail: [email protected] URL: www.cidob.org Depósito legal: B-21.147-2006 ISSN:1886-2802 Imprime: CTC, S.L. Barcelona, May 2013 HOLLYWOOD FILMS IN THE NON-WESTERN WORLD: WHAT ARE THE CRITERIA FOLLOWED BY THE CHINESE GOVERNMENT WHEN CHOOSING HOLLYWOOD FILM IMPORTS? Marta Forns Escudé Abstract: This dissertation argues that the Government of the People’s Republic of China, when it made the decision to import a quota of Hollywood films in 1994 to revive the failing domestic film industry, had different possible criteria in mind. This project has studied four of them: first, importing films that gave a negative image of the United States; second, impor- ting films that featured Chinese talent or themes; third, importing films that were box office hits in the United States; and fourth, importing films with a strong technological innovation ingredient. In order to find out the most important criteria for the Chinese Government, this dissertation offers a dataset that analyzes a population of 262 Hollywood films released in the PRC between 1994 and 2010.
  • The Critical Reception of Beethoven's Compositions by His German Contemporaries, Op. 123 to Op

    The Critical Reception of Beethoven's Compositions by His German Contemporaries, Op. 123 to Op

    The Critical Reception of Beethoven’s Compositions by His German Contemporaries, Op. 123 to Op. 124 Translated and edited by Robin Wallace © 2020 by Robin Wallace All rights reserved. ISBN 978-1-7348948-4-4 Center for Beethoven Research Boston University Contents Foreword 6 Op. 123. Missa Solemnis in D Major 123.1 I. P. S. 8 “Various.” Berliner allgemeine musikalische Zeitung 1 (21 January 1824): 34. 123.2 Friedrich August Kanne. 9 “Beethoven’s Most Recent Compositions.” Allgemeine musikalische Zeitung mit besonderer Rücksicht auf den österreichischen Kaiserstaat 8 (12 May 1824): 120. 123.3 *—*. 11 “Musical Performance.” Wiener Zeitschrift für Kunst, Literatur, Theater und Mode 9 (15 May 1824): 506–7. 123.4 Ignaz Xaver Seyfried. 14 “State of Music and Musical Life in Vienna.” Caecilia 1 (June 1824): 200. 123.5 “News. Vienna. Musical Diary of the Month of May.” 15 Allgemeine musikalische Zeitung 26 (1 July 1824): col. 437–42. 3 contents 123.6 “Glances at the Most Recent Appearances in Musical Literature.” 19 Caecilia 1 (October 1824): 372. 123.7 Gottfried Weber. 20 “Invitation to Subscribe.” Caecilia 2 (Intelligence Report no. 7) (April 1825): 43. 123.8 “News. Vienna. Musical Diary of the Month of March.” 22 Allgemeine musikalische Zeitung 29 (25 April 1827): col. 284. 123.9 “ .” 23 Allgemeiner musikalischer Anzeiger 1 (May 1827): 372–74. 123.10 “Various. The Eleventh Lower Rhine Music Festival at Elberfeld.” 25 Allgemeine Zeitung, no. 156 (7 June 1827). 123.11 Rheinischer Merkur no. 46 27 (9 June 1827). 123.12 Georg Christian Grossheim and Joseph Fröhlich. 28 “Two Reviews.” Caecilia 9 (1828): 22–45.
  • The Dynamics of Syria's Civil

    The Dynamics of Syria's Civil

    CHILDREN AND FAMILIES The RAND Corporation is a nonprofit institution that helps improve policy and EDUCATION AND THE ARTS decisionmaking through research and analysis. ENERGY AND ENVIRONMENT HEALTH AND HEALTH CARE This electronic document was made available from www.rand.org as a public service INFRASTRUCTURE AND of the RAND Corporation. TRANSPORTATION INTERNATIONAL AFFAIRS LAW AND BUSINESS Skip all front matter: Jump to Page 16 NATIONAL SECURITY POPULATION AND AGING PUBLIC SAFETY Support RAND SCIENCE AND TECHNOLOGY Browse Reports & Bookstore TERRORISM AND Make a charitable contribution HOMELAND SECURITY For More Information Visit RAND at www.rand.org Explore the RAND Corporation View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non- commercial use only. Unauthorized posting of RAND electronic documents to a non-RAND website is prohibited. RAND electronic documents are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. RAND perspectives (PEs) present informed perspective on a timely topic that address the challenges facing the public and private sectors. All RAND perspectives undergo rigorous peer review to ensure high standards for research quality and objectivity. Perspective C O R P O R A T I O N Expert insights on a timely policy issue The Dynamics of Syria’s Civil War Brian Michael Jenkins Principal Observations One-third of the population has fled the country or has been displaced internally.
  • La Couleur Du Temps – the Colour of Time Salzburg Whitsun Festival 29 May – 1 June 2020

    La Couleur Du Temps – the Colour of Time Salzburg Whitsun Festival 29 May – 1 June 2020

    SALZBURGER FESTSPIELE PFINGSTEN Künstlerische Leitung: Cecilia Bartoli La couleur du temps – The Colour of Time Pauline Viardot-Garcia (1821 – 1910) Photo: Uli Weber - Decca Salzburg Whitsun Festival 29 May – 1 June 2020 (SF, 30 December 2019) The life of Pauline Viardot-Garcia – singer, musical ambassador of Europe, outstanding pianist and composer – is the focus of the 2020 programme of the Salzburg Whitsun Festival. “The uncanny instinct Cecilia Bartoli has for the themes of our times is proven once again by her programme for the 2020 Salzburg Whitsun Festival, which focuses on Pauline Viardot. Orlando Figes has just written a bestseller about this woman. Using Viardot as an example, he describes the importance of art within the idea of Europe,” says Festival President Helga Rabl-Stadler. 1 SALZBURGER FESTSPIELE PFINGSTEN Künstlerische Leitung: Cecilia Bartoli Pauline Viardot not only made a name for herself as a singer, composer and pianist, but her happy marriage with the French theatre manager, author and art critic Louis Viardot furthered her career and enabled her to act as a great patron of the arts. Thus, she made unique efforts to save the autograph of Mozart’s Don Giovanni for posterity. Don Giovanni was among the manuscripts Constanze Mozart had sold to Johann Anton André in Offenbach in 1799. After his death in 1842, his daughter inherited the autograph and offered it to libraries in Vienna, Berlin and London – without success. In 1855 her cousin, the pianist Ernst Pauer, took out an advertisement in the London-based journal Musical World. Thereupon, Pauline Viardot-García bought the manuscript for 180 pounds.
  • A Schema of Right-Wing Extremism in the United States

    A Schema of Right-Wing Extremism in the United States

    ICCT Policy Brief October 2019 DOI: 10.19165/2019.2.06 ISSN: 2468-0486 A Schema of Right-Wing Extremism in the United States Author: Sam Jackson Over the past two years, and in the wake of deadly attacks in Charlottesville and Pittsburgh, attention paid to right-wing extremism in the United States has grown. Most of this attention focuses on racist extremism, overlooking other forms of right-wing extremism. This article presents a schema of three main forms of right-wing extremism in the United States in order to more clearly understand the landscape: racist extremism, nativist extremism, and anti-government extremism. Additionally, it describes the two primary subcategories of anti-government extremism: the patriot/militia movement and sovereign citizens. Finally, it discusses whether this schema can be applied to right-wing extremism in non-U.S. contexts. Key words: right-wing extremism, racism, nativism, anti-government A Schema of Right-Wing Extremism in the United States Introduction Since the public emergence of the so-called “alt-right” in the United States—seen most dramatically at the “Unite the Right” rally in Charlottesville, Virginia, in August 2017—there has been increasing attention paid to right-wing extremism (RWE) in the United States, particularly racist right-wing extremism.1 Violent incidents like Robert Bowers’ attack on the Tree of Life synagogue in Pittsburgh, Pennsylvania in October 2018; the mosque shooting in Christchurch, New Zealand in March 2019; and the mass shooting at a Walmart in El Paso, Texas in August
  • PDF Version of July 2018 Patterns

    PDF Version of July 2018 Patterns

    FRIENDS OF WILL MEMBERSHIP MAGAZINE patterns july 2018 Tuesday, July 10 at 8 pm WILL-TV TM patterns Membership Hotline: 800-898-1065 july 2018 Volume XLVI, Number 1 WILL AM-FM-TV: 217-333-7300 Campbell Hall 300 N. Goodwin Ave., Urbana, IL 61801-2316 Mailing List Exchange Donor records are proprietary and confidential. WILL does not sell, rent or trade its donor lists. Patterns Friends of WILL Membership Magazine Editor/Art Designer: Sarah Whittington Printed by Premier Print Group. Printed with SOY INK on RECYCLED, TM Trademark American Soybean Assoc. RECYCLABLE paper. Radio 90.9 FM: A mix of classical music and NPR information programs, including local news. (Also heard at 106.5 in Danville and with live streaming on will.illinois.edu.) See pages 4-5. 101.1 FM and 90.9 FM HD2: Locally produced music programs and classical music from C24. (101.1 The month of July means we’ve moved into a is available in the Champaign-Urbana area.) See page 6. new fiscal year here at Illinois Public Media. 580 AM: News and information, NPR, BBC, news, agriculture, talk shows. (Also heard on 90.9 FM HD3 First and foremost, I want to give a big thank with live streaming on will.illinois.edu.) See page 7. you to everyone who renewed or increased your gift to Illinois Public Media over the last Television 12 months. You continue to show your love and WILL-HD All your favorite PBS and local programming, in high support for what we do time and again. I am definition when available.