Catchers, Cases and Other Com Positions

Total Page:16

File Type:pdf, Size:1020Kb

Catchers, Cases and Other Com Positions Catchers, Cases and Other Compositions An Anthology of Essays, Poems, and Stories Composition, Section 146 (Grade 10) Paul D. Schreiber High School September 2011 ‐‐ January 2012 Port Washington, NY Students: Jessica Altuch, Kahaf Bhuiyan, Sabrina Brennan, Christian Castillo, Bomin Choi, Roxana Diaz, Lauren Donahue, Amanda Ehren, Maggie Golder, Norma Gonzalez, Ezra Hyman, Ahmed Ismail, Henry Lee, Emily Perlman, Adam Rubenstein, Carrie Rybecky, Samara Walsh, Alessandra Verdi, Emily Weinstein, George Weiss Teacher: Dr. Sara Brock Table of Contents Jessica Altuch When Bitten Kahaf Bhuiyan Augmented Sabrina Brennan Holden’s Journey Christian Castillo Phony Modern Teen Bomin Choi Different Faces but Similar Lives Roxana Diaz Dreaming about Loneliness Lauren Donahue All Paul’s Glory Over Amanda Ehren What Oranges Are and Aren’t Maggie Golder Paul’s Darkened Overture James Castle: A Monologue Norma Gonzalez Remembering the Trouble‐Maker Ahmed Ismail Holden: The Universal Teenager Henry Lee Darken Dusk Emily Perlman Hiding Behind the Hat Adam Rubenstein Holden’s Journey Carolyn Rybecky The Path to Success Samara Walsh An Anonymous Trouble‐Maker Ali Verdi Like Mother, Unlike Daughter Three Outsiders Emily Weinstein The Perks of Summer Reading My “Older” Brother: A Monologue by Phoebe Caulfield Weiss, George Two Faces Cover illustration by Sabrina Brenna. When Bitten by Jessica Altuch With great power, there must also come great responsibility. ‐‐ Stan Lee, Amazing Fantasy #15 Spiderman is a famous, fictional, American character, who can be perceived as an outsider in comic books and the movies. How would you respond if your life were to dramatically change overnight? In Peter Parker’s case, a high school teenager was bitten by a genetically modified spider, which changed his life, and gave him spider‐like abilities, which he then uses for the good of the city. He is put to the challenge and has to fight evil because he is now a superhero. Spiderman is an “outsider,” as he is set apart from the world because of his supernatural powers. Peter used to be an average teenager, but his life changed overnight. He is then out every night protecting the city from any evil that may come. Peter, before he was transformed, was considered your typical teenage boy. He had trouble with his love life, school, family, self‐esteem, and lack of friends. Recently, however, Peter’s character has gotten Hollywood updates. He went from being a shy teenage high school student to a more confident college student to a married high school teacher. Peter’s past has played a large role in shaping his personality and future. Peter as a child was an orphan who was also bullied by many classmates of his. Peter also has to go through witnessing the death of his Uncle, with whom he is very close. Peter after gaining his powers from the genetically modified spider, wants to get revenge against the people who murdered his uncle. Peter Parker’s life was “normal” until something happened one day; he would be changed for the rest of his life. Peter Parker used to be your average teenager, then his life was totally changed one day when he was on a school field trip, and he was bitten by a genetically‐ altered spider. Peter then realizes that he has gained supernatural powers that next day. These powers allow him to have spider‐like capabilities which makes him an “outsider.” After being bitten, Peter is no longer considered a “normal” human being. Spiderman wants revenge on the people who killed his uncle. Spiderman isn’t a normal human being anymore; he is a superhero with supernatural powers, which separates him from the city. Peter Parker went from being a normal school boy to fighting for the city against evil. Peter now is Spiderman to the city, and is living a double life, which is tough to balance. Spiderman is now depended on by the city to be protected from crimes being committed within the city. Spiderman is an outsider who is greatly appreciated in the city, to help save the city from evil. Spiderman is somebody whose life was radically changed overnight, when he learned he has superpowers. On a daily basis he is out saving people and punishing those who have broken the law. He is looked up to highly because he is keeping the city safe and everybody counts on him to save the day. He is separated from society because of his supernatural abilities. Spider man used to be a normal human being, until he was bitten by a spider which changed him from that day on. This 1 spider that bit him gave him powers that were incredible which he then used for good. He helped the city stay safe and to protect the people from any means of harm. 2 Augmented by Kahaf Bhuiyan I never asked for this. ‐– Adam Jensen in Deus Ex: Human Revolution Have you ever thought about how your life would be if you had no limbs? Or what if your limbs were replaced with artificial implants with weapons that seem to appear out of thin air, making you a one‐man army? This is what happens to Adam Jensen, the protagonist in the video game Deus Ex: Human Revolution. After he gets attacked by members of the Illuminati, a group of people that say they are trying to make the human race better for everyone. In reality, they are persecuting humans by experimenting on them to find the perfect human to make the perfect cyborg. Adam Jensen happens to be this perfect human, but ends up stopping the experiments instead of helping the Illuminati. The only reason he fights the Illuminati is because they get in the way of him trying to find his girlfriend, Megan Reed. She had gone missing after the Illuminati had attacked Sarif Industries, the place where Jensen works. The most interesting part of the video game is that the entire game can be played without killing anyone, making it possible for Jensen to be a complete pacifist. Adam Jensen is a character from Deus Ex: Human Revolution, who can be seen as an outsider because he is different from many people physically and mentally. Jensen lives in an apartment in Detroit, in the year 2027. He used to be a former SWAT team member, who quit because he could not find the courage to kill a person who had gone insane and had started harming innocent civilians. After he quit, he took his girlfriend’s advice and joined up with the company she worked for, Sarif Industries, as head of security. Sarif Industries develops cybernetic implants for humans, which are also known as augmentations. These augmentations can be mechanical limbs or a computer chip in the brain, and are intended to make human life easier. Unfortunately for Jensen, on his first day of work, the Illuminati comes and holds everyone hostage, while kidnapping many of the scientists so they can develop their own augmentations to control masses of people. While everyone is being held hostage, Adam Jensen is fatally wounded, and would have died if Sarif Industries had not decided to give him augmentations, replacing his arms and some of his brain, while giving life support to his heart. This essentially makes him into a cyborg, and the irony in this is that most of the people with augmentations willingly get them, unlike Jensen, who “never asked for this” (Deus Ex: Human Revolution). Many people despise these cyborgs because they do not believe that humans should have their bodies drastically changed like this. This makes Jensen an outsider to “normal” humans, but it could even be said that he is an outsider even to the augmented people, because Jensen was given weapons as some of the augmentations, attempting, and succeeding into making him into a one man army. He is also unlike most other augmented humans because he didn’t have the choice of whether or not to get them. Jensen has peculiar reasons for doing the things he does, most of them being all just to find out what really happened to his girlfriend, as he does not believe what people say, which is that she was killed on the day of the break‐in. Most people would not be so obsessed about finding one 3 person to the extent that he takes on whole gangs and eventually the master plan of the Illuminati just because he wants to find out the truth. In this way he is an outsider because he has very strong willpower and does not give up, which is the opposite of many people of our generation, and in the game. He tries to do what is best for everyone while on his journey, and helps anyone who looks like they really could need it. At first many people think that someone such as Jensen, who is augmented, would be a jerk and not want to help anyone, but once they get to know him they realize that he is actually a good person, especially considering that he did not want to become augmented. His perspective on things is realistic and bases his assumptions on evidence, such as the fact that there is evidence that Megan Reed is still alive, which causes him to go on his whole journey, asking people “Where is Megan Reed?” (Deus Ex: Human Revolution). By the end of the game it becomes apparent that even though Jensen can be considered an outsider, he is just like any other person. He has his morals and can even have the choice to not harm anyone in the game at all. The reason he left the SWAT team was because he didn’t think it was right to kill a 15 year old kid was having a breakdown because of augmentations.
Recommended publications
  • Representations of Love in the Novels of Jeanette Winterson from 1985 to 2000
    THE U1'IIVERSITY OF HULL Representations of Love in the Novels of Jeanette Winterson From 1985 to 2000 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Julie Lisa Ellam B.A.(Hons), M.A. April 2003 1 Acknowledgements The support and guidance of my supervisor, Dr Jane Thomas, has enabled me to complete this work. I am also indebted to her for advising me to apply for the Graduate Teaching Assistant position at Hull University and for all of the technical advice she has offered consistently whilst I was working on both my thesis and M.A. dissertation. I would also like to acknowledge and thank Professor Angela Leighton for her detailed analysis of a draft of this work. Thanks must go to my family, friends and colleagues who have had to endure a constant barrage of complaints and tears over the last few years. Without their kindness and love it is unlikely that I would have even embarked on such a project, let alone complete it. Finally, this is for all the absent loved ones who are always in my thoughts. 11 Contents Acknowledgements 1 Contents 11 Abbreviations 111 Introduction 1 Chapter 1 The Ties That Bind 16 (Oranges are not the Only Fruit (1985)) Chapter 2 Love, Testing the Limits of Freedom 57 (The Passion (1987)) Chapter 3 Writing Strategies: Love, Politics and Art 96 (Sexing the Cherry (1989)) Chapter 4 Undying Love 127 (Written on the Body (1992)) Chapter 5 The Language of Love 159 (Written on the Body (1992) and Art and Lies (1994)) Chapter 6 Cheating Hearts 19l (Gut Symmetries (1997)) Chapter 7 Love Stories: New arid Old 221 (The.Powerbook (2000)) Conclusion 256 Bibliography 262 ill Abbreviations 0 Oranges Are Not the Only Fruit (1985) P The Passion (1987) S Sexing the Cherry (1989) W Written on the Body (1992) AL Art and Lies (1994) GS Gut Symmetries (1997) TP The.Powerbook (2000) A 0 Art Objects: Essays on Ecstasy and Effrontery (1995) 1 Introduction What a strange world it is where you can have as much sex as you like but love is taboo.
    [Show full text]
  • James Baldwin As a Writer of Short Fiction: an Evaluation
    JAMES BALDWIN AS A WRITER OF SHORT FICTION: AN EVALUATION dayton G. Holloway A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1975 618208 ii Abstract Well known as a brilliant essayist and gifted novelist, James Baldwin has received little critical attention as short story writer. This dissertation analyzes his short fiction, concentrating on character, theme and technique, with some attention to biographical parallels. The first three chapters establish a background for the analysis and criticism sections. Chapter 1 provides a biographi­ cal sketch and places each story in relation to Baldwin's novels, plays and essays. Chapter 2 summarizes the author's theory of fiction and presents his image of the creative writer. Chapter 3 surveys critical opinions to determine Baldwin's reputation as an artist. The survey concludes that the author is a superior essayist, but is uneven as a creator of imaginative literature. Critics, in general, have not judged Baldwin's fiction by his own aesthetic criteria. The next three chapters provide a close thematic analysis of Baldwin's short stories. Chapter 4 discusses "The Rockpile," "The Outing," "Roy's Wound," and "The Death of the Prophet," a Bi 1 dungsroman about the tension and ambivalence between a black minister-father and his sons. In contrast, Chapter 5 treats the theme of affection between white fathers and sons and their ambivalence toward social outcasts—the white homosexual and black demonstrator—in "The Man Child" and "Going to Meet the Man." Chapter 6 explores the theme of escape from the black community and the conseauences of estrangement and identity crises in "Previous Condition," "Sonny's Blues," "Come Out the Wilderness" and "This Morning, This Evening, So Soon." The last chapter attempts to apply Baldwin's aesthetic principles to his short fiction.
    [Show full text]
  • This Book Was First Published in 1951 by Little, Brown and Company
    This book was first published in 1951 by Little, Brown and Company. THE CATCHER IN THE RYE By J.D. Salinger © 1951 CHAPTER 1 If you really want to hear about it, the first thing you'll probably want to know is where I was born, an what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them. They're quite touchy about anything like that, especially my father. They're nice and all--I'm not saying that--but they're also touchy as hell. Besides, I'm not going to tell you my whole goddam autobiography or anything. I'll just tell you about this madman stuff that happened to me around last Christmas just before I got pretty run-down and had to come out here and take it easy. I mean that's all I told D.B. about, and he's my brother and all. He's in Hollywood. That isn't too far from this crumby place, and he comes over and visits me practically every week end. He's going to drive me home when I go home next month maybe. He just got a Jaguar. One of those little English jobs that can do around two hundred miles an hour.
    [Show full text]
  • ROSE in BLOOM a Sequel to "Eight Cousins"
    ROSE IN BLOOM A Sequel to "Eight Cousins" By Louisa May Alcott Preface As authors may be supposed to know better than anyone else what they intended to do when writing a book, I beg leave to say that there is no moral to this story. Rose is not designed for a model girl, and the Sequel was simply written in fulfillment of a promise, hoping to afford some amusement, and perhaps here and there a helpful hint, to other roses getting ready to bloom. L. M. Alcott September 1876 Contents Preface Chapter 1 COMING HOME Chapter 2 OLD FRIENDS WITH NEW FACES Chapter 3 MISS CAMPBELL Chapter 4 THORNS AMONG THE ROSES Chapter 5 PRINCE CHARMING Chapter 6 POLISHING MAC Chapter 7 PHEBE Chapter 8 BREAKERS AHEAD Chapter 9 NEW YEAR'S CALLS Chapter 10 THE SAD AND SOBER PART Chapter 11 SMALL TEMPTATIONS Chapter 12 AT KITTY'S BALL Chapter 13 BOTH SIDES Chapter 14 AUNT CLARA'S PLAN Chapter 15 ALAS FOR CHARLIE! Chapter 16 GOOD WORKS Chapter 17 AMONG THE HAYCOCKS Chapter 18 WHICH WAS IT? Chapter 19 BEHIND THE FOUNTAIN Chapter 20 WHAT MAC DID Chapter 21 HOW PHEBE EARNED HER WELCOME Chapter 22 SHORT AND SWEET Chapter 1 COMING HOME Three young men stood together on a wharf one bright October day awaiting the arrival of an ocean steamer with an impatience which found a vent in lively skirmishes with a small lad, who pervaded the premises like a will-o'-the-wisp and afforded much amusement to the other groups assembled there. "They are the Campbells, waiting for their cousin, who has been abroad several years with her uncle, the doctor," whispered one lady to another as the handsomest of the young men touched his hat to her as he passed, lugging the boy, whom he had just rescued from a little expedition down among the piles.
    [Show full text]
  • Lightspeed Magazine, Issue 78 (November 2016)
    TABLE OF CONTENTS Issue 78, November 2016 FROM THE EDITOR Editorial, November 2016 SCIENCE FICTION Dinosaur Killers Chris Kluwe Under the Eaves Lavie Tidhar Natural Skin Alyssa Wong For Solo Cello, op. 12 Mary Robinette Kowal FANTASY Two Dead Men Alex Jeffers Shooting Gallery J.B. Park A Dirge for Prester John Catherynne M. Valente I've Come to Marry the Princess Helena Bell NOVELLA Karuna, Inc. Paul Di Filippo EXCERPTS The Genius Asylum Arlene F. Marks NONFICTION Media Review: Westworld The Geek’s Guide to the Galaxy Book Reviews, November 2016 Kate M. Galey, Jenn Reese, Rachel Swirsky, and Christie Yant Interview: Stephen Baxter The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Chris Kluwe Lavie Tidhar J.B. Park Alyssa Wong Catherynne M. Valente Mary Robinette Kowal Helena Bell Paul di Filippo MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2016 Lightspeed Magazine Cover by Reiko Murakami www.lightspeedmagazine.com Editorial, November 2016 John Joseph Adams | 1064 words Welcome to issue seventy-eight of Lightspeed! We have original science fiction by Chris Kluwe (“Dinosaur Killers”) and Alyssa Wong (“Natural Skin”), along with SF reprints by Lavie Tidhar (“Under the Eaves”) and Mary Robinette Kowal (“For Solo Cello, op. 12”). Plus, we have original fantasy by J.B. Park (“Shooting Gallery”) and Helena Bell (“I’ve Come to Marry the Princess”), and fantasy reprints by Alex Jeffers (“Two Dead Men”) and Catherynne M. Valente (“A Dirge for Prester John”). All that, and of course we also have our usual assortment of author spotlights, along with our book and media review columns.
    [Show full text]
  • Sholem Schwarzbard: Biography of a Jewish Assassin
    Sholem Schwarzbard: Biography of a Jewish Assassin The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Johnson, Kelly. 2012. Sholem Schwarzbard: Biography of a Jewish Assassin. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9830349 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2012 Kelly Scott Johnson All rights reserved Professor Ruth R. Wisse Kelly Scott Johnson Sholem Schwarzbard: Biography of a Jewish Assassin Abstract The thesis represents the first complete academic biography of a Jewish clockmaker, warrior poet and Anarchist named Sholem Schwarzbard. Schwarzbard's experience was both typical and unique for a Jewish man of his era. It included four immigrations, two revolutions, numerous pogroms, a world war and, far less commonly, an assassination. The latter gained him fleeting international fame in 1926, when he killed the Ukrainian nationalist leader Symon Petliura in Paris in retribution for pogroms perpetrated during the Russian Civil War (1917-20). After a contentious trial, a French jury was sufficiently convinced both of Schwarzbard's sincerity as an avenger, and of Petliura's responsibility for the actions of his armies, to acquit him on all counts. Mostly forgotten by the rest of the world, the assassin has remained a divisive figure in Jewish-Ukrainian relations, leading to distorted and reductive descriptions his life.
    [Show full text]
  • How Wesley Ward D
    FRIDAY, APRIL 17, 2015 732-747-8060 $ TDN Home Page Click Here WAR IN FRONT YET AGAIN AT CRAVEN DOMINATING 2-YEAR-OLD RACES AT By Emma Berry KEENELAND: HOW WESLEY WARD DOES IT By Bill Finley Twelve months have passed, but the Tattersalls When the Wesley Ward-trained Banree (Macho Uno), Craven Breeze-up Sale headline looks remarkably similar a filly facing males, won yesterday=s second race at to last year, with a Mocklershill-consigned son of War Keeneland, the outcome couldn=t have come as a Front (lot 113) selling to the Coolmore team to head surprise to anyone. The proceedings. The top price of 850,000gns was slightly race was a 4 1/2-furlong more modest than last year=s 1.15 million gns maiden event in the sales-topper, but it was still 500,000gns clear of the spring at Keeneland. And rest of the catalogue, and the second-highest price ever doesn=t Ward win every paid at a European breeze-up auction. one of those things? Jamie McCalmont Well, not exactly. But did the bidding last sometimes it seems like year, but this time it. Arguably no trainer in around his former the history of racing has assistant Alex Elliott Banree beating the boys in ever been more dominant was charged with the Thursday’s second race at in one particular aspect of responsibility, and was Keeneland Coady photography the sport. When it comes pushed all the way to to early season maiden hammer fall by the races, Ward=s record is pretty close to off the charts.
    [Show full text]
  • 1 Bibliography Flash: the International
    Bibliography Flash: The International Short-Short Story Magazine Issues 1.1 (October 2008)–11.1 (April 2018) (does not include Reviews in Flash for 11.1). Flashes in Flash Agar, Haleh, ‘Fish Bone’, 10.1 (Apr. 2017), 56. Ahmed, Sahana, ‘We Are Leaving Bombay’, 9.2 (Oct. 2016), 21–22. Aho, Layton, ‘Rallentando’, 9.2 (Oct. 2016), 3–4. Aidoo, Ama Ata, ‘Recipe for a Stone Meal’, 1.1 (Oct. 2008), 3–4. Akinwale, Akinwumi, ‘Errata to My Life’, 1.1 (Oct. 2008), 41–2. Alkhamissi, Khaled, ‘Twenty-Seven’, 6.1 (Apr. 2013), 88–9. [Flash Reviews] Allen, Becca, ‘Noirgaritaville’, 11.1 (Apr. 2018), Allen, Roberta, ‘Ego Shrinker’, 2.1 (Apr. 2009), 35. Alnajjar, Wiam, ‘Her Romatic Hero’, 11.1 (Apr. 2018), Alsop, Derek, ‘Men Only’, 7.2 (Oct. 2014), 28–9. ‘Retsina; Scotch’, 3.1 (Apr. 2010), 47. Althouse, Jeanne, ‘Cool Shirt’, 4.2 (Oct. 2011), 37. Anand, Pria, ‘Rooftops’, 6.1 (Apr. 2013), 33–4. Angelella, J. R., ‘Do These Horses Bite?’, 2.1 (Apr. 2009), 44. 1 Antić, Ivan, ‘A Number of Little Arrows’, 3.2 (Oct. 2010), 25. Armand, Louis, ‘The Chess Players’, 2.2 (Oct. 2009), 52–3. Arnold, Sandra, ‘Stoicism’, 10.1 (Apr. 2017), 5–6. Asibon, Aba Amissah, ‘Preferred Dance’, 5.2 (Oct. 2012), 15. Atwood, Margaret, ‘Fainting’, 3.2 (Oct. 2010), 73–4. [Flash Presents] ‘Strawberries’, 3.2 (Oct. 2010), 75. [Flash Presents] Badalov, Anar, ‘Bunny and Trane’, 3.2 (Oct. 2010), 46. ‘The Line on the Reel’, 3.2 (Oct. 2010), 47–8. Bainbridge, Beryl, ‘Honey Trap’, 1.1 (Oct. 2008), 1–2.
    [Show full text]
  • Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
    DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.
    [Show full text]
  • Be Like Jerry Seinfeld
    Article from The Stepping Stone March 2019 Issue 71 By May 2015, the series had been streamed nearly 100 million PERSONAL DEVELOPMENT times. Netflix contacted Jerry in 2018 about offering Come- dians in Cars Getting Coffee on their platform. “I am really Be Like Jerry Seinfeld: quite charged to be moving there,” he said.6 Pundits believe the entertainment service paid him upward of $100 million to Create a Chain make the change.7 By Doreen Stern, Ph.D. TO WHAT DOES JERRY SEINFELD ATTRIBUTE HIS SUCCESS? Software developer Brad Isaac was an aspiring comedian when Jerry was still touring at the start of his Seinfeld fame. One night they happened to be at the same club. “Do you have any tips for a new comic?” Brad asked Jerry.8 My next guest is a young comedian who’s making his first “The way to be a better comic is to create better jokes,” appearance on The Tonight Show,” said Johnny Carson in Jerry replied. “And the way to create better jokes is to write 1 1981. Out bounced a gawky guy named Jerry Seinfeld. He every day.” Then Jerry shared his secret for sticking to such a “was wearing a beige sports coat and dark slacks, along with light schedule: gray shoes that stuck out since they didn’t match his pants. • He hung a large wall calendar in a conspicuous spot so “Hey. Wow. Good evening,” Jerry gushed, rubbing his palms he’d see it all the time. together. “This is so exciting. I’m so excited to be here.” Then he started moving his hands and arms as if he were ground • Next to it, he placed a colorful marker.
    [Show full text]
  • Clemson Chronicle, 1972-1974 Clemson University
    Clemson University TigerPrints Clemson Chronicle Publications 1972 Clemson Chronicle, 1972-1974 Clemson University Follow this and additional works at: https://tigerprints.clemson.edu/clemson_chronicle Materials in this collection may be protected by copyright law (Title 17, U.S. code). Use of these materials beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. For additional rights information, please contact Kirstin O'Keefe (kokeefe [at] clemson [dot] edu) For additional information about the collections, please contact the Special Collections and Archives by phone at 864.656.3031 or via email at cuscl [at] clemson [dot] edu Recommended Citation University, Clemson, "Clemson Chronicle, 1972-1974" (1972). Clemson Chronicle. 30. https://tigerprints.clemson.edu/clemson_chronicle/30 This Book is brought to you for free and open access by the Publications at TigerPrints. It has been accepted for inclusion in Clemson Chronicle by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Cle Tison Un versity iilJ ;:ll lllll 1.11 11.1 ill 3 1604 018 902 439 liiii 5^ g m I© LK. t / ..y - ';\^ V'~ m-----M'^ ^ 1 1 ' ^j "'^- .' \ £ ^j ^.-^^'rr He felt some people have better things to do than label sunset as the day's end, so he put life back into night for the people who want every moment to count . Now he gives us the night place—where people are together, where he and she can be a party . , Lamar's, something to be remembered. LAMAR'S Servea are fine kosher foods ana pizza.
    [Show full text]
  • Jack London's South Sea Narratives. David Allison Moreland Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1980 Jack London's South Sea Narratives. David Allison Moreland Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Moreland, David Allison, "Jack London's South Sea Narratives." (1980). LSU Historical Dissertations and Theses. 3493. https://digitalcommons.lsu.edu/gradschool_disstheses/3493 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy.
    [Show full text]