Balkan Variations of Orientalism and Occidentalism Nikolay Aretov
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Perspectives01 08-Obalka:Perspectives-Obalka 12.6.2008 3:09 Page 1
perspectives01_08-obalka:perspectives-obalka 12.6.2008 3:09 Page 1 Vol. 16, No. 1 2008 PerspeReviewctives of International Affairs Visualising the EU in EU Enlargement Boundaries of Balkanism in EU Accession Discourses Toward a Conception of Welcoming and Cooperating Patriotisms Global Governance vs. State Failure ctives Geopolitical Narratives on Belarus in Contemporary Russia e Persp perspectives01_08-obalka:perspectives-obalka 12.6.2008 3:09 Page 2 BOOKS: Author’s name as it appears on the title page, date of publication in parentheses, title in Italics with ! capitals in principal words, place of publication, publisher: Liefferink, Duncan and Mikael Skou Andersen (eds) (1997) The Innovation of EU Environmental Pol- Perspectives icy. Copenhagen: Scandinavian University Press. Review of International Affairs ARTICLES, CHAPTERS FROM BOOKS AND INTERNET SOURCES: Author’s name, title of article or chapter within single inverted commas with principal words capitalised, ! name(s) of editors(s) if in a book, title of journal or book in italics, volume number, issue number in parentheses, page reference, place of publication and publisher if in a book, url if an internet source: Lisowski, Michael (2002) ‘Playing the Two-Level Game: US President Bush’s Decision to Repudiate the Kyoto Protocol’, Environmental Politics 11 (4): 101–119. CALL FOR PAPERS/NOTES FOR CONTRIBUTORS Aguilar Fernández, Susana (1977) ‘Abandoning a Laggard Role? New Strategies in Spanish Environ- mental Policy’, in D. Liefferink and M. S. Andersen (eds) The Innovation of EU Environmental Policy, pp. Perspectives is a refereed journal published twice a year by the Institute of International Relations, Prague, 156–172. Copenhagen: Scandinavian University Press. -
A Comparative Study of Post-Ottoman Political Influences on Bulgarian National Identity Construction and Conflict
A COMPARATIVE STUDY OF POST-OTTOMAN POLITICAL INFLUENCES ON BULGARIAN NATIONAL IDENTITY CONSTRUCTION AND CONFLICT BY Copyright 2008 SPENCER S. STITH Submitted to the graduate degree program in International Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master‘s of Arts ______________________________ Elif Andac, PhD – Sociology, Chairperson ______________________________ Ebenezer Obadare, PhD -Sociology Committee Member ______________________________ Robert F. Baumann, PhD – History Committee Member Date Defended: 15 May 2008 The Thesis Committee for Spencer S. Stith certifies that this is the approved version of the following thesis: A COMPARATIVE STUDY OF POST-OTTOMAN POLITICAL INFLUENCES ON BULGARIAN NATIONAL IDENTITY CONSTRUCTION AND CONFLICT Committee: ___________________________ Elif Andac, Chairperson* ___________________________ Ebenezer Obadare ___________________________ Robert F. Baumann Date Approved: 08 June 2008 ii Abstract Bulgarian society has a successful history of maintaining a relatively peaceful multicultural environment over centuries. This thesis is a comparative analysis of three transitional periods in Bulgaria coinciding with 1) the latter years of Ottoman dominion: 1762-1877, 2) the end of the Balkan Wars and World Wars I and II: 1878- 1947, and 3) the latter years of the Communist dominion: 1947-1989. These periods will be analyzed with the aim to understand the role that regional political agendas have played in shaping an imagined Bulgarian national identity. It will be shown that when it has occurred, identity-based conflict in Bulgaria can be better explained by examining the contributions of nationalist political influences from 1876 – 1989 on identity construction rather than an inherent Balkan propensity to religious and ethnic intolerance. -
Bulgarian Cultural Identity, Balkanism and Self-Colonisation in Bulgarian Tv Series Staklen Dom (2010-2012)
BULGARIAN CULTURAL IDENTITY, BALKANISM AND SELF-COLONISATION IN BULGARIAN TV SERIES STAKLEN DOM (2010-2012) Daria Pritup Master’s Thesis University of Helsinki Department of World Cultures Area and Cultural Studies April 2017 Tiedekunta/Osasto – Fakultet/Sektion – Faculty Laitos – Institution – Department Humanistinen tiedekunta Maailman kulttuurien laitos Tekijä – Författare – Author Daria Pritup Työn nimi – Arbetets titel – Title Bulgarian Cultural Identity, Balkanism and Self-colonisation in Bulgarian TV Series Staklen dom (2010-2012) Oppiaine – Läroämne – Subject Alue- ja kulttuurintutkimus / Intercultural Encounters -maisteriohjelma Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages Pro gradu year 71 Huhtikuu 2017 Tiivistelmä – Referat – Abstract (voiko tän kirjoittaa minä muodossa, kts alla ehdotukset) Tutkimuksessa käsittelen suosittua bulgarialaista televisiosarjaa hyödyntäen balkanismin ja itsekolonisaation teorioita löytääkseni merkkejä 2010-luvun bulgarialaisen kulttuuri-identiteetin rakentumisesta. Näiden teorioiden mukaan “Balkan” on käsitteellistetty sivistymättömänä ja jälkeenjääneenä kulttuurillisena alueena, josta “sivistyneen Euroopan” ongelmat juontavat. Länsieurooppalainen kulttuurihegemonia määrittelee aina itsensä “sivistyksen” ja “edistyksen” keskiöön, ja siitä poikkeavat periferiaan. Periferiakulttuurit puolestaan muodostavat kulttuuri-identiteetin, joka perustuu vieraisiin arvoihin ja on aina puutteellinen ja kehittymätön suhteessa keskukseen. Itsekolonisoivat kulttuurit -
Cultural Differences in a Globalizing World
CULTURAL DIFFERENCES IN A GLOBALIZING WORLD CULTURAL DIFFERENCES IN A GLOBALIZING WORLD BY MICHAEL MINKOV FOREWORD BY GEERT HOFSTEDE United Kingdom North America Japan India Malaysia China Emerald Group Publishing Limited Howard House, Wagon Lane, Bingley BD16 1WA, UK First edition 2011 Copyright r 2011 Emerald Group Publishing Limited Reprints and permission service Contact: [email protected] No part of this book may be reproduced, stored in a retrieval system, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without either the prior written permission of the publisher or a licence permitting restricted copying issued in the UK by The Copyright Licensing Agency and in the USA by The Copyright Clearance Center. No responsibility is accepted for the accuracy of information contained in the text, illustrations or advertisements. The opinions expressed in these chapters are not necessarily those of the Editor or the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN: 978-0-85724-613-4 Emerald Group Publishing Limited, Howard House, Environmental Management System has been certified by ISOQAR to ISO 14001:2004 standards Awarded in recognition of Emerald’s production department’s adherence to quality systems and processes when preparing scholarly journals for print Contents Quotes vii Acknowledgements ix Foreword xi Introduction xv 1. The Study of Culture and its Origins 1 2. Major Cross-Cultural Studies 45 3. Industry versus Indulgence 51 4. Monumentalism versus Flexumility 93 5. Hypometropia versus Prudence 137 6. Exclusionism versus Universalism 179 7. A Cultural Map of the World 225 8. -
The Unique Cultural & Innnovative Twelfty 1820
Chekhov reading The Seagull to the Moscow Art Theatre Group, Stanislavski, Olga Knipper THE UNIQUE CULTURAL & INNNOVATIVE TWELFTY 1820-1939, by JACQUES CORY 2 TABLE OF CONTENTS No. of Page INSPIRATION 5 INTRODUCTION 6 THE METHODOLOGY OF THE BOOK 8 CULTURE IN EUROPEAN LANGUAGES IN THE “CENTURY”/TWELFTY 1820-1939 14 LITERATURE 16 NOBEL PRIZES IN LITERATURE 16 CORY'S LIST OF BEST AUTHORS IN 1820-1939, WITH COMMENTS AND LISTS OF BOOKS 37 CORY'S LIST OF BEST AUTHORS IN TWELFTY 1820-1939 39 THE 3 MOST SIGNIFICANT LITERATURES – FRENCH, ENGLISH, GERMAN 39 THE 3 MORE SIGNIFICANT LITERATURES – SPANISH, RUSSIAN, ITALIAN 46 THE 10 SIGNIFICANT LITERATURES – PORTUGUESE, BRAZILIAN, DUTCH, CZECH, GREEK, POLISH, SWEDISH, NORWEGIAN, DANISH, FINNISH 50 12 OTHER EUROPEAN LITERATURES – ROMANIAN, TURKISH, HUNGARIAN, SERBIAN, CROATIAN, UKRAINIAN (20 EACH), AND IRISH GAELIC, BULGARIAN, ALBANIAN, ARMENIAN, GEORGIAN, LITHUANIAN (10 EACH) 56 TOTAL OF NOS. OF AUTHORS IN EUROPEAN LANGUAGES BY CLUSTERS 59 JEWISH LANGUAGES LITERATURES 60 LITERATURES IN NON-EUROPEAN LANGUAGES 74 CORY'S LIST OF THE BEST BOOKS IN LITERATURE IN 1860-1899 78 3 SURVEY ON THE MOST/MORE/SIGNIFICANT LITERATURE/ART/MUSIC IN THE ROMANTICISM/REALISM/MODERNISM ERAS 113 ROMANTICISM IN LITERATURE, ART AND MUSIC 113 Analysis of the Results of the Romantic Era 125 REALISM IN LITERATURE, ART AND MUSIC 128 Analysis of the Results of the Realism/Naturalism Era 150 MODERNISM IN LITERATURE, ART AND MUSIC 153 Analysis of the Results of the Modernism Era 168 Analysis of the Results of the Total Period of 1820-1939 -
Bulgaria Archivo C I E M - Madrid
2012 La Masonería en el mundo – Bulgaria Archivo C I E M - Madrid Documentación - países Adrian Mac Liman Centro Ibérico de Estudios Masónicos (CIEM) 06/06/2012 Bulgaria's Freemasons - from Bogomils to the Failed 21st Century Project Author: Maria Guineva May 28, 2010 Several Bulgarian Freemasons have been interviewed for this story and their opinions are included below. Most, however, spoke only under condition of remaining anonymous. Dimitar Nedkov is considered by many the top expert on Freemasonry in Bulgaria. He was initiated into one of the first Bulgarian Blue Lodges shortly after the fall of Communism in Eastern Europe in the early 1990s. He is an active participant in the restoration of Freemasonry in Bulgaria and has served as Grand Chaplain of the Grand Lodge of Bulgaria. Nedkov is a Mason 33 Degree (the highest), co-founder of the Supreme Council, 33 of the Ancient and Accepted Scottish Rite, former Grand Orator of the Grand Lodge of the Ancient, Free and Accepted Masons in Bulgaria. An avid Masonic scholar, he is the author of “The Freemasons Returned to Bulgaria” (1998) and “The Third Millennium of Freemasonry” (2000), “The Lessons of Freemasonry (2005). His last book, a fiction - “33 The Menace Dan Brown” appeared on the book stands in December. One of the founders of the Masonic magazine Svetlina (Light) and the web site freemasonry.bg. Nedkov is a member of the International Academy of the Illuminati in Rome The article below is also based on Nedkov’s book “The Freemasons Returned to Bulgaria” and the book “Masonic Lodges in Bulgaria” by Dr. -
The Eastern Question, Western Europe, and the Balkans in Fin-De-Siècle Literature
The Eastern Question, Western Europe, and the Balkans in Fin-de-Siècle Literature A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Stoyan Vassilev Tchaprazov IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Professor Andrew Elfenbein, Advisor May 2009 © Stoyan Vassilev Tchaprazov 2009 i Acknowledgements I have had the privilege to work with a number of people while completing this project. My deepest gratitude I owe to Professor Elfenbein, my dissertation advisor, who has been an example for teaching and scholarly achievement since my first days at the University of Minnesota. He helped me shape the course of this project and generously provided me with his knowledge, time, and advice. I have benefited immensely from his always perceptive comments and suggestions on each part of my dissertation, as well as from his unfailing encouragement and moral support. My gratitude also extends to the other members of my dissertation committee: Brian Goldberg, Qadri Ismail and Anna Clark. Their sharp observations, insightful questions, and criticism were of significant help during the latter stages of this project. I should also thank Professor Andrei Pantev for agreeing to read a version of the first part of this dissertation. His encouraging words only strengthened my belief and interest in the project. Joseph Bauerkemper, a fellow graduate student, has been an incredible source of ideas and inspiration throughout graduate school. He read and commented on early drafts of some of the material in this dissertation, but more than anything, he has been a great interlocutor and a friend. -
Подобие И Различие Проблема Идентичности Resemblance and Difference the Problem of Identit
Grzegorz Grochowski Radosvet Kolarov Enyo Stoyanov ПОДОБИЕ Teresa Dobrzyńska Регина Койчева И РАЗЛИЧИЕ Ewa Szczęsna Александр Панов ПРОБЛЕМА Darin Tenev Magdalena Saganiak ИДЕНТИЧНОСТИ Georgi Iliev RESEMBLANCE AND DIFFERENCE. PROBLEM THE OF IDENTITY Maciej Mrozik RESEMBLANCE Magdalena Szczypiorska-Mutor Miryana Yanakieva AND DIFFERENCE Галина Георгиева Kalina Zahova THE PROBLEM Marek Kowalski, Marek Szczepański OF IDENTITY Raya Kuncheva ПОДОБИЕ И РАЗЛИЧИЕ. ПРОБЛЕМАПОДОБИЕ ИДЕНТИЧНОСТИ ISBN 978-954-8712-97-2 INSTYTUT ИНСТИТУТ BADAŃ ЗА IBL LITERACKICH ЛИТЕРАТУРА RESEMBLANCE AND DIFFERENCE. THE PROBLEM OF IDENTITY ПОДОБИЕ И РАЗЛИЧИЕ. ПРОБЛЕМА ИДЕНТИЧНОСТИ ИНСТИТУТ ЗА ЛИТЕРАТУРА БЪЛГАРСКА АКАДЕМИЯ НА НАУКИТЕ INSTYTUT BADAŃ LITERACKICH POLSKIEJ AKADEMII NAUK ПОДОБИЕ И РАЗЛИЧИЕ. ПРОБЛЕМА ИДЕНТИЧНОСТИ Редакторы Тереса Добжиньска, Рая Кунчева 2015 INSTYTUT BADAŃ LITERACKICH POLSKIEJ AKADEMII NAUK ИНСТИТУТ ЗА ЛИТЕРАТУРА БЪЛГАРСКА АКАДЕМИЯ НА НАУКИТЕ RESEMBLANCE AND DIFFERENCE. THE PROBLEM OF IDENTITY Editors Teresa Dobrzyńska, Raya Kuncheva 2015 © INSTYTUT BADAŃ LITERACKICH, POLSKIEJ AKADEMII NAUK, 2015 © ИНСТИТУТ ЗА ЛИТЕРАТУРА, БЪЛГАРСКА АКАДЕМИЯ НА НАУКИТЕ, 2015 ISBN 978-954-8712-97-2 CONTENTS FOREWORDS .................................................................................................9 Teresa Dobrzyńska I. DISCUSSING THEORIES Grzegorz Grochowski AFTER IDENTITY. RESEMBLANCE AND REPETITION ...........................................15 Radosvet Kolarov SIMILARITY AND DIFFERENCE AS SYMMETRY AND ASYMMETRY: MATTE BLANCO’S BI-LOGIC ........................................................43 -
Volume 2 2018 Published by the Bulgarian Studies Association
ISSN 2638-9754 Volume 2 ! 2018 Published by the Bulgarian Studies Association Volume 2 ! 2018 Published by the Bulgarian Studies Association Bulgarian Studies Volume 2 2018 EDITOR Cammeron Girvin EDITORIAL COMMITTEE Margaret Beissinger Yana Hashamova Angelina Ilieva Cristofer Scarboro Traci Speed Vessela Warner Emilia Zankina WEB EDITOR Martin Podolak Published by the Bulgarian Studies Association Washington, DC ISSN 2638-9754 Contents Volume 2 2018 Bulgaria And The European Union: Cultural Differences And Similarities 5 Mariya Bobina Laughing at Cultural Difference: Aleko Konstantinov's Bay Ganyo and Alek Popov's Mission London 28 Miglena Dikova-Milanova The Life and Passions of Sinful Sophronius (1804): First Complete English Translation 52 Anita Kasabova The Lesson and The Good Postman: Contemporary Bulgarian Cinema and Democratic Transition from the Margins 84 Dorotea Lechkova Bulgarian Historiography and World War I 94 Eleonora Naxidou Bulgarian Studies 2 (2018) BULGARIA AND THE EUROPEAN UNION: CULTURAL DIFFERENCES AND SIMILARITIES Mariya Bobina, University of Iowa1 Introduction During its Post-Communist history, Bulgaria has been moving towards democracy and a free market economy. The country submitted the official application for membership in the European Community in 1995, and, after the implementation of reforms, was admitted to the EU in 2007, integrating its trade, investment, social and political relations with the EU members. Having minimized economic obstacles for goods and investment flows, the country still faces multiple barriers for productive collaboration with other EU countries. These barriers stem from differences not only at the level of economic development but also from distinctive cultural divides that separate Bulgaria from other European countries. Understanding cultural similarities with other EU members helps strengthen collaboration efforts, while acknowledging differences helps address “frictions”. -
Maria Todorova, Imagining the Balkans.Pdf
Preface Imagining the Balkans This page intentionally left blank Imagining the Balkans Updated Edition Maria Todorova 1 2009 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With Offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2009 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Todorova, Maria Nikolaeva. Imagining the Balkans / Maria Todorova.—updated ed. p. cm. Includes bibliographical references and index. ISBN 978- 0-19-538786-5 1. Balkan Peninsula—Historiography. I. title. DR34.T63 1997 96-7161 949.6—dc20 987654321 Printed in the United States of America on acid-free paper To my parents, from whom I learned to love the Balkans without the need to be proud or ashamed of them. This page intentionally left blank Preface The hope of an intellectual is not that he will have an effect on the world, but that someday, somewhere, someone will read what he wrote exactly as he wrote it. -
Peasants Into Bulgarians, Or the Other Way Round: the Discourse of National Psychology
IWM Junior Visiting Fellows' Conferences, Vol. XV/5 © 2003 by the author Readers may redistribute this article to other individuals for noncommercial use, provided that the text and this note remain intact. This article may not be reprinted or redistributed for commercial use without prior written per- mission from the author. If you have any questions about permissions, please contact Klaus Nellen at IWM, Spittelauer Laende 3, A – 1090 Vienna, e-mail <[email protected]>. Preferred Citation: Trencsényi, Balázs. 2003. Peasants Into Bulgarians, or the Other Way Round: The Discourse of National Psychology. In Locations of the Political, ed. S. Gorman, Vienna: IWM Junior Visiting Fellows' Confer- ences, Vol. 15. Peasants Into Bulgarians, or the Other Way Round: The Discourse of National Psychology1 Balázs Trencsényi The question of Bulgarian national character was always bound to the problem of statehood. This is mainly due to the fact that, as the prominent Bulgarian intellec- tual historian, Ivan Elenkov, put it, the state was perceived as "the only source of modernizatory initiative, the only means to catch up with the structures of moder- nity,"2 and it also constituted the principal horizon of expectations concerning the future. Furthermore, the state-centeredness of the political culture also explains the relative compactness of the intelligentsia in the first decades of independent Bul- garia. This feature entailed that the cultural elite did not become polarized accord- ing to alternative traditions, which led to a constant oscillation between different political and meta-political positions. 1 The present essay is an extract from my longer manuscript on inter-war Bulgarian political discourse, entitled "Symbolic Geographies and Normative Pasts: The Search for the True Bulgarian Self." 2 Ivan Elenkov, "Spisanie 'Prosveta'" in: Arhiv. -
Bulgarian-Cinema-1998
Dina Iordanova, “Canaries and Birds of Prey: The New Season of Bulgarian Cinema.” In: Bell, John (ed.) Bulgaria in Transition. Westview Press, Boulder, Co, 1998, 255-281. CANARIES AND BIRDS OF PREY: THE NEW SEASON OF BULGARIAN CINEMA Cinema after 1989: a marginalized existence? In 1996 I was spending my summer holiday at a remote village in Bulgaria. In the village, there was a self-styled video rental place run by an old woman whose children had supplied her with videotapes from the city, about 100 of them. All tapes were bootlegged ones, with black and white photocopied covers and hand-written labels. Some of the titles were Hollywood features recently released for the big screen in the United States, like Last Dance or The Rock. The videos were of extremely poor quality, with several layers of voice-overs — Russian, Ukrainian, and Bulgarian on top.1 The copies, shot from the big screen with a hidden camcorder, had been made during sneak previews of the films in Hollywood: at the end of each on the bottom of the monitor, one could see small silhouettes of people rising to leave the theatre. The village “video store” carried not a single Bulgarian title, nor did the video stores in the nearby city of Kystendil, the population of which is 50,000. In the local theatre, one could see Get Shorty, Copycat, and Eye for an Eye, all new American releases. Not a single Bulgarian film played at the theatre for the whole summer. 1 In the capital, Sofia, I was only slightly more fortunate in finding recent Bulgarian productions.