Is Indiana's Middle Class Dying?
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Breaking Bad and Cinematic Television
temp Breaking Bad and Cinematic Television ANGELO RESTIVO Breaking Bad and Cinematic Television A production of the Console- ing Passions book series Edited by Lynn Spigel Breaking Bad and Cinematic Television ANGELO RESTIVO DUKE UNIVERSITY PRESS Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Typeset in Warnock and News Gothic by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data Names: Restivo, Angelo, [date] author. Title: Breaking bad and cinematic television / Angelo Restivo. Description: Durham : Duke University Press, 2019. | Series: Spin offs : a production of the Console-ing Passions book series | Includes bibliographical references and index. Identifiers: LCCN 2018033898 (print) LCCN 2018043471 (ebook) ISBN 9781478003441 (ebook) ISBN 9781478001935 (hardcover : alk. paper) ISBN 9781478003083 (pbk. : alk. paper) Subjects: LCSH: Breaking bad (Television program : 2008–2013) | Television series— Social aspects—United States. | Television series—United States—History and criticism. | Popular culture—United States—History—21st century. Classification: LCC PN1992.77.B74 (ebook) | LCC PN1992.77.B74 R47 2019 (print) | DDC 791.45/72—dc23 LC record available at https: // lccn.loc.gov/2018033898 Cover art: Breaking Bad, episode 103 (2008). Duke University Press gratefully acknowledges the support of Georgia State University’s College of the Arts, School of Film, Media, and Theatre, and Creative Media Industries Institute, which provided funds toward the publication of this book. Not to mention that most terrible drug—ourselves— which we take in solitude. —WALTER BENJAMIN Contents note to the reader ix acknowledgments xi Introduction 1 1 The Cinematic 25 2 The House 54 3 The Puzzle 81 4 Just Gaming 116 5 Immanence: A Life 137 notes 159 bibliography 171 index 179 Note to the Reader While this is an academic study, I have tried to write the book in such a way that it will be accessible to the generally educated reader. -
Nina: Hey, Guys; Welcome to Podcast Fandom, the Official Podcast of Projectfandom.Com
Nina: Hey, guys; welcome to Podcast Fandom, the official podcast of ProjectFandom.com. I’m your host, Nina. Meghan: I am Meghan. John: And I am John. Nina: Aaaand, I think we’re okay. Meghan-- Meghan: Yes. Nina: Can you hear me? Meghan: I can hear you. Nina: Okay. We’ve been having some technical difficulties; this is like our fourth time trying. Um, so, tonight we’re going to be talking about--for the very last time--Breaking Bad. We put out our episode last week to discuss the series finale “Felina”, and it was already so long when I was editing it--we got into so many discussion about the series as a whole, that it seemed best to do a series retrospective where we could kind of gather our thoughts about everything we’d experienced with the show for five years. Meghan: Sounds so traumatizing. Nina: It is! It’s very traumatizing. And so, we put up some questions no our site last week when we released the episode, and we had a few responses on Facebook. Some interesting stuff that I think is going to be pretty interesting. We had started off discussing what our favorite episode was, and I had a hard time narrowing it down, but John you have one episode that you can say is your absolute favorite. John: Mmhmm… Nina: And it is-- John: Oh, you want me to say it. [group laughter] Nina: Yeah, I setting you up. Meghan: “But I’m not telling you guys.” John: Yeah, that’s a secret. -
U.S. and Mexican Counterdrug Efforts Since Certification
S. HRG. 105±??? U.S. AND MEXICAN COUNTERDRUG EFFORTS SINCE CERTIFICATION JOINT HEARING BEFORE THE SENATE CAUCUS ON INTERNATIONAL NARCOTICS CONTROL AND THE COMMITTEE ON FOREIGN RELATIONS UNITED STATES SENATE ONE HUNDRED FIFTH CONGRESS FIRST SESSION OCTOBER 29, 1997 Printed for the use of the Senate Caucus on International Narcotics Control and the Senate Committee on Foreign Relations ( U.S. GOVERNMENT PRINTING OFFICE 44±791 CC WASHINGTON : 1998 SENATE CAUCUS ON INTERNATIONAL NARCOTICS CONTROL CHARLES GRASSLEY, Iowa, Chairman ALFONSE D'AMATO, New York JOSEPH R. BIDEN, JR., Delaware FRANK MURKOWSKI, Alaska BOB GRAHAM, Florida JEFFREY SESSIONS, Alabama DIANE FEINSTEIN, California COMMITTEE ON FOREIGN RELATIONS JESSE HELMS, North Carolina, Chairman RICHARD G. LUGAR, Indiana JOSEPH R. BIDEN, JR., Delaware PAUL COVERDELL, Georgia PAUL S. SARBANES, Maryland CHUCK HAGEL, Nebraska CHRISTOPHER J. DODD, Connecticut GORDON H. SMITH, Oregon JOHN F. KERRY, Massachusetts CRAIG THOMAS, Wyoming CHARLES S. ROBB, Virginia ROD GRAMS, Minnesota RUSSELL D. FEINGOLD, Wisconsin JOHN ASHCROFT, Missouri DIANNE FEINSTEIN, California BILL FRIST, Tennessee PAUL D. WELLSTONE, Minnesota SAM BROWNBACK, Kansas JAMES W. NANCE, Staff Director EDWIN K. HALL, Minority Staff Director (II) CONTENTS Page Banks, Samuel H., Acting Commissioner, U.S. Customs Service, Department of Treasury ............................................................................................................ 53 Prepared statement ......................................................................................... -
State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender
Breaking Bad and the intersection of critical theory at race, disability, and gender Item Type Honor's Project Authors McDonough, Matthew Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 01/10/2021 02:24:17 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/20.500.12648/1578 State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender Matthew McDonough Independent Study Honors 495-06 Professor Sarah Wyman 8 December 2020 Thesis Abstract: The television series Breaking Bad (created by Vince Gilligan) is considered by audience and critics alike as one of the greatest television series ever made. It tells the story of the rise and fall of Walter White (Bryan Cranston), a mild-mannered chemistry teacher turned meth kingpin. He turns to a life of crime after having been diagnosed with terminal cancer, and he sees meth manufacturing as the most lucrative way to provide for his family. It has been nearly a decade since the series finale, yet it endures through sequel films, spin-offs, and online streaming. My thesis investigates the series’ staying power, and I would argue that lies in its thematic content. Breaking Bad is not just a straightforward story of one man’s descent into a life of crime, but it is also a mediation on dominant, repressive power structures. The series offers a look at these structures through the lens of race, gender, and disability through the actions of characters and their interactions with one another. -
Better Call Saul: Is You Want Discoverable Communications: the Misrepresentation of the Attorney-Client Privilege on Breaking Bad
Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad Armen Adzhemyan Susan M. Marcella Recommended Citation Armen Adzhemyan & Susan M. Marcella, Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad, 45 N.M. L. Rev. 477 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/5 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX208.txt unknown Seq: 1 12-MAY-15 12:16 “BETTER CALL SAUL” IF YOU WANT DISCOVERABLE COMMUNICATIONS: THE MISREPRESENTATION OF THE ATTORNEY- CLIENT PRIVILEGE ON BREAKING BAD Armen Adzhemyan and Susan M. Marcella* INTRODUCTION What if Breaking Bad had an alternate ending? One where the two lead characters and co-conspirators in a large methamphetamine cooking enterprise, Walter White and Jesse Pinkman,1 are called to answer for their crimes in a court of law. Lacking hard evidence and willing (i.e., * Armen Adzhemyan is a litigation associate in the Los Angeles office of Gibson, Dunn & Crutcher LLP where he has researched and litigated numerous issues regarding the attorney-client privilege as a member of the Antitrust, Law Firm Defense, Securities Litigation, and Transnational Litigation Practice Groups. He received his J.D. in 2007 from the University of California, Berkeley School of Law, where he served as a senior editor on the Berkeley Journal of International Law. -
Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation
Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation Bidish J. Sarma Recommended Citation Bidish J. Sarma, Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation, 45 N.M. L. Rev. 429 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/4 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX207.txt unknown Seq: 1 7-MAY-15 13:45 WHY WE WOULD SPARE WALTER WHITE: BREAKING BAD AND THE TRUE POWER OF MITIGATION Bidish J. Sarma* INTRODUCTION What if federal authorities captured Walter White? Considering that he committed the murders of many individuals and orchestrated many more in the course of building and running his global meth trade, the prosecution would be able to seek the ultimate punishment against him. But, would a jury give him the death penalty? Walter’s gripping journey stirred within viewers a range of complex emotions, but even those re- volted by his actions must concede that it is extraordinarily difficult to envision a random collection of twelve people unanimously agreeing that he deserves a state-sanctioned execution. Indeed, it seems that many of us actually rooted for Walter throughout the series, even when we strug- gled to understand why. This Essay explores the answer to the question of why we would spare Walter White from the death penalty. -
Parks & Open Space Advisory Committee Meeting June 28, 2018
Parks & Open Space 5201 St. Vrain Road • Longmont, Colorado 80503 303.678.6200 • Fax: 303.678.6177 • www.BoulderCountyOpenSpace.org MINUTES AND PROCEEDINGS OF THE PARKS AND OPEN SPACE ADVISORY COMMITTEE June 28, 2018 The meeting was called to order at 6:30 p.m. by Jenn Archuleta in the Hearing Room of the Board of Commissioners, Third Floor, Boulder County Courthouse, Boulder, Colorado. POSAC Members in Attendance Present: Sue Anderson, Jenn Archuleta, Cathy Comstock, Jim Krug, and Gordon Pedrow Excused: John Nibarger, James Mapes, Scott Miller, and Heather Williams Staff in Attendance Sandy Duff, Tina Nielsen, Nick Stremel, Conrad Lattes, Larry Colbenson, Jeff Moline Al Hardy, Janis Whisman, Stefan Reinold, Bevin Carithers, Blake Cooper, Renata Frye, Therese Glowacki, and Eric Lane Approval of the May 24, 2018 Meeting Minutes Action Taken: Jim Krug moved to accept the May minutes. Sue Anderson seconded the motion. Motion carried unanimously. Public Participation - Items not on the Agenda None Hicks-Stitzel Acquisition Boulder County proposes acquiring approximately 106 acres of land and a conservation easement over approximately 1.1 acres of land immediately south of the Hicks Open Space property. Staff Presenter: Sandy Duff – Sr. Land Officer Action Requested: Recommendation to BOCC Public Comments None Cindy Domenico County Commissioner County Commissioner County Commissioner Deb Gardner Elise Jones Action Taken: Jim Krug moved to accept staff recommendation for the acquisition as presented, and Gordon Pedrow seconded the motion. After discussion, motion carried unanimously. E-bike Recommendation Staff Presenter: Tina Nielsen - Special Projects Manager Action Requested: Recommendation to BOCC Public Comments • Raul Saucedo, 296 Canyonside Dr., Boulder. -
Recovering Lost Moral Ground: Can Walt Make Amends?
CHAPTER 10 Recovering Lost Moral Ground: Can Walt Make Amends? James Edwin Mahon and Joseph Mahon Is it possible to recover lost moral ground? In the closing episodes of Breaking Bad it becomes clear that Walter White believes that the correct answer to this question is an affi rmative one. Walt believes that he can, and that he has, recov- ered lost moral ground. Breaking Bad may be said to explore two distinct and incompatible ways of attempting to recover lost moral ground. The fi rst way is revisionist . This is to rewrite the script of what, morally speaking, has occurred, so that it appears that nothing wrong was done. Since no moral ground has been lost, there is no moral ground to recover. The second way is restorative . This is to admit to morally wrongful behavior, but to attempt to make amends for it. While we concede that it is possible to recover lost moral ground in both of these ways, we deny that Walt is able to do so in both of these ways. At best, Walt can only hope to recover lost moral ground by attempting to make amends for his past misdeeds. Before looking at these two kinds of attempts to recover lost moral ground in Walt’s case, however, two defenses against accusations of moral wrongdoing will fi rst be considered, since Walt also avails of these defenses. The fi rst is the justifi catory defense, that of seeking to justify the moral wrongdoing, so that it is no longer morally wrong. The second is the mitigatory defense, that of seek- ing to excuse the moral wrongdoing, so that the person is no longer respon- sible for the moral wrongdoing. -
Breaking Bad Como Reinterpretación Del Mito Quijotesco. Jesus Alberto Garcia Bonilla University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 “De hidalgo a narcotraficante”: Breaking Bad como reinterpretación del Mito Quijotesco. Jesus Alberto Garcia Bonilla University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Comparative Literature Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Garcia Bonilla, Jesus Alberto, "“De hidalgo a narcotraficante”: Breaking Bad como reinterpretación del Mito Quijotesco." (2018). Theses and Dissertations. 1804. https://dc.uwm.edu/etd/1804 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. “DE HIDALGO A NARCOTRAFICANTE”: BREAKING BAD COMO REINTERPRETACIÓN DEL MITO QUIJOTESCO. by Jesús Alberto García Bonilla A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Spanish at The University of Wisconsin-Milwaukee May 2018 i ABSTRACT “DE HIDALGO A NARCOTRAFICANTE”: BREAKING BAD COMO REINTERPRETACIÓN DEL MITO QUIJOTESCO. by Jesus Alberto García Bonilla The University of Wisconsin Milwaukee, 2018 Under the Supervision of Professor R. John McCaw El presente estudio pretende analizar las conexiones existentes entre la serie Breaking Bad y la novela Don Quijote de la Mancha, con el objetivo de demostrar que dicha serie puede ser entendida como una reformulación de la novela. Para llevar a cabo este objetivo, primero se expondrán algunas de las características que nos permiten considerar ambas obras como textos que reflejan la ruptura de sus respectivas sociedades. -
“Lucifer Effect.” Evil and Redemption in Breaking Bad
RLCS, Revista Latina de Comunicación Social, 74 – Pages 383 to 402 [Funded Research] | DOI:10.4185/RLCS-2019-1336en |ISSN 1138-5820 | Year 2019 How to cite this article in bibliographies / References A Nahum García Martínez, P Castrillo Maortua, P Echart Orús (2019): Moral Sympathy and the “Lucifer Effect”. Evil and Redemption in Breaking Bad”. Revista Latina de Comunicación Social, 74, pp. 383 a 402. http://www.revistalatinacs.org/074paper/1336/19en.html DOI: 10.4185/RLCS-2019-1336en Moral sympathy and the “Lucifer effect.” Evil and redemption in Breaking Bad Alberto Nahum García Martínez [CV] [ ORCID] [ Google Scholar]. Visiting Professor at the School of Communication and Arts. The University of Queensland (Australia) / Universidad de Navarra - [email protected] Pablo Castrillo Maortua [CV] [ ORCID] [ Google Scholar]. Assistant Professor at the Department of Culture and Audiovisual Communication. Universidad de Navarra (Spain). [email protected] Pablo Echart Orús [CV] [ ORCID] [ Google Scholar]. Associate Professor at the Department of Culture and Audiovisual Communication. Universidad de Navarra (Spain). [email protected] Abstract Introduction. This article analyzes the dramatic and cognitive mechanisms that activate viewers’ emotional identification with antihero protagonists of serial fiction, taking Breaking Bad as a case study. Methods. The analysis of the mechanisms that enable identification is based on cognitive media theory (Carroll; Plantinga; Smith), and is reinforced through media psychology, applied through a close reading of the last season of the series. Theoretical framework. The notion of “structure of sympathy” (Smith) is used to identify four dramatic strategies that modulate the spectatorial moral judgment against the antihero, while the concept of the “expanded narrative” is used to explain the familiarity established with the protagonist. -
Breaking Bad: Breaking Television’S Limited Representations Of
BREAKING BAD: BREAKING TELEVISION’S LIMITED REPRESENTATIONS OF ADDICTION A Thesis Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Michael Allan Jones In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Major Program: Speech Communication August 2014 Fargo, North Dakota North Dakota State University Graduate School Title Breaking Bad: Breaking Television’s Limited Representations of Addiction By Michael Allan Jones The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of MASTER OF ARTS SUPERVISORY COMMITTEE: Dr. Robert Littlefield Chair Dr. Mark Meister Dr. Zoltan Majdik Dr. Andrew Mara Approved: 9-25-2014 Dr. Mark Meister Date Department Chair ABSTRACT As a communication device, television helps cultivate a culture’s social reality. Yet, television sometimes advances flawed concepts in a social reality, particularly concerning addiction. Television appears to have cultivated limiting stereotypical concepts regarding the attitudes, thoughts, and action patterns characteristic of addicts. These stereotypes may hinder a person’s recovery. This analysis, therefore, examines narratives in AMC’s Breaking Bad to learn how the television series conceptualizes addiction. Combing Walter Fisher’s Narrative Paradigm with William Kirkwood’s Rhetoric of Possibility, it delineates an alternative narrative representation of addiction. It reveals limitations in stereotypically conceived representations of addiction, and shows coherent narratives supporting a more comprehensive concept of the term. Through the Fisher-Kirkwood lens, Breaking Bad may be seen as cultivating an enlightened conceptualization of addiction. In so doing, the television show’s cultural importance is established. -
Syllabus -- Spoiler-Free! Messiah College
The Wages of Sin is Death: Breaking Bad as the New American Tragedy Course Syllabus -- Spoiler-Free! Messiah College. Fall 2015. Tuesdays, 6:15-9:15 p.m. Boyer 131. Instructor: James B. LaGrand Email: [email protected] Office: Boyer 264 Office hours: Mondays, Wednesdays, & Fridays, 11-noon; Telephone: ext. 7381 Thursdays, 3-4 p.m.; & by appointment Course description A number of serialized TV dramas over the past decade or so have led many critics to call this period “the golden age of television.” No show better epitomizes this label than Breaking Bad. Its thrilling plots and cliff-hangers have won it millions of viewers. But it’s more than a pop culture phenomenon. Creator Vince Gilligan’s show stands out for its novelistic structure and sensitive examination of characters’ inner lives. Even more remarkable for a television program, Breaking Bad provides a relentlessly honest picture of the human condition--both its vices and virtues. The show’s depictions of the seven “deadly sins” or “capital vices”-- especially pride, envy, greed, and wrath--have led many viewers to recall Greek and Shakespearean tragedies. Acclaimed not only by the public but also by television and literature critics, Breaking Bad is uniquely well-suited among television shows for study and reflection in a classroom context. In this course, you will take in course content (i.e. episodes of Breaking Bad) outside of the classroom--what’s sometimes called a “flipped classroom.” Thus, class sessions can be reserved for discussion and assimilation of this show’s many timely and important themes--including human depravity and morality, drugs, drug policy, marriage, family, friendship, masculinity, gender relations, work, vocation, money, and race.