Douglas Cleverdon Correspondence 1925-1932, Undated MS.2003.038
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Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
The Third Programme a Literary History
The Third Programme A Literary History KATE WHITEHEAD CLARENDON PRESS OXFORD 1787 Oxford Uniirrsify Press, lYblton Street, Oxford 0x2 ~DP Oxjord New lbrk Toronto I>elhi Bonr1)ay Calcutta hfadras Karachi Acknowledgements Petaling Jaya .Tingapore Hong Kong Tokyo Nairobi Var es .Sa/aant Cape ?bwn Melbourne Auckland and associated companies in I would like to thank the following people for their kind Bzrlin Ibadan assistance during my research: the late Douglas Cleverdon and Oxford is a trade mark of Oxford Uniuersifj Press John Lehmann, Patric Dickinson, Harman Grisewood, Professor Peter Laslett, Ludovic Kennedy, Ian MacIntyre, Leonard Miall, Published in the United .States P. H. Newby, Piers Plowright, Harry Ritchie, Rosaly Roffman. Iy Oxfork Uniuersify Press, U.TA Dr Michael Weaver supervised the thesis on which this mono- 0 Kate Whitehead 1989 graph is based, and was helpful and enthusiastic throughout. The staff at the BBC Written Archives Centre provided . All rights reserved. No part of this publication nray be reproduced, stored in a retrieval system, or transnritted, in any form or by any means, invaluable assistance during three years' regular attendance and rlectronic, mechanical, photocopying, recording, or otherwise, without enquiry. I must also thank the staff of the Society of Authors, the the prior permission of Oxford Uniuersio Press National Sound Archive, and the Bodleian and Christ Church British Library Cataloguing in Publication Data Libraries for all their help. The Department of Education and W'hitehead, Kate. Science was generous in providing me with special travel grants The Third Progranrnre: a literary histov. and allowances, as was Christ Church and the English Faculty of - (Oxford English monographs). -
AUTOBIOGRAPHY and HISTORY on SCREEN: the Life and Times of Lord
AUTOBIOGRAPHY AND HISTORY ON SCREEN: The Life and Times of Lord Mountbatten 1 Abstract: The television series, The Life and Times of Lord Mountbatten (1968), was a unique collaboration between an independent production company, Associated- Rediffusion, a national museum, the Imperial War Museum, and one of the most famous aristocratic and military figures of the 20th century, Lord Mountbatten. Furthermore, Mountbatten was the programme’s presenter, appearing on screen to describe his experiences autobiographically. Through the use of film and images, Mountbatten’s ‘life’ was intertwined with the historical ‘times’ of over half a century. Though praised at the point of its release to British audiences in 1969 by the public, critics and historians alike, The Life and Times of Lord Mountbatten has since largely been ignored by scholars interested in the history-on-television genre. By detailing the origins, format, production and reception of the series, and by comparing it to both The Great War (1964) and The World at War (1973-1974), which were also produced in conjunction with the Imperial War Museum, the immediate success and subsequent failure of The Life and Times of Lord Mountbatten to attract popular and academic attention provides an argument for widening the discussion on television history and its limited categorizations. Key words: autobiography, history, television, Imperial War Museum, The Great War, The World at War. 2 To tell the story of this century on television is in itself a formidable task. To focus this story on one single man, however remarkable his career, breaks new ground. This series is not only about Lord Mountbatten, it is with him and that gives this television history a unique dimension.1 Academic literature concerning factual history programmes is abundant with references to The Great War and The World at War, which were television series made in collaboration with the Imperial War Museum (IWM) from 1963-1964 and 1971-1974 respectively. -
Labor Relations, 16Mm Film and Euston Films
Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 Labor Relations, 16mm Film and Euston Films Max Sexton, Birkbeck College, University of London Film as a technology has been used, adapted and implemented in particular ways within television. This article provides examples of this process along with its complexities and demonstrates how a system of regulated labor on British television during the 1970s shaped the aesthetic form that 16mm film was used to develop. The questions of how far the production process was guided by institutionalized conventions, however, is one that the article seeks to answer in its analysis of the function and form of the filmed television series produced by Euston Films, a subsidiary of Thames Television. Charles Barr (1996) has discussed the legacy of live television that seeks to develop analyses of the developing formal systems of early television. For example, the telerecordings of most of the Quatermass serials were only “television films” because they were recorded on film, but were not constructed or edited as film, although they may have used some film inserts. According to Barr, television drama may have been shot on film, but it was different from film. It was only later in the 1960s and 1970s that shooting on film meant that the studio drama was replaced by shooting on location on 16mm. Barr notes that in Britain, unlike in the US, if a growing proportion of drama was shot on film, dramas were still referred to as “plays.” Consequently, the TV plays-on-film were distinct from “films.” However, as this article demonstrates, the development of the 16mm film from the 1970s complicates some of the notions that television drama was either live or continued to be planned, shot and edited as a live play. -
Besleys Books Winter 2020 Catalogue of Private Press, Printing, Art, Literature & Illustrated
Besleys Books Winter 2020 Catalogue of Private Press, Printing, Art, Literature & Illustrated To order please call: 01502 715762 OR email: [email protected] Images of the books can be seen on our website at: www.besleysbooks.com/pp2020 All prices in this catalogue are net. Prices include postage and packing for delivery within the UK. Overseas customers should ask for a quotation for postage costs. We endeavour to describe the books accurately, any significant faults will be mentioned in the description. If you have any questions, please ask. Any book may be returned and a refund will be issued if for any reason it proves unsatisfactory, provided you notify us of your intention to return within 7 days of receipt. We are members of the ABA and the PBFA. 1. Aeschylus. The Agamemnon. Text edited by Raymond Postgate, with an introduction, a commentary, and a translation into modern English Prose. Cambridge: Rampant Lions Press, 1969. Limited. Near Fine / Very Good. Hardback, cloth covered boards. 25 x 15cm. 141pp. One of 250 copies. Signed by the editor Raymond Postgate. Complete with acetate wrapper. An excellent clean copy. [15072] £25.00 2. Aldington, Richard. A.E. Housman & W.B. Yeats : Two Lectures. Peacocks Press, 1955. Limited. Near Fine / Fair. Hardback, cloth with glassine wrapper. 23.5 x 15cm. 35pp. One of an edition of 350 copies. A very bright unopened copy, with a rather tattered glassine wrapper. [15237] £20.00 3. Alighieri, Dante. La Divina Commedia Or The Divine Vision of Dante Alighieri in Italian and English. London: Nonesuch Press, 1928. Limited. -
Featured Books
Featured Books 1. Savage, William. PRACTICAL HINTS ON DECORATIVE PRINTING, WITH ILLUSTRATIONS ENGRAVED ON WOOD, AND PRINTED IN COLOURS AT THE TYPE PRESS. London: various publishers, 1822, small 4to., full red straight grain morocco elaborately tooled in gilt, all edge gilt. Frontispiece; half-title, title, Contents leaf, List of Subscribers 2 leaves, Address leaf, Dedication leaf (i-ii), Preface (iii)-vi: Decorative Printing 1-65, Appendix pp.(67)-100, Illustrations (101)-118, 3 unpaginated leaves of poetry printed rectos only, Index pp.(iv). $ 18,500.00 First edition, with only 227 subscribers listed; this is one of the 100 or so Large Paper Copies. (Bigmore & Wyman II, 297; Abbey, LIFE, 233; Burch p.118; McLean p.34). Large Paper Copies are obviously larger in format (14.5 x 10.25 inches) and have other differences from the small paper copies: 1. many of the plates are printed on separate sheets of paper and are mounted in the large paper copies; 2. has a number of the plates printed horizontally on the page rather than vertically as the larger page size allowed that. Savage was a printer known for his superb craftsmanship and certainly demonstrated that ability in producing this book. Many of the plates are in the most stunning color; especially noted are the title and dedication pages. Contains chapters on the history of printing, printing materials, press work, printing in colors and 10 sections in the appendix devoted to different aspects of the printing industry as it stood in 1822. 1 Only 227 copies were subscribed for from a projected edition of 325 copies. -
A Reading of Dylan Thomas's Under Milk Wood
ALAN PETER FEAR A WALK THROUGH LLAREGGUB: A READING OF DYLAN THOMAS’S UNDER MILK WOOD PORTO ALEGRE 2012 2 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÁREA: ESTUDOS DE LITERATURA ESPECIALIDADE: LITERATURAS ESTRANGEIRAS MODERNAS LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA A WALK THROUGH LLAREGGUB: A READING OF DYLAN THOMAS’S UNDER MILK WOOD AUTOR: ALAN PETER FEAR ORIENTADORA: SANDRA SIRANGELO MAGGIO Dissertação de Mestrado em Literaturas Estrangeiras Modernas submetida ao Programa de Pós-Graduação em Letras da Universidade Federal do Rio Grande do Sul como requisito parcial para a obtenção do título de Mestre. PORTO ALEGRE Abril, 2012 3 FICHA CATALOGRÁFICA FEAR, Alan Peter A Walk through Llareggub: A Reading of Dylan Thomas’s Under Milk Wood Alan Peter Fear Porto Alegre: UFRGS, Instituto de Letras, 2012. 113p Dissertação (Mestrado - Programa de Pós-graduação em Letras) Universidade Federal do Rio Grande do Sul. 1. Literaturas de língua inglesa. 2. Literatura galesa. 3. Crítica literária. 5. Dylan Thomas 6. Under Milk Wood 4 ACKNOWLEDGEMENTS Firstly I would like to thank the Federal University of Rio Grande do Sul and PPG Letras for accepting me on this course and giving me this wonderful opportunity to study these two years on my Master’s Degree. My special thanks to José Canísio Scher of PPG- Letras for kind attention, patience and help. My thanks also to CAPES for the invaluable financial support in the form of the study scholarship I have received which has allowed me to dedicate a great part of my time to the research. -
Fine Printing & Illustration
Fine Printing & Illustration ¶ Item 68. Jones (David). Coleridge (Samuel Taylor). The Rime of the Ancient Mariner. Modern Fine Printing & Illustration Catalogue 1484. Maggs Bros Ltd 48 Bedford Square London 2018 Wood-engraving by Simon Brett of the keystone above the front door at 48 Bedford Square, reproduced here in memory of Cobden-Sanderson’s sacrifice of his type to theThames. Front endpapers: Item 64. Henry (Avril K.). Toys. Back endpapers: Item 3.The endpapers for Donald Glaister's binding of the Ashendene Boccaccio. Maggs Bros Ltd., 48 Bedford Square, London WC1B 3DR Contents of Catalogue The William Lang Doves Press collection. 1. Margaret Adams calligraphic album. 2. Art Workers’ Guild. Sketches made on Lithography Night. 1905. 3–7. Ashendene Press. 8. Edward Bawden. How to Make Money. c. 1929. 9. Aubrey Beardsley. The Pierrot of the Minute. 1897 10 & 11. Ian Beck. Fugitive Lyrics. 2013. 12. Edward Burne-Jones. Mezzotint, signed, of Pan and Psyche. 1887. 13. Michael Caine. Lament for Ignacio Sanchez mejias. 1995. 14–16. Corvinus Press. Three rare T.E. Lawrence books. 17–19. Cresset Press. 20. Nancy Cunard, John Banting, John Piper, Ithell Colquhoun and others. Salvo for Russia. 1942. 21–22. Doves Press. 23. Eragny Press. Les Ballades de Villon. 1900. 24–26. Essex House Press. 27. Fleece Press. To the War with Paper & Brush. 2007. 28–30. Robert Gibbings. 31–36. Eric Gill. 37–54. Golden Cockerel Press. 55–61. Gregynog Press. 63. Temporary Culture. Forever Peace: To Stop War. 64. Avril Henry. Original illustrated manuscript of Toys. 65. High House Press. A Marriage Triumph. -
Catalogue 22 Sophie Schneideman Rare Books
Catalogue 22 Sophie Schneideman RaRe BookS We prefer to give customers on our mailing list the opportunity to buy books from catalogues before we put items up for sale on our website. Items in this catalogue will be posted onto www.ssrbooks.com a week or so after the catalogue has been sent out and in many cases there will be additional pho- tographs to view there. If you are interested in buying or selling rare books, need a valuation or just honest advice please contact me at: SCHNEIDEMAN GALLERY Open by appointment 7 days a week or by chance - usually Mon-Fri 10-4. The gallery is open on Saturday 11-5 but if you want to view the books please let me know in advance. 331 Portobello Road, London W10 5SA 020 8354 7365 07909 963836 [email protected] www.ssrbooks.com We aRe pRoUd To Be a MEMBeR oF THE aBa, pBFa & iLaB AND aRe pLEASED To FoLLoW THEIR CODES oF CONDUcT Prices are in sterling and payment to Sophie Schneideman Rare Books by bank transfer, cheque or credit card is due upon receipt. All books are sent on approval and can be returned within 10 days by secure means if they have been wrongly or inadequately described. Postage is charged at cost. EU members, please quote your vat/tva number when ordering. The goods shall legally remain the property of Sophie Schneideman Rare Books until the price has been discharged in full. Cover: Binding for item 7. I · ILLUSTRATED BOOKS ITEMS AESOP 16, 44, 45, 65, 68 BASKIN, Leonard 1 BLAKE, William 2 & 3 BUCKLAND WRIGHT, John 4-6, 89 & 90 GENTLEMAN, David 7 GIBBINGS, Robert 58 GILL, Eric, including -
PRIVATE PRESSES Blackwell Rare Books 48-51 Broad Street, Oxford, OX1 3BQ
Blackwell Rare Books Blackwell rare books PRIVATE PRESSES Blackwell Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
DOUGLAS CLEVERDON 1903 - 1987 Email: [email protected]
MAGGS BROS LTD Catalogue 1446 2 MAGGS BROS LTD MAGGS BROS LTD, 50 Berkeley Square, London W1J 5BA Books from the library of Tel: 020 7493 7160 Fax: 020 7499 2007 DOUGLAS CLEVERDON 1903 - 1987 email: [email protected] Catalogue 1446 Bank Account: Allied Irish (GB), 10 Berkeley Square, London W1J5BA Sort code: 23-82-97 Account Number: 47777070 IBAN: GB94AIBK23839747777070 BIC: AIBKGB2L VAT number: GB239381347 Access/Mastercard and Visa: Please quote card number, expiry date, name and invoice number by mail, fax or telephone. EU members: please quote your VAT/TVA number when ordering. The goods shall legally remain the property of the seller until the price has been discharged in full. Items with an * are subject to VAT. Maggs Bros Ltd 2010 Front cover: See item 149 Back cover: See item 7 Contents: Part 1. Books page - As publisher and bookseller........................................................ 1 - As writer and broadcaster........................................................... 10 - Books from Cleverdon’s library - Eric Gill, David Jones, Desmond Chute and the S. Dominic’s Press............................ 12 - Other books from Cleverdon’s library..................................... 17 - Ephemera......................................................................................... 23 Part 2. Gill graphics.................................................................................... 24 Part 3. Jones graphics................................................................................. 49 Part 4. Other Prints & Engravings........................................................... 70 MAGGS BROS LTD 1 DOUGLAS CLEVERDON 1903 - 1987 ENGRAVINGS BY ERIC GILL 3 Pencil Design by Eric Gill for the cartouche of The Engravings of Eric Gill 1929. Part 1. Books. Signed with Gill’s monogram and date (18/6/'29). 61 x 86 mm. 1929. Note: most items have Cleverdon’s attractive small booklabel. £1200 Drawn directly by the artist on the letterpress colophon, to be later engraved and over-printed on the sheet. -
Notes and References
NOTES AND REFERENCES PREFACE AND ACKNOWLEDGEMENTS I. Broadcasting (HMSO, 1978) (Cmnd. 7294). 2. Report oj the Committee pn the Future ojBroadcasting (HMSO, 1977) (Cmnd. 6753) para. 4.3. 3. Ibid. para. 13.46. 4. Broadcasting, p. 21. 5. Report oj the Committee on Broadcasting rg60 (HMSO) (Cmnd. 1753) para. 20g. 6. Lord Windlesham, Broadcasting in a Free Society (Basil Blackwell, 1980) pp. 71-2. 7. B. Paulu, British Broadcasting in Transition (Macmillan, 1961). 8. B. Paulu, British Broadcasting: Radio and Teleuision in the United Kingdom (University of Minneapolis Press, 1956). 9. P. Black, The Mirror in the Corner: People'S Tel,ujsion (Hutchinson, 1972). 10. N. Swallow, Factual Teleuision (Focal Press, 1966). II. J. Gable, The Tuppen'lY Punch and Judy Show (Michael Joseph, 1980). CHAPTER I: BEVERIDGE I. H. H. Wilson, Pressure Group (Seeker and Warburg, 1961) p. 23. 2. Report oj the Broadcasting Committee 1949 (HMSO) (Cmd. 8116). 3. Ibid. pp. 201-10. CHAPTER 2: BEYOND BEVERIDGE I. A. Briggs, History oj Broadcasting in the United Kingdom Vol. IV Sound and Vision (Oxford University Press, 1979) P.424· CHAPTER 3: WHITE PAPER: 1952 I. Broadcasting: Memorandum on the Report oj the Broadcasting Committee 1949 (HMSO) (Cmd. 8550) para. 7. 2. Ibid. para. 9. 3. House of Lords, Hansard, (HMSO) 23 and 26 May 1952. 4. House of Commons, Hansard, (HMSO) J I June 1952. 375 NOTES AND REFERENCES CHAPTER 4: INTERLUDE 195~/3 I. A. Seldon, Churchill's Indian Summer (Hodder and Stoughton, 1981). CHAPTER 5: WHITE PAPER: 1953 I. (HMIO) Cmd. 9005. CHAPTER 6: FIELD DAYS IN PARLIAMENT: 1953 I.