A S U P P L E M E N T T O T H E S P R I N G 1 9 9 3 I S S U E O F T D & T

U S I T T S C E N I C D E S I G N A N D T E C H N I C A L P R O D U C T I O N G R A P H I C S T A N D A R D

USITT Education Commission

Graphic Standards Board -

Scenic Drafting Subcommittee Members

Greg Bell James Brewczynski Dennis Dorn Jonathan Darling Ming Cho Lee Mark Shanda Frank Silberstein Robert F. Wolin Stephan M. Zapytowski (Chair)

18 March 1992 (reissued 15 April 1999) USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD

1.0 GENERAL. obvious that there will need to be whether the drawing is being prepared subsequent revision to this standard for a rigging crew, stage manager, 1.1 INTRODUCTION. as new assemblies and fabrication director, prop master, or one of the techniques become available and as other many specialty areas of the This first revision of the Scenic Design our understanding of standards performing arts which communicate and Technical Production Graphic becomes more refined. through the use of graphics. Whatever Standard is the result of many choices are made, however, each exchanges, both written and verbal. These revisions have been made based choice must be in the form of The initial document was published in on the assumption that the majority of communication that is clear, the 1982 Spring volume of the USITT scenic drafters will be using standard consistent, and efficient for both journal, Theatre Design & drawing tools rather than CADD drafter and reader. Technology. Thanks to a number of equipment. To the extent possible, recently published scenery textbooks symbols and recommendations have 2.0 LINES. and the enthusiastic acceptance of the been configured to allow for shapes standard by the USITT membership, which can be efficiently produced by 2.1 LINE WEIGHTS. both the concept and content of this either means. While it may not be The recommendation is a modified graphic standard now share a firm possible to produce images identical ANSI standard as follows: foundation upon which this and to those recognized here as good Pen: Thin: .010” to .0125” width. succeeding revisions can build. drafting practice when using some (ANSI standard = .016”) CADD packages, it is hoped in those Thick: .20” to .025” width Although there are many technical instances that the CADD drafter will (ANSI standard = .032”) changes within this revision, the work to produce images which follow Pencil: Thin: 0.3mm majority are clarifications. Some of this standard as closely as practicable. Thick: 0.5mm the more significant modifications include: 1.2 SCOPE. 2.2 LINE TYPES.

1. Indexing of figures and text. This standard is intended to be used 2.2.1 BORDER AND DRAWING by both scenery designers and scenic DIVISION. 2. Ordered and expanded hardware technicians. As such it is flawed symbols. because it is not in every instance 2.2.1.1 BORDER. specific to the discipline. However, as A thick single or double line. See fig. 3. Line symbol alterations, imperfect as this may be, the 2.2.1. clarifications or additions such as differences between design and shop the “set line,” “break line,” “datum drawings are not so great that two 2.2.1.2 TITLE BLOCK. line,” and “section lines.” distinct standards need to be A thick single or double line. fashioned, nor is such a split even 4. Elimination of the practice of desirable since so many theatre 2.2.1.3 DRAWING DIVISION. circumscribing elevation heights on professionals work in both capacities A single thick solid line. levels. much of the time. 2.2.2 VISIBLE EDGE LINE. As noted in the original document, the What is important is that drafters A single thick solid line. See fig. 2.2.2. two-fold purpose for the creation and provide useful information to the end implementation of a scenic graphic user (e.g., shop drawings need to 2.2.3 HIDDEN EDGE LINE. standard is to provide practicing and show the breakdown of subassemblies, A thin, uniformly dotted line. See fig. incoming members of the industry with while design drawings typically convey 2.2.3. a means of efficient and accurate information regarding profile and communication. In a profession as finish). In either instance, 2.2.4 “CEILING LINE.” mobile as the performing arts, it is the information provided must be A thin, uniformly dashed line. See fig. critical for practitioners to effectively specific, accurate, comprehensive, 2.2.4. A local note, “CEILING LINE” is communicate without the need for and tailored to the needs of the end recommended. constant on-site residency. Likewise, user. the educator who has been charged 2.2.5 PLASTER LINE. with the task of preparing students for Drafters must determine for A thin, uniformly dashed line. See fig. professional careers needs assurance themselves which elements of this 2.2.5. A local note “PL” or “PLASTER that what is being taught is actually standard apply to the specific use for LINE” may be required for clarity. acceptable and useful to the majority of which the drawing is being prepared. practicing professionals. In the The determination of which elements 2.2.6 SET LINE. context of both circumstances, it is are appropriate will be dependent on A thin solid line with short breaks USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD

separating it from tormentors or other diagonal lines. See fig. 2.2.10.2. 2.3 LINES NOT SPECIFIED IN THESE coplanar features. See fig. 2.2.6. A Other standard section lining patterns RECOMMENDATIONS. local note “SL” or “SET LINE” may be may be used to differentiate material Any special lines not described in required for clarity. as required. If used atypically these these recommendations should be should be identified in the Legend or noted in the legend of each sheet. 2.2.7 CENTER LINES. by local note. 3.0 DIMENSIONING. 2.2.7.1 CENTER LINES IN GENERAL 2.2.10.3 SECTION VIEW OF ITEMS TOO APPLICATIONS. A thin line of the THIN FOR SECTION LINING 3.1 GENERAL. form long-short-long. See fig. 2.2.7. (i.e., CROSS-HATCH). When a surface is too small to cross- 3.1.1 CRITERIA. 2.2.7.2 SPECIAL FORM FOR MAJOR hatch it may be depicted by a solid Dimensions must be clear, consistent ARCHITECTURAL FEATURES line of proper scale thickness. See fig. and easily understood. (e.g., STAGE CENTER LINES). 2.2.10.3. (Variations from true scale A thin line of the form long-short-long are acceptable if required for clarity.) 3.2 UNITS. with a local note as “CL” appended near the lower edge of the view for 2.2.10.4 OUTLINE OF SECTIONED BODY – 3.2.1 METRIC. emphasis. See fig. 2.2.7. ARCHITECTURAL. Dimensions less than one meter are to The outline of section views of large be noted as a zero, decimal point, and 2.2.8 LEADERS. architectural solids may be described portion of meter in numerals. All by an extra thick line in lieu of section measurements one meter and greater 2.2.8.1 LINEAR LEADERS. lining (cross-hatching). See fig. shall be given as a whole meter number, A thin solid line which is inclined 2.2.10.4. decimal point, and portion of relative to the major horizontal and meter: 0.1m, 0.52m, 1.5m, 2.35m. vertical axes and having an arrow 2.2.10.5.1CUTTING PLANE LINE. pointing toward the feature A thick dashed line of the form long- 3.2.2 ENGLISH. referenced. See fig. 2.2.8. short-short-long. Arrows at the ends Dimensions less than 1’-0” are given of the cutting plane line indicate the in inches without a foot notation, such 2.2.8.2 SERPENTINE LEADERS. direction of view. See fig. 2.2.10.5.1. as 6”, 9 1/2”, etc. Dimensions 1’-0” A thin solid irregularly curved line and greater include the whole feet with an arrow pointing toward the 2.2.10.5.2CUTTING PLANE LINE – with a single apostrophe followed by a feature referenced. See fig. 2.2.8. ALTERNATE FORM. dash and then inches followed by a Short thick lines at the terminations of double apostrophe: 7’-1/2”, 18’-5 2.2.8.3 LEADERS TO AN OUTLINE. the cutting plane. Arrows at the ends 1/4”, 1’-3”. A linear or serpentine form leader of the cutting plane line indicate the terminated by an arrow pointing to the direction of view. See fig. 2.2.10.5.2. 3.3 GENERAL FORM. referenced outline. See fig. 2.2.9. 2.2.11 BREAK LINE. 2.2.8.4 LEADERS TO A SURFACE. A thin line of the form shown in fig. 3.3.1 LINE WEIGHT. A linear or serpentine form leader 2.2.11. The line extends slightly See Art. 2.2.9 (Lines: Extension & terminated by a dot on the referenced beyond the edges of the object and is Dimension) & fig. 2.2.9. surface. See fig. 2.2.8. appropriate for both short and long break applications. 3.3.2 ORIENTATION. 2.2.9 EXTENSION AND DIMENSION Dimensions should be oriented to LINES. 2.2.12 PHANTOM LINE. read from the bottom and/or right Thin lines of the form shown in fig. A thin dashed line of the form long- hand side of the drawing. 2.2.9. short-short-long for use in adjacent part, alternate position or repeated 3.3.3 DIMENSION / EXTENSION LINES 2.2.10 LINES RELATED TO SECTION feature applications. See fig. 2.2.12. ON OBJECT. VIEWS. Dimension and extension lines may be 2.2.13 DATUM LINE. placed on a drawn object provided 2.2.10.1 SECTION OUTLINES. A thin, solid line with a locate note as object lines are clearly differentiated A thick solid line equivalent to a “DL”, which may be used in situations from dimension and extension lines by VISIBLE EDGE LINE. See fig. 2.2.10.1. where clearly definable reference contrasting line weight. See Art. 2.2.2 planes are not available, i.e., “Plaster (Lines: Visible Edge), Art. 2.2.9 2.2.10.2 SECTION LINES - USUAL FORM. Lines” in ground plans. See Art. 4.1.3 (Lines: Extension and Dimension) and Section lining — i.e. “cross-hatch” — (Reference Points and Planes). See fig. fig. 3.5.1.1. (“Centers”). Extension consists of thin, uniformly spaced 2.2.13. USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD

lines typically begin approximately The terms “Ground Plan” and “Floor 4.2.2.2 DOORWAY. 1/16" away from the referenced Plan” are considered to be See fig. 4.2.2.2. The shutter is features. synonymous for the purposes of these normally drawn standing partially recommendations and are equally open to show how it will be hung. 3.4 CROWDED DIMENSIONS. acceptable. Note the swing line is a thin solid Recommended methods include any line swung from the door hinge center. of the configurations shown in fig. 3.4. 4.1.2 DEFINITION. The swing line may extend to the limit Note that dots or slashes may be “A ground or floor plan is a horizontal of travel if required. substituted when arrows are too big section with the cutting plane passing for the available space. at whatever level (normally 4'-0” 4.2.2.3 WINDOW. above the stage floor) required to See fig. 4.2.2.3. Show muntins and 3.5 DIMENSIONING ARCS AND produce the most descriptive view. mullions of windows as designed. CIRCLES. This cutting plane may be locally offset Recommended methods include any as required for clarity.” 4.2.2.4 SLIDING DOOR. of the configurations shown in figs. See fig. 4.2.2.4. 3.5.1.1, 3.5.1.2, 3.5.2 or 3.5.3. 4.1.3 REFERENCE POINTS AND PLANES Dimensions on Ground Plans and 4.2.2.5 DOUBLE ACTING DOOR. 3.5.1.1 LOCATING CENTERS OF ARCS AND Sections are to be referenced from the See fig. 4.2.2.5. Note the swing line is CIRCLES. stage floor (or ground level), Center a thin solid line swung from the door Arcs and circles are located by Line, and Plaster Line. In the case of hinge center. The swing line may crossed center lines of the form “found spaces” or other stage types extend to the limit of travel if required. shown in fig. 3.5.1.1., 3.5.1.2, or where a clearly established Center 3.5.3. Line and/or Plaster Line is not 4.2.2.6 CASEMENT WINDOW. available, all dimensions are to be See fig. 4.2.2.6. Show muntins and 3.5.1.2 CENTER LINES ON AND OFF taken from easily established points or mullions of windows as designed. Note ROUND OBJECT. plane(s) of reference. The points or the swing line is a thin solid line For purposes of dimensioning, a plane(s) of reference should be swung from the window hinge center. center line may be extended beyond clearly labeled and noted both on the The swing line may extend to the limit the boundaries of the circle to which it Ground Plan and or Section, and in of travel if required. applies in which case it becomes a the Key. thin solid extension fine. See fig. 4.2.3 SHOWING CASINGS AROUND 3.5.1.2. 4.2 FLAT SCENERY IN GROUND PLANS. OPENINGS. Casings may be shown in stage ground 3.5.2 SPECIFYING SIZE OF CIRCLES. 4.2.1 SINGLE FLAT. plans where their inclusion would The size of circles are normally A flat is shown on a stage ground plan significantly clarify information specified by their diameter. See fig. by a solid line of proper scale required for design, fabrication, or 3.5.2. thickness. See Art. 2.2.10.3 (Section assembly. Views of Items Too Thin for Section 3.5.2.1 LARGE OBJECT EXCEPTION TO Lining). See fig. 4.2.1. Note that the 4.3 PLATFORMS, STEPS, AND RAMPS STANDARD METHOD FOR method used to generate such a line is IN GROUND PLANS. DIMENSIONING ROUND OBJECTS. not a part of these recommendations. Very large round objects such as 4.3.1 PLATFORM BOUNDARIES. revolves may be dimensioned by their 4.2.1.1 TWO OR MORE FLATS IN The edges of platforms are shown by radii if required for clarity or CONTACT. When it is necessary to standard visible, i.e. thick, lines. See convenience of fabrication. show how flats butt together in fig. 4.3.1. assembly, the method shown in fig. 3.5.3 SIZE OF ARCS SPECIFIED BY 4.2.1.1 is recommended. Note that the 4.3.2 CONFIRMING LEVEL STATUS OF RADII. The size of arcs are open line figure above is presented PLATFORMS. normally specified by their radii. See only to show the derivation of the plan Platforms which are level are so fig. 3.5.3. view representation and is not a part of indicated by thin crossed lines. See this recommendation. figs. 4.3.1 and 4.3.3. 3.6 DIMENSIONING ANGLES. See fig. 3.6. 4.2.2 STANDARD OPENINGS IN FLAT 4.3.3 PLATFORMS OF THE SAME HEIGHT SCENERY. IN CONTACT. 4.0 GROUND (FLOOR) PLANS. When necessary to show platforms of 4.2.2.1 ARCHWAY. the same height in contact, the 4.1 GENERAL. See fig. 4.2.2.1. respective boundaries may be 4.1.1 TERMINOLOGY. delineated by a thin solid line. See fig USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD

4.3.3. 4.4.2 OVERHEAD DRAPES (BORDERS). AND KEYSTONES. Corner blocks and keystones may be 4.3.4 PLATFORM AND STEP HEIGHT. 4.4.2.1 OVERHEAD DRAPES (BORDERS) omitted from elevations at the Platform and step height are indicated FLAT HUNG. discretion of the drafter except as by the height in inches above or below Flat hung overhead drapes (borders) required for clarity. See fig. 5.1.2. the stage floor. Heights below the are shown by a thin uniformly dotted stage floor are shown by applying a line. See fig. 4.4.2.1. 5.2.1 RIGID FOOT IRON. negative sign to the figure. Heights See fig. 5.2.1 without a negative sign are assumed to 4.4.2.2 OVERHEAD DRAPES (BORDERS) be positive. HUNG WITH FULLNESS. 5.2.2 FOLDING FOOT IRON. Overhead drapes (borders) hung in See fig. 5.2.2 4.3.4.1 INDICATING STEP HEIGHTS - fullness are shown by a thin, wavy, REGULAR TREADS. uniformly dotted line approximating a 5.3.1.1 TIGHT PIN HINGE. See fig. 4.3.4.1. Note that an arrow sine wave having a peak to peak See fig. 5.3.1.1 points away from the principal level - amplitude of 3" to 6" in the scale of typically the stage floor. the drawing. See fig. 4.4.2.2. 5.3.1.2 TIGHT PIN HINGE ON OPPOSITE FACE. 4.3.4.2 INDICATING STEP HEIGHTS - 4.4.2.3 OVERHEAD DRAPES (BORDERS) See fig. 5.3.1.2 IRREGULAR TREADS. FLAT HUNG BUT SHOWN WITH See fig. 4.3.4.2. This method may also WAVY LINE. 5.3.2.1 LOOSE PIN HINGE. be used for steps having regular tread An alternative to 4.4.2.1. (Overhead See fig. 5.3.2.1 heights if desired. Drapes [Borders] Flat Hung). Flat hung overhead drapery (borders) may 5.3.2.2 LOOSE PIN HINGE ON OPPOSITE 4.3.4.3 CIRCLES AROUND PLATFORM be shown by a thin, uniformly dotted, FACE. HEIGHT INDICATIONS. - DELETED wavy line otherwise similar to 4.4.2.2 See fig. 5.3.2.2 but having a local note as “BORDERS - 4.3.5 RAMPS. FLAT HUNG” or equivalent. 5.4.1 TOP HANGER IRON. Note that an arrow points away from See fig. 5.4.1. the principal level - typically the stage 4.4.3 DROPS TOUCHING OR NEARLY floor. See fig. 4.3.5. TOUCHING THE FLOOR. 5.4.2 BOTTOM HANGER IRON. Drops are indicated by a solid line of See fig. 5.4.2 4.4 SOFT GOODS IN GROUND PLANS. 1/2" scale thickness and by being terminated on each end by a short, 5.4.3 CEILING PLATE. 4.4.1 DRAPES (LEGS) TOUCHING OR thin perpendicular tic mark. See fig. See fig. 5.4.3 NEARLY TOUCHING THE FLOOR. 4.4.3. 5.4.4 DEE RING PLATE. 4.4.1.1 DRAPES FLAT HUNG. 4.4.4 DROPS OVERHEAD. See fig. 5.4.4 Flat hung drapes are indicated by a Drops overhead-—e.g., painted solid line of 1/2" scale thickness and borders—-are indicated by a thin, 5.5.1.1 LASHLINE IN CORNER BLOCK. by being terminated on each end by a uniformly dashed line equivalent to that See fig. 5.5.1.1. short, thin perpendicular tic mark. used for OVERHEAD DRAPES See fig. 4.4.1.1. (BORDERS) FLAT HUNG. See fig. 5.5.1.2 LASHLINE EYE. 4.4.4. See fig. 5.5.1.2 4.4.1.2 DRAPES HUNG WITH FULLNESS. Drapery hung in fullness may be 4.4.5 TRAVELERS. 5.5.2 LASH CLEAT. indicated by a wavy line approximating See fig. 4.4.5. See fig. 5.5.2 a sine wave having a peak to peak amplitude of 3" to 6" in the scale of 5.0 HARDWARE SYMBOLS IN 5.5.3.1 STOP CLEAT. the drawing. See fig. 4.4.1.2. ELEVATION. See fig. 5.5.3.1

4.4.1.3 DRAPES (LEGS) FLAT HUNG BUT 5.0.1 HIDDEN LINES IN ELEVATIONS. 5.5.3.2 STOP BLOCK. SHOWN WITH WAVY LINE. Hidden lines in elevation views may be See fig. 5.5.3.2 An alternative to Art. 4.4.1.1. Flat hung omitted for clarity. drapery may be shown by a thin wavy 5.6.1 BRACE CLEAT. line otherwise similar to 4.4.1.2 but 5.1.1 CORNER BLOCKS AND See fig. 5.6.1 having a local note as “LEGS - FLAT KEYSTONES. See fig. 5.1.1. HUNG” or equivalent. 5.6.2 KEEPER HOOK. 5.1.2 OMISSION OF CORNER BLOCKS See fig, 5.6.2 USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD

5.6.3 STIFFENING BATTEN upper case letters should be used on 6.2.3 CONTENTS. See fig. 5.6.3 drawings unless lower case letters are Regardless of form, the following needed to conform with other information should be included: 5.7.1 ROTO LOCK. established standards or 1. Name of producing organization. See fig. 5.7.1 nomenclature. Hand lettering should 2. Name of production, act and scene, be generally similar to the if appropriate, 5.7.2 PICTURE HOOK AND SOCKET. mechanically generated characters of 3. Drawing title. See fig. 5.7.2 fig. 6.1 while acknowledging 4. Drawing number. individual stylistic differences. 5. Predominant scale of the drawing. 6.0 MISCELLANEOUS. 6. Date the drawing was drafted. 6.2 TITLE BLOCK. 7. Designer of the production. 6.1 LETTERING. 8. Drafter if different from the Lettering should be legible and the 6.2.1 LOCATION. designer. style should allow for easy and rapid The title block should be in the same 9. Drawing approval, if applicable. execution. Characters which generally location on all drawings of a single conform to the single stroke Gothic project. The title block should be style meet these requirements. Only located in either the lower right hand corner of the drawing or in a strip along the bottom of the drawing.

6.2.2 FORMAT. Internal title block division and placement of information is generally unique to the producing organization and is not specified as a part of these recommendations.

APPROVED BY USITT BOARD OF DIRECTORS DALLAS, TEXAS 21 NOVEMBER 1992 USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD

2.2 - LINE TYPES TYPE STYLE NOTES

2.2.1 - PLATE BORDER THICK (2 LINES) THICK 2.2.2 - VISIBLE OUTLINE THICK

2.2.3 - HIDDEN LINE THIN CEILING LINE 2.2.4 - CEILING LINE THIN - LOCAL NOTE REQUIRED

2.2.5 - PLASTER LINE THIN

2.2.6 - SET LINE THIN C 2.2.7 - CENTER LINE THIN - LABEL L USED ON CENTER LINE OF SET

2.2.8 - LEADER LINE OR THIN TO AN OUTLINE

TO DIMENSION TO A SURFACE

2.2.9 - EXTENSION THIN LINES AND FULL ARROWHEADS DIMENSION PREFERRED LINES

2.2.10.1 - SECTION OUTLINE THICK

THIN - EVENLY 2.2.10.2 - SECTIONED SPACED AT 45 DEG SOLID TO OBJECT OUTLINE OR AS CLARITY REQUIRES

WOOD 2.2.10.3 - SECTIONED 1/8” OBJECT IS SHOWN SOLID TOO UPSON AS A SOLID LINE THIN TO IN SCALE THICKNESS CROSSHATCH WOOD

2.2.10.4 - OUTLINE OF EXTRA THICK-IN SECTIONED LIEU OF CROSS- BODIES- HATCHING ARCHITECTURAL APPLICATIONS

2.2.11 - BREAK LINES THIN - BOTH SHORT AND APPLICATIONS LONG

2.2.11.5.1 - CUTTING PLANE THICK LINE

2.2.11.5.2 - CUTTING PLANE THICK LINE - ALTERNATE

2.2.12 - PHANTOM LINE THIN - USED TO SHOW REPREATING FEATURES, ALTERNATE POSITION, OR ADJACENT PARTS.

2.2.13 - DATUM LINE THIN USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD

3.0 - DIMENSIONING

1/8” 1 - 1/8” 2 - 3/4”

6” 1 - 5/8” 3” 1” 1” 2”

3” 1” 1” 2”

3.4 - ALL OF THE ABOVE FOR CROWDED DIMENSIONS ONLY

1”

1”

2’- 0” 4’- 0”

3.5.1.1 - CENTERS 3.5.1.2 -CENTER LINES OFF OBJECT

1/4” DIA .25”

4’- 0” 5’- 0”

3.5.2 - DIAMETER

1/2”R

1/2”R

3.5.3 - RADII

10 1350

300

450 + 0.50 3.6 - ANGLES USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD

4.0 - SCENERY SYMBOLS IN PLAN (LINE THICKNESSES ARE EXAGGERATED FOR 4.2.1 - SINGLE FLAT COMPARATIVE PURPOSES)

THE DRAWING ABOVE ILLUSTRATES THE DERIVATION OF THE RESPECTIVE PARTIAL GROUNDPLAN BELOW.

4.2.1.1 - FLAT JOINTS/DIVISIONS NOTE: SOME DETAILS ENLARGED FOR CLARITY.

4.2.2.1 - ARCHWAY 4.2.2.2 - DOORWAY 4.2.2.3 - WINDOW (SHUTTER DRAWN AS (SHOW MUNTINS AND IT WILL BE HUNG) MULLIONS OF WINDOW AS DESIGNED)

4.2.2.4 - FLAT WITH 4.2.2.6 - FLAT WITH SLIDING DOOR CASEMENT WINDOW 4.2.2.5 - FLAT WITH (SHOW MUNTINS AND DOUBLE ACTING MULLIONS OF WINDOW DOOR AS DESIGNED) USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD

4.0 - SCENERY SYMBOLS IN PLAN (CONTINUED)

9” 8” 18”

4.3.1 - PLATFORM 4.3.3 - PLATFORM BOUNDARIES THIN LINE

6” 24” 3” 6” 7” 9” 0” 6”

4.3.4.1 - REGULAR 4.3.4.2 - IRREGULAR 4.3.5 - RAMP TREAD HEIGHT TREAD HEIGHT STAIRCASE STAIRCASE - OPTIONAL FOR REGULAR TREAD HEIGHTS

4.4.1.1 - DRAPES WITHOUT 4.4.1.2 - DRAPES WITH FULLNESS FULLNESS

4.4.2.1 - BORDERS WITHOUT 4.4.2.2 - BORDERS WITH FULLNESS FULLNESS

THIN

4.3.3 - DROPS TOUCHING FLOOR

THIN

4.4.4 - DROPS OVERHEAD (PAINTED BORDERS)

4.4.5 - TRAVELERS SHOWN WITH FULLNESS IN THE OPEN POSITION

6.0 - MISCELLANEOUS 6.1 LETTERING ABCDEFGHIJKLMNO PQRSTUVWXYZ 0 I 2 3 4 5 6 7 8 9 USITT SCENIC DESIGN AND TECHNICAL PRODUCTION GRAPHIC STANDARD

5.0 - HARDWARE SYMBOLS IN ELEVATION

5.1.1 - CORNER BLOCK 5.1.2 - ALTERNATE 5.2.1 - RIGID FOOT 5.2.2 - FOLDING AND KEYSTONE IRON FOOR IRON

5.3.1.1 - TIGHT PIN 5.3.1.2 - TIGHT PIN HINGE 5.3.2.1 - LOOSE PIN 5.3.2.2 - LOOSE PIN HINGE ON OPPOSITE FACE HINGE HINGE ON OPPOSITE FACE

5.4.1 - TOP HANGER 5.4.2 - BOTTOM 5.4.3 - CEILING PLATE 5.4.4 - DEE RING IRON HANGER IRON PLATE

5.5.1.1 - LASHLINE IN 5.5.1.2 - LASHLINE EYE 5.5.2 - LASH 5.5.3.1 - STOP CORNERBLOCK CLEAT CLEAT

5.5.3.2 - STOP BLOCK 5.6.1 - BRACE CLEAT 5.6.2 - KEEPER HOOK

5.6.3 - STIFFENING BATTEN 5.7.1 - ROTO LOCK 5.7.2 PICTURE HOOK & SOCKET UNITED STATES INSTITUTE FOR THEATRE TECHNOLOGY, INC. 6443 RIDINGS ROAD SYRACUSE, NY 13206-1111 P: 800-93USITT(938-7488), 315-463-6463 F: 315-463-6525 E: [email protected] www.usitt.org