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Notes on Contributors Has Had Poems Published in Australian Women's
Notes on Contributors Notes on Contributors Chris Adler lives in Elvina Bay, an off-shore community iust outside Sydney. She was born in Mill Valley, California and moved to Australia in 1994 to study at the University of Wollongong. She has been writing poems since she was a child as a way of capturing life on the page, similar to a photo or painting. She has had poems published in Australian Women's Book Review, The West Pitt.'ater Perspective, POETALK (Berkeley, California) and others. Jordie Albiston was born in Melbourne in 1961. Her first poetry collection Nervous Arcs (Spinifex 1995) won first prize in the Mary Gilmore Award, second in the Anne Elder Award, and was shortlisted for the NSW Premier's Award. Her second book was entitled Botany Bay Document: A Poetic History of the Women of Botany Bay (Black Pepper 1996). Her most recent collection, The Hanging of Jean Lee (Black Pepper 1998), explores the life and death of the last woman hanged in Australian in 1951. Jordie was recipient of the Dinny O'Hearn Memorial Fellowship in 1997. She holds a PhD in literature and has two teenage children. Lucy Alexander grew up in a family of English teachers, with too many books in their lives. As a result she began to write from an early age. It seemed like the only alternative to teaching. She was encouraged in her endeavours by becoming a finalist in the Sydney Morning Herald Young Writer of the Year Award in 1992. At the end of her university degree she was published by Five Island Press in Fathoms a collection of the poetry of three student writers. -
LIVINGS Edward-Thesis.Pdf
OPEN SILENCE: AN APPLICATION OF THE PERENNIAL PHILOSOPHY TO LITERARY CREATION by EDWARD A R LIVINGS Principal Supervisor: Professor John McLaren Secondary Supervisor: Mr Laurie Clancy A thesis submitted in complete fulfilment of the requirements for PhD, 2006. School of Communication, Culture and Languages Victoria University of Technology © Edward A R Livings, 2006 Above the senses are the objects of desire, above the objects of desire mind, above the mind intellect, above the intellect manifest nature. Above manifest nature the unmanifest seed, above the unmanifest seed, God. God is the goal; beyond Him nothing. From the Kāthak Branch of the Wedas (Katha-Upanishad)1 1 Shree Purohit Swāmi and W B Yeats, trans., The Ten Principal Upanishads (1937; London: Faber and Faber, 1985) 32. 2 ACKNOWLEDGEMENTS I wish to acknowledge the efforts of my supervisors Professor John McLaren and Laurie Clancy and those of John Jenkins, Jordie Albiston and Joanna Steer, all of whom contributed, directly or indirectly, to the production of this thesis and to whom I am most grateful. I hope the quality of the dissertation reflects the input of these people, who have so ably assisted in its production. Any faults found within the thesis are attributable to me only. 3 ABSTRACT Open Silence: An Application of the Perennial Philosophy to Literary Creation is a dissertation that combines a creative component, which is a long, narrative poem, with a framing essay that is an exegesis on the creative component. The poem, entitled The Silence Inside the World, tells the story of four characters, an albino woman in a coma, an immortal wizard, a dead painter, and an unborn soul, as they strive to comprehend the bizarre, dream-like realm in which they find themselves. -
Gibbons 2012.Pdf (854.1Kb)
School of Media, Communication and Creative Arts “A Bag, A Beret and a Book of Poems”: A Verse Novel & An Exploration of Generic Hybridity: An Exegesis Maureen Gibbons This thesis is presented for the Degree of Doctor of Creative Arts of Curtin University June 2012 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgement has been made. This thesis contains no material that has been accepted for the award of any other degree or diploma in any university. ______________________________ Maureen Gibbons ___________________ Date 2 Acknowledgments I would like to thank the following people, without whose help this thesis could never have been accomplished. First, to my principal supervisor, Dr Julienne van Loon, for her unparalleled belief in my ability to bring the creative component of this work to fruition; for her honesty, humour, scholarship and commitment to a collaborative working relationship. Heartfelt thanks also to Dr Ann McGuire, for her intellectual enthusiasm and sensitive guidance throughout all aspects of the theoretical inquiry underpinning the creative proJect. I am privileged to have such professional and respectful supervisors who have guided and challenged me throughout and shown me compassionate support. Sincere thanks to my late husband whose support and belief in my ability to be successful in anything I set out to do still inspires me. I am also extremely grateful to my family for their constant support, their respectful attitudes and their understanding of my commitment to study and writing. My sincere thanks to close friends who have been there with editorial advice or an encouraging word when needed. -
Theatres of Music’: Recent Composition-Led Works by Andrée Greenwell Andrée Greenwell University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2012 ‘Theatres of Music’: recent composition-led works by Andrée Greenwell Andrée Greenwell University of Wollongong Recommended Citation Greenwell, Andrée, ‘Theatres of Music’: recent composition-led works by Andrée Greenwell, Doctor of Creative Arts thesis, Faculty of Creative Arts, University of Wollongong, 2012. http://ro.uow.edu.au/theses/3795 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] ‘Theatres of Music’: recent composition-led works by Andrée Greenwell A thesis submitted in partial fulfillment of the requirements for the award of the degree Doctor of Creative Arts from the University of Wollongong by Andrée Greenwell B.A. Music, P.G. Diploma in Music (VCA) Faculty of Creative Arts May, 2012 Abstract This exegesis provides an exposition of the theoretical basis for my two most recent music-theatre compositions The Hanging of Jean Lee and The Villainelles, both developed from poetic collections of Dr Jordie Albiston. This written documentation primarily concerns the creative adaptation of extant literary works to composition-led interdisciplinary performance. As a companion to the documented folio works that form the greater part of this DCA, this exegesis is intended to illuminate the artistic inception, rationale and creative methodologies of these two major works created in the period of 2003- 2008, and for which I undertook a variety of creative roles including composer, artistic director, image researcher, image director and performer. Together, these works assist the identification of my artistic practice as particular within the broader context of Australian and international music-theatre. -
Sydney Opera House Annual Report 2006-2007
WORLD HERITAGE FOR LIVING PLACE THE WORLD SYDNEY OPERA HOUSE TRUST AnnuaL report 2006-07 Who We Are Key Dates CONTENTS The Hon. Frank Sartor, MP Sydney Opera House is a global One of the most popular visitor 1957 Jørn Utzon wins Sydney Opera House design competition (January) Who We Are 1 Minister for Planning, Minister for Redfern Waterloo landmark, part of our nation’s DNA attractions in Australia, Sydney and Minister for the Arts and provides a central element Opera House sees more than Key Dates 1 1959 Work begins on Stage 1 – building the of the emotional heart of the city 4 million people visiting the site foundations despite Utzon’s protest that Highlights 2006/07 2 Sir, we have the pleasure of presenting the Annual Report of of Sydney. The focal point of our each year. Some 1.2 million people plans were not finalised (March) the Sydney Opera House for the year ended 30 June 2007, for Chairman’s Message 4 magnificent harbour, it is a place attend performances and over 1966 Jørn Utzon resigns (February) presentation to Parliament. This report has been prepared in CEO’s Message 6 of excitement and of warmth, 328,000 people take a guided tour accordance with the provisions of the Annual Reports (Statutory 1973 First guided tours of Sydney Opera House Vision and Goals 8 of welcome and wonder, where to explore the magic inside of one of Bodies) Act 1984 and the Public Finance and Audit Act 1983. ( July) Key Outcomes 2006/07 and art and architecture uniquely the most recognised buildings in the 1973 First performance in Sydney Opera House Objectives 2007/08 9 combine to enchant and enliven world. -
AUSTRALIAN POETRY CENTRE JOHN TRANTER JORDIE ALBISTON Presents
AUSTRALIAN POETRY CENTRE JOHN TRANTER JORDIE ALBISTON presents... John Tranter was born in 1943, and Jordie Albiston lives in Melbourne, where spent his youth on a farm on the she was born in 1961. She is the author of A Poetry Salon: Readings and Conversation South-east coast of Australia. He five poetry collections. Australian composer attended country schools, and took a Andrée Greenwell has adapted two of her B.A. degree in 1971. He has worked books (Botany Bay Document – retitled SUNDAY 22 MARCH mainly in publishing, teaching and Dreaming Transportation – and The Hanging radio production, and has travelled of Jean Lee) for music-theatre: both enjoyed recent seasons 417 Inkerman Street, St Kilda East widely, making twenty reading tours at the Sydney Opera House. Nervous Arcs won the Mary of the United States, Britain and Gilmore Award for a first book of Australian poetry in 1995, PROGRAM Europe. He now lives in Sydney where and was also shortlisted for the NSW Premier’s Prize. Her he is a company director. John has published more than fourth collection, The Fall, was shortlisted for Premier’s 4:00pm–5:30pm twenty collections of verse. Prizes in Victoria, NSW and Queensland. Jordie’s most recent His collection of new and selected poems, Urban Myths: 210 collection Vertigo: A Cantata was released in 2007. She has The APC is excited to present readings Poems: New and Selected (University of Queensland Press, two adult children, and holds a PhD in literature. by John Tranter and Jordie Albiston and Salt Publishing, Cambridge UK) won the 2006 Victorian state award for poetry, the 2007 New South Wales state Members $7, Non-members $10 award for poetry, the 2008 South Australian state award for wine and cheese will be served poetry, and the 2008 South Australian Premieris Prize for the best book overall in 2006 and 2007. -
Contributors Antipodes Editors
Antipodes Volume 28 | Issue 2 Article 22 2014 Contributors Antipodes Editors Follow this and additional works at: http://digitalcommons.wayne.edu/antipodes Recommended Citation Editors, Antipodes (2014) "Contributors," Antipodes: Vol. 28: Iss. 2, Article 22. Available at: http://digitalcommons.wayne.edu/antipodes/vol28/iss2/22 CONTRIBUTORS Michael Ackland is the inaugural Colin and Margaret Roderick Chair of English at James Cook University, Townsville. He has published widely in the field of Australian Studies, including the recent monograph The Experimental Fiction of Murray Bail (Cambria, 2012) and is currently researching a study of Christina Stead and the Socialist Heritage. Jordie Albiston has published eight poetry collections. Two of her books (Botany Bay Document and The Hanging of Jean Lee) have been adapted for music-theatre, both enjoying seasons at the Sydney Opera House. Her first collection, Nervous Arcs (1995), won the Mary Gilmore Award, received runner-up for the Anne Elder Award, and was shortlisted for the NSW Premier’s Prize. Her fourth collection, The Fall (2003), was shortlisted for Premier’s Prizes in Victoria, NSW, and Queensland. In 2010 the NSW Premier’s Prize was awarded for the sonnet according to "m." She lives in Melbourne. Elizabeth Bernays grew up in Australia and became an entomologist in Britain where she was a government scientist. She was then professor at the University of California Berkeley and Regents’ Professor at the University Arizona, where she also obtained a MFA. She has published over forty essays in literary magazines. John Beston was born in Australia and earned his PhD in English from Harvard University. -
2019 Patrick White Literary Award Awarded to Jordie Albiston
Media Release 2019 Patrick White Literary Award awarded to Jordie Albiston 18 November 2019 Continuing a legacy of more than 45 years, Perpetual today announced Melbourne-based poet Jordie Albiston as the winner of the 2019 Patrick White Literary Award. The award recognises Jordie Albiston’s accomplishments and numerous collections of work as a poet. Doctor Albiston has published twelve poetry collections, and a handbook on poetic form. Two of her collections have been adapted for music-theatre, both of which enjoyed seasons at the Sydney Opera House. Albiston's work has been recognised by prizes, including the Mary Gilmore Award, the Wesley Michel Wright Prize and the NSW Premier's Prize. Reflecting on the achievement, Doctor Albiston said: “It is one of the pleasures of my life to receive the Patrick White Literary Award. I am a full-time poet and my days are solitary. To be honoured like this in the public realm is an unexpected thrill, which will affect my work and myself for years to come.” Doctor Albiston will receive $20,000 in recognition of her outstanding contribution to Australian literature. The Patrick White Literary Award was established by Nobel Prize winning author Patrick White to advance Australian literature “by encouraging the writing of novels, short stories, poetry and plays for publication or performance”. For the past 45 years it has been awarded to an author who has made an ongoing contribution to Australian literature, but may not have received adequate recognition. The award is managed by Perpetual as trustee of the philanthropic trust behind it, and many authors of different status and experience may qualify for consideration. -
Contemporary Life Writing Methodologies and Practice
OFFSHOOT: CONTEMPORARY LIFE WRITING METHODOLOGIES AND PRACTICE 3220_Offshoot.indd 1 18/01/2018 3:32 PM 3220_Offshoot.indd 2 18/01/2018 3:32 PM OFFSHOOT: CONTEMPORARY LIFE WRITING METHODOLOGIES AND PRACTICE EDITED BY DONNA LEE BRIEN AND QUINN EADES 3220_Offshoot.indd 3 18/01/2018 3:32 PM First published in 2018 by UWA Publishing Crawley, Western Australia 6009 www.uwap.uwa.edu.au UWAP is an imprint of UWA Publishing a division of The University of Western Australia This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act 1968, no part may be reproduced by any process without written permission. Enquiries should be made to the publisher. Copyright © Donna Brien, Quinn Eades et.al. 2017 The moral right of the author has been asserted. <insert CIP logo> Typeset by J&M Typesetting Printed by Mcphersons Printing Group Cover image: courtesy of Jamie James 3220_Offshoot.indd 4 18/01/2018 3:32 PM This book is dedicated to the lives that remain unwritten, were deemed not important enough to write in the first place or lost before they could be written, as well as those who are attempting to stem this tide. 3220_Offshoot.indd 5 18/01/2018 3:32 PM 3220_Offshoot.indd 6 18/01/2018 3:32 PM CONTENTS Acknowledgements x Contemporary Life Writing Methodologies and Practice Donna Lee Brien and Quinn Eades Life Writing, Truth, History and Speculation 11 Conjectural and Speculative Biography: Convict and Colonial 13 Biographies Donna Lee Brien Narrative Structure -
History News Mayweb.Indd
History Issue No. 257 MAY - JUNE 2005 NEWS Royal Historical Society of Victoria Looking forward to seeing you at: NOTICE OF 2005 Annual The Great RHSV General Meeting All members are advised that the 95th Annual Annual Book Sale General Meeting of the Royal Historical Society of Victoria Inc. will be held as follows: Sunday 15 May 2005, 10am to 4pm Date: Tuesday 14 June 2005 Time: 5.00pm at the RHSV, 239 A’Beckett Street, Melbourne Place: 239 A’Beckett Street, Melbourne, 3000 We are now truly in the throes of Business: organising this event and hope to see as 1. To confirm the minutes of the 94th many of you here as possible on the day. Annual General Meeting Don’t forget to tell your friends about 2. To receive the Annual Report for the the sale too. year ended 31 December 2004 As well we need volunteers to ‘man’ the sale which 3. To receive and consider goes from 10 am to 4pm. the Financial Statement for the year ended 31 December 2004 Books that you don’t need can be delivered to the Society until May 11. 4. To appoint the Hon. Auditor for 2005 5. To adopt revisions to the Constitution Please call Ged on 93269288 if you can help or have any enquiries. 6. To elect Office-bearers and Members of Council 7. To receive expressions of interest for History Victoria Support Group 8. To elect any member or members History News to be who have been nominated for election INSIDE THIS ISSUE as Fellows published 6 times a year 9. -
CCN Melbourne Application Lit
UNESCO City of Literature Melbourne Melbourne City of Literature submission Shelly Gorr (point person) Andrew Campbell Published by Arts Victoria. Communications & Marketing A/g Assistant Director – Arts Victoria Policy & Strategy Projects This publication is copyright. No part Tel: +61 3 9954 5064 Department of Premier & Cabinet may be reproduced by any process [email protected] except in accordance with provisions Sandy Grant of the Copyright Act 1968. Stuart Koop (point person) CEO Senior Project Manager Hardie Grant Publishing © Copyright: the State of Victoria 2008 Arts Victoria Penny Hutchinson All information contained in this publication Tel: +61 3 9954 5062 Director is considered correct at the time of printing. [email protected] Arts Victoria Arts Victoria Management Committee Kirsty Murray Private Bag 1 Author South Melbourne Greg Andrews Victoria Deputy Director Mark Rubbo OAM Australia 3205 Arts Victoria Managing Director Telephone: +61 3 9954 5000 Tom Bentley Readings Books and Music Facsimile: +61 3 9686 6186 Executive Director – Policy & Cabinet Anne-Marie Schwirtlich [email protected] (until December 2007) CEO/State Librarian www.arts.vic.gov.au Department of Premier & Cabinet State Library of Victoria Anne-Marie Schwirtlich Bob Sessions CEO/State Librarian Publishing Director State Library of Victoria Penguin Group (Australia) Steering Committee Rohini Sharma Artistic Director (until September 2007) Eric Beecher (Committee Chair) Express Media Private Media Partners Carrie Tiffany Joel Becker Author -
Arts House, North Melbourne Town Hall Sat 7 – Sun 8 December 2013
Presented by Arts House and Andrée Greenwell Arts House, This production has been made possible with the generous support of The Robert Salzer Foundation, Arts Victoria, the New North Melbourne Town Hall Music Network and the City of Melbourne through Arts House. The development of The Hanging of Jean Lee and its premiere Sat 7 – Sun 8 December 2013 production were assisted by the Australian Government 80 minutes through the Australia Council, its arts funding and advisory body; the Sydney Opera House Producers Unit; Arts NSW; the Myer Foundation; and the City of Sydney. A Green Room artshouse.com.au Music Production. andreegreenwell.com The Hanging of Jean Lee Thirty songs about the last woman hanged in Australia Based upon the verse biography, The Hanging of Jean Lee, by Jordie Albiston (Black Pepper) Poet’s Notes Jean Lee was both victim and perpetrator. In her story became more and more complex as my poetry collection based on her life, I always my research continued. I therefore hope to endeavoured to remain impartial regarding my have achieved some kind of balance between interpretation of the facts. While it would have sympathy and judgement. I believe Andrée been easy to take the feminist polemic point of Greenwell’s music reflects this stance without view and paint Lee as a mistreated, manipulated conflict, and with assurance and true beauty. female in a man’s world, my understanding of Jordie Albiston Composer’s Notes Vocalists The Hanging of Jean Lee was a few years in Jean Lee: Max Sharam the making, and it has taken more years again Robert David Clayton, Policeman, Warden, to see this production in Melbourne, as part the Hangman, Narration, Chorus: Hugo Race of the unique artistic community that is Arts William ‘Pop’ Kent, Judge, Morris ‘Morrie’ Dias, House.