ALAN DEYERMOND Alan David Deyermond 1932–2009
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LA CELESTINA (Fernando De Rojas, 1499) I. Cultural Background
LA CELESTINA (Fernando de Rojas, 1499) I. Cultural background: Renaissance (El Renacimiento) in Europe ** Extracted from The New Encyclopedia Americana (International Edition) A. Definition: Originally a French word whose literal meaning is rebirth, the term has been applied metaphorically to a wide variety of phenomena ranging from an experience in the life history of an individual to the characterization of the culture of an entire epoch. Although “renaissance” is used to describe cultural “rebirth” or “flowering” of widely different times and places (Byzantine renaissance, Carolingian renaissance, American renaissance), these usages are derived by analogy from the most common meaning of the word. As a proper noun, Renaissance is usually applied to the civilization of Europe, particularly that of Italy, in the period from the 14th through the 16th century. This usage implies not only that European civilization during these centuries enjoyed a particularly brilliant cultural outburst but also that this age marks a decisive turn in historical evolution, the end of the Middle Ages and the beginning of modern times. B. History of the concept: The idea of “rebirth” was common in both classical and Christian sources. Greek and Roman mythology and religion contained frequent instances of sudden miraculous renewals of power in the lives of individual heroes. With Christianity, these ideas took on a spiritual emphasis, and it became a commonplace from the time of the Gospels onward to speak of the rebirth of a soul in Christ. Elements of both traditions were combined in early thinking about the Renaissance. Speaking of the humanists’ perception of a rebirth, in the 14th and 15th centuries in Italy there appeared a vivid consciousness of novelty in contemporary achievement in arts and letters. -
Native Spanish Speakers As Binate Language Learners
Native Spanish speakers as binate language learners Luis Javier Pentón Herrera, Concordia University Chicago Miriam Duany, Laurel High School (MD) Abstract Native Spanish speakers from Mexico, Honduras, El Salvador, and Guatemala, who are also English language learners, are a growing population of students in the K-12 classrooms throughout the United States. This particular group of students is oftentimes placed in Spanish-as-a-foreign-language classes that fail to meet their linguistic development as native Spanish speakers. Conversely, those who are placed in Spanish for Heritage Speakers classes usually do not receive the necessary beneficial linguistic support to compensate for the interrupted education and possible lack of prior academic rigor. These binate language learners are a particularly susceptible population that requires rigorous first language instruction in order for them to use that knowledge as a foundation to successfully learn English as a second language. The purpose of this study is to address the needs of high school native Spanish speakers from Mexico, Honduras, El Salvador, and Guatemala who are also English language learners. In addition, a discussion of this population, their linguistic challenges in their first language, and approaches to excellent teaching practices are addressed and explained. Introduction The increasing number of English Language learner (ELLs) students in the United States has generated interest in the fields of bilingualism and second language acquisition. Currently, the fastest growing ELL student population in Luis Javier Pentón Herrera (Doctoral Candidate, Concordia University Chicago) is currently an ESOL teacher at Laurel High School, Laurel, MD. His research focuses on bilingual education, second and foreign language acquisition, adult education, and reading and literacy. -
413-428 “Wining and Dining at Celestina's Table in Fernando De Ro
Montserrat Piera 413 “Wining and Dining at Celestina’s Table in Fernando de Rojas’ Tragicomedia de Calisto y Melibea” Montserrat Piera Temple University The act of procuring food and beverage and the depiction of the spaces where food is exchanged and consumed are ubiquitous in the historical and literary archive and their impact is felt cognitively and epistemologically as well as sociologically. Notwithstanding this intrinsic centrality, the scrutiny of the various aspects of the materiality of food and drink continue to remain as relatively marginal topics within scholarly discourse. In the last few decades, nevertheless, scholarly interest in food and eating has extraordinarily increased and attention has been devoted to the dynamics of social relations as enacted in communal meals and banquets.1 Thus, remarkably, even though in Plato’s Gorgias Socrates had openly disparaged rhetoric in comparison to dialectic by equating the first to mere and base cooking, it is in the milieu of an eating and drinking feast that the most famous of Plato’s dialectical dialogues takes place: the Symposium. Paul Friedlander affirmed in 1969: “Someday when the history of Platonism is written, one of its most important chapters will have to deal with the influence of the Symposium on later ages” (3, 33-34). It is my impression that he is right in more ways than one: not only has Plato’s dialogue been more influential than we have hitherto admitted in medieval culture, but the act itself of the symposium2 and its performance have also been conceptually an important component of the development of cultural discourse throughout the medieval and early modern period as well as a trope of the process of acquiring knowledge through conversation coupled, of course, with the imbibing of wine. -
The Gospel, According to Lazarillo: Parodia Sacra & Picaresque
To Hell with Christ!—the Gospel, According to Lazarillo: Parodia Sacra & Picaresque Signifying on the Novel as Genre Andrew R. Belton A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English & Comparative Literature. Chapel Hill 2009 Approved by: Dr. Jessica Wolfe Dr. James Thompson Dr. Beverly Taylor ©2009 Andrew R. Belton ALL RIGHTS RESERVED ii ABSTRACT Andrew R. Belton: To Hell with Christ!—the Gospel, According to Lazarillo: Parodia Sacra & Picaresque Signifying on the Novel as Genre (Under the direction of Jessica Lynn Wolfe) This thesis looks at an anonymously-authored work of early modern Spanish prose fiction, namely La vida de Lazarillo de Tormes, y de sus fortunas y adversidades (The Life of Lazarillo de Tormes: his Fortunes and Misfortunes). It makes the argument that Lazarillo, as a progenitor-text for the picaresque and novelistic traditions, initiates the use of intertextual signifying and the play of the parodic as an imaginative practice that will come to define twentieth century notions of the novel as a generic form with identifiable techniques. Major portions of this essay read parody as it functions within the text, both thematically and structurally; applying Bakhtinian notions of parodia sacra to discuss methodology, form and the construction of meaning within the work. iii ACKNOWLEDGEMENTS Throughout my work on this thesis, a number of people have been dedicated to providing support for its completion. I wish to thank several of these persons for their availability, feedback, and confidence in seeing this project to its close. -
A Phonotactic Explanation of the «Vos» and Final -R Variety «Vosotros» Imperatives
A PHONOTACTIC EXPLANATION OF THE «VOS» AND FINAL -R VARIETY «VOSOTROS» IMPERATIVES 1. Introduction The VOS form of Classical Latin is manifest in Contemporary Spanish in two dis- tinct ways. «Vos» In Spanish emerged from Latin VOS as a second person singular man- ner of address, and differed from «t ŭ» in that the latter was more informal and employed with inferiors. In the seventeenth, and possibly as late as the eighteenth century, the use of «vos» disapeared from many parts of the Spanish speaking world (Lapesa 1984: 579), although it is still widely used in many areas of South and Central America (Rona 1967). «Vosotros» retained the plurality of Latin VOS to become an informal manner of ad- dress. However, in contemporary Spanish it has lost a lot of ground to the «ustedes» form. The only region to conserve the «vosotros» form is Spain, yet even within Spain it is not universal; the westem half of Andalusia has lost it in favor of «ustedes» (Lapesa 1984: 512). The imperative of Latin VOS was marked with the verb-final morpheme -TE (AUDI- TE «hear»; DICETE «say»). This morpheme, with the deletion of final /-e/, and the voic- ing of final /-t/ common in the evolution of Spanish, became the final /-d/ morpheme in- dicative of the «vosotros» imperative. The objective of this paper is to examine other varieties of this imperative, namely the «vos» imperative, and the final /-r/ «vosotros» imperative, and to give a morphopho- nemic explanation of why these varieties have arisen in contrast to the final /-d/ variety of the standardized language. -
Love and Chastity in Two Early English Versions of La Celestina
LOVE AND CHASTITY IN TWO EARLY ENGLISH VERSIONS OF LA CELESTINA Ana María Murillo Murillo University of Zaragoza La Celestina was first published as a comedy in 1499 and as a tragicomedy in 15001 and had a very fast and fruitful translation into other languages. It was well known and much quoted, either as an inmoral or as a great book. In this movement of fervour for the work of Fernando the Rojas, a play that merges several tendencies (the moralist of the interlude and that of the Humanist Comedy) appears in England in about 1525: Calisto and Melebea printed by John Rastell.2 1 The first known edition of the comedia was published in Burgos in 1499 as an anonymous work under the title Comedia de Calisto y Melibea. The work was reedited and subject to modification (ed. of Salamanca, Toledo, Sevilla ... ) until it reached its definitive form as a tragicomedy in 1502. This final redaction consisted of twenty-one acts, five more than the comedia. These new five acts are interpolated between acts fourteen and fifteen and it is here that the meeting between Calisto and Melibea, which brings about the tragedy, takes place. 2 John Rastell combined his law career (he was an utter barrister) with a printing business. In about 1525 he published three plays: Calisto and Melebea, Gentlenesss and Nobility and Four Elements in one volume entitled The Nature of the Four Elements. It was thought that the anonymous interlude Calisto and Melebea was translated from Italian (Menéndez Pelayo, Underhills, Chambers) and also that the translator worked with an early English version (Reed). -
Desde Las Variedades a La Lengua Pluricéntrica? QSFMJNJOBSFTRYE1BHF
30 30 30 Aunque la palabra pluri- o policentrismo aún no figura en el Diccionario de la Real Academia Española, el concepto ya está integrado en la política lingüística panhispánica de las instituciones académicas. Según la RAE, “se consideran plenamente legítimos los diferentes usos de las regiones lingüísticas, con la única condición de que estén generalizados entre los hablantes cultos de su área y no supongan una ruptura del sistema en su conjunto”. Sin embargo, a la hora de valorar en este sentido la variación a la lengua pluricéntrica? lingüística del español, se termina el consenso y se abre la discusión. Este volumen ofrece un panorama amplio de las El español, ¿desde las variedades diferentes posiciones para saber qué se entiende exactamente por “pluricentrismo” en la teoría lingüística y hasta qué punto las FRANZ LEBSANFT / WILTRUD MIHATSCH / normas ejemplares del español se elaboran y se modernizan sobre CLAUDIA POLZIN-HAUMANN (EDS.) Lengua y Sociedad en el Mundo Hispánico Lengua y Sociedad en el Mundo Hispánico la base de este concepto. Al mismo tiempo, las contribuciones se dedican a una reflexión profundizada sobre la realidad del El español, ¿desde las diasistema del español actual y sobre las normas ejemplares del español. En este contexto, los autores contribuyen al debate sobre variedades a la los conceptos de “norma panhispánica”, español “común”, “internacional”, o “neutro”, conceptos que repercuten en el lengua pluricéntrica? lenguaje empleado por los medios de comunicación de masas en la era de la globalización. -
Joseph V. Ricapito 107 ISSN 1540 5877 Ehumanista / Conversos 2
Joseph V. Ricapito 107 Lazarillo de Tormes at the Crossroads of Culture, Literature and History Joseph V. Ricapito Louisiana State University It is a matter of interest that the Lazarillo de Tormes was printed in four places in 1554 and the fact that no one has found a princeps edition to date (Rumeau 33-34; Blecua 3-5). It is also a relatively short book, 70 pages in some editions, albeit it immediately achieved extraordinary success all over Europe (Martino). The book is an example of a coming-of-age book where we are introduced to the character from birth until his manhood. It is also the first step towards the rogue romance, the novela picaresca. Lazarillo de Tormes sets the template for the two other Spanish picaresque novels, Guzmán de Alfarache by Mateo Alemán and Vida del Buscón by Francisco de Quevedo (Rico 1984). The Lazarillo takes us from Lazarillo’s birth in the river Tormes to his “success story” as a town crier and who has been married off to an Archpriest’s mistress. His life consists of being a blind beggar’s boy. Before that his father was convicted for theft and was sent to the Holy Land as the squire of a grandee as punishment and where he died. The narration at this point and some of the basic facts of Lázaro’s life are cloaked in a deliberate ambiguity, half truths and outright lies (Maiorino 21-35). The father’s iniquity is referred to in biblical language instead of the crime of theft of the people who brought their sacks of grain to be milled. -
QP Version Final
Copyright by Aurora Salvador Sanchís 2017 The Report committee for Aurora Salvador Sanchís certifies that this is the approved version of the following report: Systematicity of code-switching in the Spanish in Texas Corpus APPROVED BY SUPERVISING COMMITTE: ________________________________________ Dale A. Koike, Supervisor __________________________________________ Sandro Sessarego Systematicity of code-switching in the Spanish in Texas Corpus by Aurora Salvador Sanchís Report Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Masters of Arts The University of Texas at Austin August 2017 Systematicity of code-switching in the Spanish in Texas Corpus by Aurora Salvador Sanchís The University of Texas at Austin, 2017 SUPERVISOR: Dale A. Koike This study tries to establish the systematicity of code-switching as shown in a quantitative and qualitative analysis of the linguistic behavior of twelve Spanish-English bilingual speakers of Mexican descent, drawn from the “Spanish in Texas Corpus” (Bullock and Toribio 2013). Results show that the frequency and typology of code-switching varied substantially among these speakers, concurring with previous research that has characterized U.S. Latinos as a highly diverse group in social interactions (Valdés 2001; Carreira 2004; Potowski 2010; Montrul 2013; Fairclough 2016, among others) and use of linguistic forms (Silva-Corvalán 1993; Zentella 1997; Valdés 2001; Colombi 2009). Moreover, some researchers have indicated that personality might also influence the code-switching behavior of U.S. Latinos (Gardner-Chloros 2008; Dewaele and Wei 2014). These findings also reveal that code-switching is not a random process, but rather a rule-governed linguistic phenomenon. -
Digitally Deconstructing a Pícaro: Examining the Role of the Digital Humanities in the L2 Learning and Teaching of Lazarillo De Tormes
Digitally deconstructing a pícaro: examining the role of the Digital Humanities in the L2 learning and teaching of Lazarillo de Tormes by Kelsie Johnston B.S., Fort Hays State University, 2013 A REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Department of Modern Languages College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2020 Approved by: Major Professor Dr. Rebecca Bender Copyright © Kelsie Johnston 2020. Abstract This paper addresses different digital strategies taken from an L2 perspective in the analysis of the classic picaresque novel, Lazarillo de Tormes (1554). I combine the strengths of two digital humanities tools in order to better bridge the cultural divide that may stand between the L2 learner and the narrative’s pícaro. This study aims to blend the use of LIWC, a digital sentiment analysis tool, with Storymap, a digital mapping software from Knightlab, in order to create a robust linguistic, historic and geographic analysis. The combination of software platforms will quantify and display the emotional associations that Lázaro, the protagonist of the novel, expresses towards each physical landmark he mentions. This analysis aims to reveal the strategies used in the first-person narrative to tie emotions, either positive or negative, to each specific location mentioned in central Spain. By plotting each place that appears in the narrative and reviewing the data of the sentiment analysis, my project is designed to better understand why the protagonist is so specific when mentioning, sites, towns, and cities both in Spain and abroad. This study effectively blends Digital Humanities tools and traditional literary analyses in order to show how the inclusion of advanced technologies in the L2 classroom has the potential to unlock cultural, historical and geographical information hidden in the target culture’s literature. -
Linguistic Emancipation and the Academies of the Spanish Language in the Twentieth Century: the 1951 Turning Point
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2013 Linguistic emancipation and the academies of the Spanish language in the twentieth century: the 1951 turning point José del Valle CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/85 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] A Political History of Spanish The Making of a Language Edited by Jose del Valle CAMBRIDGE UNIVERSITY PRESS 228 16 Linguistic emancipation and the academies of the Spanish language in the twentieth century: the 1951 turning point Jose del Valle Introduction As discussed in earlierchapters, the independence of most of Spain•s American colonies in thesecond decade of the nineteenthcentury resulted in a destabiliza tion of the institutional ecology in which, until that point, the standardization of Spanish had been developing.Within the imperial structure, despite the het erogeneity of the Iberian and American sociolinguistic fields and the difficult implementation of state languagepolicies (Firbas and Martfnezin this volume; Solano 1991; Heath 1972), the metropolishad been the principal source forthe productionand reproduction of the legitimatelanguage (Bourdieu 1991). In the eighteenth century, with the advent of the Bourbons to the Spanishthrone in 1701, this metropolitanlinguistic centrality had been strengthened even further through institutionalization with the creation, in 1713, of the Spanish Royal Academy (henceforthRAE) (Medina in this volume; Moreno Fernandez2005: 168-73). The independence of most American colonies in the earlynineteenth century resulted in the development of new conditions for the deployment of language policies and metalinguistic discourses. -
Lexicography in the French Caribbean: an Assessment of Future Opportunities
LEXICOGRAPHY IN GLOBAL CONTEXTS 619 Lexicography in the French Caribbean: An Assessment of Future Opportunities Jason F. Siegel The University of the West Indies, Cave Hill Campus E-mail: [email protected] Abstract While lexicography in the Hispanophone Caribbean has flourished, and to a lesser extent in the territories of the Caribbean whose official language is English, dictionaries of the French-official Caribbean (except Haiti) have been quite limited. But for the rest of the French-official Caribbean, there remains much work to do. In this paper, I assess the state of lexicography in the French-official Caribbean, as well as the possibilities for fu- ture work. There are six principal areas of lexicographic documentation to be developed. The first, most urgent task is the documentation of the endangered St Barth French. The next priority is multilingual lexicography for the Caribbean region. The third priority is multilingual lexicography of French Guiana, home to endangered Amerindian, Creole and immigrant languages. Fourth, there is a largely pristine area of lexicographic work for the English varieties of the French Caribbean. The fifth area of work to be developed is monolingual lexicog- raphy of French-based Creoles. Lastly, there is exploratory work to be done on the signed language varieties of the French-official Caribbean. The paper concludes with a discussion of the role that the Richard and Jeannette Allsopp Centre for Caribbean Lexicography can play in the development of these areas. Keywords: minority languages, bilingual lexicography, French Caribbean 1 Introduction Overseas French (le français d’outre-mer) is a fairly important topic in French linguistics.