DOCSLIB.ORG

Degree Project / Senior Project / Graduate Thesis 2015

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Degree Project / Senior Project / Graduate Thesis 2015 2015 Degree Project / Senior Project / and Graduate Thesis Woodbury School of Architecture 2015 Faculty Bachelor of Architecture Woodbury School of Architecture Los Angeles Ewan Branda, Coordinator Berenika Boberska Degree Project, Senior Project Frank Clementi and Graduate Thesis 201 Peter Culley Matthew Daines April Greiman Scrap Marshall Norman Millar Micah Rutenberg Architecture Marc J. Neveu, Chair 5 Dean Maxi Spina Los Angeles Mark Stankard Ingalill Wahlroos-Ritter Mark Stanley Associate Dean BArch faculty Berenika Boberska / Scrap Marshall 7 Master of Architecture Marc J. Neveu Ewan Branda / Maxi Spina 21 Architecture Chair, Los Angeles Anthony Fontenot, Coordinator Frank Clementi / Matthew Daines 41 Peter Culley Micah Rutenberg / Peter Culley 55 Christoph Korner Mark Ericson Mark Stankard / Mark Stanley 71 Interior Architecture Chair, Los Angeles Joshua Stein MArch faculty Peter Culley 86 Catherine Herbst Master of Science in Architecture Mark Ericson 92 Architecture Chair, San Diego Hadley Arnold Anthony Fontenot 98 Peter Arnold Joshua Stein 104 Bachelor of Fine Arts, MSArch faculty Hadley Arnold / Peter Arnold 111 Interior Architecture Annie Chu, Coordinator Heather Peterson Interior Architecture Christoph Korner, Chair 116 Faculty Bachelor of Architecture Los Angeles San Diego Marcel Sanchez-Prieto, Coordinator Philipp Bosshart Eric Johnson BFA Interior Architecture Annie Chu 118 faculty Heather Peterson Master of Architecture Hector Perez, Coordinator Stan Bertheaud Philipp Bosshart Architecture Catherine Herbst, Chair 136 Eric Johnson San Diego Marcel Sanchez-Prieto Master of Science in Architecture BArch faculty Philipp Bosshart / Eric Johnson / 138 Real Estate Development Marcel Sanchez-Prieto Ted Smith, Coordinator Mike Burnett MArch faculty Stan Bertheaud / Philipp Bosshart / 166 Brett Farrow Eric Johnson / Hector Perez / Tyler Hanson Marcel Sanchez-Prieto Lloyd Russell David Saborio MSArch RED faculty Mike Burnett / Brett Farrow / 170 Jonathan Segal Tyler Hanson / Lloyd Russell / Corrigendum David Saborio / Jonathan Segal / Ted Smith The following students graduating with a Master of Science in Architecture were instructed by the following faculty: Student Gregory Andrade: Instructors Anthony Fontenot and Mark Stanley Student Cyrus Dorbayan: Instructors Bill Roschen and Christi van Cleve Woodbury School of Architecture Burbank California Woodbury School of Architecture San Diego California open / closed ? “One door closes and another opens” so a wise professor told me upon graduation. It made sense. I was leaving the warm confines of an un- dergraduate academic womb and entering into a new life of professional practice. It was, I was told, going to be a shock. Design would be replaced by redlines; theory with practice; thought with action. Sure, I could make a bit of money, but at what cost? Then, I found Duchamp’s door at 11 rue Larray. It is at once both open and closed. And, sometimes, neither. Los Angeles I offer you this other door as a model of the situation you now face. Perhaps it may allow you to reconsider your de- gree project and your approach to professional practice. You may very soon come to realize that the questions sur- rounding your project do not simply end upon graduation, Marc J.Neveu nor does your professional life need to necessarily disregard your academic interests. ArchitectureChair I raise this as a possibility but not a mandate. How will you frame the door between academia and practice? It’s your 5 door, and your hinge. Is it open, or closed? Los Angeles 7 Berenika Boberska and Scrap Marshall, Instructors Constructive Mythologies Students Daniela Angelo Collectively, as a studio, we will argue that vision- ary architecture and the Mythological City is indeed Adrinee Bodakian constructible, and unlike the utopias of the past, can become material, tactile and experiential through Marilyn Chavarria carefully orchestrated collisions with the everyday fabric of Los Angeles. Amanda Clay Gregory Dulgeryan Every city has its Constructive Myth– something which explains how it has come to be in both its Elizabeth Fernandez physical and its perceived form. In some cities, this Myth is more obvious spatially; in others, it exists Chadi Hakim only as a fiction. For Los Angeles, this could be the Endless City, the City of Sprawl, the American Dream, Jose Iglesias Arcadia, or the City of Cinematic Fictions. But per- haps these Myths have run their course... Joseph Miller What would happen if a foreign Myth, in all its inten- George Rivera sity, collided with Los Angeles? This necessarily would Kelly Ta result in deformations and transformations on both sides. The grafting of the “other” into the context of Vedi Vartani Los Angeles would also provide a kind of de-familiar- ization of what we think of as ordinary or banal– and begin a blossoming of sites into their unexpected po- tential– in both poetic and pragmatic (useful) terms. The key aspect will be the examination of distinct local situations and archetypal L.A. forms which are often overlooked, local economies and cultures in need of reinvention. We will explore the spatial and programmatic opportunities in the frictions and alli- ances between the “mythic” and the local. LA 9 Potential Difference : Porcelain Landscapes : Photovoltaic Flooding of Los Angeles The Blossoming of LA’s Hidden Water Infrastructure Los Angeles dwells in the space between an The water infrastructure of Los Angeles remains imaginary attic and fictitious cellar; a place that hidden to the general public. In effect, we have is dreamed to be hopeful and bright. However, little knowledge of where the water comes from, the city is deprived of the experiential aspect how it is treated, how it gets to our faucets, and of the dark basement and the mysterious attic. where it goes after our use. The project proposes By conceptually flooding a neighborhood in Los not only to uncover water infrastructure in or- Angeles with a photovoltaic plane, a common der to make it visible, but also to orchestrate its ceiling in-between houses is created, allowing spatial, experiential and functional blossoming into for a dual atmospheric experience to exist above a series of ceramic vessels and landscapes in an and below the plane. The plane is then explored attempt to inspire better stewardship of water. The through shared structures capturing a spatial stair- Daniela Angelo case– a vessel connecting the cellar to the attic. Adrinee project merges the very industrial functions of a An archipelago of structures begins to traverse the Bodakian water treatment plant with a more poetic reading polarized spaces alongside the existing ordinary and potential public uses including a playground, structures poking up above the datum. The idea an amphitheater, as well as the everyday functions of property lines is washed away beneath the that utilize water, such as a laundromat. Inspired datum plane as towers that serve as generators, by Italo Calvino’s Invisible Cities, where pipe work staircases, lanterns and batteries cross boundaries, blossoms into vessels that hold water, this project interfering with traditional ways of inhabiting a is a spatial transformation of water infrastructure neighborhood, generating new social interactions. into a white porcelain landscape. LA Immured Projections: 11 Folkloric Farmscapes : The Potential of Walled Cities Re-drawing the American Landscape as an Urban Strategy for Future Los Angeles It has been several years since I’ve seen my family, immure absorbed as I’ve been, enthralled by city life and 1 (archaic or literary) to enclose within or as if within walls; my circle of friends. I can recall, as a young girl, imprison 2 to shut (oneself) away from society living my whole life in the countryside, where my parents and grandparents grew up nurturing the projection fields. As I arrived at the far-reaching fields of the 1 a jutting out; a part that juts out 2 land I left behind, I noticed its appearance was an estimate of future possibilities based on a current trend different. An intervention had taken place. It was Today’s gated communities of today continue unfamiliar. I suddenly discovered a walkway as to offer protection and separation between the I stepped onto the freshly ploughed ground and people who choose to live in them, and those who Marilyn fields of fruit. Gliding through this endless path- Amanda Clay live outside of them. Strict regulations preserve Chavarria way, a beautiful tune reached my ear. As I contin- the specific atmosphere and spatial structure of ued, the melody of the music reached closer and each community. The project seeks to amplify the closer. As I progressed, the pathway transformed historical trajectory of gated communities of Los its long extended arm into a cavernous perfor- Angeles in order to uncover their hidden poten- mance space in the middle of the field, lines of tial– and perhaps desirability– in spatial, architec- thread spinning above my head… tural, and social terms. The extreme thickening of the wall and other operations would lead to the emergence of an archipelago of Walled Cities. The So begins an exploration into the future of Califor- over-regulated walled cities would act as nodes nia’s Folkloric Farmscapes. within the autonomous regions beyond, providing centers of regulation, industry, and retail. LA 13 Public Industries - Hidden pockets American Gothic - Inverting the “American Dream” Along with Los Angeles’s commercial and transit American Gothic explores the future potential development, boulevards
Load more

Recommended publications
  • Aztec Culture Education Update
    Aztec Culture Education Committee Ideas Report Draft August 2018 ORIGINAL CHARGE/FRAMEWORK A committee of cross campus partners including faculty, staff and students was formed at the end of the 2016- 2017 academic year to work on and develop a comprehensive Aztec culture educational plan. As a result of the committee meetings, a number of proposed initiatives were identified. The charge of the group and the basis of the conversations have revolved around fulfilling prior commitments made by the campus, as an example: Associated Students Referendum Spring 2008, passed Implementation of an Aztec Culture Project. The Project will include three elements intended to promote historically accurate portrayals of the Aztec Culture: new botanical gardens around the campus that include indigenous plantings from areas where the Aztecs thrived, a glass-mosaic mural that depicts historically accurate images portraying the origins of the Aztec Culture, and educational programs about the Aztec Culture that would be offered to all new SDSU students As the committee incorporated the recognition of the University’s relationship to local Indian groups as well as other indigenous groups from Mexico that comprise the larger University community. To begin prioritizing ideas and potential campus efforts, the following framework has been created from the current committee’s discussions, to categorize the overarching topical areas and objectives identified to date: San Diego State University will enrich the environment and deepen campus learning, both inside and outside the classroom, by enhancing Aztec Culture Education knowledge and understanding by strategically: • Expanding opportunities for scholarship regarding Aztec Culture, as well as local indigenous and Native American groups, through innovative courses, experiences, and engagement.
    [Show full text]
  • The Grizzly, November 3, 2005
    Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 11-3-2005 The Grizzly, November 3, 2005 Ali Wagner Ursinus College Bart Brooks Ursinus College Allison Emery Ursinus College Kerri Landis Ursinus College Dan Lamson Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits ou.y Recommended Citation Wagner, Ali; Brooks, Bart; Emery, Allison; Landis, Kerri; Lamson, Dan; Prahlad, Kate; Gagas, Jonathan; Ritter, Cindy; Helzner, Megan; Blidge, Percelia; Budzowski, Elsa; Guardiani, Karen; Taylor, Lane; Keck, Sarah; Givens, Lindsay; Emas, Juliet; Higgins, Ashley; Flyntz, Matt; Rudd, Shawntee; Pastor, Matthew; Marcheskie, Dave; and Langdon, Danielle, "The Grizzly, November 3, 2005" (2005). Ursinus College Grizzly Newspaper. 701. https://digitalcommons.ursinus.edu/grizzlynews/701 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus College Grizzly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Ali Wagner, Bart Brooks, Allison Emery, Kerri Landis, Dan Lamson, Kate Prahlad, Jonathan Gagas, Cindy Ritter, Megan Helzner, Percelia
    [Show full text]
  • Revue De Recherche En Civilisation Américaine, 4 | 2013 Professional Wrestling As Culturally Embedded Spectacles in Five Core Countri
    Revue de recherche en civilisation américaine 4 | 2013 Le catch et... Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Édition électronique URL : http://journals.openedition.org/rrca/548 ISSN : 2101-048X Éditeur David Diallo Référence électronique Dan Glenday, « Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan », Revue de recherche en civilisation américaine [En ligne], 4 | 2013, mis en ligne le 12 janvier 2014, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/548 Ce document a été généré automatiquement le 19 April 2019. © Tous droits réservés Professional wrestling as culturally embedded spectacles in five core countri... 1 Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Introduction 1 This paper addresses a succession of complicated issues surrounding the cross-cultural popularity of professional wrestling. While boasting fans in several countries from across the globe, today, professional wrestling maintains a lasting presence in five territories - USA, Canada, United Kingdom, Japan and Mexico. ‘Culturally embedded spectacle’ is the unique conceptual framework developed for this paper to explain the longevity of professional wrestling in these five locations and includes the following factors: a continuous history of professional wrestling, national television exposure during the Old School era highlighting larger-than-life characters playing the face, an extensive group of independent professional wrestling federations and commemorative cultural experiences for young and old fans. 2 Granted, there may be other aspects not included here.
    [Show full text]
  • Leon L. Williams San Diego County Human Relations Commission
    COUNTY OF SAN DIEGO Leon L. Williams San Diego County Human Relations Commission Agenda Item Date: February 23, 2021 7 To: Leon L. Williams San Diego County Human Relations Commission Subject: UPDATE ON VACANCIES – DEMOGRAPHICS AND PROCESS FOR COMMISSION SEAT NOMINATIONS Overview The Commission has two (2) open seats for nomination. The Commission requested updated demographics of the current members. Today, staff will present the updated demographics and provide the overview of the process for the Commission nominated seats. Action Item(s) Review the demographics information presented and identify communities currently underrepresented on the Commission. Background The Leon L. Williams San Diego County Human Relations Commission (Commission) was established on May 19, 2020, to “promote positive human relations, respect, and the integrity of every individual regardless of gender, religion, culture, ethnicity, sexual orientation, age, or citizenship status.” (Resolution Number 20-054, Section 1.) The County of San Diego Board of Supervisors established the Commission as a “positive step to reduce sources of tension and conflict in San Diego County,” with the intention of making “recommendations to alleviate discrimination and intolerance and serve as a resource to the Board of Supervisors and County departments on issues related to human rights and relations. The Commissioners would serve as a liaison to community groups, provide feedback on effective outreach and engagement tactics and review progress made to lessen hate crimes, bias, human rights violations and other related matters.” (Board Letter, Agenda Item 26, May 19, 2020.) The Commission is comprised of thirty-one (31) members. Of those thirty-one (31) members, the Commission nominates seven (7) for appointment by the Board.
    [Show full text]
  • Journal of San Diego History V 51-2
    The Journal of San Diego History Book Reviews The Founding Documents of Los Angeles: A Bilingual Edition. Edited by Doyce Nunis. Los Angeles: Historical Society of Southern California, 2004. Illustrations, maps, bibliography, notes. 264 pp. $42.50 cloth. Reviewed by Michael J. Gonzalez, Associate Professor of History, University of San Diego. This volume claims a noble purpose. In 2003, the Zamorano Club of Los Angeles, commemorating its seventy-fifth anniversary, and the Historical Society of Southern California, honoring its one-hundred and twentieth anniversary, published in translation, and in the original Spanish, the eighteenth-century documents concerning the establishment of Los Angeles in what was known as “California Septentrional” — northern or upper California. The twelve documents first appeared in 1931 when the Historical Society of Southern California published a special volume of its journal to note the one-hundred and fiftieth anniversary of Los Angeles’ founding in 1781. Doyce Nunis, the editor of the current version, says that the publication will not go to bookstores. He explains that the Zamorano Club and the Historical Society of Southern California will donate their work to schools and libraries in Los Angeles County and research libraries around the nation. Documents that would otherwise crumble in an archive now sit within easy reach of the public. To help the reader, the volume republishes three essays by historians who supply details the documents do not contain. Thomas Workman Temple II, whose work appeared in the 1931 publication, provides biographical information about the settlers and soldiers who established Los Angeles. Harry Kelsey and Theodore Truetlein, scholars who published in the 1970s, offer other perspectives.
    [Show full text]
  • Meth, HIV, and the Superstrain: “A Wake-Up Call”
    UC San Diego UC San Diego Electronic Theses and Dissertations Title Risky Subjectivity : : The Effects of Cultural Discourses of Addiction on Methamphetamine Using HIV+ Men Who Have Sex with Men in San Diego Permalink https://escholarship.org/uc/item/0x61w1jt Author Gideonse, Theodore Karwoski Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Risky Subjectivity: The Effects of Cultural Discourses of Addiction on Methamphetamine Using HIV+ Men Who Have Sex with Men in San Diego A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Anthropology by Theodore Karwoski Gideonse Committee in charge: Professor Janis H. Jenkins, Chair Professor Suzanne Brenner Professor Norman Bryson Professor Steven Parish Professor Thomas Patterson Professor Nancy G. Postero 2013 Signature Page The Dissertation of Theodore Karwoski Gideonse is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2013 iii Dedication This dissertation is dedicated to the man who in the text I call Sam. iv Table of Contents Signature Page .......................................................................................................................... iii Dedication .................................................................................................................................. iv Table of
    [Show full text]
  • Where to Dine
    08_596624 ch05.qxd 10/25/05 9:15 PM Page 69 5 Where to Dine San Diego’s dining scene, once a culinary backwater, has come into its own during the past decade. The spark for this new spirit of experimentation and style has been an explosion in the transplant population and cultural diversification. But other factors are at play. A bustling economy helps, motivating folks to step out and exercise their palates. These new foodies have been taught to respect the sea- sonality of vegetables, allowing chefs to revel in the bounteous agri- culture of San Diego County by focusing on vegetables when flavors are at their peak at specialized North County growers like Chino Farms and Be Wise Ranch. Top young cooks are increasingly lured by San Diego’s agreeable lifestyle and the chance to make a fast impression in the region’s din- ing scene. How many chefs have been seduced by the idea that you can surf in the ocean each morning, then hand-select fresh produce at the farm where it was grown for preparation that afternoon? And although we import chefs from around the world, we’ve even started exporting them—Marine Room wizard Bernard Guillas represents America at illustrious events like the Masters of Food and Wine. As you can imagine, San Diego offers terrific seafood: Whether at unembellished market-style restaurants that let the fresh catch take center stage or at upscale restaurants that feature extravagant presen- tations, the ocean’s bounty is everywhere. Those traditional main- stays, American and Continental cuisine, still carry their share of the weight in San Diego.
    [Show full text]
  • Packet for January 25, 2019 Commission
    CITY OF SAN DIEGO COMMISSION FOR ARTS AND CULTURE AGENDA San Diego Concourse – North Terrace Rooms 207-209 202 C Street, San Diego, California 92101 San Diego, California Friday, January 25, 2019 8:30 a.m. – 10:30 a.m. 8:30 a.m. I. Call to Order & Statement of Purpose+Vision Janet Poutré, Chair 8:32 a.m. II. Non-agenda Public Comment 8:45 a.m. III. Chair’s Reports Janet Poutré A. ACTION – December 21, 2018 Commission Meeting Minutes B. ACTION – Appointment of Commission Advisory Panelists to Evaluate Proposals Submitted in Response to the Fiscal Year 2020 Organizational Support Program (OSP) and Creative Communities San Diego (CCSD) Request for Proposals (RFP) C. ACTION – Schedule of 2019 Regular Commission Meetings and Standing Committee Meetings D. Tracking Commissioner Committee Assignment Terms E. Other Reports IV. Committee Reports A. Policy & Funding Committee Ann Bossler, Committee Chair B. Public Art Committee Ben Meza, Committee Chair 1. ACTION – Temporary Exhibit of Artwork Proposal from Civic San Diego/North Park Main Street: North Park Garage Banner Project by Kris Moore and Don Masse Page 1 of 2 VISION: Expanding our world by celebrating creativity in San Diego PURPOSE: The City of San Diego Commission for Arts and Culture serves in an advisory capacity to the Mayor and City Council on promoting, encouraging and increasing support for the region's artistic and cultural assets, integrating arts and culture into community life and showcasing San Diego as an international tourist destination. Meetings may be recorded. PUBLIC COMMENT: Any member of the public may address the Commission on any agenda item during agenda item public comment, or on any matter not presently pending or previously discussed at the Commission that is within the Commission’s area of responsibility during non-agenda public comment.
    [Show full text]
  • Doreen Schonbrun Joins Board of San Diego Center for Children
    DRAFT For Immediate Release Doreen Schonbrun Joins Board of San Diego Center for Children Contacts: Vince Heald ( [email protected] ) – 858-453-9600 --------------------------------------------------------------------------------------------------------------- San Diego, CA -- As a long-time supporter of the San Diego Center for Children, and as a regular on-site volunteer, Doreen Schonbrun is well-acquainted with the valuable services provided by the 127-year-old nonprofit. So she was thrilled to take a more advanced role in shaping children’s lives by recently accepting an invitation to join the Center’s Board of Trustees. “I adore these kids,” said Schonbrun, “and I want to see every single one of them make it.” The Center is equally thrilled. “Doreen is an amazing asset to us,” said Alison Beck, Director of Development and Communications. “She really sees the value in what we do.” It’s not the first time a local organization has benefited from the time and enthusiasm put forth by the veteran fundraiser and philanthropist. Prior to joining the Center’s Board, Schonbrun sat on the development committee and chaired its annual dinner gala, the nonprofit’s biggest fundraiser. She also serves on the advisory board for the Fishman Fund Awards given by Sanford-Burnham Medical Research Institute; has served more than a decade on the steering committee for “Art Alive,” the signature fundraiser for the San Diego Museum of Art; and was recently appointed to the Commission for Arts and Culture of San Diego where she serves on the Advocacy Committee and is vice-chair of the Arts and Education Committee. These are but a few of her many volunteer activities.
    [Show full text]
  • S3& the Degree
    EVALUATING COLLECTIONS VOLUNTEER PROGRAMS IN HISTORY MUSEUMS A* A Thesis submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for . S3& the Degree Master of Arts In Museum Studies by Alexandra Michelle Schindler San Francisco, California May 2019 Copyright by Alexandra Michelle Schindler 2019 CERTIFICATION OF APPROVAL I certify that I have read Evaluating Collections Volunteer Programs in History Museums by Alexandra Michelle Schindler, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Museum Studies at San Francisco State University. Edward Luby, Ph.D. Professor of Museum Studies Christine Fogarty M.A. Adjunct Faculty of Museum Studies EVALUATING COLLECTIONS VOLUNTEER PROGRAMS IN HISTORY MUSEUMS Alexandra Michelle Schindler San Francisco, California 2019 In this thesis, the management of collections volunteers in history museums is examined. Due to the under resourced nature of many history museums, volunteer support in collections work is critical, as is the management of volunteers. A literature review is first conducted, which outlines the governance and staffing structure of museums, and provides of overview of collections care basics and museum volunteer management best practices. This is followed by four case studies of history museums that have collections volunteer programs. A discussion, followed by a set of conclusions and recommendations, is then presented. It is concluded that for history museums to effectively manage collections volunteers, they must have a dedicated volunteer manager, that museums would benefit from enhancing their screening efforts for collections volunteers, and that museums must have in-depth orientation and training programs.
    [Show full text]
  • San Diego, Baja California and Globalization: Coming from Behind
    SAN DIEGO, BAJA CALIFORNIA AND GLOBALIZATION: COMING FROM BEHIND by Richard Feinberg with Gretchen Schuck October 2001 PACIFIC COUNCIL ON INTERNATIONAL POLICY T HE WESTERN PARTNER OF THE C OUNCIL ON F OREIGN R ELATIONS MISSION STATEMENT: The Pacific Council on International Policy aims to promote better understanding and more effective action, by private and public sector leaders alike, in addressing a rapidly changing world. It brings together leaders from diverse communities across the western United States and around the Pacific Rim. Its focus is the interaction of global trends and local effects as national borders become more porous, traditional concepts of “public” and “private” blur and what constitutes “policy” itself is changing. Pacific Council on International Policy Los Angeles, CA 90089-0035 Tel: (213) 740-4296 Fax: (213) 740-9498/9993 E-Mail: [email protected] Website: www.pacificcouncil.org SAN DIEGO, BAJA CALIFORNIA AND GLOBALIZATION: COMING FROM BEHIND by Richard Feinberg with Gretchen Schuck PACIFIC COUNCIL ON INTERNATIONAL POLICY T HE WESTERN PARTNER OF THE C OUNCIL ON F OREIGN R ELATIONS CONTENTS I. Introduction 1 II. The Binational Region: San Diego, Imperial County, Baja California 3 III. The Military Presence: A Historical Paradox 4 IV. International Trade: Less Than Meets the Eye 6 V. San Diego’s Incipient Globalization 11 VI. Constraints on San Diego’s Globalization 16 VII. Rapid Demographic Globalization, Slow Political Adjustment 21 VIII. Baja California: Genuine Globalization 23 IX. Future Challenges 27 Tables and Figures 30 Endnotes 31 I. INTRODUCTION an Diego lies at the intersection of Latin America and the western United States, Sfacing the Asia-Pacific from the southern California coast.
    [Show full text]
  • Agathe Bonitzer
    AIRF_1905302 • MRS 13 - Presse Mag.FID MARSEILLE • SP + 5 mm de débord • 150 x 200 mm • Visuel : Divertissement • Parution 01/juin/2019 • Remise le 31/mai/2019 ILG• BAT SPECTACULAIRE!! Nouvel écran tactile!: découvrez un écran HD plus grand pour profiter des dernières sorties cinéma, des dessins animés, de la musique et des jeux vidéo, depuis le décollage jusqu’à l’atterrissage. AIRFRANCE.FR France is in the air : La France est dans l’air. Mise en place progressive sur une partie de la flotte long-courrier Boeing 777 et Boeing 787. AIRF_1905302_MRS13_DIVERTISSEMENT_FID_MARSEILLE_150x200_PM.indd 1 29/05/2019 12:36 LE SITE. L'APPLI. LA CHAÎNE. REGARDEZ À TRAVERS LA LUCARNE Dédiée au documentaire de création, La Lucarne est une fenêtre ouverte sur la diversité des réels, des vécus et des imaginaires. Le lundi aux alentours de minuit sur ARTE. En replay sur arte.tv et YouTube. © Elliott Erwitt VOUS AIMEZ DÉJÀ Elliott Erwitt - Silence Sounds GoodSounds Silence - Erwitt Elliott 30e Festival International de Cinéma Marseille 9 — 15 juillet 2019 Sommaire / Contents 4 Partenaires / Partners & sponsors 146 Écrans parallèles / Parallel screenings 148 Hommage à Sharon Lockhart 6 Éditoriaux / Editorials 158 Hommage à Bertrand Bonello 166 Histoire(s) de Portrait 15 Prix / Awards 182 Des marches, démarches 20 Jurys / Juries 204 Cinéma sans recettes 22 Jury de la Compétition Internationale / International Competition jury 208 Les Années Scopitones 28 Jury de la Compétition Française / French Competition jury 214 Les Sentiers – Les Sentiers Expanded 34
    [Show full text]