Massachusetts Child Support Warrants
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Aretha Franklin's Gendered Re-Authoring of Otis Redding's
Popular Music (2014) Volume 33/2. © Cambridge University Press 2014, pp. 185–207 doi:10.1017/S0261143014000270 ‘Find out what it means to me’: Aretha Franklin’s gendered re-authoring of Otis Redding’s ‘Respect’ VICTORIA MALAWEY Music Department, Macalester College, 1600 Grand Avenue, Saint Paul, MN 55105, USA E-mail: [email protected] Abstract In her re-authoring of Otis Redding’s ‘Respect’, Aretha Franklin’s seminal 1967 recording features striking changes to melodic content, vocal delivery, lyrics and form. Musical analysis and transcription reveal Franklin’s re-authoring techniques, which relate to rhetorical strategies of motivated rewriting, talking texts and call-and-response introduced by Henry Louis Gates, Jr. The extent of her re-authoring grants her status as owner of the song and results in a new sonic experience that can be clearly related to the cultural work the song has performed over the past 45 years. Multiple social movements claimed Franklin’s ‘Respect’ as their anthem, and her version more generally functioned as a song of empower- ment for those who have been marginalised, resulting in the song’s complex relationship with feminism. Franklin’s ‘Respect’ speaks dialogically with Redding’s version as an answer song that gives agency to a female perspective speaking within the language of soul music, which appealed to many audiences. Introduction Although Otis Redding wrote and recorded ‘Respect’ in 1965, Aretha Franklin stakes a claim of ownership by re-authoring the song in her famous 1967 recording. Her version features striking changes to the melodic content, vocal delivery, lyrics and form. -
Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
SMYC 2013 CD Booklet
SPECIAL MULTISTAKE YOUTH CONFERENCE 2013 MUSIC SOUNDTRACK Audio CD_Booklet.indd 1 10/18/2013 9:04:08 AM Stand Chorus Chorus: Joy of Life Singer: Megan Sackett No, I can’t say that I know for certain, but, Singers: Savanna Liechty & Hayden Gillies Every choice, every step, I’m feelin’ somethin’ deep inside my heart Morning sun fill the earth, every moment, I wanna say that I know for certain, Sunlight breaking through the shadows fill the shadows, point my course, set my path but for now it’s a good start. stand lighting all we see fill my soul with light. make me ready. taking in each single moment Sacred light, holy house, I’ve been trying things out a bit, with the air we breath Steady flame, steady guide, loving Father, wanting to know what’s real still so much that lies before us steady voice of peace bind my heart, fill my life I don’t know what will come of it but still so much within our reach lead me through the night. with this promise to stand… if I keep it up I will. of life joy Chorus: Won’t give in, won’t give up And be not moved, together I know there’s someone who after all I can do Every day won’t give out at all Stand makes it all alright brings another moment ‘til my heart is right. In a holy place Then I hear a voice that whispers to me every time Stand… Oh Stand that I’ve known it all my life. -
Beth Hart Press Release
Beth Hart “Better Than Home” PRD 7451 BETH HART’S NEW ALBUM, BETTER THAN HOME, IS BETH-ER THAN EVER Grammy-nominated singer/songwriter, Beth Hart, has never sounded better (musically and spiritually) than she does on her new album, Better Than Home. When she sings clocks stop, hearts dance and neck-hair tingles…it’s that compelling! A Planetmosh critic said, “I was just blown away by Beth’s voice!” and American Songwriter proclaimed, “Beth’s tough, throaty voice…she uses that powerful instrument to best effect on dramatic, arena filling ballads.” Beth’s incredible voice is what moved guitar legends Jeff Beck, Slash, Joe Bonamassa and Buddy Guy to perform with her on records and in concert. She reached national attention with the hit single, L.A. Song (Out Of This Town), the single reached #6 in the Billboard Modern AC chart and #7 in the Adult Top 40 chart; subsequent album, Bang Bang Boom Boom, made it to #3 in the Billboard Top Blues Album chart and shortly thereafter, Beth was nominated for a Blues Music Award. Album collaborations with Joe Bonamassa, Seesaw and Don’t Explain, made it to the top (#1 and #3) of the Billboard Blues Albums Chart, to #8 and #22 on the Billboard Top Independent Albums Chart and into the Billboard 200. International audiences fell in love with her and rewarded her with two #1 singles in Denmark from albums Leave The Light On and 37 Days (recorded live). Her greatest validation as one of the defining voices of our time, came when her tribute (alongside Jeff Beck) to Buddy Guy on The Kennedy Center Honors special, received one of the only 2 standing ovations of the evening, led by President Barack Obama and his wife, Michelle. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
The Romance of the Rose
The Romance of the Rose 179 The Romance of the Rose The Romance of the Rose, an allegorical dream-vision poem stemming from the troubadour tradition of courtly love and written in medieval French, was perhaps the most widely read book in 14th- and 15th-century Europe. During the century of high scholasticism (the 13th), this most influential of all works of medieval romance emerged. It was composed in two stages. Around 1230, Guillaume de Lorris came out with the first 4,058 lines, without quite finishing it. Around 1275 (the year after the death of both Aquinas and Bonaventure), Jean de Meun, a very different personality who studied at the University of Paris and who warred against the mendicant orders, produced a massive amplification of Guillaume’s work, adding 17,724 lines, shifting towards the encyclopedic and dialectic, changing its character from earnest to satiric. C. S. Lewis’s scholarly work The Allegory of Love helped to revive modern interest in the work. Lewis argues for the realism of the allegorical method employed in The Romance: “[This method] was originally forced into existence by a profound moral revolution occurring in the latter days of paganism. For reasons of which we know nothing at all. , men’s gaze was turned inward. But a gaze so turned sees, not the compact ‘character’ of modern fiction, but the contending forces which cannot be described at all except by allegory.” 181 Guillaume de Lorris/Jean de Meun Prologue In the twentieth year of my life, at the time when Love exacts his tribute from young people, I lay down one night, as usual, and slept very soundly. -
Cd Lyrics Double Yodel
Lyrics for the CD DOUBLE YODEL by Lou and Peter Berryman Recorded in 1995 All songs © L&P Berryman Words by Peter, Music by Lou 1 Pushing Spring 2 IF (Dueling Paranoias) 3 Gadeng Vadoo 4 Orange Cocoa Cake 5 Science Marches On 6 Pair of Geese 7 Double Yodel 8 Dog of Time 9 Mr. Frenkl 10 New Listing 11 We Strolled on the Beach 12 Come to Mind 13 Every Week Lou and Peter Berryman Box 3400 Madison WI 53704 LOUANDPETER.COM [email protected] [email protected] 1 PUSHING SPRING (aka PUSHING SPRING TANGO) ©1994 L&P Berryman INTRO: Timing is a factor, fellas, everywhere you go Don't fall for a skier on the first good day of snow Don't fall for a dancer when the Bolshoi is in town And don't fall for a gardner, Boys, as winter's winding down: It isn't forty four degrees There is no green yet in the trees It may be March but even so, there's still a foot of snow Tonight it's gonna freeze What green there is is in her thumb As her seed catalogs have come She can take those five below nights, as long as she has Gro-lights Her life is not so glum CHORUS: Don't try to tell her she hasta wait for robins to sing Don't ever say she's jumping the gun by pushing the spring She'll wave a dirty trowel and say so what if i do If you had spent your life in Wisconsin, you'd push it too You could try wooing her with wine Although you'll have to stand in line Behind a tuber in a tub; an ornamental shrub And cuttings off a vine Don't bring her poems of romance But know the names of all her plants Don't buy a diamond to surprise her, but bring some fertilizer -
Nobody Mean More to Me Than You and the Future Life of Willie Jordan 171 Connections with a Constructive U.S
!i: jf>__ . :j!·; ~:t-:' CHAPTER 3 Schooling June Jordan Nobody Mean More to Me Than You and the Future Life of Willie Jordan 171 J~ connections with a constructive U.S. government required to get by and get out. Enthusiastic stu program for war veterans. 2. How do the aims of higher education reflect the larger purposes of American culture? To dents could not help despairing of institutions answer this question, consider Jacobs's argument that credentialing is "an indirect legacy After World War II and then the Korean War, that seemed to think of them as raw material to of the Great Depression of the 1930s." Explain her line of reasoning, and add other con the government provided tuition and encourage process as efficiently as possible rather than as siderations that you think should be taken into account. ment for veterans who had the desire and qual human beings with burning questions and con 3. Write a report with your group on the findings of your research. Begin by explaining the ifications to attend universities or colleges. Tens fusions about the world and doubts about why significance of the issues you have investigated, drawing on Jacobs's essay to help you of thousands of former Gls, many from families they were sinking time and money into this prel define your research questions. Then explain how your questionnaire was designed to in which nobody had ever before been given a ude to their working lives. answer these questions and who constituted your student sample. Next, present the find chance at higher education, took advantage of 25 Students who are passionate about learning, ings by identifying common themes in the responses to the questionnaire. -
Innovators: Songwriters
NBER WORKING PAPER SERIES INNOVATORS: SONGWRITERS David Galenson Working Paper 15511 http://www.nber.org/papers/w15511 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2009 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2009 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Songwriters David Galenson NBER Working Paper No. 15511 November 2009 JEL No. N00 ABSTRACT Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers. -
Inspirational Songs for Vocals, Piano, and Guitar. Melody, Chords and Lyrics to Accompany the Album
Inspirational songs for vocals, piano, and guitar. Melody, chords and lyrics to accompany the album. Joy In Our Hearts Greetings to you music lovers! Thank you so much for wanting to sing and/or play the songs on my new CD, “Joy In Our Hearts.” I am honored and blessed that you are helping me get my music out into the world! I truly believe that positive music is a healing force and that spreading positive affirmations and messages is a noble act. So whether you are singing or playing for your own enjoyment, or performing these songs to an audience, you are helping to heal the world – one song at a time. As I have said with all my other CDs and songbooks, I encourage you to make these songs or chants your own. I give you permission to change the words, alter the melody, change the key – whatever it takes for you to “own” it as your own. The chords and keys to all of this music is in the key that I sang it on the CD, but at the end of this book I have included my “Karen Drucker Handy Dandy Easy Music Method,” which will help you transpose the key to a key that works for you, help you figure out the chords, and maybe a few other tidbits you didn’t know. As you will see I have written quite a lot of these songs and chants with other New Thought artists. I would encourage you to check out their websites and find more wonderful music from each of them! Thank you again for supporting my music and I hope you enjoy these songs and chants! Musically, Karen Today I Choose Words & Music: Karen Drucker I truly believe that how we start our day is what sets the tone for the day. -
Camp Illahee Songbook
Illahee Songbook Camp Songs Praise Songs Blessings A Day in the Life There are times in my life, when I am so afraid, And I can’t seem to find where I belong. I will love who I am, and learn from my mistakes, For we all have our own special song. Chorus And the life I live, and the love I give, Will flow free like the rivers and the streams, And wherever I go, I will always know, It’s a day in the life of my dreams. I will reach out my hand, to show that I care, And encourage those whose tears they cannot hide, I will learn how to trust, and to ask when I need help, And to talk about my feelings deep inside. Chorus I have dreams, I have songs, that I carry in my heart, As I walk in harmony upon the earth, Like the sun in the sky, the leaves beneath the wind, I will realize the value of my worth. Chorus Annie Mae Annie Mae, where are you going? Upstairs to take a bath. Annie Mae with legs like toothpicks, And a neck like a giraffe. Annie Mae stepped in the bathtub, Annie Mae pulled out the plug, Oh my goodness, Oh my soul, There goes Annie Mae down that hole! Annie Mae, Annie Mae, glub, glub, glub Ash Grove Down yonder green valley where streamlets meander, When twilight is fading, I pensively roam. Or at the bright noontide in solitude wander, Amid the dark shades of the lonely ash grove. -
Lyrics by Benj Pasek and Justin Paul
begins not with music, have a single person to whom we can actually speak. We but with noise. As the house lights fade, the audience envisioned two families, each broken in its own way, and is immersed momentarily in the roar of the internet: a two sons, both of them lost, both of them desperate to cacophony of car insurance ads, cat videos, scattered be found. And at the heart of our story, in a world starving shards of emails and text messages and status updates. for connection, we began to imagine a character utterly And then, all at once: silence. On stage, in the white glow incapable of connecting. of a laptop, a boy sits in his bedroom, alone. Though many of the rudiments of the character were Like so many of us, Evan is a citizen of two different already in place by the end of 2011, Evan didn’t fully come worlds, two distinct realities separated by the thin veil of a to life for me until almost two years into the process, when laptop screen. On one side of the screen, the promise of Benj and Justin emailed me a homemade demo of a song instant connection. On the other, a lonely kid, staring at a they were tentatively calling “Waving Back At Me.” blinking cursor, as desperate to be noticed as he is to stay This was to become “Waving Through a Window,” hidden. Evan’s first sung moment in the musical, when we see, Benj Pasek, Justin Paul, and I first began to create with incredible vividness, how the world looks through the the character of Evan over several months in 2011.