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Aretha Franklin's Gendered Re-Authoring of Otis Redding's
Popular Music (2014) Volume 33/2. © Cambridge University Press 2014, pp. 185–207 doi:10.1017/S0261143014000270 ‘Find out what it means to me’: Aretha Franklin’s gendered re-authoring of Otis Redding’s ‘Respect’ VICTORIA MALAWEY Music Department, Macalester College, 1600 Grand Avenue, Saint Paul, MN 55105, USA E-mail: [email protected] Abstract In her re-authoring of Otis Redding’s ‘Respect’, Aretha Franklin’s seminal 1967 recording features striking changes to melodic content, vocal delivery, lyrics and form. Musical analysis and transcription reveal Franklin’s re-authoring techniques, which relate to rhetorical strategies of motivated rewriting, talking texts and call-and-response introduced by Henry Louis Gates, Jr. The extent of her re-authoring grants her status as owner of the song and results in a new sonic experience that can be clearly related to the cultural work the song has performed over the past 45 years. Multiple social movements claimed Franklin’s ‘Respect’ as their anthem, and her version more generally functioned as a song of empower- ment for those who have been marginalised, resulting in the song’s complex relationship with feminism. Franklin’s ‘Respect’ speaks dialogically with Redding’s version as an answer song that gives agency to a female perspective speaking within the language of soul music, which appealed to many audiences. Introduction Although Otis Redding wrote and recorded ‘Respect’ in 1965, Aretha Franklin stakes a claim of ownership by re-authoring the song in her famous 1967 recording. Her version features striking changes to the melodic content, vocal delivery, lyrics and form. -
Mct2 G5 La-Pt3
MS515389-8358_Gr5_LA-ST 5/8/09 10:45 AM Page 1 Student Name GRADE Mississippi Curriculum Test, Second Edition 5 MCT2 PRACTICE TEST BOOK LANGUAGE ARTS Practice Test 3 for MCT2 is developed and published by the Mississippi Department of Education. Copyright © 2009 by Mississippi Department of Education. All rights reserved. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. The Mississippi logo appears courtesy of the Mississippi Development Authority. MS515393-8110_Gr3Fm1_R 2/2/09 3:52 PM Page 3 Language Arts: Section 1 Reading YOU ARE ONLY ALLOWED TO REVIEW THIS SECTION OF THE TEST TODAY. Page 3 MS515389-8358_Gr5_LA-ST 5/8/09 10:45 AM Page 4 R Read the following passage “Dare to Run.” Then answer questions 1–6 based on the passage. You may turn back to the passage as you answer questions. You may write in your test booklet, but you must mark your answers on your answer document. Dare to Run “Who’s next?” the coach called as I stood in line to sign up for the middle school track team. “Kayla Monroe,” I said as I stepped forward with a big smile. “Is this your first year running track?” the coach asked. 5 “Yes, yes, it is.” I stumbled over my words a little. I was afraid the coach might think I was too young to be on the team since I was still in fifth grade. “Track isn’t an easy sport,” he said. -
Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
SMYC 2013 CD Booklet
SPECIAL MULTISTAKE YOUTH CONFERENCE 2013 MUSIC SOUNDTRACK Audio CD_Booklet.indd 1 10/18/2013 9:04:08 AM Stand Chorus Chorus: Joy of Life Singer: Megan Sackett No, I can’t say that I know for certain, but, Singers: Savanna Liechty & Hayden Gillies Every choice, every step, I’m feelin’ somethin’ deep inside my heart Morning sun fill the earth, every moment, I wanna say that I know for certain, Sunlight breaking through the shadows fill the shadows, point my course, set my path but for now it’s a good start. stand lighting all we see fill my soul with light. make me ready. taking in each single moment Sacred light, holy house, I’ve been trying things out a bit, with the air we breath Steady flame, steady guide, loving Father, wanting to know what’s real still so much that lies before us steady voice of peace bind my heart, fill my life I don’t know what will come of it but still so much within our reach lead me through the night. with this promise to stand… if I keep it up I will. of life joy Chorus: Won’t give in, won’t give up And be not moved, together I know there’s someone who after all I can do Every day won’t give out at all Stand makes it all alright brings another moment ‘til my heart is right. In a holy place Then I hear a voice that whispers to me every time Stand… Oh Stand that I’ve known it all my life. -
Beth Hart Press Release
Beth Hart “Better Than Home” PRD 7451 BETH HART’S NEW ALBUM, BETTER THAN HOME, IS BETH-ER THAN EVER Grammy-nominated singer/songwriter, Beth Hart, has never sounded better (musically and spiritually) than she does on her new album, Better Than Home. When she sings clocks stop, hearts dance and neck-hair tingles…it’s that compelling! A Planetmosh critic said, “I was just blown away by Beth’s voice!” and American Songwriter proclaimed, “Beth’s tough, throaty voice…she uses that powerful instrument to best effect on dramatic, arena filling ballads.” Beth’s incredible voice is what moved guitar legends Jeff Beck, Slash, Joe Bonamassa and Buddy Guy to perform with her on records and in concert. She reached national attention with the hit single, L.A. Song (Out Of This Town), the single reached #6 in the Billboard Modern AC chart and #7 in the Adult Top 40 chart; subsequent album, Bang Bang Boom Boom, made it to #3 in the Billboard Top Blues Album chart and shortly thereafter, Beth was nominated for a Blues Music Award. Album collaborations with Joe Bonamassa, Seesaw and Don’t Explain, made it to the top (#1 and #3) of the Billboard Blues Albums Chart, to #8 and #22 on the Billboard Top Independent Albums Chart and into the Billboard 200. International audiences fell in love with her and rewarded her with two #1 singles in Denmark from albums Leave The Light On and 37 Days (recorded live). Her greatest validation as one of the defining voices of our time, came when her tribute (alongside Jeff Beck) to Buddy Guy on The Kennedy Center Honors special, received one of the only 2 standing ovations of the evening, led by President Barack Obama and his wife, Michelle. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
The Romance of the Rose
The Romance of the Rose 179 The Romance of the Rose The Romance of the Rose, an allegorical dream-vision poem stemming from the troubadour tradition of courtly love and written in medieval French, was perhaps the most widely read book in 14th- and 15th-century Europe. During the century of high scholasticism (the 13th), this most influential of all works of medieval romance emerged. It was composed in two stages. Around 1230, Guillaume de Lorris came out with the first 4,058 lines, without quite finishing it. Around 1275 (the year after the death of both Aquinas and Bonaventure), Jean de Meun, a very different personality who studied at the University of Paris and who warred against the mendicant orders, produced a massive amplification of Guillaume’s work, adding 17,724 lines, shifting towards the encyclopedic and dialectic, changing its character from earnest to satiric. C. S. Lewis’s scholarly work The Allegory of Love helped to revive modern interest in the work. Lewis argues for the realism of the allegorical method employed in The Romance: “[This method] was originally forced into existence by a profound moral revolution occurring in the latter days of paganism. For reasons of which we know nothing at all. , men’s gaze was turned inward. But a gaze so turned sees, not the compact ‘character’ of modern fiction, but the contending forces which cannot be described at all except by allegory.” 181 Guillaume de Lorris/Jean de Meun Prologue In the twentieth year of my life, at the time when Love exacts his tribute from young people, I lay down one night, as usual, and slept very soundly. -
Cd Lyrics Double Yodel
Lyrics for the CD DOUBLE YODEL by Lou and Peter Berryman Recorded in 1995 All songs © L&P Berryman Words by Peter, Music by Lou 1 Pushing Spring 2 IF (Dueling Paranoias) 3 Gadeng Vadoo 4 Orange Cocoa Cake 5 Science Marches On 6 Pair of Geese 7 Double Yodel 8 Dog of Time 9 Mr. Frenkl 10 New Listing 11 We Strolled on the Beach 12 Come to Mind 13 Every Week Lou and Peter Berryman Box 3400 Madison WI 53704 LOUANDPETER.COM [email protected] [email protected] 1 PUSHING SPRING (aka PUSHING SPRING TANGO) ©1994 L&P Berryman INTRO: Timing is a factor, fellas, everywhere you go Don't fall for a skier on the first good day of snow Don't fall for a dancer when the Bolshoi is in town And don't fall for a gardner, Boys, as winter's winding down: It isn't forty four degrees There is no green yet in the trees It may be March but even so, there's still a foot of snow Tonight it's gonna freeze What green there is is in her thumb As her seed catalogs have come She can take those five below nights, as long as she has Gro-lights Her life is not so glum CHORUS: Don't try to tell her she hasta wait for robins to sing Don't ever say she's jumping the gun by pushing the spring She'll wave a dirty trowel and say so what if i do If you had spent your life in Wisconsin, you'd push it too You could try wooing her with wine Although you'll have to stand in line Behind a tuber in a tub; an ornamental shrub And cuttings off a vine Don't bring her poems of romance But know the names of all her plants Don't buy a diamond to surprise her, but bring some fertilizer -
Ladyslipper Catalog
Ladyslipper Catalog -i. "•:>;;;-•, •iy. ?_.*.-• :':.-:xv«> -»W ' | 1 \ aw/ Resource Guide • Recordings WfiMEl by OCT . 8 1991 Women ll__y_i_iU U L_ . • 1992 Table of Contents Ordering Information 2 Native American 44 Order Blank 3 Jewish 46 About Ladyslipper 4 Calypso 47 Musical Month Club 5 Country 48 Donor Discount Club 5 Folk * Traditional 49 Gift Order Blank 6 Rock 55 Gift Certificates 6 R&B * Rap * Dance 59 Free Gifts 7 Gospel 60 Be A Slipper Supporter 7 Blues 61 Ladyslipper Mailing List 8 Jazz 62 Ladyslippers Top 40 8 Classical 63 Especially Recommended New Titles 9 Spoken 65 Womens Spirituality * New Age 10 Babyslipper Catalog 66 Recovery 22 "Mehn's Music" 70 Women's Music * Feminist Music 23 Videos 72 Comedy 35 Kids'Videos 76 Holiday 35 Songbooks, Posters, Grab-Bag 77 International: African 38 Jewelry, Books 78 Arabic * Middle Eastern 39 Resources 80 Asian 39 Calendars, T-Shirts, Cards 8J Celtic * British Isles 40 Extra Order Blank 85 European 43 Readers' Comments 86 Latin American 43 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 Ordering Info CUSTOMER SERVICE: 919-683-1570 M-F 9-6 FAX: 919-682-5601 Anytime! . PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are CHARGE CARD ORDERS: are processed as prepaid don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati orders, just like checks with your entire order billed schools). Make check or money order payable to cally back-order it unless you include alternatives up front. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Face My Fears Piano Version Arranged by Cateen Sheet Music
Face My Fears Piano Version Arranged By Cateen Sheet Music Download face my fears piano version arranged by cateen sheet music pdf now available in our library. We give you 4 pages partial preview of face my fears piano version arranged by cateen sheet music that you can try for free. This music notes has been read 24785 times and last read at 2021-09-25 22:47:09. In order to continue read the entire sheet music of face my fears piano version arranged by cateen you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano Solo Ensemble: Mixed Level: Intermediate [ Read Sheet Music ] Other Sheet Music Face My Fears Piano Version Face My Fears Piano Version sheet music has been read 9616 times. Face my fears piano version arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-09-22 02:35:55. [ Read More ] Face My Fears Kingdom Hearts Iii Intermediate Piano Face My Fears Kingdom Hearts Iii Intermediate Piano sheet music has been read 8963 times. Face my fears kingdom hearts iii intermediate piano arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-25 11:00:10. [ Read More ] Face My Fears Kingdom Hearts Iii Easy Piano Face My Fears Kingdom Hearts Iii Easy Piano sheet music has been read 19978 times. Face my fears kingdom hearts iii easy piano arrangement is for Early Intermediate level. The music notes has 1 preview and last read at 2021-09-25 08:17:33.