DOCSLIB.ORG

Fl Begiltlteri Fiuide Tu

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fl Begiltlteri Fiuide Tu flBegiltlteri fiuidetu Iullrtru rtln g Ifl |jll lve rre Iheffiuthemuticul flrchetgpBrnfllnttlre, frt,rlld Icience [|lrttnrrI ftttnn[tR HARPTFI NEW Y ORK LO NDON TORONTO SYDNEY Tomy parents, SaIIyand Leonard, for theirendless loae, guidance,snd encouragement. A universal beauty showed its face; T'heinvisible deep-fraught significances, F1eresheltered behind form's insensible screen, t]ncovered to him their deathless harmony And the key to the wonder-book of common things. In their uniting law stood up revealed T'hemultiple measures of the uplifting force, T'helines of tl'reWorld-Geometer's technique, J'he enchantments that uphold the cosmic rveb And the magic underlving simple shapes. -Sri AurobitrdoGhose (7872-1950, Irrdinnspiritunl {uide, pttet ) Number is the within of all things. -Attributctl to Ptlfltngorus(c. 580-500s.c., Gre ek Tililosopther nrr d rtuttI rc nut t ic inn ) f'he earth is rude, silent, incomprehensibie at first, nature is incomprehensible at first, Be not discouraged, keep on, there are dir.ine things well errvelop'd, I swear to vou there are dirrine beings more beautiful than words can tell. -Wnlt Whitmm fl819-1892,Americnn noet) Flducation is the irrstruction of the intellect in the laws of Nature, under which name I include not merely things and their forces,but men and their ways; and the fashioning of the affections and of the r,t'ill into an earnest and loving desire to move in harmony with those laws. -Thomas Henry Huxley (1 B 25-1 Bg 5, Ett glislth iolo gis t) Contents ACKNOWLEDGMENTS xi GEOMETRY AND THE QUEST FOR REALITY BY JOHN MICHELL xiii INTRODUCTION xvii MONAD WHOLLY ONE 2 DYAD IT TAKES TWO TO TANGO 21 3 TRIAD THREE-PART HARMONY 38 4 TETRAD MOTHER SUBSTANCE 60 5 PENTAD REGENERATION 96 6 HEXAD STRUCTURE-FUNCTION-ORDER 178 7 HEPTAD ENCHANTING VIRGIN 221 8 OCTAD PERIODIC RENEWAL 267 9 ENNE AD THE HORIZON 301 10 DECAD BEYOND NUMBER 323 EPILOGUE NOW THAT YOU'VE CONSTRUCTED THE UNIVERSE ... 347 ix fienmetryand thefluestfurfleality lohn Michell Sooner or later there comes a time in Me when you start thinking about Reality and where to find it. Some people tel l you there is no such thing, that the world has nothing per- manent in it, and, as far as vou are concemed, consists merely of your fleeting experiences.Its framework, they say, is the random product of a nafural process,meaningless and undirected. Others believe that the world was made by a divine Cre- ator,who continuesto guide its development.This soundsa more interesting idea, but, as skeptics point out, every reli- gion and church that upholds it does so by faith alone. If you are naturally faithful and can accept without question the orthodoxy of your particular religion or system of beliefs, you will feel no need to inqufue further and this book will appear superfluous. It was written for those of us who lack or have lost the gift of simple faith, who need evidence for our beliefs. We cannot help being athacted by the religious view, that the world is a harmonious, divinely ordered cre- ation in whidr, as Plato prornised the uninitiated, "things are taken care of far better than you could possibly believe." Yet superficially it is a place of confusion and chaos, where suffering is constant and the ungodly flourish. ANDTHE OUEST FOR REALIry xlv OEO}IETRY This is where we begin the quest for Reality' Lgokinq closelv at nature, the firsi insight we obtain is thai, behind the apparently endlessproli{eration of natural objects,there is a flr lesser number of apparently fixed tlpes' We see' for example,that through every generationcats are cats and are the same way, every 'ro"""hu"progrlmmed for catlike behavior. In the unique characteristics of a rosb and every oak these leaf is definitely an oak leaf. No two specimens of -are ever exactlythe same,but eachone is clearly a product of its formative i1pe. If it were not so, if animals and plants,sim- ply inherited their progenitors' characteristics,the order of nature would soon dissolve into an infinite variety of crea- tures, undifferentiated by speciesand kinships' This observation, of one type with innumerable prod- ucts, gives rise to the old philosophical problem o{ the One and the Manv. The problem is that, whereas the Many are visible and tangible ind can be examined at leisure, the One is never seen or sensed, and its very existence is only inferred tfuough the evident effect it has upon its products, the Many. Yet, paradoxically, the One is more truly real than the Many. In the visibte world of nature all is flux' Every- thing is either being bom or dying or moving between the two processes.Nothing ever achievesthe goal of perfection o. ti'," ttute of equilibrium that would allow it to be describedin essencb.The phenomenaof nature, said Plato, are always "becorning," never actually " are." Our fiue sensestell us that they are real, but the iniellect judges dif- ferently, reasoning that the One, which is constant, creative, and ever the sarne, is more entitled to be called real than its ever-fluctuating products. The search for Reality leads us inevitably toward the type, the enigmatic One that lies behind the obvious world of*re Many. Imrnediately we encounter difficulties. Being imperceptible and existing only as abstractions, tyPes can- not be apprehendedby the methods of physical science.A number of modem scientists, perceiving the influence of types in nature, have attempted to bring them within the range of empirical study. Rupert Sheldrake, author of A Nezu Scienceof Life and other works, has taken a bold step in that direction.In an earlier age,the Pythagoreansworked on sys- tematizing the types by means of numerical formulae. Yet SEOiETRY AND TH€ OUESTFOR REALITY Plato, who wrote at length on the subject of constant types (referred to as "forms"), was carefully ambiguous in defin- ing them and never made clear the means by which they influence the world of appearances. Plato did, however, give instructions on the procedue toward understanding the nature and function of the types. In the Republiche described the ascent of the mind through four different stages.It begins in Ignorance, when it does not even know that there is anything worth knowing. The next stage is Opinion, the stage in which TV chat-show partici- Dants are forever stuck. This is divided into two subcate- gories, Right Opinion and Wrong Opinion. Above that is the Ievel of Reason.By education and study, particularly in cer- tain mind-sharpening subjects,the candidate is prepared for entry into the fourth stage, which is called Intelligence (nous). One can be prepared for it but with no guaranteeof success,for it is a level that one can only achieve on one's own, the level of heightened or true understanding, which is the mental level of an initiate. The studies that Plato specified as most effective in preparing the rnind for understanding are the so-calied mathematical subjects, consisting of number itself, music, geometry, and astronomy. These were the main studies of Plthagoras and his followers, who anticipated the realiza- tion of modem physics in proclaiming that all scales and departrnents of nature were linked by the same code of number. Geometry is the purest visible expression of num- ber. In Platonic terms, the effect of its study is to lead the mind upward from Opinion onto the level of Reason,where its premises are rooted. It then provides the bridge or ladder by which the mind can achieve its highest level in the realm of pure Intelligence. Geometry is aiso the bridge between the One and the Many. When you draw one of its basic figures-a circle, say, or a triangle or regular polygon-you do not copy someone else's drawing; your model is the abstract ideal of a circle or triangle. It is the perfect form, the unchanging, unmanifest One. Below it are the Many-the expressions of that figure in design, art, and architecture. ln nature also the One circle gives rise to the Many, in the shapes and orbits of the plan- ets, in the roundness of berries, nests, eyeballs, and the xvi GEO}IETRYAND THE OUEST FOR REALITY cycles, of time. On every scale, every nafural pattern of growth or movement conforms inevitably to one or more of the simple geomerrictypes. The pentagoryfor example,Iies behind each specimen of the five-pelaled rose, the five_ fingered starfish, and many other living forms, whereas the sixfold, hexagonal gpe, as seen in the structure of snowflakes and crystal generally, pertains typically to inan_ imate nature. As soonas you enter upon the world of sacred,symbolic, or phiJosophicaigeometry-from your first, thoughifuJcon_ struchon of a circle with the circumferencedivid;d into its natural six parts-your mind is opened to new influences that stirnulate and refine it. you begin to see,as never before, the wonderfuily patlerned beauty-of Creation. you see true artistry, {ar above any human contrivance. T?risindeed is the very, source of art. By contact with it your aestheticsenses arc heightenedand set_uponthe firm bisis of truth. Beyond the oovlous pteasureot contemplatingthe works of nafure_the MTy-1" the delight that comes through the philosophical study of geometry, of moving toward-the prr".,." of th" One. Michael Schneideris an experiencedteacher and, as you areentitled to expect,a masterof his geometriccraft. No Lne less qualified could set out its basic piinciples so ctearty anJ simply. His much rarer assetis appieciation of the symbolic and,cosmologicals].'rnbolism injrerent in geometryiThat is the best reasonf9r being interestedin the subject,and it is why.
Load more

Recommended publications
  • Review and Updated Checklist of Freshwater Fishes of Iran: Taxonomy, Distribution and Conservation Status
    Iran. J. Ichthyol. (March 2017), 4(Suppl. 1): 1–114 Received: October 18, 2016 © 2017 Iranian Society of Ichthyology Accepted: February 30, 2017 P-ISSN: 2383-1561; E-ISSN: 2383-0964 doi: 10.7508/iji.2017 http://www.ijichthyol.org Review and updated checklist of freshwater fishes of Iran: Taxonomy, distribution and conservation status Hamid Reza ESMAEILI1*, Hamidreza MEHRABAN1, Keivan ABBASI2, Yazdan KEIVANY3, Brian W. COAD4 1Ichthyology and Molecular Systematics Research Laboratory, Zoology Section, Department of Biology, College of Sciences, Shiraz University, Shiraz, Iran 2Inland Waters Aquaculture Research Center. Iranian Fisheries Sciences Research Institute. Agricultural Research, Education and Extension Organization, Bandar Anzali, Iran 3Department of Natural Resources (Fisheries Division), Isfahan University of Technology, Isfahan 84156-83111, Iran 4Canadian Museum of Nature, Ottawa, Ontario, K1P 6P4 Canada *Email: [email protected] Abstract: This checklist aims to reviews and summarize the results of the systematic and zoogeographical research on the Iranian inland ichthyofauna that has been carried out for more than 200 years. Since the work of J.J. Heckel (1846-1849), the number of valid species has increased significantly and the systematic status of many of the species has changed, and reorganization and updating of the published information has become essential. Here we take the opportunity to provide a new and updated checklist of freshwater fishes of Iran based on literature and taxon occurrence data obtained from natural history and new fish collections. This article lists 288 species in 107 genera, 28 families, 22 orders and 3 classes reported from different Iranian basins. However, presence of 23 reported species in Iranian waters needs confirmation by specimens.
    [Show full text]
  • Green Belt Slowly Coming Together
    Kemano, Kemano, Kemano She loved the outdoors 1 I Bountiful harvest Reaction to the death of the ~ Vicki Kryklywyj, the heart and soul / /Northern B.C, Winter Games project keeps rolling in by,fax, mail of local hikers, is / / athletes cleaned up in Williams,, and personal delivery/NEWS A5 : remembered/COMMUNITY B1 j /Lake this year/SPORTS Cl I • i! ':i % WEDNESDAY FEBROARY 151 1995 I'ANDAR. /iiii ¸ :¸!ilii if!// 0 re n d a t i p of u n kn own ice b e rg" LIKE ALL deals in the world of tion Corp. effective April 30, the That title is still held by original "They've phoned us and have and the majority of its services, lulose for its Prince Rupert pulp high finance, the proposed amal- transfer of Orenda's forest licorice owners Avenor Inc. of Montreal requested a meeting but there's induding steam and effluent mill for the next two years. gamation of Orenda Forest Pro- must be approved by the provin- and a group of American newspa- been no confirmation of a time treaUnent, are tied to the latter. Even should all of the Orenda duels with a mostly American cial government. per companies. for that meeting," said Archer Avenor also owns and controls pulp fibre end up at Gold River, it company is more complicated There's growing opposition to The partuership built the mill in official Norman Lord from docking facilities and a chipper at still will fall short of the 5130,000 than it first seems. the move to take wood from the the late 1980s but dosed it in the Montreal last week.
    [Show full text]
  • Catalog INTERNATIONAL
    اﻟﻤﺆﺗﻤﺮ اﻟﻌﺎﻟﻤﻲ اﻟﻌﺸﺮون ﻟﺪﻋﻢ اﻻﺑﺘﻜﺎر ﻓﻲ ﻣﺠﺎل اﻟﻔﻨﻮن واﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ The 20th International Symposium on Electronic Art Ras al-Khaimah 25.7833° North 55.9500° East Umm al-Quwain 25.9864° North 55.9400° East Ajman 25.4167° North 55.5000° East Sharjah 25.4333 ° North 55.3833 ° East Fujairah 25.2667° North 56.3333° East Dubai 24.9500° North 55.3333° East Abu Dhabi 24.4667° North 54.3667° East SE ISEA2014 Catalog INTERNATIONAL Under the Patronage of H.E. Sheikha Lubna Bint Khalid Al Qasimi Minister of International Cooperation and Development, President of Zayed University 30 October — 8 November, 2014 SE INTERNATIONAL ISEA2014, where Art, Science, and Technology Come Together vi Richard Wheeler - Dubai On land and in the sea, our forefathers lived and survived in this environment. They were able to do so only because they recognized the need to conserve it, to take from it only what they needed to live, and to preserve it for succeeding generations. Late Sheikh Zayed bin Sultan Al Nahyan viii ZAYED UNIVERSITY Ed unt optur, tet pla dessi dis molore optatiist vendae pro eaqui que doluptae. Num am dis magnimus deliti od estem quam qui si di re aut qui offic tem facca- tiur alicatia veliqui conet labo. Andae expeliam ima doluptatem. Estis sandaepti dolor a quodite mporempe doluptatus. Ustiis et ium haritatur ad quaectaes autemoluptas reiundae endae explaboriae at. Simenis elliquide repe nestotae sincipitat etur sum niminctur molupta tisimpor mossusa piendem ulparch illupicat fugiaep edipsam, conecum eos dio corese- qui sitat et, autatum enimolu ptatur aut autenecus eaqui aut volupiet quas quid qui sandaeptatem sum il in cum sitam re dolupti onsent raeceperion re dolorum inis si consequ assequi quiatur sa nos natat etusam fuga.
    [Show full text]
  • The Apocalypse of John;
    BS 2825.4 .B39 c.l Beckwith, Isbon T. The apocalypse of John THE APOCALYPSE OF JOHN ^ '^^ o *^ ^ THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO ■DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO /-<v\'( or p;i/;v22>> FEL3 :■) 1932 ^ .^ THE ^ ""^^ APOCALYPSE OF JOH]^ STUDIES IN INTRODUCTION WITH A CRITICAL AND EXEGETICAL COMMENTARY / BY ISBON T. BECKWITH, Ph.D., D.D. FORMERLY PROFESSOR OF THE INTERPRETATION OF THE NEW TESTAMENT IN THE GENERAL THEOLOGICAL SEMINARY, NEW YORK, AND OF GREEK IN TRINITY COLLEGE, HARTFORD THE MACMILLAN COMPANY 1919 All rights reserved COPTEIQHT. 1919, By the MACMILLAN COMPANY. Set up and electrotyped. Published November, 1915, NortoooU ^rc28 J. S. Gushing Co. — Berwick <fe Smith Co. Norwood, Mass., U.S.A. PREFACE For the understanding of the Revelation of John it is essen- tial to put one's self, as far as is possible, into the world of its author and of those to whom it was first addressed. Its mean- ing must be sought for in the light thrown upon it by the con- dition and circumstances of its readers, by the author's inspired purpose, and by those current beliefs and traditions that not only influenced the fashion which his visions themselves took, but also and especially determined the form of this literary composition in which he has given a record of his visions. These facts will explain what might seem the disproportionate space which I have given to some topics in the following Intro- ductory Studies.
    [Show full text]
  • Hosseini, Mahrokhsadat.Pdf
    A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Iranian Women’s Poetry from the Constitutional Revolution to the Post-Revolution by Mahrokhsadat Hosseini Submitted for Examination for the Degree of Doctor of Philosophy in Gender Studies University of Sussex November 2017 2 Submission Statement I hereby declare that this thesis has not been, and will not be, submitted in whole or in part to another University for the award of any other degree. Mahrokhsadat Hosseini Signature: . Date: . 3 University of Sussex Mahrokhsadat Hosseini For the degree of Doctor of Philosophy in Gender Studies Iranian Women’s Poetry from the Constitutional Revolution to the Post- Revolution Summary This thesis challenges the silenced voices of women in the Iranian written literary tradition and proposes a fresh evaluation of contemporary Iranian women’s poetry. Because the presence of female poets in Iranian literature is a relatively recent phenomenon, there are few published studies describing and analysing Iranian women’s poetry; most of the critical studies that do exist were completed in the last three decades after the Revolution in 1979.
    [Show full text]
  • The Alphabet of Revelation (J.A.C. Redford)
    OCTOBER OVERTURES I † (10:34) II THE ANCIENT OF DAYS † (26:17) Narrated by Dr. RC Sproul THE ALPHABET OF REVELATION * (29:46) III The Treachery of Images IV The Persistence of Memory V The Melancholy of Departure VI Dance JOHN M. DUNCAN, EXECUTIVE PRODUCER Composed and Conducted by J.A.C. Redford † Recorded and mixed by Kent Madison * Recorded and mixed by Dan Blessinger KYIV SYMPHONY ORCHESTRA (October Overtures and The Ancient of Days) Concertmaster - Misha Vasilev Second Engineer - Mychaylo Didkovskyi Recorded at Radio and Television Studio, Kyiv, Ukraine Orchestra Management by Taras-Mak Productions AZUSA PACIFIC CHAMBER PLAYERS (The Alphabet of Revelation) Dr. Duane Funderburk - piano Alex Russell - violin Ruth Meints - viola Stan Sharp - cello Produced by Ligonier Ministries | www.ligonier.org Recorded at Martinsound, Alhambra, CA, USA ©2008 Ligonier Ministries. All rights reserved. | Total time: 66:55 FROM J.A.C. REDFORD, FEBRUARY 2008 People sometimes ask, “Where did you get the idea for that piece?” Often it’s hard to The Ancient of Days, by contrast, has a very specifi c program in mind, as it is a dramatic explain where an idea comes from, because a musical composition is the intersection music narrative based on the Bible’s seventh chapter of Daniel. I like to think of it as a of so many ideas. The three compositions recorded for this CD, however, are each movie without pictures. During the course of the work, the chapter is read by a narrator clearly inspired by “images.” One work is a meditation on four paintings – images in while music accompanies Daniel’s rich imagery with cinematic gestures.
    [Show full text]
  • Signs of the Gods? Erich Von Daniken
    SIGNS OF THE GODS? ERICH VON DANIKEN TRANSLATED BY MICHAEL HERON Contents 1 In Search of the Ark of the Covenant 2 Man Outsmarts Nature 3 Malta – a Paradise of Unsolved Puzzles 4 History repeats itself 5 Signs of the Gods? Signs for the Gods? 6 Right Royal King Lists 7 Prophet of the past 1: In Search of the Ark of the Covenant Agatha Christie, that incomparable detective-story writer, once gave an interview in which she explained the ideal pattern for a good crime story. She said that only when suspicion was clearly proved so that a criminal with a sound motive could be revealed at the end was a story satisfying and exciting. But she added that the working out of the plot was only convincing if it left lingering doubts after the end of the story. Agatha Christie was talking about fictitious crime. I want to tell you about a crime which actually took place but nevertheless fulfils all the conditions which the grand old lady laid down for a first-class detective story. For me the crime began in a religion class. We were told that God commanded Moses to build an ark. We can read the instructions he was given in Exodus 25, 10. However they cannot have been purely verbal; he must have had a model of the ark: ‘And look that thou make them after the pattern, which was shewed thee on the mount.’ Exodus 25,40 This ark is the material evidence involved in our crime. We must not lose sight of it.
    [Show full text]
  • Furniture Design Inspired from Fractals
    169 Rania Mosaad Saad Furniture design inspired from fractals. Dr. Rania Mosaad Saad Assistant Professor, Interior Design and Furniture Department, Faculty of Applied Arts, Helwan University, Cairo, Egypt Abstract: Keywords: Fractals are a new branch of mathematics and art. But what are they really?, How Fractals can they affect on Furniture design?, How to benefit from the formation values and Mandelbrot Set properties of fractals in Furniture Design?, these were the research problem . Julia Sets This research consists of two axis .The first axe describes the most famous fractals IFS fractals were created, studies the Fractals structure, explains the most important fractal L-system fractals properties and their reflections on furniture design. The second axe applying Fractal flame functional and aesthetic values of deferent Fractals formations in furniture design Newton fractals inspired from them to achieve the research objectives. Furniture Design The research follows the descriptive methodology to describe the fractals kinds and properties, and applied methodology in furniture design inspired from fractals. Paper received 12th July 2016, Accepted 22th September 2016 , Published 15st of October 2016 nearly identical starting positions, and have real Introduction: world applications in nature and human creations. Nature is the artist's inspiring since the beginning Some architectures and interior designers turn to of creation. Despite the different artistic trends draw inspiration from the decorative formations, across different eras- ancient and modern- and the geometric and dynamic properties of fractals in artists perception of reality, but that all of these their designs which enriched the field of trends were united in the basic inspiration (the architecture and interior design, and benefited nature).
    [Show full text]
  • The Son of Man and the Ancient of Days Observations on the Early Christian Reception of Daniel 7
    The Son of Man and the Ancient of Days Observations on the Early Christian Reception of Daniel 7 Bogdan G. Bucur Duquesne University, Pittsburgh Abstract: The divergence between the two textual variants of Dan 7:13 (“Old Greek” and “Theodotion”) and their distinct ways of understanding the relationship between Daniel’s “Ancient of Days” and “Son of Man” is insufficiently studied by scholars of the Book of Daniel, and is neglected by translators of the LXX. This article offers a critical examination of the status quaestionis and a discussion of the exegetical, doctrinal, hymnographic, and iconographic productions illustrating the rich reception history of Daniel 7 in Late Antique and Medieval, especially Byzantine, Christianity. While one exegetical strand distinguishes between the Son of Man (identified as God the Son) and the Ancient of Days (identified as God the Father), an equally, if not more widespread and influential, interpretation views Jesus Christ as both “Son of Man” and “Ancient of Days.” The article argues against the thesis of a direct correlation between the two textual variants of Dan 7:13 and the two strands of its reception history. Introduction The Christian reception history of Daniel 7:13 is complicated by the existence of two authoritative Greek variants of this verse. The pages to follow review the state of scholarship and argue that this textual divergence actually had a minimal impact on the Wirkungsgeschichte of Dan 7:13. This article is also concerned with the best ways to describe the multi-layered reception history of Greek Daniel 7, its diverse modes of symbolisation and strategies of appropriating the sacred Scriptures of Israel as Christian Bible.
    [Show full text]
  • My Tehran for Sale
    ! MY TEHRAN FOR SALE A REFLECTION ON THE AESTHETICS OF IRANIAN POETIC CINEMA G. MOUSSAVI ! THESIS IN THE FULFILMENT OF THE DEGREE OF DOCTOR OF CREATIVE ARTS UNIVERSITY OF WESTERN SYDNEY ! © Granaz Moussavi - 2011 DEDICATION I would like to dedicate this paper to the memories of my late mother and father: Parvin Chegini Farahani and Hashem Moussavi, as well as my beloved grandmother Nayer Fakhimi who taught me the first poems to recite. ACKNOWLEDGMENTS I would like to show my gratitude to my supervisors: Dr. Juan Salazar, Associate Professor Hart Cohen, and Professor Ivor Indyk for their encouragement, guidance and support from the initial to the final level of completing this research. My deepest thanks go to Dr. Juan Salazar who kindly but rigorously shepherded me to overcome the obstacles in my way to complete this written research and constantly motivated me to perform to my best ability. I must also extend my appreciation to the University of Western Sydney for its generosity for granting me the scholarship over my candidature. Also, I would like to sincerely thank Michael Falk for editing and proofreading my thesis. I also wish to express my deepest gratitude to the cast and crew of My Tehran For Sale in Australia and Iran, especially those in Iran who backed me up in many ways, gave me courage, and took many risks to facilitate making of the film. I would like to especially mention the actors - Marzieh Vafamehr and Asha Mehrabi - who took so much trouble in the aftermath of the film’s illegal virtual distribution and its wide reception by the audiences in Iran, as well as Amir Chegini (my husband), and the sound recorder Yadollah Najafi.
    [Show full text]
  • PIANIST LOST: Sunken Cathedrals
    PIANIST LOST: sunken cathedrals THE HIMALAYA SESSIONS volume 2 PIANIST L O S T: SUNKEN CATHEDRALS Peter Halstead THE ADRIAN BRINKERHOFF FOUNDATION new york A B 2017 Fo Also by Peter Halstead Pianist Lost: Excesses and Excuses (The Himalaya Sessions, vol. 1) Pianist Lost: Boatsongs (The Himalaya Sessions, vol. 3) Pianist Lost: False Love (The Himalaya Sessions, vol. 4) Pianist Lost: Reply Hazy (The Himalaya Sessions, vol. 5) Pianist Lost: The Gift to be Simple (The Himalaya Sessions, vol. 6) You can hear the below pieces by entering this web address into your browser: http://adrianbrinkerhofffoundation.org and clicking on the pertinent link. 1. Charles-Valentin Alkan: Barcarolle, Opus 65, No. 6, Trente Chants, Troisième Suite, G Minor, 1844, edition G. Schirmer, ed. Lewenthal 2. Félix Mendelssohn: Venetian Boat-Song No. 1, Opus 19, No. 6, G Minor, 1830 3. Félix Mendelssohn: Venetian Boat-Song No. 2, Opus 30, No. 6, F Sharp Minor, 1834 4. Félix Mendelssohn: Venetian Boat-Song No. 3, Opus 62, No. 5, A Minor, 1844 5. Félix Mendelssohn: Boat-Song (Posthumous), Opus 102, No. 7, A Major, 1845 6. Fryderyka Chopina: Barcarolle, Opus 60, F Sharp Major, 1845–1846, Edition Instytut Fryderyka Chopina XI, ed. Paderewski 7. Claude Debussy: La Cathédrale engloutie, from Préludes, Premier Livre, No. X, C Major, 1910 8. Claude Debussy: Des Pas sur la Neige, Préludes, Premier Livre, No. VI, D Minor, 1910 9. Gabriel Fauré - Peter Halstead: Barcarolle No. 1 in A Minor, Opus 26, 1880 10. Claude Debussy: Des Pas sur la Neige, Préludes, Premier Livre, No. VI, D Minor, 1910 This is mostly a true story, although names and chronologies have been altered to protect people who might be sensitive to having their lives and motives revealed through intimate diaries which have been obtained under strictures permissible in certain Asian countries.
    [Show full text]
  • The Expression of Sacred Space in Temple Mythology
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository EXPRESSONS OF SACRED SPACE: TEMPLE ARCHITECTURE IN THE ANCIENT NEAR EAST by Martin J Palmer submitted in accordance with the requirements for the degree of Doctor of Literature and Philosophy in the subject Ancient Near Eastern Studies at the UNIVERSITY OF SOUTH AFRICA Promoter: Prof. P S Vermaak February 2012 ii ABSTRACT The objective of this thesis is to identify, isolate, and expound the concepts of sacred space and its ancillary doctrines and to show how they were expressed in ancient temple architecture and ritual. The fundamental concept of sacred space defined the nature of the holiness that pervaded the temple. The idea of sacred space included the ancient view of the temple as a mountain. Other subsets of the basic notion of sacred space include the role of the creation story in temple ritual, its status as an image of a heavenly temple and its location on the axis mundi, the temple as the site of the hieros gamos, the substantial role of the temple regarding kingship and coronation rites, the temple as a symbol of the Tree of Life, and the role played by water as a symbol of physical and spiritual blessings streaming forth from the temple. Temple ritual, architecture, and construction techniques expressed these concepts in various ways. These expressions, identified in the literary and archaeological records, were surprisingly consistent throughout the ancient Near East across large expanses of space and time. Under the general heading of Techniques of Construction and Decoration, this thesis examines the concept of the primordial mound and its application in temple architecture, the practice of foundation deposits, the purposes and functions of enclosure walls, principles of orientation, alignment, and measurement, and interior decorations.
    [Show full text]