Clemson University TigerPrints All Dissertations Dissertations May 2019 Machinic Eyes: New and Post-Digital Aesthetics, Surveillance, and Resistance Brian Gaines Clemson University,
[email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Gaines, Brian, "Machinic Eyes: New and Post-Digital Aesthetics, Surveillance, and Resistance" (2019). All Dissertations. 2395. https://tigerprints.clemson.edu/all_dissertations/2395 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact
[email protected]. MACHINIC EYES: NEW AND POST-DIGITAL AESTHETICS, SURVEILLANCE, AND RESISTANCE ———————————————————————————————————— A Dissertation Presented to the Graduate School of Clemson University ———————————————————————————————————— In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design ———————————————————————————————————— by Brian Gaines May 2019 ———————————————————————————————————— Accepted by: Dr. Victor Vitanza, Committee Chair Dr. David Blakesley Dr. Beth Lauritis Dr. Kelly Caine ABSTRACT This work concerns the rise of the New Aesthetic, an art project developed by James Bridle in 2012. The New Aesthetic, as envisioned by Bridle, was chiefly concerned with the overlapping of physical and digital realities through both the artifacts