By Mark Lane/Dick Gregory Copyright C 1977 by Mark Lane and Dick Gregory 1 on the DEATH of GREAT MEN All Rights Reserved

Total Page:16

File Type:pdf, Size:1020Kb

By Mark Lane/Dick Gregory Copyright C 1977 by Mark Lane and Dick Gregory 1 on the DEATH of GREAT MEN All Rights Reserved • PRENTiCE-HALL, INC. Englewood Cliffs, New Jersey 07632 Phone: 201-947-1000 RETURN REQUESTED YES ( X) No ( ) FROM: John Nelson TITLE: CODE NAME: "ZORRO" The Murder of Martin Luther King, Jr. AUTHOR: Mark Lane & Dick Gregory PUBLICATION DATE: April 6, 1977 PRICE: $9.95 This uncorrected material is the zro,oerty of RIGHTS: PRENTICE-11,1U, I:C. It is for confidential use only -- not for circulation, distribution or publication. ,A11 rilts in this work are controlled by Prentico-Hall, Inc., Englewood Cliffs, New Jersey, 07632, 9.87-IE1499 Contents Code Name "Zorro" The Murder of Martin Luther King. Jr. PART ONE / NINE YEARS AGO by Mark Lane/Dick Gregory Copyright C 1977 by Mark Lane and Dick Gregory 1 ON THE DEATH OF GREAT MEN All rights reserved. No part of this book may be by Mark Lane 3 reproduced in any form or by any means, except for the inclusion of brief quotations in a review, 2 NINE YEARS AGO By Dick Gregory 5 without permission in writing from the publisher. Printed in the United States of America Prentice-Hall International, Inc., London PART TWO / MARTIN LUTHER KING AND HIS MISSION Prentice-Hall of Australia, Pty. Ltd., Sydney Prentice-Hall of Canada, Ltd., Toronto 3 MARTIN AND CORETTA KING By Dick Gregory 12 Prentice-Hall of India Private Ltd., New Delhi 4 KING AND KENNEDY CALL by Dick Gregory 20 Prentice-Hall of Japan, Inc., Tokyo Prentice-Hall of Southeast Asia Pte. Ltd., Singapore 5 BIRMINGHAM by Dick Gregory 26 Whitehall Books Limited, Wellington, New Zealand 6 "PEARLS BEFORE SWINE" by Mark Lane 32 10 9 8 7 6 5 4 3 2 I 7 BIRMINGHAM JAIL by Dick Gregory 42 Library of Congress Catalog Card Number: 77-72945 8 "I HAVE A DREAM" by Dick Gregory 45 9"A FAR DEEPER MALADY" by Mark Lane 50 3Quotation from "Letter from Birmingham Jail." abridged from pp. 77, 78, 83-84, 92. 100 of "Letter 10 THE LAST CAMPAIGN by Dick Gregory 55 From Birmingham Jail" —April 16, 1963—in Why We Can't Wait by Martin Luther King, Jr., copyright a 1963 by Martin Luther King, Jr. By permission of Harper & PART THREE / CODE NAME "ZORO" Row, Publishers. Inc. "I Have a Dream," by Martin Luther King, Jr., 11 HOOVER'S FBI by Mark Lane 60 copyright 1963 by Martin Luther King, Jr., reprinted 12 ONE MAN by Mark LANE 72 by permission of Joan Daves. Quotation from "I've Been to the Mountaintop," by 1 13 THE OBSESSION by Murk Lane Martin Luther King, Jr., copyright C 1968 by the Estate 14 THE DESTROY KING SQUAD by Mark Lane of Martin Luther King, Jr., reprinted by permission of Joan Daves. Quotation from "The Drain Major Instinct," by Martin PART FOUR / PRELUDE TO MURDER Luther King. Jr., copyright C 1968 by Martin Luther King, Jr. Estate, reprinted by permission of Joan Daves. 15 MARCH 28, MEMPHIS by Mark Lane Eulogy of Dr. Martin Luther King, Jr., Atlanta, Georgia, 16 MARCH 29, MEMPHIS AND WASHINGTON April 9, 1968, by Benjamin E. Mays, reprinted by permission of Charles Scribner's Sons from Born to by Mark Lane Rebel: An Autobiography. by Benjamin E. Mays. 17 APRIL 3, MEMPHIS by Dick Gregory copyright 0 1971 by Benjamin E. Mays. PART FIVE / THE MURDER " 18 APRIL 4, MEMPHIS by Mark Leine 19 APRIL 4, ATLANTA by Mark Lane 20 DIRECTOR HOLLOMAN by Mark Lane 21 APRIL 5, MEMPHIS by Mark Lane f, PART SIX / THE STATE OF TENNESSEE VS. JAMES EARL RAY 22 THE CASE AGAINST RAY by Mark tam. 23 THE DEFENSE by Mark Lane 24 THE AFFIRMATIVE CASE by Mark Lane 25 THE PLEA by Mark Lane PART SEVEN / KALEIDOSCOPE 26 "THEY/HE SLEW THE DREAMER" by Mark Lane 27 THE MAKING OF THE MAKING OF AN ASSASSIN by Mark Lane PART EIGHT / FOR A DAY IN COURT 28 THE APPEAL by Mark Lane 29 THE BEGINNING by Mark Lane Postscript by Mark Appendix I THE FUNERAL by Dick Gregory 2 SPEECH OF SENATOR BYRD 3 FOREMAN LETI ER 4 THE RIGHT TO KNOW by Mark Lane Acknowledgments By Mark Lane Acknowledgments By Dick Gregory Index Chapter One much that is heyond the range of perception or knowledge of James Earl Ray. A minor publishing industr∎ developed after the murder. Much of the work it produced did little more than obfuscate the essential truth, through the proinulgation of an army of irrelevant data and flawed ON THE DEATH reasoning. With the exception of the incipient investigation of the murder by the OF GREAT MEN Select Committee on Assassinations of the House of Representatives the by Mark Lane only examination of the events in the nine years that have passed is a secret inquiry conducted primarily by a police agency that vowed to destroy Dr. King. Such an investigation can hardly be expected to win the confidence of the American people. It is, therefore, not surprising that just before this book was completed a national poll conducted by George Gallup disclosed that fewer than one out of five Americans believed the official version of the events—that James Earl Ray was the lone assassin Nine years ago Dr. Martin Luther King, Jr.. the greatest civil rights of Dr. Martin Luther King, Jr. protagonist in modern American history. w as murdered in Memphis, That is why Dick Gregory and I decided that this book must be written , Tennessee. Subsequently James Earl Ray was arrested and charged with now. So much new and profoundly disturbing evidence has come to light the crime. Ray insisted that there had been a conspirac and that after Dr. since 1968 —some of it uncovered by Greg, some by me, some by other King's death he discovered that he had been an um; itting implement of investigators—that the matter cries out for reconsideration by the most that conspiracy. eminent of all juries, the American people. No trial, or other public proceeding, has occurred since April 4, Greg and I decided to divide the task of preparing the manuscript 1968, the day Dr. King was killed, which permits us to evaluate the along purely practical lines. Greg knew King—was deeply involved in evidence in the case. Ray entered what he has referred to. not without his work. 1, on the other hand, had ready access to extensive documenta- some supporting evidence, as an induced plea of guilty. .A prearranged tion through the files of the Citizens Commission of Inquiry, which I now and rehearsed hearing was conducted without cross-examination or chal- head. So it was decided that Greg should be primarily responsible for lenge by the defense. It raised more questions than it answered. Ray writing the first part of the book, the part dealing with Martin Luther King publicly contended, much to the embarrassment of his own lawyer, the and events leading up to his murder, and that I should he primarily Tennessee Attorney General, and the trial judge. that there had been a responsible for the later parts of the book, those dealing with the murder conspiracy to kill Dr. King. No one asked him what he meant nor asked and its aftermath. him to elaborate. Through the work of Dick Gregory, Martin Luther King becomes In this book, Ray's explanation of that provocative assertion will be alive again for the readers of this book. Greg stood with Dr. King in Bir- explored. I have spent many hours with him at Brushy Mountain mingham and in a score of other cities throughout the Deep South, and in Penitenitary in Petros, Tennessee. I was the first person to visit him there the Deep North of Chicago as well. Dr. King's assassination was a and I have met with him there for several hours as recently as February moment of history that traumatized this country, for in his life he was fora 1977. His view is presented here, as are the results of my own investiga- moment the conscience of mankind. Greg's work and Martin's words tion into his allegation. Ray is an intelligent and articulate man not remind us again that not just a symbol died that day in Memphis. A man without a sense of humor, some of it self-directed, some of it poured upon who could think, and inspire, and lead, and love, and be hurt was killed. those who have assessed his role in the murder. 1 think that the reader will My task was different from Greg's. I have undertaken to tell the story only be able to evaluate Ray's participation in the events of April 4,1968, of some particularly significant events that preceded the murder, to relate in Memphis after hearing Ray's account of the events and when that the evidence that we have uncovered about the murder, and to describe exposition is placed in its full context. the efforts to suppress information that leads inexorably toward the prime The troubling events surrounding the murder of Dr. King encompass suspects in the murder. 2 3 If the American people are not satisfied with the official rendition of the events. then they evidently spurn as well the quasi-official efforts by Chapter Two writers Ray refers to as "novelists." Who are these writers. and why might they have chosen to ignore some of the relevant evidence? NINE YEARS AGO The death of great men often leaves behind a tumultuous wake that may inundate those who have stood too close to the event, or w ho may by Dick Gregory have inadvertently seen too much.
Recommended publications
  • 8 Redefining Zorro: Hispanicising the Swashbuckling Hero
    Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later.
    [Show full text]
  • Batman Year One Proprosal by Larry and Andy
    BATMAN YEAR ONE PROPROSAL BY LARRY AND ANDY WACHOWSKI The scene is Gotham City, in the past. A party is going on and from it descends Thomas Wayne with his wife Martha, and son Bruce. They are talking, with Bruce chatting away about how he wants to see The Mark of Zorro again. Obviously they have just come from a movie premiere. As they turn a corner to their car, they are met by a hooded gunman who tries holding them up. There is a struggle and the Wayne parents are murdered in a bloodbath. Bruce is left there, when he is met by a police officer. There is a screech and a bat flies overhead... Twenty years have passed. Bruce is now twenty‐eight and quite dynamic. The main character has been travelling the world, training for a war on crime, to avenge his parents' deaths. He is at the Ludlow International Airport, where his butler Alfred picks him up. The two drive to Wayne Manor, just outside of Gotham. Bruce watches the city from the distance. The scene moves to downtown Gotham, where Bruce is wearing a hockey mask and black clothes. A fight breaks out between him and a pimp which leads to Bruce escaping to a rotting building. Bleeding badly, he doesn't know whether to continue his crusade against crime. A screech fills the area and a bat dives at him, knocking him onto an old chair. Bruce realises his destiny... The opening credits feature Bruce at Wayne Manor, slamming down a hammer on scrap metal, moulding it into shape.
    [Show full text]
  • The Reflection of Sancho Panza in the Comic Book Sidekick De Don
    UNIVERSIDAD DE OVIEDO FACULTAD DE FILOSOFÍA Y LETRAS MEMORIA DE LICENCIATURA From Don Quixote to The Tick: The Reflection of Sancho Panza in the Comic Book Sidekick ____________ De Don Quijote a The Tick: El Reflejo de Sancho Panza en el sidekick del Cómic Autor: José Manuel Annacondia López Directora: Dra. María José Álvarez Faedo VºBº: Oviedo, 2012 To comic book creators of yesterday, today and tomorrow. The comics medium is a very specialized area of the Arts, home to many rare and talented blooms and flowering imaginations and it breaks my heart to see so many of our best and brightest bowing down to the same market pressures which drive lowest-common-denominator blockbuster movies and television cop shows. Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is. [Grant Morrison, “Grant Morrison: Master & Commander” (2004: 2)] TABLE OF CONTENTS 1. Acknowledgements v 2. Introduction 1 3. Chapter I: Theoretical Background 6 4. Chapter II: The Nature of Comic Books 11 5. Chapter III: Heroes Defined 18 6. Chapter IV: Enter the Sidekick 30 7. Chapter V: Dark Knights of Sad Countenances 35 8. Chapter VI: Under Scrutiny 53 9. Chapter VII: Evolve or Die 67 10.
    [Show full text]
  • Historical Fiction
    Book Group Kit Collection Glendale Library, Arts & Culture To reserve a kit, please contact: [email protected] or call 818-548-2021 New Titles in the Collection — Spring 2021 Access the complete list at: https://www.glendaleca.gov/government/departments/library-arts-culture/services/book-groups-kits American Dirt by Jeannine Cummins When Lydia Perez, who runs a book store in Acapulco, Mexico, and her son Luca are threatened they flee, with countless other Mexicans and Central Americans, to illegally cross the border into the United States. This page- turning novel with its in-the-news presence, believable characters and excellent reviews was overshadowed by a public conversation about whether the author practiced cultural appropriation by writing a story which might have been have been best told by a writer who is Latinx. Multicultural Fiction. 400 pages The Book Woman of Troublesome Creek by Kim Michele Richardson Kentucky during the Depression is the setting of this appealing historical fiction title about the federally funded pack-horse librarians who delivered books to poverty-stricken people living in the back woods of the Appalachian Mountains. Librarian Cussy Mary Carter is a 19-year-old who lives in Troublesome Creek, Kentucky with her father and must contend not only with riding a mule in treacherous terrain to deliver books, but also with the discrimination she suffers because she has blue skin, the result of a rare genetic condition. Both personable and dedicated, Cussy is a sympathetic character and the hardships that she and the others suffer in rural Kentucky will keep readers engaged.
    [Show full text]
  • Copyright by Avi Santo 2006
    Copyright by Avi Santo 2006 The Dissertation Committee for Avi Dan Santo Certifies that this is the approved version of the following dissertation: Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 Committee: ______________________________ Thomas Schatz, Co-Supervisor ______________________________ Michael Kackman, Co-Supervisor ______________________________ Mary Kearney ______________________________ Janet Staiger ______________________________ John Downing Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 by Avi Dan Santo, B.F.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2006 Acknowledgements The support I have received from family, friends, colleagues and strangers while writing this dissertation has been wonderful and inspiring. Particular thanks go out to my dissertation group -- Kyle Barnett, Christopher Lucas, Afsheen Nomai, Allison Perlman, and Jennifer Petersen – who read many early drafts of this project and always offered constructive feedback and enthusiastic encouragement. I would also like to thank Hector Amaya, Mary Beltran, Geoff Betts, Marnie Binfield, Alexis Carreiro, Marian Clarke, Caroline Frick, Hollis Griffin, Karen Gustafson, Sharon Shahaf, Yaron Shemer, and David Uskovich for their generosity of time and patience in reading drafts and listening to my concerns without ever making these feel like impositions. A special thank you to Joan Miller, who made this past year more than bearable and brought tremendous joy and calm into my life. Without you, this project would have been a far more painful experience and my life a lot less pleasurable.
    [Show full text]
  • Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2013 12:00 AM Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance Caitlin Foster The University of Western Ontario Supervisor Dr. Joseph Wlodarz The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Caitlin Foster 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Advertising and Promotion Management Commons, and the Film and Media Studies Commons Recommended Citation Foster, Caitlin, "Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance" (2013). Electronic Thesis and Dissertation Repository. 1494. https://ir.lib.uwo.ca/etd/1494 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CLASH OF THE INDUSTRY TITANS: MARVEL, DC AND THE BATTLE FOR MARKET DOMINANCE (Thesis format: Monograph) By Caitlin Foster Graduate Program in Film Studies A thesis submitted in partial fulfillment Of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Caitlin Foster 2013 Abstract This thesis examines the corporate structures, marketing strategies and economic shifts that have influenced the recent resurgence of the comic book superhero in popular Hollywood cinema. Using their original texts and adaptation films, this study will chronologically examine how each company’s brand identities and corporate structures have reacted to and been shaped by the major cultural and industrial shifts of the past century in its attempt to account for the varying success of these companies throughout their histories.
    [Show full text]
  • Mark of Zorro Ebook
    MARK OF ZORRO PDF, EPUB, EBOOK Johnston McCulley | 192 pages | 20 Oct 2016 | Dover Publications Inc. | 9780486808673 | English | New York, United States Mark of Zorro PDF Book Esteban, the military leader for the alcalde in The Mark of Zorro Barris Cars of the Stars features rare images of Barris with his celebrity clients and the custom cars he built for them, along with commentary and stories from the King of Kustomizers himself. Rate This. Pickford and Fairbanks ruled Hollywood as its first king and queen for a decade. Expand the sub menu Theater. There are also fascinating sections on the city's architecture the impact of the automobile on city planning, the Hollywood film community, the L. Diego Linda Darnell Things to Watch. Thank you SO much for this picture, I love film history! About McCulley: Johnston McCulley February 2, Ottawa, Illinois - November 23, was the author of hundreds of stories, fifty novels, numerous screenplays for film and television, and the creator of the character Zorro. Based on the never-before- seen letters of Zorro creator Johnston McCulley, Andes describes how the legends around Lamport and Murrieta influenced the development of the masked hero in black, and further, how Zorro went from a real life Mexican bandido to a distinctly white, aristocratic hero. Photo Gallery. Learn more. The real Diego is already a dashing hero. Luckily, by this point he was learning some serious technique and reining things in a bit. Latter, with aid of post captain Basil Rathbone and his command, terrorizes the district and piles on burdensome taxes.
    [Show full text]
  • Alter/Ego: Superhero Comic Book Readers, Gender and Identities
    Alter/Ego: Superhero Comic Book Readers, Gender and Identities A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Gender Studies in the University of Canterbury by Anna-Maria R. Covich University of Canterbury 2012 Table of Contents Acknowledgements ____________________________________________ i Abstract _____________________________________________________ ii Chapter 1: Introduction ________________________________________ 1 Why superheroes? ................................................................................ 3 Hypermasculine heroes ........................................................................ 6 The uncharted world of superhero fandom .......................................... 9 The Geek community 10 Identification 11 Thesis agenda ..................................................................................... 16 Chapter 2: Context ___________________________________________ 18 A post-structuralist feminist approach................................................ 18 Theorising ‘reception’ ........................................................................ 20 Fandom ............................................................................................... 23 Comics fandom in cultural contexts ................................................... 25 Conclusion .......................................................................................... 28 Chapter 3: Research Strategies _________________________________ 29 Developing research strategies ..........................................................
    [Show full text]
  • Superheroes and Identities: an Introduction
    Superheroes and Identities: An Introduction EDITOR 1: Mel Gibson Address: CETL Hub@CLC, 1 Coach Lane, Coach Lane Campus, Benton, Newcastle upon Tyne NE7 7XA Telephone: 0191 215 6378 Email: [email protected] Biographical note: Dr. Mel Gibson is a Senior Lecturer at the University of Northumbria, UK. Her research is in Comics and Graphic Novels, Picturebooks and Children’s Literature. She runs training and promotional events about comics, manga, visual literacies and graphic novels for libraries, schools. Her website is http://www.dr-mel-comics.co.uk/. EDITOR 2: David Huxley Address: Address: Manchester Metropolitan University, 307 Chatham Building, Department of Media, Cavendish St, Manchester, M15 6BR. Telephone:01612471942 Email: [email protected] Biographical note: David Huxley is a Senior Lecturer at Manchester Metropolitan University. He is editor of Routledge's 'The Journal of Graphic Novels and Comics' (2010 - ) and has drawn and written a wide range of adult and children's comics. Academic research is in censorship and the media. EDITOR 3: Joan Ormrod (corresponding author) Address: Manchester Metropolitan University, 307 Chatham Building, Department of Media, Cavendish St, Manchester, M15 6BR. Telephone: 01612471938 Email: [email protected] Biographical note: Joan Ormrod is a senior lecturer at Manchester Metropolitan University. She is editor of Routledge's The Journal of Graphic Novels and Comics (2010-). Her research areas are in women in comics, subcultures and fantasy. 1 Superheroes and identities: an introduction The superhero represents, in many ways, the aspirations, concerns and dreams of contemporary life. Superhero films became the biggest genre in Hollywood after 9/11 and they are the focus of top selling video games.
    [Show full text]
  • {Download PDF} Phantom
    PHANTOM PDF, EPUB, EBOOK Terry Goodkind | 688 pages | 01 Jun 2007 | Doherty (Tom) Associates,U.S. | 9780765344328 | English | New York, United States Phantom - Wikipedia Stays attached so there's no mess! Purchase Online! Roundup for Safety. Read more. Shop all specials and offers. Learn More. Phantom Cares Phantom Fireworks is committed to do everything we can to provide a safe, secure, and comfortable shopping space for our valued customers. New Products. End of the Road Finale, 23 shot. Saloon Showdown, 12 shot. Aerial Spinners. Magic Cube Fountain. Lighthouse - Fountain. Snowflake Fountain. Soon these phantom lakes began to flood the prairie with a wavering shimmer. As each man took his place in the line, the Phantom gave him a quick appraising glance. The Phantom turned away and walked a few paces toward the fence. See how many words from the week of Oct 12—18, you get right! See apparition. Words nearby phantom phantasmagoria , phantasmagoric , phantasmagory , phantasmal , phantasy , phantom , phantom circuit , phantom corpuscle , phantom limb , phantom limb pain , phantom pregnancy. Words related to phantom hallucination , nightmare , daydream , haunt , apparition , spirit , delusion , dream , revenant , illusion , figment , chimera , shade , spook , mirage , shadow , phantasm , specter , vision , wraith. What Does 'Eighty-Six' Mean? We're intent on clearing it up 'Nip it in the butt' or 'Nip it in the bud'? We're gonna stop you right there Literally How to use a word that literally drives some pe Is Singular 'They' a Better Choice? Name that government! Or something like that. Can you spell these 10 commonly misspelled words? Do you know the person or title these quotes desc Login or Register.
    [Show full text]
  • Isolationism, Internationalism and the “Other:” the Yellow Peril, Mad Brute and Red Menace in Early to Mid Twentieth Century Pulp Magazines and Comic Books
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 Isolationism, Internationalism and the “Other:” The Yellow Peril, Mad Brute and Red Menace in Early to Mid Twentieth Century Pulp Magazines and Comic Books Nathan Vernon Madison Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the History Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2330 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Isolationism, Internationalism and the “Other:” The Yellow Peril, German Brute and Red Menace in Early to Mid Twentieth Century Pulp Magazines and Comic Books Nathan Vernon Madison Copyright © 2010 Nathan Vernon Madison Isolationism, Internationalism and the “Other:” The Yellow Peril, German Brute and Red Menace in Early to Mid Twentieth Century Pulp Magazines and Comic Books A thesis submitted in partial fulfillment of the requirements of the degree of Master of History at Virginia Commonwealth University by Nathan Vernon Madison Master of History – Virginia Commonwealth University – 2010 Bachelor of History and American Studies – University of Mary Washington – 2008 Thesis Committee Director: Dr. Emilie E. Raymond – Department of History Second Reader: Dr. John T. Kneebone – Department of History Third Reader: Ms. Cindy Jackson – Special Collections and Archives – James Branch Cabell Library Virginia Commonwealth University Richmond, Virginia December, 2010 i Acknowledgments There are a good number of people I owe thanks to following the completion of this project.
    [Show full text]
  • Edwards and Monnet 2Nd Pages.Indd
    6 “I’ll Be Whatever Gotham Needs Me to Be” Batman, the Gothic and Popular Culture Agnieszka Soltysik Monnet Batman fi rst appeared in 1939, close on the heels of the recently created and hugely successful Superman. The young comic book industry, just emerg- ing as a separate medium from the newspaper comic strip, and hitherto mainly defi ned by men in suits, now demanded more visually appealing (i.e. costumed) characters. Batman was born as a darker and more com- plex variation on the red-caped superhero: he is Superman’s Gothic dou- ble.1 Although many superheroes were created in the 1940s and since then, Batman has remained the darkest and most problematic, not least because his powers come not from a magical source but from the brooding inten- sity of a childhood trauma. Over seventy years later, Batman has grown to become bigger than ever, eclipsing even Superman in recent decades. Why has this been the case? And how did this happen? In addressing these ques- tions, I want to suggest that the main reason for the success of Batman in the twenty-fi rst century—a multi-billion dollar Batman industry—has been Christopher Nolan’s return to the darker roots of the Batman story. Like any enduring Gothic fi gure, Batman’s regenerative cultural power depends on his ambivalence, his ethical complexity and moral ambiguity. On a formal level, this ambivalence plays itself out in the tension between Bat- man’s camp aesthetics and the Gothic characteristics of the fi gure; that is, between the campy smirk of the “Caped Crusader” and the furrowed brow of the brooding “Dark Knight.” Historically, whenever Batman is camped to its limit, the Gothic creeps in, returning the character to a darker and more complicated fi gure within the narrative.
    [Show full text]