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Corgi™ Manual
1 The Phantom Laboratory Corgi™ Manual Copyright © 2020 WARRANTY THE PHANTOM LABORATORY INCORPORATED (“Seller”) warrants that this product shall remain in good working order and free of all material defects for a period of one (1) year following the date of purchase. If, prior to the expiration of the one (1) year warranty period, the product becomes defective, Buyer shall return the product to the Seller at: ByTruck ByMail The Phantom Laboratory,Incorporated The Phantom Laboratory,Incorporated 2727StateRoute29 POBox511 Greenwich,NY12834 Salem,NY12865-0511 Seller shall, at Seller’s sole option, repair or replace the defective product. The Warranty does not cover damage to the product resulting from accident or misuse. IF THE PRODUCT IS NOT IN GOOD WORKING ORDER AS WARRANTED, THE SOLE AND EXCLUSIVE REMEDY SHALL BE REPAIR OR REPLACEMENT, AT SELLER’S OPTION. IN NO EVENT SHALL SELLER BE LIABLE FOR ANY DAMAGES IN EXCESS OF THE PURCHASE PRICE OF THE PRODUCT. THIS LIMITATION APPLIES TO DAMAGES OF ANY KIND, INCLUDING, BUT NOT LIMITED TO, DIRECT OR INDIRECT DAMAGES, LOST PROFITS, OR OTHER SPECIAL, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER FOR BREACH OF CONTRACT, TORT OR OTHERWISE, OR WHETHER ARISING OUT OF THE USE OF OR INABILITY TO USE THE PRODUCT. ALL OTHER EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTY OF MERCHANT ABILITY AND FITNESS FOR PARTICULAR PURPOSE, ARE HEREBY DISCLAIMED. WARNING This product has an FH3-4 mm/min flame rating and is considered to be flammable. It is advised not to expose this product to open flame or high temperature (over 125° Celsius or 250° Fahrenheit) heating elements. -
Close Encounters with Creative Chemical Thinking: an Outreach Presentation Using Movie Clips About the Elemental Composition of Aliens and Extraterrestrial Minerals
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Chemistry Department Published Research - Department of Chemistry 2016 Close encounters with creative chemical thinking: An outreach presentation using movie clips about the elemental composition of aliens and extraterrestrial minerals Mark A. Griep University of Nebraska-Lincoln, [email protected] Marjorie L. Mikasen University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/chemfacpub Part of the Analytical Chemistry Commons, Medicinal-Pharmaceutical Chemistry Commons, and the Other Chemistry Commons Griep, Mark A. and Mikasen, Marjorie L., "Close encounters with creative chemical thinking: An outreach presentation using movie clips about the elemental composition of aliens and extraterrestrial minerals" (2016). Faculty Publications -- Chemistry Department. 128. https://digitalcommons.unl.edu/chemfacpub/128 This Article is brought to you for free and open access by the Published Research - Department of Chemistry at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Chemistry Department by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Educación Química (2016) 27, 154---162 educación Química www.educacionquimica.info CHEMISTRY DIDACTICS Close encounters with creative chemical thinking: An outreach presentation using movie clips about the elemental composition of aliens and extraterrestrial minerals ∗ Mark A. Griep , Marjorie L. Mikasen Department of Chemistry, University of Nebraska-Lincoln, Lincoln, NE 68588-0304, USA Received 6 March 2015; accepted 17 November 2015 Available online 24 December 2015 KEYWORDS Abstract To introduce more chemistry into a middle and high school bioengineering camp experience, we developed an educational and entertaining presentation that examines the Middle school; chemistry in movies about aliens and minerals from outer space. -
7. Conclusion: Telefilm, Cross-Media Migration, and the Demise of the Film Serial
7. Conclusion : Telefilm, Cross-Media Migration, and the Demise of the Film Serial Abstract The conclusion offers an outlook past the 1940s. It places film serials in the context of the shifting cinema landscape in the 1940s and 1950s and the rise of television. The chapter compares the viewer address of film serials to television’s programming in terms of a ‘segmented flow’ and argues that film serials imagined and practiced a televisual mediality before the advent of TV. Serials and television thus became convergent media, which counters the prevalent notion that television killed film serials. The chapter further stresses the adaptability of the film-serial form to varying exhibition and distribution contexts, which helps to explain their continuous reappearance in the multiple ‘new media’ in the second half of the twentieth century and in the digital culture of the twenty-first century. Keywords: television programming, televisual flow, post-WWII film history, independent film production The present moment is an arbitrary one to end a study of film serials. Al- though the heyday of their production is well in the past, serials that were thought to be lost continue to reappear in archives or in private collections. Online fan groups like the serialsquadron.com offer increasing numbers of serials on DVD. Other enthusiasts make them available on youtube or upload them to archive.org, and scholars like Richard Koszarski are making an effort to locate ‘new’ film serials. In the final months of writing, for instance, Pathe’s The House of Hate (1918) was located in Russia, digitalized, and translated back into English. -
8 Redefining Zorro: Hispanicising the Swashbuckling Hero
Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later. -
Batman Year One Proprosal by Larry and Andy
BATMAN YEAR ONE PROPROSAL BY LARRY AND ANDY WACHOWSKI The scene is Gotham City, in the past. A party is going on and from it descends Thomas Wayne with his wife Martha, and son Bruce. They are talking, with Bruce chatting away about how he wants to see The Mark of Zorro again. Obviously they have just come from a movie premiere. As they turn a corner to their car, they are met by a hooded gunman who tries holding them up. There is a struggle and the Wayne parents are murdered in a bloodbath. Bruce is left there, when he is met by a police officer. There is a screech and a bat flies overhead... Twenty years have passed. Bruce is now twenty‐eight and quite dynamic. The main character has been travelling the world, training for a war on crime, to avenge his parents' deaths. He is at the Ludlow International Airport, where his butler Alfred picks him up. The two drive to Wayne Manor, just outside of Gotham. Bruce watches the city from the distance. The scene moves to downtown Gotham, where Bruce is wearing a hockey mask and black clothes. A fight breaks out between him and a pimp which leads to Bruce escaping to a rotting building. Bleeding badly, he doesn't know whether to continue his crusade against crime. A screech fills the area and a bat dives at him, knocking him onto an old chair. Bruce realises his destiny... The opening credits feature Bruce at Wayne Manor, slamming down a hammer on scrap metal, moulding it into shape. -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
Annual Report Our Mission
Cover Photos by Silver Paw Studio 2016 Annual Report Our Mission The mission of Animal House is to decrease the euthanasia rate of adoptable animals by: - Collaborating with overpopulated and underserved shelters. Apollo - Providing the community with education, information, and outreach. - Providing adoption opportunities for homeless animals and giving them what they My boyfriend and I adopted Apollo back in 2012 when he was need most – time to find their forever homes. 8 months old, and the runt of what the AH staff called “The Basset Boys.” I stopped at his kennel just cooing at him nonstop, so your staff let me go in there to visit since his big brothers were out on a walk. Apollo curled up in my lap and gave me Services those big, dopey eyes and I knew I couldn’t stand the thought of him NOT being our dog. At Animal House, we believe in lifelong matches. We take the time to learn My boyfriend picked him up a few days later. He was a little shy at first and stayed right by the door for half of adoption day 1. ADOPTIONS about our dogs so both pets and people find their forever matches. Finally, he came into our living room by the end of the day. Let your pet save other dogs. Through our professional grooming salon, we Four years later, he runs the place. We have since moved to GROOMING give the community an opportunity to support our mission and receive Seattle, where he loves to sniff the seawater with his big basset nose. -
Super Heroes
BRP WRE Bizarro Day! (DC Super Friends) Crime Wave! (DC Super Friends) Super Hardcover B8555BR Brain Freeze! (DC Super Friends) Heroes H2934GO Going Bananas (DC Super Friends) S5395TR T. Rex Trouble (DC Super Friends) W9441CR Crime Wave! (DC Super Friends) Juvenile Fiction Beginning Readers Paperback JUV ASH Batman: The Brave and the Bold Paperback BRP ASH Batman and Friends JUV DCS The Flash: Shadow of the Sun Captain Cold’s Artic Eruption (The BRP BRI Batman Versus Man-Bat Flash) Gorilla Warfare (The Flash) BRP ELI Flying High (DC Super Friends) Shell Shocker (The Flash) BRP FIG Spider-Man Saves the Day The Attack of Professor Zoom! (The Flash) BRP HIL Spider-Man Versus the Scorpion Wrath of the Weather Wizard (The Flash) Spider-Man Versus the Lizard Battle of the Blue Lanterns (Green Spider-Man Amazing Friends Lantern) Beware Our Power (Green Lantern) BRP LEM Superman Versus the Silver Banshee Guardian of Earth (Green Lantern) Batman: Who is Clayface? The Last Super Hero (Green Lantern) The Light King Strikes! (Green Lantern) BRP ROS Friends and Foes (Superman) Man of Steel: Superman’s Superpowers JUV JAF Wonder Woman Team Spirit (Marvel Super Hero Squad) The Trouble with Thor JUV JUS In Darkest Night (Justice League) BRP SAZ Superman: Escape from the Phantom Secret Origins (Justice League) Zone The Gauntlet (Justice League) Wings of War (Justice League) BRP SHE T. Rex Trouble (DC Super Friends) Aliens Attack (Marvel Super Hero JUV LER Batman Begins: The Junior Novel Squad) JUV SUP Superman Returns: The Last Son of BRP STE I Am Wonder -
Accelerated Reader Book List Report by Reading Level
Accelerated Reader Book List Report by Reading Level Test Book Reading Point Number Title Author Level Value -------------------------------------------------------------------------- 27212EN The Lion and the Mouse Beverley Randell 1.0 0.5 330EN Nate the Great Marjorie Sharmat 1.1 1.0 6648EN Sheep in a Jeep Nancy Shaw 1.1 0.5 9338EN Shine, Sun! Carol Greene 1.2 0.5 345EN Sunny-Side Up Patricia Reilly Gi 1.2 1.0 6059EN Clifford the Big Red Dog Norman Bridwell 1.3 0.5 9454EN Farm Noises Jane Miller 1.3 0.5 9314EN Hi, Clouds Carol Greene 1.3 0.5 9318EN Ice Is...Whee! Carol Greene 1.3 0.5 27205EN Mrs. Spider's Beautiful Web Beverley Randell 1.3 0.5 9464EN My Friends Taro Gomi 1.3 0.5 678EN Nate the Great and the Musical N Marjorie Sharmat 1.3 1.0 9467EN Watch Where You Go Sally Noll 1.3 0.5 9306EN Bugs! Patricia McKissack 1.4 0.5 6110EN Curious George and the Pizza Margret Rey 1.4 0.5 6116EN Frog and Toad Are Friends Arnold Lobel 1.4 0.5 9312EN Go-With Words Bonnie Dobkin 1.4 0.5 430EN Nate the Great and the Boring Be Marjorie Sharmat 1.4 1.0 6080EN Old Black Fly Jim Aylesworth 1.4 0.5 9042EN One Fish, Two Fish, Red Fish, Bl Dr. Seuss 1.4 0.5 6136EN Possum Come a-Knockin' Nancy VanLaan 1.4 0.5 6137EN Red Leaf, Yellow Leaf Lois Ehlert 1.4 0.5 9340EN Snow Joe Carol Greene 1.4 0.5 9342EN Spiders and Webs Carolyn Lunn 1.4 0.5 9564EN Best Friends Wear Pink Tutus Sheri Brownrigg 1.5 0.5 9305EN Bonk! Goes the Ball Philippa Stevens 1.5 0.5 408EN Cookies and Crutches Judy Delton 1.5 1.0 9310EN Eat Your Peas, Louise! Pegeen Snow 1.5 0.5 6114EN Fievel's Big Showdown Gail Herman 1.5 0.5 6119EN Henry and Mudge and the Happy Ca Cynthia Rylant 1.5 0.5 9477EN Henry and Mudge and the Wild Win Cynthia Rylant 1.5 0.5 9023EN Hop on Pop Dr. -
Including Full Financial Statements
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K Annual Report Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 For the fiscal year ended December 31, 2005 Commission file number 001-09718 THE PNC FINANCIAL SERVICES GROUP, INC. (Exact name of registrant as specified in its charter) Pennsylvania 25-1435979 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification No.) One PNC Plaza 249 Fifth Ave nue Pittsburgh, Pennsylvania 15222-2707 (Address of principal executive offices, including zip code) Registrant's telephone number, including area code - (412) 762-2000 Securities registered pursuant to Section 12(b) of the Act: Name of Each Exchange Title of Each Class on Which Registered Common Stock, par value $5.00 New York Stock Exchange $1.60 Cumulative Convertible Preferred Stock-Series C, par value $1.00 New York Stock Exchange $1.80 Cumulative Convertible Preferred Stock-Series D, par value $1.00 New York Stock Exchange Series G Junior Participating Preferred Share Purchase Rights New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: $1.80 Cumulative Convertible Preferred Stock - Series A, par value $1.00 $1.80 Cumulative Convertible Preferred Stock - Series B, par value $1.00 8.25% Convertible Subordinated Debentures Due 2008 Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes X No__ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
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¦TKjTsday, July 15, I*4 3 THE DETROIT TINES FLASH GORDON On the Planet Mongo Page 36 UNDAUNTED ev HfS NARROW E£- ONCE MORE HE /$ INTERRUPTED BY THE RE- BUT THIS TIME PLASH HAS APLAN JZ OR NOT By Bob Rip!ey CAPE FROM DEATH FLASH SWIFTLY TURN OF THE ELVINS WITH THE/R ORE-WAGON. SWIFTLY HE CLAMBERS UP DhS)/ IT ~ » BELIEVE --, RETURNS TO HtS 7*§H j— ¦¦¦ . .-¦ THE SMOOTH ORE-CHUTE y/ • •' ' fc.i'' -o r-e MMO _ a* THE PHANTOM By Lee Falk and Ray Moore U-l R6MEM6PR WHEN&YROnTeFtTI IP (T VIEW ANYONE EISC.TO-~&UT I PLEASE”SAV GOOO&VE TO VOUtCI I l -l_ 7 (r.nnnave T~ ——-" -- VOU SAID VOU WISHED t &YAON IS A FINE MAN,AGOOD MAN. MOTHER AND UNCLE POR ME J i DIANA U ( YOU WERE TWINS— / I'VE ALWAYS LOVED VOU,DIANA. I AND GOOD UICK, ALWAYS"f , ,Q. "]( — -—"™— —a stress i ftwavs -¦ " ~ : ’ TIM TYLER’S luck By Lyman VoTT; ~ A TENSE GROUP WAItUES A CRACKUNS CELLAR DOOR'S \ WE'VE A iJr T rAKL N T R . TT|TI SPARK BURN IVAROLGU A STEEL LJALL— , LT,” LlTaww UNLOCKED" VOU AMD LITTLE UNP\N\SWED WNOWBLV fSf, WORLD'S LARGEST BUREAU DISCH4R&EP 32 PEETHIGH-27PfETWIDE-14F5ErDEEP IN IB<s WITHOUT HER iDENTIty BE/WO DISCOVERED fc\efey> 7-H t* pr Th*.»** Iv, 1 pfl4 >mr *4 KING OF THE ROYAL MOUNTED By Zanc Grey JUDGE PUFFLE By Gene Ahern (GOLLY, KING-v) I GEE/DOCS MUSCLE MANDOE3NTII TnO-SUT ThE FACT THATh= '.VAS GOSH, > WHAT l ' CO< VERY CM/NOUS NOW / GUARDING THE STA.RS \'EANS WELL, NEIGHBOR AAORGAM, W EaCH mORMING HOW mext mOndav I'llbe on $ x'llgo for a i L ENVY Nrou • VACATION, AND HOW I'LL - BRISK 5-MIUE hE QNLy <v r§ NEED PT. -
Conversation with Lee Falk
CONVERSATION WITH LEE FALK While still an undergraduate in the Midwest, Lee Falk invented Mandrake the Magician, the first black and white crime-fighting team. He created The Phantom, the first superhero in tights, within two years of graduation. F alk's other consuming passion was theater, which he indulged by owning and operating several playhouses, where he often filled the roles of producer and /or director. Raymond Elman: You've written sev- a rather ungracious young man, who talked became my partner, was a Harvard graduate, eral plays, owned a number of theaters, like he had mashed potatoes in his mouth and he knew about a theater in Cambridge- and produced many significant theater - very Eastern Establishment. He said, the Brattle Theater. A little group called pieces. Was your theater life a whole "These little midwest kind of stories are The Straw Hat Theater played there, run separate existence from your comic strip very boring. I don't think you should try to by Catherine Huntington, who dropped world? write." About five years later I was sail- the Straw Hat group to run the Provincetown Lee Falk: My ambition when I was a ing backfromEuropeon the Isle de France. Theater Company. Oddly enough, these young man was to be a playwright. I wrote By that time I had two strips going, I had two Huntingtons weren't related. His real plays and acted while I was in college, started a theater, I had a beautiful young name was Duryea Huntington Jones. He though I was never comfortable on the wife, and for a young man I was very changed his name because the boys at stage.