NVC Instruction Guide
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
'The Blank Page': Exhibitions As Feminist Community Adult Education
social sciences $€ £ ¥ Article Animating ‘The Blank Page’: Exhibitions as Feminist Community Adult Education Darlene E. Clover Leadership Studies, University of Victoria, Victoria, BC V8W 2Y2, Canada; [email protected] Received: 28 September 2018; Accepted: 15 October 2018; Published: 20 October 2018 Abstract: Public museums and art galleries in Canada are highly authoritative, and trusted knowledge and identity mobilising institutions, whose exhibitions are frequently a ‘blank page’ of erasure, silencing, and marginalisation, in terms of women’s histories, experiences, and contributions. Feminist exhibitions are a response to this, but few in Canada have been explored as practices of feminist community adult education. I begin to address this gap with an analysis of two feminist exhibitions: In Defiance: Indigenous Women Define Themselves, curated by Mohawk-Iroquois artist, Lindsay Katsitsakatste Delaronde, at the Legacy Gallery, University of Victoria; and Fashion Victims: The Pleasures & Perils of Dress in the 19th Century, curated by Ryerson Professor Alison Matthews David, at the Bata Shoe Museum, Toronto. Although dissimilar in form, focus, and era, these exhibitions act as powerful intentional pedagogical processes of disruption and reclamation, using images and storytelling to animate, re-write and reimagine the ‘blank pages’ of particular and particularised histories and identities. Through the centrality of women’s bodies and practices of violence, victimization, and women’s power, these exhibitions encourage the feminist oppositional imagination, dialogic looking, gender consciousness, and a visual literacy of hope and possibility. Yet, as women’s stories become audible through the very representational vehicles and institutional spaces used to silence them, challenges remain. Keywords: museums and art galleries; exhibitions; feminist community adult education; visual literacy; oppositional imagination 1. -
Recommended Reading
Recommended Reading: Nonviolent Communication: A Language of Life 2nd Ed Create Your Life, Your Relationships and Your World in Harmony with Your Values by Marshall B. Rosenberg, Ph.D. Most of us are hungry for skills to improve the quality of our relationships, to deepen our sense of personal empowerment or to simply communicate more effectively. Unfortunately, for centuries our prevailing culture has taught us to think and speak in ways that can actually perpetuate conflict, internal pain and even violence. Nonviolent Communication: A Language of Life partners practical skills with a powerful consciousness and vocabulary to help us get what we want peacefully. In this internationally acclaimed text, Marshall Rosenberg offers insightful stories, anecdotes, practical exercises and role-plays that will literally change your approach to communication for the better. Discover how the language you use can strengthen your relationships, build trust, prevent conflicts and heal pain. Revolutionary, yet simple, Nonviolent Communication: A Language of Life offers the most effective tools to reduce violence and create peace by changing how we communicate. Over 250,000 copies have been sold. Printed in over 20 languages around the world. Approximately 250,000 people each year from all walks of life are learning these life-changing communication skills. Speak Peace in a World of Conflict What You Say Next Will Change Your World by Marshall B. Rosenberg, Ph.D. In every interaction, every conversation and in every thought, you have a choice – to promote peace or perpetuate violence. International peacemaker, mediator and healer, Dr. Marshall B. Rosenberg shows you how the language you use is the key to enriching life. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Religious-Verses-And-Poems
A CLUSTER OF PRECIOUS MEMORIES A bud the Gardener gave us, A cluster of precious memories A pure and lovely child. Sprayed with a million tears He gave it to our keeping Wishing God had spared you If only for a few more years. To cherish undefiled; You left a special memory And just as it was opening And a sorrow too great to hold, To the glory of the day, To us who loved and lost you Down came the Heavenly Father Your memory will never grow old. Thanks for the years we had, And took our bud away. Thanks for the memories we shared. We only prayed that when you left us That you knew how much we cared. 1 2 AFTERGLOW A Heart of Gold I’d like the memory of me A heart of gold stopped beating to be a happy one. I’d like to leave an afterglow Working hands at rest of smiles when life is done. God broke our hearts to prove to us I’d like to leave an echo He only takes the best whispering softly down the ways, Leaves and flowers may wither Of happy times and laughing times The golden sun may set and bright and sunny days. I’d like the tears of those who grieve But the hearts that loved you dearly to dry before too long, Are the ones that won’t forget. And cherish those very special memories to which I belong. 4 3 ALL IS WELL A LIFE – WELL LIVED Death is nothing at all, I have only slipped away into the next room. -
Drama Recommended Monologues
Bachelor of Creative Arts (Drama) Recommended Monologues 1 AUDITION PIECES – FEMALE THREE SISTERS by Anton Chekhov IRINA: Tell me, why is it I’m so happy today? Just as if I were sailing along in a boat with big white sails, and above me the wide, blue sky and in the sky great white birds floating around? You know, when I woke up this morning, and after I’d got up and washed, I suddenly felt as if everything in the world had become clear to me, and I knew the way I ought to live. I know it all now, my dear Ivan Romanych. Man must work by the sweat of his brow whatever his class, and that should make up the whole meaning and purpose of his life and happiness and contentment. Oh, how good it must be to be a workman, getting up with the sun and breaking stones by the roadside – or a shepherd – or a school-master teaching the children – or an engine-driver on the railway. Good Heavens! It’s better to be a mere ox or horse, and work, than the sort of young woman who wakes up at twelve, and drinks her coffee in bed, and then takes two hours dressing…How dreadful! You know how you long for a cool drink in hot weather? Well, that’s the way I long for work. And if I don’t get up early from now on and really work, you can refuse to be friends with me any more, Ivan Romanych. 2 HONOUR BY JOANNA MURRAY-SMITH SOPHIE: I wish—I wish I was more… Like you. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Bstilldirrtywoohoolov
Christina Aguilera Songs - Free Printable Wordsearch BSTILLDIRRTYWO OHOOLOVINGMEME IMAKEMEHAPPY OURDAYWILLCOME O R EN BLESSED NIMAKEOVER VBLANKPAGE ITYCH ELLOE T WEOFAL LONMEN H IRUJUSTAF OOLAN EF LTPRNASTYNAUG HTYBOYAC I LOHOBP TMH G BBEBRTOR RY RSH EVCSASHDCIEC SDCIO T IIECIEYAGM HSNFRSE E ORXKEVNS AERADEUTM R UCFIMOOETR DCIEEZMO G SUOLLNRPMIPL OSTMLAT E SREITTLRXCE NATTTSI N MBLTSTLHEE EWINSMHSO I IRBTETE TWCAOAAION O RLEETHL DUEILLS NAA EBAAMSEE ARUTLMTG LRT FODKYORD PYOBHSOI ER LUYFGDEP RYYIM MJA ENMAIEAB EYNE UEP JDASRLORTE ADONM DA OTRTLFEH WLMIUTA ECD OMSIDM IOERRNE HO YANN OCVRRUSN A OLAU TEET IN UAL HYL DG D EL EE E RA THE CHRISTMAS SONG GENIO ATRAPADO PRIMA DONNA MY GIRLS STRONGER THAN EVER POR SIEMPRE TU JUST A FOOL OBVIOUS NASTY NAUGHTY BOY LITTLE DREAMER ALL I NEED EXPRESS LET THERE BE LOVE CHRISTMAS TIME MI REFLEJO TELL ME SEX FOR BREAKFAST LADY MARMALADE BLANK PAGE FIGHTER OUR DAY WILL COME MAKE ME HAPPY FALL ON ME BLESSED EL BESO DEL FINAL BY YOUR SIDE UNA MUJER WOOHOO FEEL THIS MOMENT STILL DIRRTY OH MOTHER BIONIC THE VOICE WITHIN BOUND TO YOU MAKE OVER DIRRTY UNDERAPPRECIATED SO EMOTIONAL YOUR BODY CHANGE ENTER THE CIRCUS CASTLE WALLS I WILL BE HELLO BACK IN THE DAY LOVING ME ME CANDYMAN TWICE YOU LOST ME CRUZ Free Printable Wordsearch from LogicLovely.com. Use freely for any use, please give a link or credit if you do. Christina Aguilera Songs - Free Printable Wordsearch MARIAJUSTBEFREE D STRIPPEDPART IFALSASES PERANZASEEAC MSLOWDOWNB ABYETHNSH AINTNOOTHERMAN TMAEIYOR BWUK HNDLATLNI MIENTI TURNTOYOUGOUBMIT IGS ORIRDH -
2 Parts and 4 Components of NVC
2 Parts and 4 Components of NVC empathetically listening: honestly expressing: observations observations feelings feelings needs needs requests requests Both sides of the NVC model: empathetically listening and honestly expressing, use the four steps of the model: observations, feelings, needs, requests. Nonviolent Communication (NVC) is sometimes referred to as compassionate communication. Its purpose is to: 1. create human connections that empower compassionate giving and receiving 2. create governmental and corporate structures that support compassionate giving and receiving. NVC involves both communication skills that foster compassionate relating and consciousness of the interdependence of our well being and using power with others to work together to meet the needs of all concerned. This approach to communication emphasizes compassion as the motivation for action rather than fear, guilt, shame, blame, coercion, threat or justification for punishment. In other words, it is about getting what you want for reasons you will not regret later. NVC is NOT about getting people to do what we want. It is about creating a quality of connection that gets everyone’s needs met through compassionate giving. www.lindavanderlee.com The process of NVC encourages us to focus on what we and others are observing separate from our interpretations and judgments, to connect our thoughts and feelings to underlying human needs/values (e.g. protection, support, love), and to be clear about what we would like towards meeting those needs. These skills give the ability to translate from a language of criticism, blame, and demand into a language of human needs -- a language of life that consciously connects us to the universal qualities “alive in us” that sustain and enrich our well being, and focuses our attention on what actions we could take to manifest these qualities. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Rachelle Lamb Compassionate Nonviolent Communication
Compassionate Nonviolent Communication Rachelle Lamb Certified NVC Trainer Trainings, Mediation , Practice Groups Private Sessions (Personal & Business) Ph. (250) 480-7122 Website: www.rachellelamb.com e-mail: [email protected] Additional Information Sources Rachelle Lamb www.rachellelamb.com The Center for Nonviolent Communication www.cnvc.org Nonviolent Communication (Book Publisher’s Site) www.nonviolentcommunication.com © Rachelle Lamb, Mindful Communication, Victoria, BC. (250) 480-7122 www.rachellelamb.com 10 W A I T Why Am I Talking? The Importance of Intention We always have an intention when we speak. The question is: are we fully conscious of our intention? Our intention significantly determines the quality of our exchanges. The words we choose to express ourselves are a reflection of our intention. We will develop clarity of intention to the degree that we place our attention on intention. When our intention is to get our way, the relationship is likely to be compromised. When our intention is to create a quality of connection with others where everyone’s needs are valued, collaborative relationships ensue. The purpose of Nonviolent Communication™ is to facilitate a quality of connection with others where everyone’s needs are understood and valued. © Rachelle Lamb, Mindful Communication, Victoria, BC. (250) 480-7122 www.rachellelamb.com 1 Important things we already know and often forget: 1. We can’t change others; we can only change ourselves. 2. When people hear blame or criticism, they will usually shut down and become defensive. 3. When we take things personally, we suffer. 4. Consciously or unconsciously, we choose our responses in every given moment. -
Fall 2012.Indd
Newsletter Fall 2012 A community where learners excel! More photos on back page. Board of Education: Don Edwards-President; Spyros Dimatos-Vice President; Amy O’Brien, Melissa Stephens, Judy Warner Superintendent of Schools-Joe Peck; Assistant Superintendent-Kathleen Dixon 2 DDistrictistrict Fall 2012 Welcome back Superintendent’s message he Chenango Forks Central School District is well into the 2012-2013 school year and Tthe board of education, administration, staff and I look forward to another successful year for the district. We remain thankful to the community for your continued support. I would like to take this opportunity to say how excited I am to join the Chenango Forks community, serving you as your new superintendent of schools. My experience encompasses more than eight years in administration, which includes time as a K-8 principal, 9-12 house principal and 9-12 principal. Front,F l-r:l RuthR h Beardsley-payrollB d l p ll clerk;l k KathyK h Blackman-businessBl k b ii executive; ShellySh ll My experience also includes six years in the classroom Callan-assistant superintendent secretary; Christine Kennicutt-district treasurer & as a 9-12 social studies teacher and two years teaching accountant. Back, l-r: Kathleen Dixon-assistant superintendent; Kathy Luke-electronic computers at the collegiate level. I am also fi nishing data management; Dawn Phoenix-district clerk & business offi ce secretary; Joe Peck-superintendent; Janice Darling-accounts payable & purchasing; Erin McMullen- my doctorate in administrative leadership for superintendent secretary. teaching. Th is experience and education, I believe, has prepared me for my new role as your superintendent.