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Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Act II, Signature Xvii - (1)
We can also trace that peculiar social movement which led some factories, ships, restaurants, and households to clean up their backstages to such an extent that, like monks, Communists, or German aldermen, their guards are always up and there is no place where their front is down, while at the same time members of the audience become sufficiently entranced with the society's id to explore the places that had been cleaned up for them [Erving Goffman, The Presentation of Self (New York: Anchor Press, 1959), p. 247]. II — xvii — What Was That Good For? Coalition forces pour into Ossian. In Las Vegas, Roveretto Messimo ponders taking on a new client to pay his bills. A U.S. detachment breaks into the Impersonal Terrace while Fuald, deported back to Ossian, plots revenge by organizing the looting of the Hermitage. Charles, drugged by Ferguson’s alien soporifics, agrees to print an article exposing the eco– terrorist aims of the Founder’s League. In the 13th century, the fanatical inquisitor Conrad prepares to declare anathema against Fr. Anselm. ~ page 215 ~ This is the cover art for the single "War" by the artist Edwin Starr. The cover art copyright is believed to belong to the label, Gordy, or the graphic artist.* "War" Act II, Signature xvii - (1) *[Image & caption credit and following text courtesy of Wikipedia]: "War" is a soul song written by Norman Whitfield and Barrett Strong for the Motown label in 1969. Whitfield first produced the song — a blatant anti-Vietnam War protest — with The Temptations as the original vocalists. After Motown began receiving repeated requests to release "War" as a single, Whitfield re-recorded the song with Edwin Starr as the vocalist, deciding to withhold the Temptations ' version so as not to alienate their more conservative fans. -
The Diary of a Manchu Soldier in Seventeenth-Century China: “My
THE DIARY OF A MANCHU SOLDIER IN SEVENTEENTH-CENTURY CHINA The Manchu conquest of China inaugurated one of the most successful and long-living dynasties in Chinese history: the Qing (1644–1911). The wars fought by the Manchus to invade China and consolidate the power of the Qing imperial house spanned over many decades through most of the seventeenth century. This book provides the first Western translation of the diary of Dzengmeo, a young Manchu officer, and recounts the events of the War of the Three Feudatories (1673–1682), fought mostly in southwestern China and widely regarded as the most serious internal military challenge faced by the Manchus before the Taiping rebellion (1851–1864). The author’s participation in the campaign provides the close-up, emotional perspective on what it meant to be in combat, while also providing a rare window into the overall organization of the Qing army, and new data in key areas of military history such as combat, armament, logistics, rank relations, and military culture. The diary represents a fine and rare example of Manchu personal writing, and shows how critical the development of Manchu studies can be for our knowledge of China’s early modern history. Nicola Di Cosmo joined the Institute for Advanced Study, School of Historical Studies, in 2003 as the Luce Foundation Professor in East Asian Studies. He is the author of Ancient China and Its Enemies (Cambridge University Press, 2002) and his research interests are in Mongol and Manchu studies and Sino-Inner Asian relations. ROUTLEDGE STUDIES -
Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan
Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan Hsuan-Li Wang Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Hsuan-Li Wang All rights reserved ABSTRACT Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan Hsuan-Li Wang Taking Gushan 鼓山 Monastery in Fujian Province as a reference point, this dissertation investigates the formation of the Gushan Chan lineage in Fujian area and its later diffusion process to Taiwan. From the perspective of religion diffusion studies, this dissertation investigates the three stages of this process: 1. the displacement of Caodong 曹洞 Chan center to Fujian in the seventeenth century; 2. Chinese migration bringing Buddhism to Taiwan in the Qing dynasty (1644-1911) and 3. the expansion diffusion activities of the institutions and masters affiliated with this lineage in Taiwan during the Japanese rule (1895-1945), and the new developments of humanistic Buddhism (renjian fojiao 人間佛教) after 1949. In this spreading process of the Gushan Chan lineage, Taiwanese Buddhism has emerged as the bridge between Chinese and Japanese Buddhism because of its unique historical experiences. It is in the expansion diffusion activities of the Gushan Chan lineage in Taiwan that Taiwanese Buddhism has gradually attained autonomy during the Japanese rule, leading to post-war new developments in contemporary humanistic Buddhism. Table of Contents List of Chart, Maps and Tables iii Acknowledgements iv Chapter 1 Introduction 1 1. Research Motives and Goals 2 2. -
Chapter 4 the Representation of China Based on the Direct Observation
Cover Page The handle http://hdl.handle.net/1887/20937 holds various files of this Leiden University dissertation. Author: Sun, Jing Title: The illusion of verisimilitude : Johan Nieuhof’s images of China Issue Date: 2013-06-06 131 Chapter 4 The Representation of China Based on the Direct Observation 4.1 An interpretation of the term “na het leven” according to the pictorial conventions of the seventeenth century Before we investigate how Nieuhof produced his “Chinese” drawings, it is necessary to consider the artistic conventions and principles he followed. Because Nieuhof claimed that his drawings or sketches of China were produced from life, a claim used by his brother Hendrik and the publisher Van Meurs as a unique selling point for Het Gezantschap, we first should consider the concept of “na het leven” within the context of the Dutch pictorial conventions in the seventeenth century. The term “na het leven” was first used in the important treatise on the art of painting, Het Schilderboeck (Book on picturing) which was published in Haarlem in 1604. Its author, Karel van Mander (1548–1606), offered “the first fully formed theory of Netherlandish painting, drawing, and printmaking.”193 This treatise discusses many important issues including the landscape as a subject for artists.194 Van Mander argues that young artists should go into the countryside to study and extract the essence of nature and to record it in drawings that they can subsequently translate into paint upon their return to the studio. He does not advise artists to represent the landscape just as they see it; the aim of the landscape images is rather to 193 Chris Murray, Key Writers on Art (London: Routledge, 2003), 77. -
Cross-Currents: East Asian History and Culture Review
UC Berkeley Cross-Currents: East Asian History and Culture Review Title Distancing All Around: Post-Ming China Realpolitik in Seventeenth-Century Korea Permalink https://escholarship.org/uc/item/0430t6hw Journal Cross-Currents: East Asian History and Culture Review, 1(34) ISSN 2158-9674 Author Lee, Joseph Jeong-il Publication Date 2020-03-01 eScholarship.org Powered by the California Digital Library University of California Distancing All Around: Post-Ming China Realpolitik in Seventeenth-Century Korea Joseph Jeong-il Lee, Northeast Asian History Foundation Lee, Joseph Jeong-il. 2020. “Distancing All Around: Post-Ming China Realpolitik in Seventeenth-Century Korea.” Cross-Currents: East Asian History and Culture Review 34: 24– 45. https://crosscurrents.berkeley.edu/e-journal/issue-34/lee. Abstract During the Ming-Qing transition period, Chosŏn Korea (1392–1910) tried to articulate geopolitical change on its own terms by prioritizing state security. The way the Chosŏn court and ruling elites responded to the Revolt of Wu Sangui (1673– 1681) and its aftereffects offers a snapshot of their accommodationist strategy for survival. This article explores how the court and elites maintained a policy of noninvolvement in association with domestic stability for social integration and self- strengthening for border defense. The author reveals the Way the Chosŏn court and ruling elites handled the ongoing unexpected situations caused by Qing China, the anti-Qing force, and the Mongols. This approach helps contextualize the links between the realpolitik of Chosŏn and the longue durée of Pax Manjurica, Pax Mongolica, and Pax Sinica and promotes further inquiry into the international relations of East Asia from a transhistorical perspective. -
Chinax Course Notes
Part 6: The Manchus and the Qing 23: The Qing Vision of Empire Professor Mark Elliot taught most of this section, allowing us to benefit from his personal focus on the Qing and the Manchus. Professor Bol stepped in for one week to teach The Scholars and Prosperous Suzhou, which must have been his special interest. It was one of the most fascinating weeks of the course129 and by far the toughest. Historical Overview The origins of the Qing dynasty date back to the 1630s with a peasant rebellion led by Li Zicheng, a former postal official. Indeed, this may be the first recorded instance of an individual 'going postal.' 130 Li's rebellion spread through central China, drawing upon the anger of farmers, clerks, and soldiers who were devastated by, among other things, the inflation of copper currency against the silver required for tax payments.131 By the 1640s, the rebel army was moving toward Beijing. Meanwhile, the Manchus, descendents of the Jurchens of the Jin dynasty, were uniting tribal groups northeast of China, forging alliances with the eastern Mongols and raiding the Ming, all under the leadership of Nurhaci. By the late 1620s, the Ming had lost control of the northeast. Hong Taiji, Nurhaci's son and successor, re-organized and strengthened the Jin state, and in the 1630s conquered Korea, bolstering Manchu security and prestige. In 1636, Hong renamed his dynasty the Great Qing (da qing). In 1644, Li's rebels captured Beijing, leading the Ming emperor to hang himself. Shortly after that, the Ming general Wu Sangui, who was guarding the Great Wall at the Shanhai Pass, allied with the Manchus against Li Zicheng, deciding that he preferred the organized armies of the Manchus to the pillaging forces of the rebellion. -
The Chinese Cornerstone of Modern Banking Legal History Library
The Chinese Cornerstone of Modern Banking Legal History Library Volume 14 Studies in the History of Private Law Series Editors C.H. (Remco) van Rhee (Maastricht University) Dirk Heirbaut (University of Ghent) Matthew C. Mirow (Florida International University) Editorial Board Hamilton Bryson, University of Richmond – Thomas P. Gallanis, University of Iowa – James Gordley, Tulane University – Richard Helmholz, University of Chicago – Michael Hoeflich, University of Kansas – Neil Jones, University of Cambridge – Hector MacQueen, University of Edinburgh – Paul Oberhammer, University of Zurich – Marko Petrak, University of Zagreb – Jacques du Plessis, University of Stellenbosch – Mathias Reimann, University of Michigan – Jan M. Smits, University of Tilburg – Alain Wijffels, Université Catholique de Louvain, University of Leiden, CNRS – Reinhard Zimmermann, Max-Planck-Institut für ausländisches und internationales Privatrecht, Hamburg VOLUME 6 The titles published in this series are listed at brill.com/shpl The Chinese Cornerstone of Modern Banking The Canton Guaranty System and the Origins of Bank Deposit Insurance 1780–1933 By Frederic Delano Grant, Jr. LEIDEN | BOSTON Cover Illustration: Howqua II (Wu Bingjian), 1769-1843. Oil portrait by Lamqua (Guan Qiaochang), ca. 1840. (Private collection. Photograph by permission.) Library of Congress Cataloging-in-Publication Data Grant, Frederic Delano, Jr. author. The Chinese cornerstone of modern banking : the Canton guaranty system and the origins of bank deposit insurance 1780-1933 / By Frederic Delano Grant, Jr. p. cm. — (Legal history library ; v. 10) (Studies in the history of private law) Includes bibliographical references and index. ISBN 978-90-04-27655-0 (hardback : alk. paper)—ISBN 978-90-04-27656-7 (e-book) 1. Deposit insurance— China—Guangzhou—History. -
Analysis of the Shamanic Empire of the Early Qing, Its Role in Inner Asian
THE SHAMANIC EMPIRE AND THE HEAVENLY ASTUTE KHAN: ANALYSIS OF THE SHAMANIC EMPIRE OF THE EARLY QING, ITS ROLE IN INNER ASIAN HEGEMONY, THE NATURE OF SHAMANIC KHANSHIP, AND IMPLICATIONS FOR MANCHU IDENTITY A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI’I AT MANOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY May 2020 By Stephen Garrett Thesis Committee: Shana Brown, Chairperson Edward Davis Wensheng Wang Keywords: Qing Dynasty, Manchu, Mongol, Inner Asia, Shamanism, Religion and Empire Acknowledgments: I would like to first and foremost show my deepest gratitude to my master’s thesis advisor, Dr. Shana Brown, whose ongoing uplifting support and instrumental advice were central to my academic success, without which I couldn’t have reached the finish line. I would also like to extend deepest thanks to my master’s thesis committee members Dr. Edward Davis and Dr. Wensheng Wang, who freely offered their time, efforts, and expertise to support me during this thesis project. Additionally, I would like to extend thanks to Dr. Mathew Lauzon and Dr. Matthew Romaniello, who both offered a great deal of academic and career advice, for which I am greatly appreciative. Special thanks to my peers: Ryan Fleming, Reed Riggs, Sun Yunhe, Wong Wengpok, and the many other friends and colleagues I have made during my time at the University of Hawaii at Manoa. They have always been a wellspring of academic advice, discussion, and support. While writing my master’s thesis, I have had the pleasure of working with the wonderful professional staff and faculty of the University of Hawaii at Manoa, whose instruction and support were invaluable to my academic success. -
Volume 19 (2012), Article 1
Volume 19 (2012), Article 1 http://chinajapan.org/articles/19/1 Iwai, Shigeki “International Society after ‘The Transformation from Civilized to Barbarian’” Trans. Joshua A. Fogel. Sino-Japanese Studies 19 (2012), article 1. Abstract: In this essay, Professor Iwai discusses the use of trade and travel restrictions placed on Chinese maritime merchants by the early Qing court. It involves trade contacts among China, Japan, Korea, and various states in Southeast Asia. The institution of a system of regional maritime customs was one result of this changing policy. It provides as well a whole new look at the institution of the shinpai (licenses issued by the Tokugawa shogunate for trade at the port of Nagasaki) seen now from the perspective of the Chinese. He also takes a close look at specific cases (Li Taoshi, Li Wei) to illustrate the points being made. Sino-Japanese Studies http://chinajapan.org/articles/19/1 International Society after “The Transformation from Civilized to Barbarian”1 Iwai Shigeki 岩井茂樹 Kyoto University Translated by Joshua A. Fogel “Oppose the Qing, Revive the Ming” and the Demise of Hope Can Barbarians Become Civilized? On July 9, 1674 (Enpō 延寶 2/6/6), Hayashi Shunsai 林春斎 (Jo 恕, 1618-80, heir of Hayashi Razan 林羅山, 1583-1657) appeared before shogunal officials and read out in Japanese translation two manifestos that were circulating in China calling on people to rise up and oppose the Manchus and restore the Ming dynasty. At the end of May of that same year, the first piece of news about an uprising had been brought to Japan by a merchant vessel sailing from Fuzhou, and Shunsai had read this report aloud as well. -
Nicola Di Cosmo, University of Canterbury
Nicola Di Cosmo, University of Canterbury European Technology and Manchu Power: Reflections on the "Military Revolution" in Seventeenth Century China Paperfor the International Congress ofHistorical Sciences, Oslo 2000 DRAFT COPY - NOT FOR CITATION "The rebel soldiers, positioned at the entrance of the mountain pass were not ready [for our attack]. As our troops advanced, we could hear the incessant sound of artillery. On the road we came across some shields that had been dropped by our own troops [during the charge]. Carrying a large flag, I ran forward. As we entered the mountain pass, we saw the rebel army which, rushing out of the encampment, was lining up abatises, shield-bearing troops and elephants. Our Green Standard (Chinese) soldiers charged. The fire from cannons and muskets sounded like frying beans, the earth itself was shaking." This battle scene is described in the eyewitness account of Zengshou, a Manchu officer who served in the Qing army during the war to suppress the rebellion of the so-called "Three Feudatories," which inflamed southern China from 1673 to 1681. In the end, the government forces won, ensuring the continuing rule of the Manchu dynasty in China (1644-1912). The cannons mentioned in the description of the battle, whether fired from the government or from the rebel side, are likely to owe a considerable debt to European military technology. In fact, it is commonly acknowledged that the war effort was heavily conditioned by the willingness of one Belgian Jesuit, Ferdinand Verbiest, to design and cast "modem" cannons, light and easily transportable, which could be deployed on the rugged terrain of southwest China in order to pound the mountain strongholds of the rebel forces. -
The Dreaming Mind and the End of the Ming World
The Dreaming Mind and the End of the Ming World The Dreaming Mind and the End of the Ming World • Lynn A. Struve University of Hawai‘i Press Honolulu © 2019 University of Hawai‘i Press This content is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0), which means that it may be freely downloaded and shared in digital format for non-commercial purposes, provided credit is given to the author. Commercial uses and the publication of any derivative works require permission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Creative Commons license described above does not apply to any material that is separately copyrighted. The open-access version of this book was made possible in part by an award from the James P. Geiss and Margaret Y. Hsu Foundation. Cover art: Woodblock illustration by Chen Hongshou from the 1639 edition of Story of the Western Wing. Student Zhang lies asleep in an inn, reclining against a bed frame. His anxious dream of Oriole in the wilds, being confronted by a military commander, completely fills the balloon to the right. In memory of Professor Liu Wenying (1939–2005), an open-minded, visionary scholar and open-hearted, generous man Contents Acknowledgments • ix Introduction • 1 Chapter 1 Continuities in the Dream Lives of Ming Intellectuals • 15 Chapter 2 Sources of Special Dream Salience in Late Ming • 81 Chapter 3 Crisis Dreaming • 165 Chapter 4 Dream-Coping in the Aftermath • 199 Epilogue: Beyond the Arc • 243 Works Cited • 259 Glossary-Index • 305 vii Acknowledgments I AM MOST GRATEFUL, as ever, to Diana Wenling Liu, head of the East Asian Col- lection at Indiana University, who, over many years, has never failed to cheerfully, courteously, and diligently respond to my innumerable requests for problematic materials, puzzlements over illegible or unfindable characters, frustrations with dig- ital databases, communications with publishers and repositories in China, etcetera ad infinitum.