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Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
The Many Guises of Xiaoluan: the Legacy of a Girl Poet in Late Imperial China
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Anne Gerritsen Article Title: The Many Guises of Xiaoluan: The Legacy of a Girl Poet in Late Imperial China Year of publication: 2005 Link to published version: http://dx.doi.org/10.1353/jowh.2005.0019 Publisher statement: This article was published as Gerritsen, A. (2005). The Many Guises of Xiaoluan: The Legacy of a Girl Poet in Late Imperial China. Journal of Women's History, 17, 2, pp. 38-61. No part of this article may be reproduced, stored in a retrieval system, transmitted, or distributed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Indiana University Press The Many Guises of Xiaoluan: The Legacy of a Girl Poet in Late Imperial China Introduction In recent years the image of the talented woman writer has greatly enhanced our picture of premodern China. Thanks to the work of scholars like Ellen Widmer, Dorothy Ko, Susan Mann and Kang-i Sun Chang, to mention only a few, reference to a woman in China’s imperial past conjures up the image of a strong and sophisticated woman holding a book rather than a picture of the bound foot.1 No student of China’s late imperial period (roughly between 1500 and 1900) could justifiably claim unfamiliarity with the Chinese woman writer. -
Interpreting Zheng Chenggong: the Politics of Dramatizing
, - 'I ., . UN1VERSIlY OF HAWAII UBRARY 3~31 INTERPRETING ZHENG CHENGGONG: THE POLITICS OF DRAMATIZING A HISTORICAL FIGURE IN JAPAN, CHINA, AND TAIWAN (1700-1963) A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAW AI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THEATRE AUGUST 2007 By Chong Wang Thesis Committee: Julie A. Iezzi, Chairperson Lurana D. O'Malley Elizabeth Wichmann-Walczak · - ii .' --, L-' ~ J HAWN CB5 \ .H3 \ no. YI,\ © Copyright 2007 By Chong Wang We certity that we have read this thesis and that, in our opinion, it is satisfactory in scope and quality as a thesis for the degree of Master of Arts in Theatre. TIIESIS COMMITTEE Chairperson iii ACKNOWLEDGEMENTS I want to give my wannest thanks to my family for their strong support. I also want to give my since're thanks to Dr. Julie Iezzi for her careful guidance and tremendous patience during each stage of the writing process. Finally, I want to thank my proofreaders, Takenouchi Kaori and Vance McCoy, without whom this thesis could not have been completed. - . iv ABSTRACT Zheng Chenggong (1624 - 1662) was sired by Chinese merchant-pirate in Hirado, Nagasaki Prefecture, Japan. A general at the end of the Chinese Ming Dynasty, he was a prominent leader of the movement opposing the Manchu Qing Dynasty, and in recovering Taiwan from Dutch colonial occupation in 1661. Honored as a hero in Japan, China, and Taiwan, he has been dramatized in many plays in various theatre forms in Japan (since about 1700), China (since 1906), and Taiwan (since the 1920s). -
Gender and the Poetry of Chen Yinke
Nostalgia and Resistance: Gender and the Poetry of Chen Yinke Wai-yee Li 李惠儀 Harvard University On June 2, 1927, the great scholar and poet Wang Guowei 王國維 (1877- 1927) drowned himself at Lake Kunming in the Imperial Summer Palace in Beijing. There was widespread perception at the time that Wang had committed suicide as a martyr for the fallen Qing dynasty, whose young deposed emperor had been Wang’s student. However, Chen Yinke 陳寅恪 (1890-1969), Wang’s friend and colleague at the Qinghua Research Institute of National Learning, offered a different interpretation in the preface to his “Elegy on Wang Guowei” 王觀堂先生輓詞并序: For today’s China is facing calamities and crises without precedents in its several thousand years of history. With these calamities and crises reaching ever more dire extremes, how can those whose very being represents a condensation and realization of the spirit of Chinese culture fail to identify with its fate and perish along with it? This was why Wang Guowei could not but die.1 Two years later, Chen elaborated upon the meaning of Wang’s death in a memorial stele: He died to make manifest his will to independence and freedom. This was neither about personal indebtedness and grudges, nor about the rise or fall of one ruling house… His writings may sink into oblivion; his teachings may yet be debated. But this spirit of independence and freedom of thought…will last for eternity with heaven and earth.2 Between these assertions from 1927 and 1929 is a rhetorical elision of potentially different positions. -
The Diary of a Manchu Soldier in Seventeenth-Century China: “My
THE DIARY OF A MANCHU SOLDIER IN SEVENTEENTH-CENTURY CHINA The Manchu conquest of China inaugurated one of the most successful and long-living dynasties in Chinese history: the Qing (1644–1911). The wars fought by the Manchus to invade China and consolidate the power of the Qing imperial house spanned over many decades through most of the seventeenth century. This book provides the first Western translation of the diary of Dzengmeo, a young Manchu officer, and recounts the events of the War of the Three Feudatories (1673–1682), fought mostly in southwestern China and widely regarded as the most serious internal military challenge faced by the Manchus before the Taiping rebellion (1851–1864). The author’s participation in the campaign provides the close-up, emotional perspective on what it meant to be in combat, while also providing a rare window into the overall organization of the Qing army, and new data in key areas of military history such as combat, armament, logistics, rank relations, and military culture. The diary represents a fine and rare example of Manchu personal writing, and shows how critical the development of Manchu studies can be for our knowledge of China’s early modern history. Nicola Di Cosmo joined the Institute for Advanced Study, School of Historical Studies, in 2003 as the Luce Foundation Professor in East Asian Studies. He is the author of Ancient China and Its Enemies (Cambridge University Press, 2002) and his research interests are in Mongol and Manchu studies and Sino-Inner Asian relations. ROUTLEDGE STUDIES -
History, Background, Context
42 History, Background, Context The history of the Qing dynasty is of course the history of hundreds upon hundreds of millions of people. The volume, density, and complexity of the information contained in this history--"history" in the sense of the totality of what really happened and why--even if it were available would be beyond the capacity of any single individual to comprehend. Thus what follows is "history" in another sense--a selective recreation of the past in written form--in this case a sketch of basic facts about major episodes and events drawn from secondary sources which hopefully will provide a little historical background and allow the reader to place Pi Xirui and Jingxue lishi within a historical context. While the history of the Qing dynasty proper begins in 1644, history is continuous. The Jurchen (who would later call themselves Manchus), a northeastern tribal people, had fought together with the Chinese against the Japanese in the 1590s when the Japanese invaded Korea. However in 1609, after a decade of increasing military strength, their position towards the Chinese changed, becoming one of antagonism. Nurhaci1 努爾哈赤 (1559-1626), a leader who had united the Jurchen tribes, proclaimed himself to be their chieftain or Khan in 1616 and also proclaimed the 1See: ECCP, p.594-9, for his biography. 43 founding of a new dynasty, the Jin 金 (also Hou Jin 後金 or Later Jin), signifying that it was a continuation of the earlier Jurchen dynasty which ruled from 1115-1234. In 1618, Nurhaci led an army of 10,000 with the intent of invading China. -
Soaring Eagles of the High Qing: Women's Writing As a Path to Social
University of Washington Tacoma UW Tacoma Digital Commons History Undergraduate Theses History Spring 2012 Soaring Eagles of the High Qing: Women’s Writing as a Path to Social Advancement in Patriarchal China Vincenzina Robertson Follow this and additional works at: https://digitalcommons.tacoma.uw.edu/history_theses Part of the Asian History Commons, and the Women's History Commons Recommended Citation Robertson, Vincenzina, "Soaring Eagles of the High Qing: Women’s Writing as a Path to Social Advancement in Patriarchal China" (2012). History Undergraduate Theses. 1. https://digitalcommons.tacoma.uw.edu/history_theses/1 This Undergraduate Thesis is brought to you for free and open access by the History at UW Tacoma Digital Commons. It has been accepted for inclusion in History Undergraduate Theses by an authorized administrator of UW Tacoma Digital Commons. 1 Soaring Eagles of the High Qing: Women’s Writing as a Path to Social Advancement in Patriarchal China A Senior Thesis Presented in Partial Fulfillment of the Requirements for Graduation In the Undergraduate History Program of the University of Washington Tacoma By Vincenzina Robertson The University of Washington Tacoma May 2012 Project Adviser: Dr. Mary Hanneman, Department of East Asian History 2 Acknowledgments I would like to express a special thank you to my Professor and Advisor Dr. Mary Hanneman for the writing of the senior thesis her consistent help and feedback. Her expertise in the field of history has proved invaluable and working with you has been a great honor. 3 Abstract This essay is about the women’s writing during the High Qing era in seventeenth century China. -
Ebook Download the Qing Empire and the Opium War the Collapse
THE QING EMPIRE AND THE OPIUM WAR THE COLLAPSE OF THE HEAVENLY DYNASTY 1ST EDITION PDF, EPUB, EBOOK Mao Haijian | 9781107069879 | | | | | The Qing Empire and the Opium War The Collapse of the Heavenly Dynasty 1st edition PDF Book These elites resented Western ethical systems, which were seen as a threat to their power, and often viewed missionaries as a tool of Western imperialism. However, this system began to decline when families who attempted to "abuse" the system appeared for social competition and authorities speculated that some families coerced their young widows to commit suicide at the time of their husband's death to obtain more honors. Archived from the original on 25 October — via Dartmouth. Mao, Haijian. Negotiations lasted for several weeks as the British delegation insisted the treaty be accepted by Daoguang Emperor. These reinforcements arrived on 25 May, and the British counter-attacked, taking the last four Qing forts above Canton and bombarding the city. The Manchus' continued dominance was ensured by an ethnic quota for top bureaucratic appointments. Main article: Destruction of opium at Humen. Archived from the original on 21 July When the British fleet arrived off of Zhoushan, Elliot demanded the city surrender. Cengage Learning. Under the terms of the limited peace later widely referred to as "The Ransom of Canton" , the British were paid to withdraw beyond the Bogue forts, an action they completed by 31 May. Size and dynastic decline. Main article: Qing literati. Qianlong was more preoccupied with artistic pursuits. The Katoor dynasty of Afghanistan also paid tribute to the Qing dynasty of China until the midth century. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan
Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan Hsuan-Li Wang Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Hsuan-Li Wang All rights reserved ABSTRACT Gushan: the Formation of a Chan Lineage During the Seventeenth Century and Its Spread to Taiwan Hsuan-Li Wang Taking Gushan 鼓山 Monastery in Fujian Province as a reference point, this dissertation investigates the formation of the Gushan Chan lineage in Fujian area and its later diffusion process to Taiwan. From the perspective of religion diffusion studies, this dissertation investigates the three stages of this process: 1. the displacement of Caodong 曹洞 Chan center to Fujian in the seventeenth century; 2. Chinese migration bringing Buddhism to Taiwan in the Qing dynasty (1644-1911) and 3. the expansion diffusion activities of the institutions and masters affiliated with this lineage in Taiwan during the Japanese rule (1895-1945), and the new developments of humanistic Buddhism (renjian fojiao 人間佛教) after 1949. In this spreading process of the Gushan Chan lineage, Taiwanese Buddhism has emerged as the bridge between Chinese and Japanese Buddhism because of its unique historical experiences. It is in the expansion diffusion activities of the Gushan Chan lineage in Taiwan that Taiwanese Buddhism has gradually attained autonomy during the Japanese rule, leading to post-war new developments in contemporary humanistic Buddhism. Table of Contents List of Chart, Maps and Tables iii Acknowledgements iv Chapter 1 Introduction 1 1. Research Motives and Goals 2 2. -
Women and Men, Love and Power: Parameters of Chinese Fiction and Drama
SINO-PLATONIC PAPERS Number 193 November, 2009 Women and Men, Love and Power: Parameters of Chinese Fiction and Drama edited and with a foreword by Victor H. Mair Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. -
Cross-Currents: East Asian History and Culture Review
UC Berkeley Cross-Currents: East Asian History and Culture Review Title Distancing All Around: Post-Ming China Realpolitik in Seventeenth-Century Korea Permalink https://escholarship.org/uc/item/0430t6hw Journal Cross-Currents: East Asian History and Culture Review, 1(34) ISSN 2158-9674 Author Lee, Joseph Jeong-il Publication Date 2020-03-01 eScholarship.org Powered by the California Digital Library University of California Distancing All Around: Post-Ming China Realpolitik in Seventeenth-Century Korea Joseph Jeong-il Lee, Northeast Asian History Foundation Lee, Joseph Jeong-il. 2020. “Distancing All Around: Post-Ming China Realpolitik in Seventeenth-Century Korea.” Cross-Currents: East Asian History and Culture Review 34: 24– 45. https://crosscurrents.berkeley.edu/e-journal/issue-34/lee. Abstract During the Ming-Qing transition period, Chosŏn Korea (1392–1910) tried to articulate geopolitical change on its own terms by prioritizing state security. The way the Chosŏn court and ruling elites responded to the Revolt of Wu Sangui (1673– 1681) and its aftereffects offers a snapshot of their accommodationist strategy for survival. This article explores how the court and elites maintained a policy of noninvolvement in association with domestic stability for social integration and self- strengthening for border defense. The author reveals the Way the Chosŏn court and ruling elites handled the ongoing unexpected situations caused by Qing China, the anti-Qing force, and the Mongols. This approach helps contextualize the links between the realpolitik of Chosŏn and the longue durée of Pax Manjurica, Pax Mongolica, and Pax Sinica and promotes further inquiry into the international relations of East Asia from a transhistorical perspective.