Anthropological Approaches: Uncovering Unexpected Insights About the Implementation and Outcomes of Patient-Centered Medical Home Models
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Understanding the Value of Arts & Culture | the AHRC Cultural Value
Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8. -
Collection Development Policy for the Conservation Collection, Available Upon Request
Collection Development Policy Collections Information Center Statement for the Conservation 1200 Getty Center Drive, Suite 700 Los Angeles, CA 90049-1684 Collection in the Research Library at the Getty Research Institute This Collection Development Policy Statement for the Conservation Collection in the Research Library at the Getty Research Institute (GRI) articulates the precise scope and policy for cultural heritage conservation literature acquired and retained within the Research Library. What began as a modest collection supporting the program activities of the Getty Conservation Institute (GCI) has become a significant resource for conservation research throughout the world. Nearly thirty years of sustained growth in the Research Library’s holdings of conservation literature has prompted periodic assessments of the Conservation Collection, and the revision of this policy statement for its continued growth and development. This policy will be reviewed and updated as needed at least every three years by the GCI Collection Development Librarian, the Manager of GCI Research Resources, and Manager of Library Collection Development and Acquisitions. Purpose of the Policy Statement This Collection Development Policy Statement is designed to serve a range of purposes. The Policy is intended to: • define and clarify the collecting policies of the Collection • guide the Collection Development Librarian in coordinating the activities to select and acquire resources for the collection • justify budget appropriations and guide expenditures • delineate and evaluate existing strengths and weaknesses in the Collection • articulate and emphasize the Collection’s vital relationship to other research resources managed by the Research Library and the GCI This Policy Statement for the Conservation Collection documents its: I. -
Cannabis (Sub)Culture, the Subcultural Repository, and Networked Mediation
SIMULATED SESSIONS: CANNABIS (SUB)CULTURE, THE SUBCULTURAL REPOSITORY, AND NETWORKED MEDIATION Nathan J. Micinski A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Ellen Berry, Advisor Rob Sloane © 2014 Nathan Micinski All Rights Reserved iii ABSTRACT Ellen Berry, Advisor Subcultural theory is traditionally rooted in notions of social deviance or resistance. The criteria for determining who or what qualifies as subcultures, and the most effective ways to study them, are based on these assumptions. This project seeks to address these traditional modes of studying subcultures and discover ways in which their modification may lead to new understandings and ways of studying subcultures in the contemporary moment. This will be done by suggesting a change in the criteria of examining subcultures from that of deviance or resistance to identification with a collection of images, symbols, rituals, and narratives. The importance of this distinction is the ability to utilize the insights that studying subcultures can offer while avoiding the faults inherent in speaking for or at a subculture rather than with or from it. Beyond addressing theoretical concerns, this thesis aims to apply notions of subcultural theory to study the online community of Reddit, in particular, a subset known as r/trees–a virtual repository for those images, symbols, rituals, and narratives of cannabis subculture. R/trees illustrates the life and vibrancy of a unique subcultural entity, which to this point has evaded a cultural studies analysis. To that end, this project advocates for the importance of the cultural studies approach to analyzing cannabis subculture and further, to insert the findings of this study into that gap in the literature. -
Post-Structuralism and Psychological Research On/Through the Internet
Arcoverde, R. L. & Amazonas, M. C. L. A. (2013). Post-structuralism and psychological research on/through the internet. POST-STRUCTURALISM AND PSYCHOLOGICAL RESEARCH ON/ THROUGH THE INTERNET PÓS-ESTRUTURALISMO E INVESTIGAÇÃO PSICOLÓGICA NA/ ATRAVÉS DA INTERNET Renata Lopes Arcoverde and Maria Cristina Lopes de Almeida Amazonas Catholic University of Pernambuco, Recife/PE, Brazil ABSTRACT The present study has as aim to describe some procedures used for research in or through social networks, especially in Psychology. In order to do so, different ways of using the Internet as a tool or an object of investigation were analyzed, considering ethical and technical parameters in resolution 196 of the National Health Council, and in the Psychologist Code of Professional Ethics. Finally, there is a discussion on the adequacy of such procedures with post-structuralism theory, based on classic authors of this philosophical and theoretical perspective, such as Michel Foucault, Judith Butler and Tomaz Tadeu da Silva. Keywords: methods; internet; ethics, research. RESUMO O presente estudo tem como objetivo descrever alguns procedimentos que visam à realização de pesquisas nas/através das redes sociais virtuais, particularmente no campo da psicologia. Para tanto, diferentes maneiras de utilização da Internet como ferramenta ou objeto de investigação foram analisadas, considerando-se os parâmetros éticos e técnicos previstos tanto na resolução 196 do Conselho Nacional de Saúde como no Código de Ética Profissional do Psicólogo. Por fim, discorre-se sobre a adequação desses procedimentos com relação à perspectiva teórica pós-estruturalista, com base em autores clássicos desta linha de pensamento filosófico, como Michel Foucault, Judith Butler e Tomaz Tadeu da Silva. -
Collection Policy
COLLECTION POLICY Collecting is at the heart of the Witte Museum’s mission and must be done with clear purpose and well-articulated guidelines. The museum’s Collection Plan provides the guidelines for what the museum will collect. The Collection Policy sets forth the professional standards and responsibilities for the care and management of collections as required of an accredited museum. The Collections Department Procedures Manual covers procedures for implementing this policy. This policy should be reviewed every five years or as necessary to reflect changes in staff, strategic plan, Collection Plan, or museum practices at large. I. MISSION Statement The Witte Museum promotes lifelong learning through innovative exhibitions, programs, and collections in natural history, science, and South Texas heritage II. VISION STATEMENT Through innovative programs in history, science, and culture the Witte Museum enriches lives, promotes a quality of life for all South Texas people and generates a legacy of knowledge. III. VALUES Learning organization Collection Stewardship Quality programs and exhibitions Fiscal stability Environmental stewardship Professional ethic Welcoming environment Approved 09/20/2017 1 IV. TYPES OF COLLECTIONS The Witte Museum possesses five types of collections: Accessioned, Library, Research, Living, and Educational. The Witte shall designate at the time of acquisition the collection category to which material is assigned. The assigned category may change as the priorities and collections of the Witte evolve. Accessioned Collections Items in the Accessioned Collections shall relate directly to the Mission Statement of the Witte and shall be used solely for exhibitions, research, publications, exhibition loans, education, and Witte branding and merchandising. The documentation, care and disposition of accessioned items are governed by this policy and museum best practices. -
Collection of Online Sources for Cultural Anthropology Videos In
Collection of Online Sources for Cultural Anthropology Videos in Anthropology Man and His Culture (14:51) The movie shows, in the imaginative form of a 'REPORT FROM OUTER SPACE,' how the ways of mankind might appear to visitors from another planet. Considers the things most cultures have in common and the ways they change as they pass from one generation to the next. Key words: Culture, Cultural universals, Language, Culture Change Chemically Dependent Agriculture (48:59) The change from smaller, more diverse farms to larger single-crop farms in the US has led to greater reliance on pesticides for pest management. Key words: Agriculture; Culture change, Food, Pesticide, Law The Story of Stuff (21:24) The Story of Stuff is a 20-minute, fast-paced, fact-filled look at the underside of our production and consumption patterns. Key words: Culture of consumption; Consumerism, Environment The Real Truth About Religion (26:43) Although the ancients incorporated many different conceptions of god(s) and of celestial bodies, the sun, the most majestic of all entities was beheld with awe, revered, adored and worshiped as the supreme deity. Key words: Religion, Symbolism, Symbolic Language, System of Beliefs Selected by Diana Gellci, Ph.D Updated 5.3.16 Collection of Online Sources for Cultural Anthropology The Arranged Marriage (Kashmiri) (20:48) Niyanta and Rohin, our lovely Kashmiri couple are an epitome of the popular saying "for everyone there is someone somewhere". Love struck when Rohin from South Africa met the Kashmiri beauty from Pune. They decided to get married. Everyone called it an arranged marriage, an "Arranged Marriage" with a rare amalgamation of Beauty, Emotions and above all Trust. -
Visualization of Cultural Heritage Collection Data: State of the Art and Future Challenges
This article has been accepted for publication in a future issue of this journal, but has not been fully edited. Content may change prior to final publication. Citation information: DOI 10.1109/TVCG.2018.2830759, IEEE Transactions on Visualization and Computer Graphics 1 Visualization of Cultural Heritage Collection Data: State of the Art and Future Challenges Florian Windhager, Paolo Federico, Gunther¨ Schreder, Katrin Glinka, Marian Dork,¨ Silvia Miksch, Member, IEEE, and Eva Mayr Abstract—After decades of digitization, large cultural heritage collections have emerged on the web, which contain massive stocks of content from galleries, libraries, archives, and museums. This increase in digital cultural heritage data promises new modes of analysis and increased levels of access for academic scholars and casual users alike. Going beyond the standard representations of search-centric and grid-based interfaces, a multitude of approaches has recently started to enable visual access to cultural collections, and to explore them as complex and comprehensive information spaces by the means of interactive visualizations. In contrast to conventional web interfaces, we witness a widening spectrum of innovative visualization types specially designed for rich collections from the cultural heritage sector. This new class of information visualizations gives rise to a notable diversity of interaction and representation techniques while lending currency and urgency to a discussion about principles such as serendipity, generosity, and criticality in connection with visualization design. With this survey, we review information visualization approaches to digital cultural heritage collections and reflect on the state of the art in techniques and design choices. We contextualize our survey with humanist perspectives on the field and point out opportunities for future research. -
An Overview of the Challenges Faced During Cross-Cultural Research
An Overview of the Challenges faced during Cross-Cultural Research Moon Halder, Jens Binder, James Stiller and Mick Gregson Institution: Nottingham Trent University Email: [email protected] Abstract Cultural diversity in cross-cultural research is something which academic researchers need to recognise. This paper is an overview of the challenges faced during a cross- cultural research project in UK and in India. It identifies challenges which academic researchers can face in relation to data collection, cultural obligation and peer pressure, ethical considerations and awareness, the experiences working with a cross-cultural team and issues faced at personal level. This paper recommends ways for how such challenges could be addressed without compromising on the quality of the research. Personal experiences along with a review of literature in intercultural psychology suggest that an understanding of cultural norms, approaches and behaviours along with flexible and adaptable methodological and high ethical awareness are vital. Translation, instrumentation and data collection, cultural obligation and peer pressure are some of the crucial factors discussed. Keywords Culture, Individualist, Collectivist, Individualism, Collectivism. 1 Culture defines to a large extent who we are, how we perceive our environment around us and how we behave (Nisbett & Miyamoto, 2005; Oyserman & Lee, 2008). Understanding behaviours requires an understanding of cultural specific norms, values and behaviours. While Western cultures (typically labelled Individualist) are considered more independent, self-focussed and autonomous, Eastern cultures (typically labelled Collectivist) are considered more interdependent, group orientated and focussed on maintaining harmony (Markus & Kitayama, 1991; Triandis et al. 1988). As researchers in social sciences and related disciplines, it is important that consideration of such cultural differences are acknowledged when formulating and implementing research strategies and interpreting findings. -
INFORMATION in PURSUIT of the “GOOD DEATH”: LIBRARIES' ROLE in the DEATH POSITIVITY MOVEMENT (Paper)
Roger Chabot Western University, London, Ontario, Canada INFORMATION IN PURSUIT OF THE “GOOD DEATH”: LIBRARIES’ ROLE IN THE DEATH POSITIVITY MOVEMENT (Paper) Abstract: The Death Positivity Movement (DPM) is a recent social and activist movement seeking to change the North American “culture of silence” surrounding death and dying. Seeking to engage with the conference theme of “conversations across boundaries,” this presentation presents arguments as to why libraries should be involved in the movement and also outlines more specifically actions that they can take to be involved. In this presentation, a short introduction to the DPM will be provided, followed by a brief discussion of the concept of the “good death”. Arguments will then be made explaining why libraries should be involved in the DPM and then the last section explores more specifically how libraries can be involved through collection development, community assistance and programming. 1. Introduction The Death Positivity Movement (DPM, or sometimes Death Positive Movement) is a recent social and activist movement seeking to change the North American “culture of silence” (Doughty, 2019b) surrounding death and dying. The modern DPM is relatively novel, and until now has been primarily driven through the publishing and sharing of content on social media (Hayasaki, 2013). However, as the movement grows, libraries are well positioned to be involved in the movement through their role as information providers and community builders. In turn, the pursuit of the goals of the DPM fulfills the mission of libraries. In engaging with the CAIS/ACSI 2019 conference theme of “conversations across boundaries,” this presentation explores the current and future relationship between the DPM and libraries to bring awareness to it and to further promote its growth. -
Anthropology
Georgia State University Library Collection Development Policy Department of Anthropology Purpose of the Collection: To support the curricular and research needs of faculty and students in the Department of Anthropology in the sub-disciplines of social or cultural anthropology, physical or biological anthropology, archaeology, and linguistic anthropology. The Department offers courses of study leading to the Bachelor of Arts and Master of Arts. The Master of Arts program emphasizes research and teaching related to urban contexts, processes, and populations. Students receive training in local, regional, and global transformations, quantitative and qualitative research methods, and theories of human nature, society, and culture. In addition, students gain practical skills, including proposal writing, project development, field research, ethnographic needs-assessments, community development, and program evaluation. Graduate students are trained in theories, methods, topics, and skills in archaeology, biological anthropology, cultural anthropology, and its applied domains. General Collection Guidelines: a. Languages: English is the preferred language. Literature in other languages is acquired when requested. b. Chronological Guidelines: Prehistoric time for all continents, selectively, to the present. c. Geographical Guidelines: Focus is on the urban southeastern United States, especially for the applied anthropology graduate program. Major research interests include North America (emphasis on Native Americans, Southeastern U.S.A, Southwestern U.S.A, and Texas); Central America (particularly Mexico and Belize) and the Caribbean; South America (particularly Argentina); Africa south of the Sahara; industrialized Europe (particularly Greece); the Middle East, and Southeast Asia (particularly China). Other regions are selectively collected selectively. d. Date of Publication: Current publications are of primary importance. Retrospective classic or standard works not already in the collection are selectively collected. -
Collaboration Or Participant Observation? Rethinking Models of ‘Linguistic Social Work’
Vol. 10 (2016), pp. 253–277 http://nflrc.hawaii.edu/ldc http://hdl.handle.net/10125/24694 Revised Version Received: 31 Oct 2015 Collaboration or Participant Observation? Rethinking Models of ‘Linguistic Social Work’ Lise M. Dobrin University of Virginia Saul Schwartz* University of Miami Documentary linguists aspiring to conduct socially responsible research find them- selves immersed in a literature on ‘collaborative methods’ that does not address some of the most pressing interpersonal challenges that fieldworkers experience in their community relationships. As recent controversies about the nature of col- laboration indicate, collaborative models embed assumptions about reciprocity, negotiation, and the meaning and moral valence of categories like ‘research,’ ‘lan- guage,’ and ‘documentation,’ which do not translate equally well across all com- munities. There is thus a need for a method flexible enough to respond to the complexity and diversity of what goes on in particular cross-cultural researcher- community relationships. In this article, we encourage documentary linguists to consider the benefits of participant observation, a research method that is de- signed specifically to deal with the interpersonal nature of fieldwork inthehu- man sciences. Because it ties knowledge production directly to the development of social relationships across difference, participant observation can help docu- mentary linguists think fruitfully about the social approaches they take in their fieldwork, whether these ultimately come to involve formal collaboration orsome other form of reciprocity. 1. Introduction 1 The current generation of documentary linguists has expressed a seemingly inexhaustible interest in discussing and promoting collaborative research, *The listing of the authors’ names is alphabetical only and does not reflect relative effort or influence on the paper, which was jointly conceived, researched, and composed. -
Acquisition and Disposal of Collections
139 ACQUISITION AND DISPOSAL OF COLLECTIONS The goal of collections development is to shape collections whose composition supports a collecting unit’s mission and programs. The main tools of collections development are acquisitions and disposals. This chapter discusses these tools. acquisition and disposal 140 ollections are acquired through various methods, such as donation, field collection, transfer from another organization, and purchase. “Disposal” means termination of ownership and physical removal of accession C 1 collection items. In the United States, “deaccessioning” and “disposal” are often used interchangeably, but technically the former term refers only to the first step in disposal — the removal of an item from the catalogue of accession collections.2 The first section of this chapter addresses acquisitions, with particular emphasis on how collecting units have built their collections, the policy framework related to acquisitions, and how collecting units are responding to a changed collecting environment. It also examines how collecting units make acquisition decisions, and considers alternatives to traditional collection methods. The second section addresses deaccessioning and disposal. It discusses the reasons units dispose of items, and the obstacles to disposal. The role of organizational and professional culture in collections development is discussed. Also discussed briefly is the issue of duplication and overlap of collections at the Smithsonian. The chapter closes with conclusions. FINDINGS acquisitions Collecting appears to be an innate human propensity. Archaeological excavations indicate, for example, that 80,000 years ago Neanderthals assembled collections of small stones (Neal 1980, 24). Norman Rosenthal, exhibitions secretary at the Royal 1 Collecting units also dispose of non-accessioned items, but that is not the focus here.