“Poverty and Justice: Two Public Symposia Concerning Shelter and Food Security for the Poor”
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Player and the Playing: an Interpretive Study of Richard
DOCUMENT RESUME ED 442 143 CS 510 330 AUTHOR Henry, Mallika TITLE The Player and the Playing: AA Interpretive Study of Richard Courtney's Texts on Learning through Drama. PUB DATE 1999-00-00 NOTE 411p.; Doctoral dissertation, School of Education, New York University. PUB TYPE Dissertations/Theses Doctoral Dissertations (041) EDRS PRICE MFO1 /PC17 Plus Postage. DESCRIPTORS *Drama; *Learning Processes; Metaphors; Qualitative Research; *Scholarship ABSTRACT Using qualitative and interpretive methodologies, this dissertation analyzed Richard Courtney's writings to interpret his basic ideas on learning through drama. It focused on later writings (1989, 1990, 1995, 1997) in which Courtney distilled ideas he had been working on for as many as 30 years. It approached Courtney's texts using dramatistic metaphors which concretized his predominantly abstract writings. These metaphors focused on finding the basic elements of a drama: the setting, the act, the actor, and the Other. Through the lenses afforded by these metaphors, the thesis examined Courtney's wide-ranging, eclectic and often imprecise ideas to distill major themes. Courtney used notions like metaphor, symbol, ritual, Being, mind, perspective, oscillation and quaternity with apparently shifting definitions and loosely circumscribed meanings. It collected and analyzed Courtney's meanings recursively, both distilling Courtney's meanings and expanding them through concrete hypothetical examples. Courtney wrote about drama in abstract terms, using notions he had garnered from other disciplines to describe the process of learning through drama. The final construction that emerged in this dissertation represents the experience of the actor/learner: it is concentric, radiating from a nub which represents the feelings and imagination of the actor. -
Cultural Naturalism and the Market God David Timothy Denenny Southern Illinois University Carbondale, [email protected]
Southern Illinois University Carbondale OpenSIUC Theses Theses and Dissertations 12-1-2018 Cultural Naturalism and the Market God David Timothy Denenny Southern Illinois University Carbondale, [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/theses Recommended Citation Denenny, David Timothy, "Cultural Naturalism and the Market God" (2018). Theses. 2464. https://opensiuc.lib.siu.edu/theses/2464 This Open Access Thesis is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. CULTURAL NATURALISM AND THE MARKET GOD by David Denenny B.A. Eastern Washington University, 2015 A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Arts Degree Department of Philosophy in the Graduate School Southern Illinois University Carbondale December 2018 Copyright by David Denenny, 2018 All Rights Reserved THESIS APPROVAL CULTURAL NATURALISM AND THE MARKET GOD by David Denenny A Thesis Submitted in Partial Fulfillment of the Requirements for the degree of Master of Arts in the field of Philosophy Approved by: Kenneth William Stikkers, Chair Randall Auxier Alfred Frankowski Graduate School Southern Illinois University Carbondale November 8, 2018 AN ABSTRACT OF THE THESIS OF David Denenny, for the Master of Arts degree in Philosophy, presented on November 8, 2018, at Southern Illinois University Carbondale. TITLE: CULTURAL NATURALISM AND THE MARKET GOD MAJOR PROFESSOR: Dr. Kenneth William Stikkers This work employs John Dewey's cultural naturalism to explore how and why the orthodox economic tradition functions as a religious faith. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
The Moments That Matter Annual Report: July 2012–June 2013 BOARD of TRUSTEES Honorary Board
The MoMenTs ThaT MaTTer annual reporT: July 2012–June 2013 BOARD oF TrusTees honorary BoarD Herb Scannell, Chair* Kate D. Levin, ex officio Peter H. Darrow President, BBc WorldWide america commissioner, neW york city dePartment senior counsel, oF cultural aFFairs cleary gottlieB steen & hamilton, llP Cynthia King Vance, Vice Chair*, Chair† advanced strategies, LLC Anton J. Levy Eduardo G. Mestre managing director, chairman, gloBal advisory, Alexander Kaplen, Vice Chair* general atlantic LLC evercore Partners executive, time Warner Joanne B. Matthews Thomas B. Morgan John S. Rose, Vice Chair† PhilanthroPist senior Partner and managing director, Lulu C. Wang the Boston consulting grouP Bethany Millard ceo, tuPelo caPital management, LLC PhilanthroPist Susan Rebell Solomon, Vice Chair† retired Partner, Richard A. Pace neW YORK puBlIC raDIo senIor sTaFF mercer management consulting executive vice President, Bank oF neW york mellon, retired Laura R. Walker Mayo Stuntz, Vice Chair† President and ceo memBer, Pilot grouP Ellen Polaner Dean Cappello Howard S. Stein, Treasurer Jonelle Procope chieF content oFFicer managing director, gloBal corPorate President and ceo, and senior vice President and investment Bank, citigrouP, retired aPollo theater Foundation Thomas Bartunek Alan G. Weiler, Secretary Jon W. Rotenstreich vice President, PrinciPal, managing Partner, Planning and sPecial ProJects Weiler arnoW management co., inc. rotenstreich Family Partners Thomas Hjelm Laura R. Walker, President and CEO Joshua Sapan chieF digital oFFicer and vice President, neW york PuBlic radio President and ceo, amc netWorks Business develoPment Jean B. Angell Lauren Seikaly Margaret Hunt retired Partner and memBer, Private theater Producer and actress vice President, develoPment client service grouP, Bryan cave Peter Shapiro Noreen O’Loughlin Tom A. -
Human Rights in Crisis: Is There No Answer to Human Violence?
HUMAN RIGHTS IN CRISIS: IS THERE NO ANSWER TO HUMAN VIOLENCE? A Cultural Critique in Conversation with René Girard and Raymund Schwager Submitted by Peter Robert Stork, M.Eng. (Germany), M.A. (theol). A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy School of Theology Sub-Faculty of Philosophy and Theology Australian Catholic University Research Services Locked Bag 4115 Fitzroy, Victoria 3065 Australia 30 April 2006 STATEMENT OF AUTHORSHIP AND SOURCES This thesis has not been submitted for the award of any degree or diploma in any other tertiary institution. The foundations of Chapters 5 and 7 were laid during my MA (theol) project; otherwise this thesis does not contain material of a thesis by which I have qualified for or been awarded another degree or diploma. Portions of Chapter 5 have been previously published in the Conference Proceedings of the COV&R Conference of July 2005 under the title “The Representational and Doxological Ground of Human Mimesis”. To the best of my knowledge and belief, no other person’s work has been used without due acknowledgement in the main text of the thesis. Peter Stork 30 April 2006 ii ABSTRACT The study attempts to bring together the mimetic theory of René Girard and the theology of Raymund Schwager to address questions inherent in the contemporary notion of human rights. The impetus derives from the phenomenon of human violence, the universal presence of which points to a problematic that seems to defy conventional explanations and political solutions. In dialogue with Girard and Schwager, the project seeks to shed light on the causes not only of the apparent fragility of the human rights system, but also of the persistence with which large-scale human rights violations recur despite the proliferation of human rights norms. -
John William Miller and Josiah Royce
Idealist Affinities: John William Miller and Josiah Royce By Mark D. Moorman [Posted with permission of Mark D. Moorman. Presented at the 39th annual meeting of the Society for the Advancement of American Philosophy, New York City, March 15-17, 2012.] This paper will compare the philosophies of John William Miller and Josiah Royce with regard to philosophical idealism. We hope to highlight the idealist strain in Miller’s thought by showing some affinities with similar themes in Royce. The relaxed term “affinity” suits the vagaries of the term “idealism” itself.(1) Royce was well aware of this malleable breadth. Post-Kantian idealism, viewed in its whole range of manifestation, is not any one theory so much as a tendency, a spirit, a disposition to interpret life and human nature and the world in a certain general way—a tendency, meanwhile, so plastic, so manifold, so lively, as to be capable of appealing to extremely different minds, and of expressing itself in numerous hostile teachings.(2) The equivocity of the term idealism renders our comparison more a matter of loose ‘family resemblances’ than of clear cut categories. There is second difficulty with idealism as a point of comparison, its reputation. Discussing certain impediments to the reception of Miller’s work, Vincent Colapietro points out that Miller’s idealism is “likely to make him seem outdated and even quaint.”(3) Much of the revolt against idealism in the Twentieth century took the form of hasty ab extra dismissals which left caricatures and low regard in their wake.(4) Association with German idealism came to imply, not depth, but a lack of rigor. -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
CURRICULUM VITAE of Randall E
CURRICULUM VITAE Randall E. Auxier I. PROFESSIONAL AFFILIATION AND CONTACT INFORMATION Department of Philosophy Southern Illinois University, Carbondale 62901, Mailcode 4505 (618)-565-1238 Home, (618)-453-7437 Office [email protected] II. EDUCATION Emory University, 1988-1992; Ph.D. in Philosophy. Dissertation: “Signs and Symbols: An Analogical Theory of Metaphysical Language.” Director: Donald P. Verene. Committee: R.A. Makkreel, D.W. Livingston, J. S. Gouinlock, C. R. Page Emory University, 1988-1991; M.A. in Philosophy. University of Memphis 1986-1988; M.A. in Philosophy. University of Memphis 1979-1986; B.A. 1986 (Magna Cum Laude). Majors: Philosophy, Criminal Justice. III. PROFESSIONAL EXPERIENCE Regular Academic Positions Professor of Philosophy, Southern Illinois University, Carbondale, 2004- (tenured 2004) Assoc. Professor of Philosophy, Southern Illinois University, Carbondale, 2000-04 Assoc. Professor of Philosophy, Oklahoma City University, 1995-2000 (tenured 1997). Assistant Professor of Philosophy (and Adj. Prof. of Religion), Oklahoma City Univ., 1992-1995. Instructor, Dept. of Philosophy, Georgia State University, spring and summer, 1992 Graduate Fellow/Teaching Associate, Dept. of Philosophy, Emory University, 1988-1992. Instructor, Dept. of Philosophy, University of Memphis, summer 1988. Graduate Assistant, Dept. of Philosophy, University of Memphis, 1986-1988. Editorial and Administrative Appointments General Editor, Critical Edition of the Works of Josiah Royce, 2009-2014 Editor, Library of Living Philosophers, Southern Illinois University, Carbondale, 2001-13 Editor, The Pluralist, 2005-12 (University of Illinois Press; official journal of the Society for the Advancement of American Philosophy, beginning 2010) Assoc. Editor, Library of Living Philosophers, SIU Carbondale, 2000-2001 Editor, The Personalist Forum, 1997-2005 (became The Pluralist in 2005; archival site: http://tpf.siuc.edu/) Director, Oklahoma City University, Master of Liberal Arts Program, 1994-1999. -
CONTEMPORARY ISLAMIC FINANCE the Robert W
CONTEMPORARY ISLAMIC FINANCE The Robert W. Kolb Series in Finance provides a comprehensive view of the field of finance in all of its variety and complexity. It covers all major topics and spe- cializations in finance, ranging from investments, to corporate finance, to financial institutions. Each volume is written or edited by a specialist (or specialists) in a particular area of finance and is intended for practicing finance professionals, grad- uate students, and advanced undergraduate students. The goal of each volume is to encapsulate the current state of knowledge in a particular area of finance so that the reader can quickly achieve a mastery of that discipline. Please visit www.wiley.com/go/kolbseries to learn about recent and forth- coming titles in the Kolb Series. CONTEMPORARY ISLAMIC FINANCE Innovations, Applications, and Best Practices Editor Karen Hunt-Ahmed The Robert W. Kolb Series in Finance John Wiley & Sons, Inc. Copyright C 2013 by John Wiley & Sons, Inc. All rights reserved. Published by John Wiley & Sons, Inc., Hoboken, New Jersey. Published simultaneously in Canada. Cover image: C infrontphoto / iStockphoto Cover design: Leiva–Sposato No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the Web at www.copyright.com. -
Philosophy As a Continual Unfolding: Interpretation and Expansion of Community: Moving Forward with a Royce Agenda
1 Philosophy as a Continual Unfolding: Interpretation and Expansion of Community: Moving Forward with A Royce Agenda Jacquelyn Ann K. Kegley As we gather again to explore the thought and life of Josiah Royce let us embody his own spirit in such an endeavor, namely, to understand that a self, a life, and a philosophy is an ongoing task of interpretation. This means that each should involve the following characteristics: temporality and process, historicity, context, and relationship, and a plan of action. Temporality is a prime characteristic, for Royce, of self, indeed, of all reality.1 About the self he says, “In brief, my idea of myself is an interpretation of my past—linked also with an interpretation of my hopes and my intentions as to my future.” 2 Selfhood, a life, and a philosophy are open-ended affairs; the meaning of each continues to develop; each is potentially a deep and complex sign that can grow richer in meaning; further meaning is always possible. Perice captures this fecundity of a self when he writes: “No son of Adam has ever fully manifested what there was in him.” 3 Joseph Margolis nicely states what it means to speak of a life in this context when he writes: “Once admit that persons are texts, have or are histories themselves; it becomes quite impossible to fix the ontological or intentional closure of their careers and natures—even after their physical death.”4 Finally, as for a philosophy or for philosophy in general it is appropriate here to cite Whitehead’s claim that all philosophy is a footnote on Plato. -
By Susan Eva O'donovan Manisha Sinha University of Massachusetts - Amherst, [email protected]
University of Massachusetts Amherst ScholarWorks@UMass Amherst Afro-American Studies Faculty Publication Series Afro-American Studies 2009 Becoming Free in the Cotton South – By Susan Eva O'Donovan Manisha Sinha University of Massachusetts - Amherst, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/afroam_faculty_pubs Part of the African American Studies Commons Recommended Citation Sinha, Manisha, "Becoming Free in the Cotton South – By Susan Eva O'Donovan" (2009). The Historian. 100. 10.1111/j.1540-6563.2008.00233_23.x This Article is brought to you for free and open access by the Afro-American Studies at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Afro-American Studies Faculty Publication Series by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. © 2009 Phi Alpha Theta BOOK REVIEWS EDITORIAL OFFICE: Elliott Hall IV, Ohio Wesleyan University; Delaware, OH 43015. TELEPHONE: 740-368-3642. Facsimile: 740-368-3643. E-MAIL ADDRESS: [email protected] WEB ADDRESS: http://go.owu.edu/~brhistor EDITOR RICHARD SPALL Ohio Wesleyan University REGIONAL SUB-EDITORS Robert Dietle Richard B. Allen (Modern Western Europe) (Africa, Middle East, and South Asia) Western Kentucky University Framingham State College Douglas R. Bisson Betty Dessants (Early Modern Europe) (United States Since 1865) Belmont University Shippensburg University Helen S. Hundley Nigel Kennell & Stefanie Kennell (Russia and Eastern Europe) -
This Dissertation Has Been 61—5100 M Icrofilm Ed Exactly As Received
This dissertation has been 61—5100 microfilmed exactly as received LOGAN, Winford Bailey, 1919- AN INVESTIGATION OF THE THEME OF THE NEGATION OF LIFE IN AMERICAN DRAMA FROM WORLD WAR H TO 1958. The Ohio State University, Ph.D., 1961 Speech — Theater University Microfilms, Inc., Ann Arbor, Michigan AN INVESTIGATION OF THE THSiE OF THE NEGATION OF LIFE IN AMERICAN DRAMA FROM WORLD WAR II TO 1958 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Winford Bailey Logan* B.A.* M.A. The Ohio State University 1961 Approved by Adviser Department of Speech CONTENTS CHAPTER PAGE I. INTRODUCTION 1 II. A BACKGROUND OF PHILOSOPHICAL NEGATION 5 III. A BASIS OF JUDGMENT: THE CHARACTERISTICS AND 22 SYMPTOMS OF LIFE NEGATION IV. SERIOUS DRAMA IN AMERICA PRECEDING WORLD WAR II i+2 V. THE PESSIMISM OF EUGENE O'NEILL AND AN ANALYSIS 66 OF HIS LATER PLAYS VI. TENNESSEE WILLIAMS: ANALYSES OF THE GLASS MENAGERIE. 125 A STREETCAR NAMED DESIRE AND CAMINO REAL VII. ARTHUR MILLER: ANALYSES OF DEATH OF A SALESMAN 179 AND A VIEW FRCM THE BRIDGE VIII. THE PLAYS OF WILLIAM INGE 210 IX. THE USE OF THE THEME OF LIFE NEGATION BY OTHER 233 AMERICAN WRITERS OF THE PERIOD X. CONCLUSIONS 271 BIBLIOGRAPHY 289 AUTOBIOGRAPHY 302 ii CHAPTER I INTRODUCTION Critical comment pertaining to present-day American theatre frequently has included allegations that thematic emphasis seems to lie in the areas of negation. Such attacks are supported by references to our over-use of sordidity, to the infatuation with the psychological theme and the use of characters who are emotionally and mentally disturbed, and to the absence of any element of the heroic which is normally acknowledged to be an integral portion of meaningful drama.