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To What Extent Is “A Tale of Two Cities” by Charles Dickens a Historical Or a Romance Novel
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TED Ankara College IB Thesis TED ANKARA COLLEGE FOUNDATION PRIVATE HIGH SCHOOL Extended Essay Research Question: To what extent is “A Tale of Two Cities” by Charles Dickens a historical or a romance novel. Mehmet Uğur TÜRKYILMAZ Supervisor: Dilek Göktaş School Code: 1129 Candidate Number: D-1129-084 Word Count: 3260 1 Contents 1 Abstract 1 2 Introduction 2 3 Historical Novel and Features of “A Tale of Two Cities” as a Historical Novel 5 4 Romance Novel and Features of “A Tale of Two Cities as a Romance Novel 8 5 Conclusion 11 6 Bibliography 13 2 Mehmet Uğur Türkyılmaz D1129-084 Abstract This extended essay aims to analyse “A Tale of Two Cities”, written by Charles Dickens in 1859, from two different perspectives: historical novel and romantic novel. The novel is set in the period of French Revolution, and the historical setting is an important aspect of this novel. There is also a romantic relationship developing between two young people. This dual nature of the book, the fact that it encompasses love, guilt, compassion, justice, sacrifice, revenge and loyalty, and the detailed and realistic narration of the French revolution were the main reasons behind the selection of this novel. This essay compares the historical features and the romantic features of the novel. Historical novel and romantic novel types of literature was first defined, and then the novel was examined according to the definitions. Word Count: 131 3 Mehmet Uğur Türkyılmaz D1129-084 Introduction Charles Dickens is one of the most important figures in British literature, especially that of Victorian era. -
A Tale of Two Cities
LEVEL 5 Teacher’s notes Teacher Support Programme A Tale of Two Cities Charles Dickens Summary EASYSTARTS A Tale of Two Cities was Charles Dickens’s second historical novel and is set in the late eighteenth century during the period of the French Revolution. It was originally published in thirty-one weekly instalments between April LEVEL 2 and November 1859. Chapters 1–2: The version of the story published here LEVEL 3 begins in the last decades of the eighteenth century, when the poor and oppressed of France were at last beginning to plan the downfall of the aristocracy. The book opens LEVEL 4 with the description of a poor suburb of Paris called Saint Antoine. A wine barrel is accidentally damaged and the poor people of the area rush to drink the wine from About the author the street. The scene is witnessed by the local wine shop LEVEL 5 Charles Dickens, a world-famous author, born in 1812, owner Monsieur Defarge, who is also a revolutionary was the son of a clerk in the Navy office. His irresponsible leader. Monsieur Defarge is looking after his former parents ran into great debt and when Dickens was twelve, employer, Dr Manette, who has recently been released LEVEL 6 his father was placed in a debtors’ prison and the boy from prison after spending many years locked up in the was put to work in a factory for some months. Dickens’s Bastille. Dr Manette spends his time in his room making intense misery in this place made a profound impression shoes – a skill he learned while in prison. -
A Tale of Two Cities
MACMILLAN READERS BEGINNER lEVEL CHARLES DIC KENS A Tale of Two Cities Retold by Stephen Colbourn Contents A Note About the Author 4 A Note About This Story 5 The People in This Story 7 1 To Dover 8 2 A Wine Shop in Paris 13 3 The Old Bailey 18 4 New Friends 24 5 The Aristocrat 26 6 A Wedding 31 7 Revolution 35 8 To Paris 39 9 An Enemy of the Repuhlic 43 10 Citizen Barsad 47 11 Doctor Manette's Letter 50 12 Sydney Carton's PlaIt 53 13 The Escape 55 14 The Guillotille 60 1 To Dover It was the year 1775. A coach was gOil1g from London to Dover. The road was wet and Inuddy. The horses pulled the heavy coach slowly. A man on a horse came along tIle road behind the coach. He was riding quickly. 'Stop!' shouted the rider. 'What do you want?' asked the coach driver. 'I have a message!' shouted the rider. He stopped l1is horse in front of the coach. The coach also stopped. 'The message is for Mr Jarvis Lorry,' said the rider. 8 A man looked out of the wi11dow of the coach. He was about sixty years old and l1e wore old ... fashioned clothes. He saw the rider and asked, 'What news do you bring, Jerry?' 'Do you know this man, sir?' asked the coach driver. 'There are robbers on this road.' 'I know him,' replied the old man. 'His name is Jerry Cruncher. He has come from my bank. Jerry Cruncher is a messenger, not a robber.' 'Here is a letter for you, Mr Lorry,' the messenger said. -
A Double Date with Dickens
D L FO Main Character Guide for A Tale of Two Cities Doctor Alexandre Manette A French doctor imprisoned in the Bastille for 18 years; suffers some mental trauma from the experience Lucie Manette Dr. Manette's daughter; a beautiful, compassionate woman Charles Darnay A French aristocrat who denounces his family name and moves to England Sydney Carton An alcoholic lawyer who looks like Charles Darnay and regrets not making more of his life Monsieur Ernest Defarge The owner of a French wine shop and leader of a roving band of peasants—the Jacquerie—during the French Revolution A DOUBLE DATE WITH DICKENS Madame Therese Defarge Wife of Monsieur Ernest Defarge, a vengeful female revolutionary If you’re reading both books, here's your reading schedule. Jarvis Lorry An elderly English banker for Tellson's Bank and loyal friend to the Manette family Miss Pross An Englishwoman who used to be Lucie Manette's governess A TALE OF TWO CITIES and remains her devoted protector Jerry Cruncher A messenger for Tellson's Bank 12/17 Book the First, Chapter 1: The Period – Book Pages 3–128 the Second, Chapter 9: The Gorgon's Head The Marquis St. Evrémonde A greedy, heartless French aristocrat John Barsad A spy for Britain; friends and partners with Roger Cly 12/24 Book the Second, Chapter 10: Two Promises Pages 128–241 – Chapter 24: Drawn to the Loadstone Rock Mr. Stryver An arrogant lawyer who employs Sydney Carton 12/31 Book the Third, Chapter 1: In Secret – Pages 245–372 Chapter 15: The Footsteps Die Out For Ever Main Character Guide for Great Expectations Philip Pirrip ("Pip") An orphan who is both the protagonist and narrator of the novel GREAT EXPECTATIONS Joe Gargery Pip's brother-in-law; a kind blacksmith Mrs. -
A Tale of Two Cities
A Tale of Two Cities CHARLES DICKENS A Tale of Two Cities is set before and during the French Revolution, and examines the harsh con- 1859 ditions and brutal realities of life during this difficult time. While the conditions before the revolution were deplorable, things were far from ideal afterward as the violence toward, and oppression of, one class was reversed once the poor overthrew the nobility. In the end, the only glimmer of hope comes with the heroic sacrifice of Sydney Carton, as he gives his life for the good of others. According to Dickens’s Preface, the inspira- tion for the story came from two sources. The first was Wilkie Collins’s play The Frozen Deep, in which two rivals unknowingly embark on the same doomed Arctic expedition, and one ends up dying to save his rival. The second was Thomas Carlyle’s The French Revolution: A History. The details in the portions of A Tale of Two Cities that take place in France closely echo Carlyle’s work, and critics have noted that Carlyle’s account seems to be Dickens’s only source of historical information. One of the most-discussed aspects of A Tale of Two Cities is the ambivalence with which Dickens seems to regard the revolution and the revolutionaries. Although he clearly under- stands why the French people rose up to over- throw their government and seize power for themselves, he seems troubled by the manner in which this occurred. The violence and brutality 494 ATaleofTwoCities THE NEW ERA BEGAN; THE KING WAS TRIED, DOOMED, AND BEHEADED; THE REPUBLIC OF LIBERTY, EQUALITY, FRATERNITY, OR DEATH, DECLARED FOR BIOGRAPHY VICTORY OR DEATH AGAINST THE WORLD IN ARMS; THE Charles Dickens BLACK FLAG WAVED NIGHT AND DAY FROM THE GREAT Charles Dickens, one of England’s most famous TOWERS OF NOTRE DAME; THREE HUNDRED THOUSAND and beloved authors, was born February 7, 1812 MEN, SUMMONED TO RISE AGAINST THE TYRANTS OF in Portsmouth, England. -
English Round Between How a Word/Phrase Should 2017 – Senior Division Coaches Practice Be Pronounced and What You See
Students: Throughout this competition, foreign Indiana Academic Super Bowl names and words may be used. If there are any discrepancies English Round between how a word/phrase should 2017 – Senior Division Coaches Practice be pronounced and what you see A Program of the Indiana Association of School Principals on the screen, the screen supersedes what is spoken. SD-CP-E-1 SD-CP-E-2 The opening sentence of A Tale of Two The epigraph to “Don Juan: Dedication” is “Difficile est proprie communia dicere.” Which of the Cities, offers examples of each of the following BEST translates that sentence? following EXCEPT _______ A. It is appropriate to tell the truth as one laughs. A. antithesis B. It is difficult to speak of the universal specifically. B. metonymy C. It is desirable to use one’s gifts for the good of C. parallelism the community. D. It is sufficient to combine well-chosen words D. polysyndeton in a well-ordered line. 1 SD-CP-E-3 SD-CP-E-4 In Dickens’ A Tale of Two Cities, Jarvis Lorry protests, “Feelings! I have no time for them, no change of them.” In the first stanza of “Don Juan: Dedication,” Byron However, the truth that he does have feelings is BEST says Southey “turned out a Tory.” In fact, he was a supported by the way he ________ Tory Member of Parliament. A Tory is understood to support each of the following EXCEPT _______ A. observes the intricately carved frame of the pier-glass in the room in which Lucie sits A. -
Monsters Most Dreadful: Institutions in a Tale of Two Cities
Monsters Most Dreadful: Institutions in A Tale of Two Cities by Natalie Kopp, Westerville South High School Resurrection, in a variety of forms, arises as a central motif throughout Charles Dickens’ A Tale of Two Cities. Repeatedly, individuals are “recalled to life” by someone who loves them—Lucie Manette brings her father back after he has been “buried alive for eighteen years” (20); she gives testimony that helps save her husband-to-be from almost certain death by the English courts; Sydney Carton gives his life to save Lucie’s family, resurrecting them; and, in turn, Lucie’s family recalls Carton to life through their memories for years to come. Examples abound of loving individuals who, in recalling and being recalled, create a legacy for themselves and their principles. But what about the powerful institutions that ensnare the lives of all these individuals? What ensures their longevity? Writing the novel in a time of political unrest and fear of revolution in England (just a decade after the European revolutions of 1848), Dickens devotes considerable detail to creating portraits of such institutions as the French aristocracy, the new French Republic, the British and French court systems, and Tellson’s Bank. Through these portrayals, he sends a message to his country and to future societies about the fate of such institutions: A group or institution that depersonalizes and does not respect individuals will ultimately die out, while a group that honors such basic human virtues as empathy, love, and compassion will live on. Individual virtues can be quite easily overshadowed by group dynamics, but Dickens makes it clear that love and empathy are so essential to the human spirit that, so long as there are individuals who will stand up for these virtues, no group or society can sustain itself without them. -
1855, Charles Dickens Wrote to A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Business and Terror in Charles Dickens’s A Tale of Two Cities Lynn Shakinovsky ‘And indeed, sir,’ pursued Mr. Lorry, not minding him, ‘I really don’t know what you have to do with the matter. If you’ll excuse me, as your very much elder, for saying so, I really don’t know that it is your business.’ ‘Business! Bless you, I have no business,’ said Mr. Carton. ‘It is a pity that you have not, sir.’ ‘I think so too.’ ‘If you had,’ pursued Mr. Lorry, ‘perhaps you would attend to it.’ ‘Lord love you, no!—I shouldn’t,’ said Mr. Carton. (A Tale of Two Cities 86) In 1855, Charles Dickens wrote to A. H. Layard comparing the festering state of contemporary England with pre-Revolutionary France: “I believe the discontent to be so much the worse for smouldering instead of blazing openly, that it is extremely like the general mind of France before the breaking out of the first Revolution, and is in danger of being turned by any one of a thousand accidents [. .] into such a Devil of a conflagration as has never been beheld since”1 (to Austen Henry Layard, 10 April 1855, Letters of Charles Dickens, vol. 7, 587). The mid-century Victorian English society to which Dickens refers in his letter bears little ostensible similarity to the political and economic structures of feudal, pre-Revolutionary France; it is a free-market, capitalist society in the full throes of industrial development. -
A Tale of Two Cities
T HE G LENCOE L ITERATURE L IBRARY Study Guide for A Tale of Two Cities by Charles Dickens i Meet Charles Dickens happy school days and the misery of his life in the factory gnawed at him, and he later wrote: “No words can express the secret agony of my soul. even now, famous and happy, I . wander deso- lately back to that time of my life.” Dickens’s childhood experiences made him all the more determined to succeed, and they also created in him a strong sympathy for the poor, which he never lost. His father’s continuing financial troubles pre- vented Dickens from attending school for very long. In 1827, when he was fifteen, he found work as a law clerk, a job he hated. In his spare time he studied on his own and taught himself to write shorthand. In seasons of pestilence, some of us will have a secret The serial publication of Pickwick Papers, attraction to the disease—a terrible passing inclination begun in 1836 and completed in 1837, made to die of it. And all of us have wonders hidden in our Dickens an overnight success. Other novels soon breasts, only needing circumstances to evoke them. followed, and Dickens became the most popular author of his time. —from A Tale of Two Cities Dickens’s early novels, such as Oliver Twist, were filled with comic characters, gruesome vil- ike the age he described in the famous opening lains, and chatty, rambling narrators. The novels Lof A Tale of Two Cities, the life of Charles of his middle and late periods, such as Hard Dickens contained both the best of times and the Times, are much darker visions of Victorian soci- worst of times, its seasons of light and of darkness. -
A Masterpiece Teacher's Guide
A Tale of Two Cities A MASTERPIECE TEACHER’S GUIDE ILLUSTRATION BY JOHN MCLENAN, 1859 INTRODUCTION his Teacher’s Guide is a resource for educators to be used with the Masterpiece Tfilm,A Tale of Two Cities. The film, which Masterpiece originally aired in 1989 on PBS, is available for purchase from shopPBS.org. Starring James Wilby, Xavier Deluc, and Serena Gordon, and directed by Philippe Monnier, the film is a detailed adaptation of Dickens’s complex story of the lives of English and French characters caught up in the turmoil preceding and during the French Revolution. Written in 1859, A Tale of Two Cities explores issues also associated with other works of Charles Dickens: poverty, oppression, cruelty, social disruption, justice, personal redemption, and class struggle. As scenes in the story shift between the cities of Paris and London, Dickens explores these themes in both locations. The circumstances that provoked the revolution, as well as the chaotic consequences of the revolutionaries’ victory, serve as a warning directed at unaddressed and unresolved social concerns in England. Everywhere, poverty and oppression stand in sharp contrast to justice and love. Through the lives of characters drawn from many class levels in both England and France, Dickens weaves his intricate plot. A master of dramatic narrative full of vivid scenes and coincidences, Dickens is able to link the lives of diverse characters who represent the competing forces of that memorable era. To this day, Madame Defarge personifies revenge, just as the Marquis St. Evrémonde stands for corruption and cruelty. Sydney Carton represents the extremes to which one might go to salvage a wasted life. -
Theme of Resurrection – “Recalled to Life”
Themes and Symbols in TOTC Tone is dark and ominous o Dover mail route o Mist o Darkly paneled room where Lorry meets Lucie Manette o Gloomy and suggestive o Darkness and secrets o Climate of suspense – gives readers many questions that need be answered (anticipation) Secrets: Every person possesses a secret (Discovered over a period of time – slowly) o Charles Darnay o Sydney Carton o Miss Pross o John Barsad o Doctor Manette o Madame Defarge o Mr. Lorry Symbolism Broken wine cask conveys the suffering and rage that will lead French peasantry to revolt. It has a nightmarish quality. People stain themselves with wine, the wine is smeared on their hands, feet and faces foreshadowing the approaching chaos during which the blood of aristocrats and political dissidents will cover the ground. The word “blood” is scrawled on the wall. Mob of people are like a beast, threatening with danger rather than promising freedom Hunger (anaphora) – dominates the people’s lives Jacques is name for revolutionary. Common name given to them by the aristocracy to accent their inferiority and deny their individuality (Like we use John Doe or Jane Doe) Madame Defarge’s knitting – a list of names of people condemned to die when the revolution occurs – vengefulness Shoemaker tools – monotonous activity to avoid boredom and insanity Golden hair = golden thread – hope Duality England of Dickens’s time is like France of the past, prior and up to Revolution (Dickens was more concerned with portraying the death and destruction that accompany revolution than with endorsing a working class revolt) Novel is a warning to England to redeem itself, to be reborn as various characters in novel are reborn/“recalled to life” Telson’s bank (where Jarvis Lorry and Jerry Cruncher both work) is a connection between both Paris and London Charles Darnay (France) and Sydney Carton (England): Look remarkably alike, both love Lucie Manette; Charles is noble, honorable almost to a fault; while Sydney appears to be useless, a wasted life, unredeemable Madame Defarge (France) and Dr. -
Read an Excerpt
Charles Dickens' A TALE OF TWO CITIES Dramatized by ROBERT JOHANSON Dramatic Publishing Wooci;tock, Illinois • ~ England • Melboumet Amtnilia © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBUSIllNG C01v1PANY without whaie pennission in writing no performance of it may be given Royalty fees are given in our current catalogue and are subject to change without notice. Royalty must be paid every time a play is perfonned whether or not it is presented for profit and whether or not admission is charged. A play is perfonned anytime it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBUSIllNG P. O. Box 129, Wcxx:Jstock, illinois 60098. COPYRIGHT UW GIVES THE AUTHOR OR THE AUTHOR'S AGENI' THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the perfonnance of their work Conscientious OC6ervance of copyright law is not ooly ethi~ it encour ages authors to continue their creative work This work is fully protected by copyright No alterations, deletions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any fonn or by any means, electronic or me chanical, including photocopyJ recording, videotape, fIlm, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be performed either by professionals or amateurs without payment of royalty.