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A Tale of Two Cities - Walsh 76
A TALE OF TWO CITIES - WALSH 76. SCENE 19 (The scene shifts to the Manettes’ home in London. Lucie and Miss Pross enter. Lucie is upset. Miss Pross has to work hard to keep up.) MISS PROSS Miss Lucie! Miss Lucie! What on earth is wrong? LUCIE He has oppressed no man. He has imprisoned no man. Rather than harshly exacting payment of his dues, he relinquished them of his own free will. He left instructions to his steward to give the people what little there was to give. And for this service, he is to be imprisoned. MISS PROSS What are you talking about, Miss Lucie? LUCIE The decree. MISS PROSS What decree? There have been so many decrees I’ve lost count. LUCIE They are arresting emigrants. (The doorbell rings.) MISS PROSS But you remember what Mister Carton said, how unreliable the news is from France during these troubled times. LUCIE I must go to him. MISS PROSS You what? LUCIE If I leave now, there is a chance I may overtake him before he arrives in Paris. (Carton enters.) MISS PROSS Oh, Mister Carton! Thank goodness. Do talk some sense into her. A TALE OF TWO CITIES - WALSH 77. CARTON I, Miss Pross? When have I ever been known to talk sense? MISS PROSS She’s got it in her head to go to Paris! CARTON She... what? Lucie, you can’t be serious. LUCIE I am quite serious. Charles would do no less if our positions were reversed. CARTON Charles would not have let you go to Paris in the first place. -
To What Extent Is “A Tale of Two Cities” by Charles Dickens a Historical Or a Romance Novel
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TED Ankara College IB Thesis TED ANKARA COLLEGE FOUNDATION PRIVATE HIGH SCHOOL Extended Essay Research Question: To what extent is “A Tale of Two Cities” by Charles Dickens a historical or a romance novel. Mehmet Uğur TÜRKYILMAZ Supervisor: Dilek Göktaş School Code: 1129 Candidate Number: D-1129-084 Word Count: 3260 1 Contents 1 Abstract 1 2 Introduction 2 3 Historical Novel and Features of “A Tale of Two Cities” as a Historical Novel 5 4 Romance Novel and Features of “A Tale of Two Cities as a Romance Novel 8 5 Conclusion 11 6 Bibliography 13 2 Mehmet Uğur Türkyılmaz D1129-084 Abstract This extended essay aims to analyse “A Tale of Two Cities”, written by Charles Dickens in 1859, from two different perspectives: historical novel and romantic novel. The novel is set in the period of French Revolution, and the historical setting is an important aspect of this novel. There is also a romantic relationship developing between two young people. This dual nature of the book, the fact that it encompasses love, guilt, compassion, justice, sacrifice, revenge and loyalty, and the detailed and realistic narration of the French revolution were the main reasons behind the selection of this novel. This essay compares the historical features and the romantic features of the novel. Historical novel and romantic novel types of literature was first defined, and then the novel was examined according to the definitions. Word Count: 131 3 Mehmet Uğur Türkyılmaz D1129-084 Introduction Charles Dickens is one of the most important figures in British literature, especially that of Victorian era. -
A Tale of Two Cities
LEVEL 5 Teacher’s notes Teacher Support Programme A Tale of Two Cities Charles Dickens Summary EASYSTARTS A Tale of Two Cities was Charles Dickens’s second historical novel and is set in the late eighteenth century during the period of the French Revolution. It was originally published in thirty-one weekly instalments between April LEVEL 2 and November 1859. Chapters 1–2: The version of the story published here LEVEL 3 begins in the last decades of the eighteenth century, when the poor and oppressed of France were at last beginning to plan the downfall of the aristocracy. The book opens LEVEL 4 with the description of a poor suburb of Paris called Saint Antoine. A wine barrel is accidentally damaged and the poor people of the area rush to drink the wine from About the author the street. The scene is witnessed by the local wine shop LEVEL 5 Charles Dickens, a world-famous author, born in 1812, owner Monsieur Defarge, who is also a revolutionary was the son of a clerk in the Navy office. His irresponsible leader. Monsieur Defarge is looking after his former parents ran into great debt and when Dickens was twelve, employer, Dr Manette, who has recently been released LEVEL 6 his father was placed in a debtors’ prison and the boy from prison after spending many years locked up in the was put to work in a factory for some months. Dickens’s Bastille. Dr Manette spends his time in his room making intense misery in this place made a profound impression shoes – a skill he learned while in prison. -
All the Year Round. a Weekly Journal
"THE STORY OF OUR LIVES FROM YEAR TO YEAR."---SHAKEsPEArE. ALL THE YEAR ROUND. A WEEKLY JOURNAL. CONDUCTED BY CHARLES DICKENS. WITH WHICH IS INCORPORATED HOUSEHOLD WORDS. SATURDAY, NOVEMBER 19, 1859. N°- 30.] [PRICE 2d. "In a word," said Madame Defarge, coming A TALE OF TWO CITIES. out of her short abstraction, "I cannot trust In Three Books. my husband in this matter. Not only do I feel By CHARLES DICKENS. since last night, that I dare not confide to him the details of my projects; but also I feel that if I delay, there is danger of his giving warning, BOOK THE THIRD. THE TRACK OF A STORM. and then they might escape." CHAPTER XIV. THE KNITTING DONE. "That must never be," croaked Jacques IN that same juncture of time when the Fifty- Three; "no one must escape. We have not Two awaited their fate, Madame Defarge held half enough as it is. We ought to have six darkly ominous council with The Vengeance and score a day." Jacques Three of the Revolutionary Jury. Not "In a word," Madame Defarge went on, in the wine-shop did Madame Defarge confer "my husband has not my reason for pursuing with these ministers, but in the shed of the this family to annihilation, and I have not his wood-sawyer, erst a mender of roads. The reason for regarding this Doctor with any sensi- sawyer himself did not participate in the bility. I must act for myself, therefore. Come conference, but abided at a little distance, hither, little citizen." like an outer satellite who was not to speak The wood-sawyer, who held her in the re- until required, or to offer an opinion until in- spect, and himself in the submission, of mor- vited. -
Charles Dickens
Charles Dickens A Tale of Two Cities (1859) It was the best of times, it was the worst of times, Intro Horner it was the age of wisdom, it was the age of foolishness… Spring ‘ 06 This piece of fiction is based on many actual historical events. The Plot The action of A Tale of Two Cities takes place over a period of about eighteen years, beginning in 1775, and ending in 1793. Some of the story takes place earlier, as told in the flashbacks. It centers around the years leading up to French Revolution and culminates in the Jacobin Reign of Terror. It tells the story of two men, Charles Darnay and Sydney Carton, who look very alike but are entirely different in character. Darnay is a romantic descended from French aristocrats, while Carton is a cynical English barrister. The two are in love with the same woman, Lucie Manette: one will love her from afar and make a courageous sacrifice for her and the other will marry her. Lucie Manette Charles Darnay Sydney Carton In France after more than seventeen years of unjust imprisonment, Dr. Alexandre Manette (Lucie’s father) is released from the infamous Bastille, setting into motion this time spanning story of revenge and resurrection. Upon his release, Manette is sheltered and cared for by an old servant, Ernest Defarge, the wine vendor and his wife Madame Defarge. Madame Defarge The Setting London, England Paris, France Conflict In his dual focus on the French Revolution and the individual lives of his characters, Dickens draws many comparisons between the historical developments taking place and the characters’ triumphs and travails. -
A Tale of Two Cities
A Tale of Two Cities CHARLES DICKENS A Tale of Two Cities is set before and during the French Revolution, and examines the harsh con- 1859 ditions and brutal realities of life during this difficult time. While the conditions before the revolution were deplorable, things were far from ideal afterward as the violence toward, and oppression of, one class was reversed once the poor overthrew the nobility. In the end, the only glimmer of hope comes with the heroic sacrifice of Sydney Carton, as he gives his life for the good of others. According to Dickens’s Preface, the inspira- tion for the story came from two sources. The first was Wilkie Collins’s play The Frozen Deep, in which two rivals unknowingly embark on the same doomed Arctic expedition, and one ends up dying to save his rival. The second was Thomas Carlyle’s The French Revolution: A History. The details in the portions of A Tale of Two Cities that take place in France closely echo Carlyle’s work, and critics have noted that Carlyle’s account seems to be Dickens’s only source of historical information. One of the most-discussed aspects of A Tale of Two Cities is the ambivalence with which Dickens seems to regard the revolution and the revolutionaries. Although he clearly under- stands why the French people rose up to over- throw their government and seize power for themselves, he seems troubled by the manner in which this occurred. The violence and brutality 494 ATaleofTwoCities THE NEW ERA BEGAN; THE KING WAS TRIED, DOOMED, AND BEHEADED; THE REPUBLIC OF LIBERTY, EQUALITY, FRATERNITY, OR DEATH, DECLARED FOR BIOGRAPHY VICTORY OR DEATH AGAINST THE WORLD IN ARMS; THE Charles Dickens BLACK FLAG WAVED NIGHT AND DAY FROM THE GREAT Charles Dickens, one of England’s most famous TOWERS OF NOTRE DAME; THREE HUNDRED THOUSAND and beloved authors, was born February 7, 1812 MEN, SUMMONED TO RISE AGAINST THE TYRANTS OF in Portsmouth, England. -
Furies of the Guillotine: Female Revolutionaries In
FURIES OF THE GUILLOTINE: FEMALE REVOLUTIONARIES IN THE FRENCH REVOLUTION AND IN VICTORIAN LITERARY IMAGINATION A Thesis Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History by Tori Anne Horton FALL 2016 © 2016 Tori Anne Horton ALL RIGHTS RESERVED ii FURIES OF THE GUILLOTINE: FEMALE REVOLUTIONARIES IN THE FRENCH REVOLUTION AND IN VICTORIAN LITERARY IMAGINATION A Thesis by Tori Anne Horton Approved by: __________________________________, Committee Chair Dr. Mona Siegel __________________________________, Second Reader Dr. Rebecca Kluchin ____________________________ Date iii Student: Tori Anne Horton I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Department Chair ___________________ Dr. Jeffrey Wilson Date Department of History iv Abstract of FURIES OF THE GUILLOTINE: FEMALE REVOLUTIONARIES IN THE FRENCH REVOLUTION AND IN VICTORIAN LITERARY IMAGINATION by Tori Anne Horton The idea of female revolutionaries struck a particular chord of terror both during and after the French Revolution, as represented in both legislation and popular literary imagination. The level and form of female participation in the events of the Revolution varied among social classes. Female participation during the Revolution led to an overwhelming fear of women demanding and practicing democratic rights in both a nonviolent manner (petitioning for education, demanding voting rights, serving on committees), and in a violent manner (engaging in armed protest and violent striking). The terror surrounding female democratic participation was manifested in the fear of the female citizen, or citoyenne. -
8 ENG LIT CH 9 (PART 1) (Pdf) Download
CLASS VIII ENGLISH LITERATURE CHAPTER 9: THE SHOEMAKER Note: 1. STUDENTS ARE TO READ THE LESSON FROM THE TEXT BOOK AND UNDERSTAND IT WITH THE HELP OF SUMMARY GIVEN BELOW.DO NOT WRITE THE SUMMARY IN YOUR NOTEBOOK.IT IS FOR YOUR REFERENCE ONLY. 2. VOCABULARY AND QUESTION ANSWERS GIVEN BELOW IS TO BE DONE IN FAIR COPIES. 3. THERE ARE FEW QUESTIONS WHICH STUDENTS HAVE TO ANSWER BY THEMSELVES IN THE NOTEBOOK. 4. THE NOTEBOOK WILL BE CORRECTED WHEN THE SCHOOL RE-OPENS. Introduction: This story is taken from Charles Dickens famous novel, a tale of two cities. The story is set in the cities of London and Paris. The story tells us about Dr. Manette and the manner by which he is reunited with his daughter. Having been imprisoned for a very long time, Mr. Manette had lost almost all of his memory. When he finally meets his daughter he is taken aback by surprise. His daughter Lucie says that she had come to take him back to England. Summary: Lucie Manette grew up in London believing that she had been orphaned until Mr. Jarvis Lorry, an employee of Tellson’s bank and a guardian of the Manette family, brought her the starling news that her father, Dr. Manette, was alive. He took her to Paris to meet her father. Dr. Manette had been a distinguished doctor in Paris. He had refused to support a cruel French nobleman, and consequently the nobleman had Dr. Manette thrown into the North Tower of the terrible prison. Released from prison after eighteen years, Dr. -
English Round Between How a Word/Phrase Should 2017 – Senior Division Coaches Practice Be Pronounced and What You See
Students: Throughout this competition, foreign Indiana Academic Super Bowl names and words may be used. If there are any discrepancies English Round between how a word/phrase should 2017 – Senior Division Coaches Practice be pronounced and what you see A Program of the Indiana Association of School Principals on the screen, the screen supersedes what is spoken. SD-CP-E-1 SD-CP-E-2 The opening sentence of A Tale of Two The epigraph to “Don Juan: Dedication” is “Difficile est proprie communia dicere.” Which of the Cities, offers examples of each of the following BEST translates that sentence? following EXCEPT _______ A. It is appropriate to tell the truth as one laughs. A. antithesis B. It is difficult to speak of the universal specifically. B. metonymy C. It is desirable to use one’s gifts for the good of C. parallelism the community. D. It is sufficient to combine well-chosen words D. polysyndeton in a well-ordered line. 1 SD-CP-E-3 SD-CP-E-4 In Dickens’ A Tale of Two Cities, Jarvis Lorry protests, “Feelings! I have no time for them, no change of them.” In the first stanza of “Don Juan: Dedication,” Byron However, the truth that he does have feelings is BEST says Southey “turned out a Tory.” In fact, he was a supported by the way he ________ Tory Member of Parliament. A Tory is understood to support each of the following EXCEPT _______ A. observes the intricately carved frame of the pier-glass in the room in which Lucie sits A. -
Monsters Most Dreadful: Institutions in a Tale of Two Cities
Monsters Most Dreadful: Institutions in A Tale of Two Cities by Natalie Kopp, Westerville South High School Resurrection, in a variety of forms, arises as a central motif throughout Charles Dickens’ A Tale of Two Cities. Repeatedly, individuals are “recalled to life” by someone who loves them—Lucie Manette brings her father back after he has been “buried alive for eighteen years” (20); she gives testimony that helps save her husband-to-be from almost certain death by the English courts; Sydney Carton gives his life to save Lucie’s family, resurrecting them; and, in turn, Lucie’s family recalls Carton to life through their memories for years to come. Examples abound of loving individuals who, in recalling and being recalled, create a legacy for themselves and their principles. But what about the powerful institutions that ensnare the lives of all these individuals? What ensures their longevity? Writing the novel in a time of political unrest and fear of revolution in England (just a decade after the European revolutions of 1848), Dickens devotes considerable detail to creating portraits of such institutions as the French aristocracy, the new French Republic, the British and French court systems, and Tellson’s Bank. Through these portrayals, he sends a message to his country and to future societies about the fate of such institutions: A group or institution that depersonalizes and does not respect individuals will ultimately die out, while a group that honors such basic human virtues as empathy, love, and compassion will live on. Individual virtues can be quite easily overshadowed by group dynamics, but Dickens makes it clear that love and empathy are so essential to the human spirit that, so long as there are individuals who will stand up for these virtues, no group or society can sustain itself without them. -
A Tangible Resistance WORDS and PHOTOGRAPHS: Leanne Fischler
005 PROTEST A tangible resistance WORDS AND PHOTOGRAPHS: Leanne Fischler WHISPER Revolutions have always played a vital part in shaping the way our society and political systems are run today. Yet behind every revolution there are secret objects, ingeniously shaped by raw necessity, to guide, unite, hide and inspire. 005 PROTEST Above Solidarnosc badge and moc resistor Image courtesy of V&A London hildren love the idea of secrets; Social movements is the art of hiding messages communication in history amongst these: chess puzzles, lovers ‘kisses’ more than a tool of communication between book, also called “Disobedient they allow them to know something are one of the in plain sight. It is the art of through the literature of the at the end of letters, and knitted jumpers. the revolutionaries, Madame Defarge’s Objects”, Flood and Grindon Cabove other people, yet why are primary engines whispering your secret in a Victorian poets. In his study Before the advances of digital knitting itself is turned from something described their choice of title as secret communications needed in today’s producing our crowded room. “Cowley’s Lemmon: Secrecy cryptography, intelligence agencies had domestic into an object full of horrific, inspired by normal, every day adult society? When people feel a lack of culture and politics, Objects have always been and Interpretation in The to use physical objects to convey their fastidious secrecy. things that are used in new and and this is no less openness in a political situation, when used as part of revolutions, for Mistress” he describes the communications and signals. -
MADAME DEFARGE Copyright © 2019, Wendy Kesselman
MADAME DEFARGE This score has been downloaded from www.dramatists.comwritten and composedand is for perusal by only. WENDY KESSELMAN No performancearranged or use by of this score is CHRISTOPHER BERG allowed without written authorization from Dramatists Play Service, Inc. Full Score MADAME DEFARGE This score has been downloaded from www.dramatists.comwritten and composedand is for perusal by only. WENDY KESSELMAN No performancearranged or use by of this score is CHRISTOPHER BERG allowed without written authorization from Dramatists Play Service, Inc. Full Score MADAME DEFARGE Copyright © 2019, Wendy Kesselman All Rights Reserved MADAME DEFARGE is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. No part of this publication may be reproduced in any form by any means (electronic, mechanical, photocopying, recording, or otherwise), or stored in any retrieval systemThis in any way score (electronic has or mechan beenical) withoutdownloaded written permission from of the publisher. The English language stock and amateur stage performance rights in the United States, its territories, possessionswww.dramatists.com and Canada for MADAME DEFARGE andare cont rolledis for exclusively perusal by Dramatists only. Play Service, 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of Dramatists Play Service and paying the requisite fee.