Selling Hollywood to the World: U.S
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Index to Academy Oral Histories Ronald Neame
Index to Academy Oral Histories Ronald Neame Ronald Neame (Director) Call number: OH159 Abbott, John, 906 Academy Award nominations, 314, 321, 511, 517, 935, 969, 971 Academy Awards, 314, 511, 950-951, 1002 Academy of Motion Picture Arts and Science, 20, 27, 44, 76, 110, 241, 328, 333, 339, 400, 444, 476, 482-483, 495, 498, 517, 552-556, 559, 624, 686, 709, 733-734, 951, 1019, 1055-1056, 1083-1084, 1086 Academy Board of Governors, 1083 ADAM BEDE, 37 ADAM’S APPLE, 79-80, 100, 103, 135 AGAINST THE TIDE, 184, 225-227, 229 Aimee, Anouk, 611-612, 959 Alcott, Arthur, 648, 674, 725, 784 Allen, Irwin, 391, 508, 986-990, 997, 1002, 1006-1007, 1009, 1012, 1013 Allen, Jay Presson, 925, 927 Allenberg, Bert, 713 Allgood, Sara, 239 Alwyn, William, 692 Amalgamated Studios, 209 Ambiphone, 126-127 Ambler, Eric, 166, 201, 525, 577, 588, 595, 598, 602, 604, 626, 635, 645, 709 Ambler, Joss, 265 American Film Institute, 95, 766, 1019, 1084 American Society of Cinematogaphers (ASC), 118, 481 Ames, Gerald, 37 Anderson, Mickey, 366 Anderson, Robin, 893 Anderson, Rona, 929 Angel, Heather, 193 Ankers, Evelyn, 261-263 anti-Semitism, 562, 572-574, 576 Arnold, Malcolm, 773, 864, 876, 907 Arnold, Norman, 88 Arnold, Wilfred, 88 Asher, Irving, 1026 Asquith, Anthony, 127, 292, 404 Associated British Cinemas, 108, 152, 857 Associated British Pictures, 150 Association of Cine-Technicians (ACT), 90-92, 105, 107, 109, 111-112, 115-118, 164-166, 180, 200, 209-210, 272, 469-470 Attenborough, Richard, 277, 340, 353, 387, 554, 632 Aylmer, Felix, 185, 271, 278 Bagnold, Edin, 862 Baker, Carroll, 680, 883-884 Balchin, Nigel, 683, 684 Balcon, Michael, 127, 198, 212-214, 238, 240, 243-244, 251, 265-266, 275, 281-282, 285, 451-453, 456, 552, 637, 767, 855, 878 Balcon, S. -
The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)
Recordings at Risk Sample Proposal (Fourth Call) Applicant: The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project: Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Portions of this successful proposal have been provided for the benefit of future Recordings at Risk applicants. Members of CLIR’s independent review panel were particularly impressed by these aspects of the proposal: • The broad scholarly and public appeal of the included filmmakers; • Well-articulated statements of significance and impact; • Strong letters of support from scholars; and, • A plan to interpret rights in a way to maximize access. Please direct any questions to program staff at [email protected] Application: 0000000148 Recordings at Risk Summary ID: 0000000148 Last submitted: Jun 28 2018 05:14 PM (EDT) Application Form Completed - Jun 28 2018 Form for "Application Form" Section 1: Project Summary Applicant Institution (Legal Name) The Regents of the University of California, Berkeley Applicant Institution (Colloquial Name) UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project Title (max. 50 words) Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Project Summary (max. 150 words) In conjunction with its world-renowned film exhibition program established in 1971, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) began regularly recording guest speakers in its film theater in 1976. The first ten years of these recordings (1976-86) document what has become a hallmark of BAMPFA’s programming: in-person presentations by acclaimed directors, including luminaries of global cinema, groundbreaking independent filmmakers, documentarians, avant-garde artists, and leaders in academic and popular film criticism. -
HP0221 Teddy Darvas
BECTU History Project - Interview No. 221 [Copyright BECTU] Transcription Date: Interview Dates: 8 November 1991 Interviewer: John Legard Interviewee: Teddy Darvas, Editor Tape 1 Side A (Side 1) John Legard: Teddy, let us start with your early days. Can you tell us where you were born and who your parents were and perhaps a little about that part of your life? The beginning. Teddy Darvas: My father was a very poor Jewish boy who was the oldest of, I have forgotten how many brothers and sisters. His father, my grandfather, was a shoemaker or a cobbler who, I think, preferred being in the cafe having a drink and seeing friends. So he never had much money and my father was the one brilliant person who went to school and eventually to university. He won all the prizes at Gymnasium, which is the secondary school, like a grammar school. John Legard: Now, tell me, what part or the world are we talking about? Teddy Darvas: This is Budapest. He was born in Budapest and whenever he won any prizes which were gold sovereigns, all that money went on clothes and things for brothers and sisters. And it was in this Gymnasium that he met Alexander Korda who was in a parallel form. My father was standing for Student's Union and he found somebody was working against him and that turned out to be Alexander Korda, of course the family name was Kelner. They became the very, very greatest of friends. Alex was always known as Laci which is Ladislav really - I don't know why. -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public. -
ANNOUNCEMENT from the Copyright Office, Library of Congress, Washington, D.C
ANNOUNCEMENT from the Copyright Office, Library of Congress, Washington, D.C. 20559-6000 PUBLICATION OF FIFTH LIST OF NOTICES OF INTENT TO ENFORCE COPYRIGHTS RESTORED UNDER THE URUGUAY ROUND AGREEMENTS ACT. COPYRIGHT RESTORATION OF WORKS IN ACCORDANCE WITH THE URUGUAY ROUND AGREEMENTS ACT; LIST IDENTIFYING COPYRIGHTS RESTORED UNDER THE URUGUAY ROUND AGREEMENTS ACT FOR WHICH NOTICES OF INTENT TO ENFORCE RESTORED COPYRIGHTS WERE FILED IN THE COPYRIGHT OFFICE. The following excerpt is taken from Volume 62, Number 163 of the Federal Register for Friday, August 22,1997 (p. 443424854) SUPPLEMENTARY INFORMATION: the work is from a country with which LIBRARY OF CONGRESS the United States did not have copyright I. Background relations at the time of the work's Copyright Off ice publication); and The Uruguay Round General (3) Has at least one author (or in the 37 CFR Chapter II Agreement on Tariffs and Trade and the case of sound recordings, rightholder) Uruguay Round Agreements Act who was, at the time the work was [Docket No. RM 97-3A] (URAA) (Pub. L. 103-465; 108 Stat. 4809 created, a national or domiciliary of an Copyright Restoration of Works in (1994)) provide for the restoration of eligible country. If the work was Accordance With the Uruguay Round copyright in certain works that were in published, it must have been first Agreements Act; List Identifying the public domain in the United States. published in an eligible country and not Copyrights Restored Under the Under section 104.4 of title 17 of the published in the United States within 30 Uruguay Round Agreements Act for United States Code as provided by the days of first publication. -
July 2012 at BFI Southbank
12/31 July 2012 at BFI Southbank Christopher Nolan season The Vanishing Screenplay: Jean-Claude Carrière Masters of Japanese Cinema: Kaneto Shindo & Kozaburo Yoshimura Part Two Patricio Guzmán: The Power of Memory The Aristocracy on TV The Lacey Rituals: Films by Bruce Lacey & Friends Seasons: x Christopher Nolan This season showcases the rapid rise of Christopher Nolan, from his modest debut feature Following (1998) and breakthrough hit Memento (2000) to his current position as a hugely powerful Hollywood director of blockbusters such as Inception (2010) and the hugely anticipated The Dark Knight Rises (2012). x Two Masters of Japanese Cinema: Kaneto Shindo & Kozaburo Yoshimura Part Two Part Two of the season concentrates on Yoshimura’s output from his later years at Daiei in the 1950s and 60s. Shindo’s career as director and writer extended to 2010. He sadly passed away in May 2012 and this season will be the first world retrospective of Shindo’s work. The season will include screenings of Onibaba (1964) and Kuroneko (1968), still arguably Shindo’s best known films in the West. x The Vanishing Screenplay: Jean-Claude Carrière The season focuses on the career of Jean-Claude Carrière - a screenwriter, but also a novelist and essayist, cartoonist and sometime director and actor. His screenplays underpin some of the great international films of the late 20th century (Belle du Jour, 1967; The Tin Drum, 1979 and Cyrano de Bergerac, 1990). x Extended Run: The Discreet Charm of the Bourgeoise (Dir Luis Buñuel 1979) NEW PRINT 1-12 July Newly restored for its fortieth anniversary, this sly, slippery comedy of bourgeois manners remains one of the finest achievements of Luis Buñuel’s dazzlingly creative late period. -
Island Reporter Island Reporter • July 8,1994 • 3A
Council candidate July 4 festivities Island filmmaker page 2A page 1B page 1C JULY 8, 1994 VOLUME 23 NUMBER 27 island 3 SECTIONS, 36 PAGES REPORTER Lee County garbage plan causes a stink Commission passes ad valorem proposal over user fees By Jennifer S. Thuma city staff expressed their Staff Writer displeasure at the com- After a Lee County mission's decision and Board of Commissioners the county's proposal. meeting Wednesday "I am really disap- night, Sanibel residents pointed with our repre- will see an increase of 77 sentation on the commis- percent in solid waste sion. Residents are going disposal fees. A proposal to see a great increase in which levies disposal fees," said Assistant City fees based upon property Manager Bill Mills. assessment values was Director of Lee introduced to the Sanibel County's Solid Waste City Council Tuesday Management Department and adopted by the coun- Larry Johnson came to ty commission this week. Council members and •please see page 5A McDonald's submits traffic study No hearing date set yet By Jennifers. Thuma The comparison with the Staff Writer bank, including a drive- A traffic study by thru, was used because Florida Transportation no comparable fast food Engineering Inc. may restaurant in a similar complete an application location exists, according to build a McDonald's to the study. fast food restaurant on While a city ordinance the island. passed last August bans The report was sub- drive-thrus, the study mitted to the Sanibel says that the restaurant Planning Department last will generate less traffic month on behalf of Fred if a drive-thru is included The causeway islands and Bailey's Beach were filled with people and the sky was filled Frederic and the in the plan. -
This Month on Tcm
THIS MONTH ON TCM S ® WEDNESDAYS 1 31 DAYS OF OSCAR GOES TO COLLEGE 8 ELVIS IN HAWAII 17 ST. PATRICK’S DAY WEEKLY SHOWCASES Elmer’s Candid Camera (’40) Blue Hawaii (’61) The Quiet Man (’52) STAR OF THE MONTH: Psychology Dept. – Abnormal Psychology Scent-imental Over You (’47) Girls! Girls! Girls! (’62) Young Cassidy (’65) RONALD REAGAN The Three Faces of Eve (’57) Haredevil Hare (’48) THE ESSENTIALS Shake Hands with the Devil (’59) Psycho (’60) Duck Amuck (’53) 9 ROBERT OSBORNE’S PICKS My Left Foot (’89) Spellbound (’45) One Froggy Evening (’55) Must-See Classics Three Cheers for the Irish (’40) Possessed (’47) Lured (’47) What’s Opera, Doc? (’57) Saturdays at 8:00pm (ET) 5:00pm (PT) On Our Merry Way (’48) Night Must Fall (’37) 18 SRONALD REAGAN The Dot and the Line (’65) Harold and Maude (’71) ® The Bear That Wasn’t (’67) A Night at the Opera (’35) 2 31 DAYS OF OSCAR GOES TO COLLEGE The Man in the Iron Mask (’39) Classic Movie Lines The Phantom Tollbooth (’69) Rocky (’76) Journalism Dept. – Journalism Ethics Knute Rockne, All-American (’40) (“Win one 10 BRIDGE NIGHT S Cat Ballou (’65) It Happened Tomorrow (’44) for the Gipper.”) 25 RONALD REAGAN The Philadelphia Story (’40) The Bridge at Remagen (’69) Kings Row (’42) (“Where’s the rest of me?”) Westerns Ben-Hur (’59) A Bridge Too Far (’77) It Happened One Night (’34) Reagan in Love Santa Fe Trail (’40) The Bridge on the River Kwai (’57) Meet John Doe (’41) The Girl from Jones Beach (’49) The Bad Man (’41) The Bridges at Toko Ri (’54) TCM UNDERGROUND Mr. -
Verleihkopien
Mitglied der Fédération D FF – Deutsches Filminstitut & Tel.: +49 (0)611 / 97 000 10 www.dff.film Wiesbadener Volksbank Internationale des Archives Filmmuseum e.V. Fax: +49 (0)611 / 97 000 15 E-Mail: wessolow [email protected] IBAN: D E45510900000000891703 du Film (FIAF) Filmarchiv BIC: WIBADE5W XXX Friedrich-Bergius-Stra ß e 5 65203 Wiesbaden 8 / 2019 Verleihkopien Eine Auswahl aus unserem Archiv-Bestand Wir bieten16mm und 35mm Filmkopien, sowie DVDs und DCPs für den nichtkommerziellen Verleih an. Die angegebenen Preise verstehen sich pro Vorführung (zzgl. 7% MwSt. und Transportkosten). * Preis ohne Vorführrechte; Details erfragen Sie bitte im Filmarchiv Darüber hinaus stehen Ihnen noch weitere Filme zur Verfügung. Auskunft über den technischen Zustand der Kopien erhalten Sie im Filmarchiv. Erläuterung viragiert = ganze Szenen des Films sind monochrom eingefärbt koloriert = einzelne Teile des Bildes sind farblich bearbeitet ohne Angabe = schwarz/weiß restauriert = die Kopie ist technisch bearbeitet rekonstruiert = der Film ist inhaltlich der ursprünglichen Fassung weitgehend angeglichen Kurz-Spielfilm = kürzer als 60 Minuten russ./ eUT = russisch mit englischen Untertiteln dtUT = mit deutschen Untertiteln dt.vorh./engl.vorh. = deutsche oder englische Zwischentitel-Liste vorhanden Einige der Stummfilme sind auch mit Musik vorhanden Zwischen- Stummfilm Titel / Land / Jahr Regie / Darsteller Titel / Format Preis € Tonfilm Sprache Abend der Gaukler Regie: Ingmar Bergman GYKLARNAS AFTON Tonfilm Darsteller: Harriet Andersson Hasse Ekman deutsch -
Federal Register / Vol. 62, No. 163 / Friday, August 22, 1997 / Notice
44842 Federal Register / Vol. 62, No. 163 / Friday, August 22, 1997 / Notice LIBRARY OF CONGRESS copyright law for the reasons listed herein serve as constructive notice to all below in (2). Specifically, for restoration reliance parties. Copyright Office of copyright, a work must be an original II. Corrections Procedure [Docket No. 97±3A] work of authorship that: (1) Is not in the public domain in its The Copyright Office has promulgated Copyright Restoration of Works in source country through expiration of final regulations that provide for filing Accordance With the Uruguay Round term of protection; NIEs with the Office. 60 FR 50414 (Sept. Agreements Act; List Identifying (2) Is in the public domain in the 29, 1995). As required by 17 U.S.C. Copyrights Restored Under the United States due to: 104A(e)(1)(A)(iii), the Office's final Uruguay Round Agreements Act for (i) Noncompliance with formalities regulation included provisions for the Which Notices of Intent To Enforce imposed at any time by United States correction of minor errors or omissions. Restored Copyrights Were Filed in the copyright law, including failure of In response to requests for more detailed Copyright Office renewal, publishing the work without a instructions for correcting all kinds of proper notice, or failure to comply with errors made in filing NIEs, the Office AGENCY: Copyright Office, Library of any manufacturing requirements; (ii) published further instructions in a Congress. lack of subject matter protection in the proposed regulation on July 30, 1997. 62 ACTION: Publication of fifth list of case of sound recordings fixed before FR 40780 (1997). -
Works in the Rare Book Collection
Works in the Rare Book Collection Title Main Author Publication Year Material Type Call Number "A letter to an Honourable Brigadier General, Commander in DA 508 A3 1841 Imperfect: cover detached; 1841 BOOK Chief of His Majesty's Forces in Canada", t.p.-p.[i] wanting "A world of its own" / McAuley, James Phillip, 1917- 1977 BOOK PR 9619.3 M22 W6 1977 Gilbert, W. S. (William Schwenck), "Bab" ballads : 1879 BOOK PR 4713 B11 1879 1836-1911. Gilbert, W. S. (William Schwenck), "Gretchen" : 1879 BOOK PR 4713 G7 1879 1836-1911. PR 9619.3 D25 K56 1941 Limited ed. of 200 "Known and not held" : Dalziel, Kathleen. 1941 BOOK copies. "Let my people go" : Gollancz, Victor, 1893-1967. 1943 BOOK D 810 J4 G64 1943 Porteous, R. S. (Richard Sydney), d. "Little known of these waters" / 1945 BOOK PR 9619.3 P556 L5 1945 1963. "Mulloka", "The great spirit" and other verses / Dunsdale, John. 1950 BOOK PR 9619.3 D8557 M96 1950 "Private" discipline / Pauling, Marie. 1960 BOOK PR 9619.3 P29 P7 "Ten o'clock" : Whistler, James McNeill, 1834-1903. 1920 BOOK N 7445 W57 1920 "The book!", or, The proceedings and correspondence upon DA 538 A22 P4 1813 DAL copy imperfect: Perceval, Spencer, 1762-1812. 1813 BOOK the subject of the inquiry into the conduct cover semi-detached. "The book!", or, The proceedings and correspondence upon Caroline, Queen, consort of George 1813 BOOK DA 538 A22 P4 1813 the subject of the inquiry into the conduct IV, King of Great Britain, 1768-1821. "The hut," and other verses / Anderson, A.