Plato on Happiness
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Abstract of 'Platonic Participation'
1 Abstract of ‘Platonic Participation’ The Republic presents us with a standard account of the Theory of Forms, especially in the discussion of the difference between knowledge and opinion. But we also get in the Republic the only passage in the Platonic corpus that gives some sort of reasoned account of what is meant by participation, I mean the analogy of the Sun. A feature of this analogy is that, properly taken, it answers one of the criticisms of participation that Parmenides levels against Socrates in the Parmenides . The Republic also gives, in other places, an account of how forms and particulars can be said to be like each other that answers Parmenides’ criticism based on the likeness regress. For this reason, as well as for several others, the chronological division of the Platonic dialogues into early and middle and late should be rejected, and the Parmenides should not be read, as scholars do now read it, as posing problems for the Theory of Forms given in the Republic , but the Republic should be read as giving answers to the problems posed in the Parmenides . But while the Republic successfully answers criticisms from Parmenides in the Parmenides , it does not answer, and cannot answer, criticisms from Aristotle in the Metaphysics . This is because the Republic is distinctive among Platonic dialogues in talking, and talking at length, about particulars as participating in being and not just as participating in the beautiful or the just or the like. For while some sense can be made of speaking of participation in the just or the beautiful, no sense at all can be made of speaking of participation in being. -
Agathological Realism:* Searching for the Good Beyond Subjectivity and Objectivity Or on the Importance of Being Platonic
Etica & Politica / Ethics & Politics, XVI, 2014, 2, pp. 533-549 Agathological Realism:* Searching for the Good Beyond Subjectivity and Objectivity or On the Importance of Being Platonic Salvatore Lavecchia Università degli Studi di Udine [email protected] ABSTRACT Pointing to a radical concept of 'self-givingness' and self-transcendence, Plato’s notion of good offers a valuable means for delineating a realism which eliminates any dichotomy between subjectivity and objectivity, knowledge and morality, ethics and ontology. Plato's suggestions can be discovered in combining the characterization of the Demiurge given in the Timaeus with the analogy between the supreme Good and the sun presented in the Republic, as well as explicating the analogy between the Good and the sun with reference to the image of the intelligible sphere of light. The resulting notion of good could be integrated into the phenomenal dimension of our knowledge and perception, helping to illustrate the reality of the way that knowledge and perception transcend any separation between interiority and exteriority, self and world, individuality and community. KEYWORDS Being, consciousness, self, good, autonomy, self-transcendence, creativity 1. Integrating the self with the world Any reflection concerning moral realism could be unsatisfactory if it concentrates solely on the notion either of objectivity or of transcendence. In the following discussion I will suggest the possibility of developing a moral realism which avoids such univocal connotation. This possibility will be indicated through focusing on one of the most essential notions in any moral discourse: on the notion of good. My thesis is based on two seminal passages from Plato’s works – Timaeus 29e-30a and Respublica 506d6-509c. -
Moral Realism in Spinoza's Ethics
Moral Realism in Spinoza’s Ethics Colin Marshall University of Washington One of Spinoza’s apparent goals in the Ethics is to revise commonsense morality. This raises a question: do Spinoza’s revisions show that he thought morality was somehow unreal? In this chapter I argue that, despite his revisionism, Spinoza's metaethical views in the Ethics are a form of moral realism, even though they contain anti-realist elements.1 In so arguing, I hope to bring Spinoza’s commentators and contemporary metaethicists into better conversation with each other. The terms “moral realism” and “moral anti-realism” entered the standard philosophical vocabulary only in the late 20th century, and many interpretive issues about Spinoza can be adequately discussed without using any contemporary metaethical categories. I hope to show, however, that attempting to classify Spinoza metaethically both raises important interpretive questions and shows that Spinoza’s views bear on various general metaethical issues. Many commentators, I believe, could benefit from closer attention to the details of contemporary metaethics, but contemporary metaethicists could also benefit from closer attention to the complexities of Spinoza's metaethics. Metaethicists use the moral realism/anti-realist distinction to characterize a debate that supposedly goes back at least to Plato. I begin, therefore, by discussing the contemporary understanding of that distinction (§1), which has received limited attention from Spinoza scholars. I then survey common reasons for anti-realist readings of Spinoza (§2), before describing the moral realist elements of his views (§3). I then consider the metaethical significance of his revisionism (§4), and conclude by saying why, all things considered, Spinoza is best classified as a moral realist (§5). -
The Influence of Plotinus on Marsilio Ficino's Doctrine
THE INFLUENCE OF PLOTINUS ON MARSILIO FICINO‘S DOCTRINE OF THE HIERARCHY OF BEING by Nora I. Ayala A Thesis submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida May 2011 THE INFLUE CE OF PLOTINUS ON MARSILIO FICINO'S DOCTRINE OF THE HIERARCHY OF BEING by ora 1. Ayala This thesis was prepared under the direction ofthe candidate's thesis advisor, Dr. Marina Paola Banchetti, Department of Philosophy, and has been approved by the members of her supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment ofthe requirements for the degree ofMaster ofArts. SUPERVISORY COMMITTEE: J) ~'S{L~=-~ Clevis R. Headley, Ph.D. ~> (L.. ~-=--~ Clevis R. Headley, Ph.D. Director, Liberal Studies ~; .~.Q. L ii ACKNOWLEDGEMENTS I wish to express my sincere thanks to those who were, have been, and are a part of my life. I am who I am because of their unique gifts. iii ABSTRACT Author: Nora I. Ayala Title: The Influence of Plotinus on Marsilio Ficino‘s Doctrine of the Hierarchy of Being Institution: Florida Atlantic University Thesis Advisor: Marina Paola Banchetti, Ph.D. Degree: Master of Arts Year: 2011 Marsilio Ficino provides the ground to consider Renaissance Platonism as a distinctive movement within the vast context of Renaissance philosophy. Ficino‘s Platonism includes traces of earlier humanistic thought and ideas from Neoplatonic philosophers such as Plotinus, Proclus, and Dionysius the Areopagite. -
Plato's Phaedo Outline by John Protevi / Permission to Reproduce Granted for Academic Use [email protected]
Plato's Phaedo Outline by John Protevi / Permission to reproduce granted for academic use [email protected] / http://www.protevi.com/john/FH/PDF/Phaedo.pdf 1. Introduction A. Scene B. Characters C. Structure D. Dramatic Context 2. The New Trial 3. Death as the Separation of Soul and Body 4. The Immortality of the Soul 5. The Second Voyage A. The Causes of Generation and Destruction B. The Good (Republic) C. Images of the Good (Republic) D. Avoiding Soul-blindness (Phaedo) E. A Democratic Socrates? 1. Introduction A. Scene: The dialogue is told by memory by Phaedo to Echecrates. Socrates is in jail, after his trial, talking with friends, awaiting death. B. Characters: Phaedo, Echecrates, Socrates, Simmias, Cebes, Crito C. Structure: 57a-63a: Introduction 57a-59c: Phaedo's feelings; the characters are introduced 59c-60b: setting the scene 60b-61b: Socrates the poet 61b-63a: Introduction to the study of death 63b-69e: The new trial: defense of the thesis that philosophy is a preparation for death 64c-67e: death as purification via the strict separation of soul from body 67e-69e: the excellences of the philosopher 69e-84b: The discussion of the immortality of the soul 70e-72a: opposites 72a-72e: circles and lines 72e-77a: soul as pre-existing: recollection and the Ideas 74a-75c: The Equal itself 77a-84b: soul as surviving: charming away the fear of death 78c-79a: soul as simple or composite 79a-80b: soul as visible or invisible (and as ruler of body) 80b-84b: reincarnation 84b-107a: Socrates' swan song 85e-88b: the objections of Simmias and -
OCR Philosophy of Religion Ancient Greek Influences on Philosophy Of
OCR Philosophy of Religion Ancient Greek Influences on Philosophy of Religion Name: _________________________________________ Group: ________________________________________ Plato: An Introduction Plato was an Ancient Greek philosopher who lived from 427 – 347 BCE, and a former student of the great philosopher Socrates. Plato is perhaps one of the most influential and well-known philosophers in history. His work influenced the development of philosophy throughout the Western world. His early works are about Socrates' philosophy and most of Plato's books feature Socrates as the leading character. In his later works, Plato wrote about many issues; including the existence of the soul, the nature of beauty and theories of governance. Plato founded his own school of philosophy called the Academia (from which we get the word 'academy' in English). Theory of Forms In your head, imagine a cat. It might be white, black, ginger, tabby...the list goes on. Was your idea of a cat exactly the same as your neighbour? Probably not, but there are a set of characteristics that you will both have imagined: a tail, whiskers, four legs, paws. These characteristics resemble the idea of what a cat is. You would both be able to recognise a cat if one walked past you, even if it didn't look exactly the same as the cat you imagined. Plato saw a very important distinction here: the world of appearances and the real world. He proposed that the world we live in is a world of appearances, but the real world is the world of Forms. Forms are the idea of what a thing is, like the idea of a cat. -
Neoplatonism in Augustine's Confessions
Neoplatonism in Augustine's Confessions by John Protevi / Permission to reproduce granted for academic use [email protected] / http://www.protevi.com/john/SH/PDF/Neoplatonism.pdf 1. Overview 2. "Athens and Jerusalem" 3. Plato 4. Plotinus 5. Augustine and Neoplatonism: utility 6. Augustine and Neoplatonism: dissatisfaction Preliminary Note: For the most part, this will be an "internal" reading of Augustine's contribution to the Christian tradition, as opposed to the "external" reading we posed in the previous lecture. 1. Overview Augustine's recourse to the thoughts available to him in "some books of the Platonists" in Book 7 of the Confessions has two effects: A) it broaches the issue of the relation of philosophy to theology and to faith in general and in Christianity in particular; B) it is presented as solving some intellectual problems for him, but in so doing it creates others that will be of decisive influence in the future course of Christian theology. A) Philosophy, theology, dogma and faith: The interrelations of these four have always been problematic. Philosophy is the demand for the examination of everything by rational argument only; theology is the rational discourse about the divine; dogma is the official doctrine of a religious institution; faith is the living experience of the person who believes in Scripture. Which of the four should take precedence should there be a conflict? B) Neoplatonism and Christianity: Augustine the author presents Augustine the character as struggling with Manicheanism, that is, a dualistic framework in which evil is a positive substance dueling the positive substance of goodness in a sort of cosmic battle. -
Ethics and Morality in Plato's Vision
Scientia Moralitas International Journal of Multidisciplinary Research ISSN 2472-5331 (Print) | ISSN 2472-5358 (Online) | Vol. 5, No. 1, 2020 DOI: 10.5281/zenodo.3959783 Ethics and Morality in Plato’s Vision Ion-Lucian Răcilă, PhD University of Craiova, Romania [email protected] ABSTRACT: Plato’s ethics lie at the centre of his philosophy. So to grasp his moral theory we need to understand how it is integrated with the enterprise as a whole. If we look closely at Plato’s metaphysics, we can easily ascertain that the Greek philosopher proclaims the impossibility of being in this world the foundation of the ultimate cause, which is situated in a superior of the ideal world. From this vision came the theory of two worlds or realities. A productive world, that of Ideas, the true reality, known through the eye of thought, the world of eternal prototypes; and the world is produced by the sensible world, the world of appearances. Ideas form a logical system subordinated to a Supreme Idea that is the Idea of Good. KEY WORDS: Platon, ethics, morality, values, Idea of Good, divinity 1. Introduction Speaking of ethics and morality, we feel the need to define these terms. Defining the term ethics can be difficult because we should explain a lot of other interdependent terms. According to Pritchard and Goldfarb (2007), „Ethics is about what is right or wrong, right or wrong, right or wrong, responsible or irresponsible, obligatory or permissible, praiseworthy or reprehensible. It is associated with guilt, shame, indignation, resentment, empathy, compassion and care. She is interested in both character and conduct. -
PLATO's COSMIC TELEOLOGY Gábor Betegh
PLATO’S COSMIC TELEOLOGY A critical notice of Thomas Kjeller Johansen, Plato’s Natural Philosophy. A Study of the Timaeus-Critias, Cambridge University Press, Cambridge, 2004 (vi + 218 pp., ISBN 0–521–79067–0 [hb]) Gábor Betegh As has often been remarked, the last fifteen years have brought a renewed interest in the Timaeus, resulting in a proliferation of conferences and publications. Thomas Kjeller Johansen’s book has a unique standing in this trend because it dares to come up with a unified, comprehensive treatment of the dialogue. It needs strong intellectual discipline not to get caught up in the innumerable enigmas of the Platonic text and the intricacies of competing modern interpretations – and Johansen (henceforth J.) displays this remarkable virtue. But economy can become one of the great assets of this book precisely because it comes with a sense of comprehensiveness. J. manages to formulate questions that go to the heart of the problems and to suggest solutions which, one has the feeling, could be developed and applied to details that remain untouched in the book. Theensuinggeneralpicturerepresentswellsomecurrent interpretative trends, but J. is also able to offer new insights in the discussion of age-old debates and even to come up with new questions. In what follows I shall go through the individual chapters of the book systematically, without however being able to do justice to all the interesting points raised by J. The first chapter, ‘What is the Timaeus-Critias about?’, aims to show the fundamental unity of the work by arguing that the respective narratives of Critias and Timaeus, together with Socrates’ depiction of the well-organized city on the previous day, develop different aspects of a single project. -
Notes on Plato's Republic
Notes on Plato’s Republic John Protevi / Department of French Studies / Louisiana State University / [email protected] Permission to reproduce and distribute granted for classroom use only / Not for citation in any publication / Please retain this URL: www.protevi.com/john/FH/Republic_complete.pdf Republic Book 1 [I wrote these lectures in the mid-1990s. I really don’t know if they resonate with how I think today. But I offer them to the Internet Commons. They rely on John Sallis, Being and Logos.] The Republic is a fantastic work of art. As a dialogue, not just a treatise, it has three interlocking levels, of mythos [image], ergon [action], and logos [rational discussion]. On the level of mythos, or image, Plato both invokes traditional myths like Hades and his own images, like that of the cave. On the level of ergon, or action, Socrates will perform just the sort of taming of a spirited nature (Glaucon) as the education of the guardians requires. Finally, on the level of logos, or rational discussion, Plato will lay out several very complicated conceptual schemes. What's fascinating is that sometimes all three levels come together, as in the tour de force of the Cave, which echoes the myths of descent and ascent from Hades, performs a pedagogical action on Glaucon, and articulates the conceptual scheme of the relation of forms and things. Starting with Book I, then, Socrates is telling the story, after the fact, of his night in the Piraeus, the port of Athens. To upper-crusties like Plato, going down to the Piraeus was slumming. -
1. the Place of the Republic in the Neoplatonic Commentary Tradition
1. The place of the Republic in the Neoplatonic commentary tradition If you asked a random philosopher of the 20th or 21st century ‘What is Plato’s most important book?’ we think he or she would reply ‘The Republic, of course.’ Thanks to the Open Syllabus Project we don’t need to rely on mere speculation to intuit professional philosophy’s judgement on this matter.1 We can see what book by Plato professional philosophers put on the reading lists for their students. The Open Syllabus Project surveyed over a million syllabi for courses in English-speaking universities. Filtering the results by discipline yields the result that only two texts were assigned more frequently for subjects in Philosophy (that is, Philosophy subjects generally– not merely subjects on the history of Philosophy). Plato’s Republic comes third after Aristotle’s Nicomachean Ethics and John Stuart Mill’s Utilitarianism. If you remove the filter for discipline, then Plato’s Republic is the second- most assigned text in university studies in the English-speaking world, behind only Strunk and White’s Elements of Style.2 Thus graduates of English-language universities in our time and place are more likely to be acquainted with a work of philosophy than they are to be acquainted with any of the works of Shakespeare and the philosophical text through which they are likely to be acquainted with the discipline is Plato’s Republic. For us, it is Plato’s greatest work and certainly among the greatest works of Philosophy ever. Philosophers and other university academics might be surprised to learn that their judgement was not the judgement of antiquity. -
Republic: the Sun, Line and Cave Aditya Venkataraman ID - 9071385075 Word Count - 14981
April 6, 2015 Republic: The Sun, Line and Cave Aditya Venkataraman ID - 9071385075 Word count - 14981 Socrates repeatedly claims that the Form of the Good is the most important thing to learn and it is by relation to it that all just and fine things become beneficial [505, 532d]. In lieu of explaining the Form of the Good, he presents three imageries. In this paper, I attempt to analyze these imageries and understand their significance. Allegory of the Cave and the Analogy of the Line2: In [517b-c] Plato draws out some parallels between the Cave and previous analogies. Extrapolating this passage, one could arrive at the following relationship: Cave Line Inside the cave Visible world, Opinion segments Prisoners confusing reality with shadows and Eikasia echoes Freed prisoner looking at the statues in the Pistis light of the fire Outside world Intelligible world, Knowledge segments Freed prisoner studying things in the light of Dianoia the Sun Prisoner confronting the Sun itself Noesis However, this raises some difficulties. Firstly, the cave’s images don’t fit neatly into the four subdivisions of the line. Once outside, the prisoner looks at reflections, then the things themselves, then the nocturnal sky and stars and eventually, the Sun [516]. It is not evident how these experiences can be classified between dianoia and noesis, as it is not clear which objects 1 Excluding References 2 Please refer attached diagrams of the Cave and the Line PHILOSOPHY 430 - TUTORIAL 2 ADITYA VENKATARAMAN !1 outside represent the Forms. Secondly, the objects in dianoia in the Line are the same as in pistis, but help the geometer to think about the Forms [510e].