A Brief History University of Colorado Thomas L

Total Page:16

File Type:pdf, Size:1020Kb

A Brief History University of Colorado Thomas L Music at the A Brief History University of Colorado Thomas L. Riis University Administrators Mark Kennedy President, The University of Colorado Philip P. DiStefano Chancellor, CU Boulder Russell Moore Provost and Executive Vice-Chancellor for Academic Aff airs, CU Boulder Robert Shay Dean, College of Music, CU Boulder Graphic Designer Mark Schroder, Purple Sage Design Printer Robin Powers, OneTouchPoint ©2019 Regents of the University of Colorado: Glen Gallegos (chair), Irene Griego (vice chair), John Carson, Heidi Ganahl, Chance Hill, John “Jack” Kroll, Sue Sharkey, Linda Shoemaker, Lesley Smith All rights reserved Contents Preface ....................................................................................................................v 1. Music in the Early Years, 1882-1919 ..................................................................1 2. Building a College: The Work of Frank Chace and Rowland Dunham, 1920-1951 ........................................................................................................15 3. Warner Imig Grows the College in a Home of Its Own, 1951-1978 .................37 4. New Programs under New Leaders: Robert Fink and Daniel Sher, 1978-2013 ........................................................................................................59 5. The Future of Music—A Century in the Making ...............................................75 Notes ................................................................................................................83 Bibliography .....................................................................................................91 About the Author ..............................................................................................92 Photo Credits ...................................................................................................92 Appendix ..........................................................................................................94 Preface t seems appropriate, as the fi ftieth anniversary of the establishment of the American Music Research Center (AMRC) in 2017* has just passed and the I centenary of the College of Music at the University of Colorado Boulder in 2020 is at hand, that we look back at the state of musical aff airs in the town when the university was founded. Chapters 1 and 2, published as separate articles in 2014 and 2015, now somewhat revised, are heavily indebted to Grant James Klausman’s unpublished PhD thesis, “A History of the University of Colorado College of Music, 1877-1951,” submitted to the Graduate School of the University of Colorado and approved in 1967, as well as the fi rst of two monumental historical volumes by William E. “Bud” Davis, entitled Glory Colorado!, which covers university events from 1858 to 1963. (The second volume published in 2007 brings this account to 2000.) These opening chapters take us from the early days of the University (when the entire institution was housed within a single building), before any formal music department existed, up through the end of Rowland Dunham’s tenure as leader of the College of Music in 1951. In 1920 President George Norlin, with the support of the board of regents and spurred by the activities of music director Frank Chace, formally announced the creation of a “College of Music,” with the promise of increased enrollments and an expanded curriculum, which followed in short order. Chapter 3 commences with the long and productive deanship of Warner Imig, Dunham’s immediate successor, a fi gure who * Sister Mary Dominic Ray, the original founder of the AMRC, achieved offi cial recognition for the center from her home institution, Dominican College, San Rafael, California in 1967. In 1989, as she neared retirement, the AMRC was moved to Colorado. xiivi Music at the University of Colorado since the mid-1930s had become familiar to students, colleagues and Boulder townspeople alike through his ebullient choral conducting and robust baritone voice—as both a singer and public announcer. Chapter 4 describes the transition in leadership across the university as a whole and attempts to place the College of Music and the University of Colorado into the larger picture of American academic culture in the fi nal quarter of the twentieth century and the beginning of the twenty- fi rst. The fi nal pages summarize recent developments. These chapters, without attempting to be exhaustive, introduce a cast of infl uential characters and draw attention to several signifi cant landmarks, noting their relationship to the wider context of music-making in American institutions of higher education over the last century. The University of Colorado College is both typical and distinctive in its position among schools of music across the country. Its growth in the heart of the West, nestled in the foothills of the Rocky Mountains, claims our attention for many reasons that I hope will become clear as this story is told. The entire book has come about with the ready assistance of many individuals, whose sage advice and remarkable memories have made the compilation of it a pleasure. Thank you, Dean and Ellen Boal, Chris and Margot Brauchli, Barbara Brenton, Eileen Cline, Marty Coffi n Evans, Charles Eakin, Bill Elliott, Robert Fink, Robert Fleisher, James Gentry, Caryl Kassoy, David Korevaar, Amanda Lopez, Rick Masters, Daniel Sher, Julianne Steinhauer. Thanks are also due to many faculty friends and co-workers at the University of Colorado Boulder who provided both information and copious technical assistance: James Austin, Jessie Bauters, Joan Braun, Steve Bruns, Carlo Caballero, Andrew Cooperstock, Alejandro Cremaschi, John Davis, Andrew Garland, Gregory Gentry, Sabrina Green, John Gunther, Eric Harbeson, Peggy Hinton, Mike Johnston, David Korevaar, Don McKinney, Martina Miranda, Mutsumi Moteki, Jeremy Reger, Matthew Roeder, Brenda Romero, Daniel Silver, Elizabeth Swanson. Susan Thomas, current director of the AMRC, and her assistant Eric Hansen have been with this project every step of the way. Hansen’s contribution to this volume has been absolutely crucial; I deeply appreciate his commitment to the work. Mona Lambrecht, curator of the collections at the CU Heritage Center, and David Hays, Greg Robl, Walker Sampson, and Jennifer Sanchez at the Special Collections, Archives, and Preservation division of the University of Colorado Libraries, have rapidly responded to my every request. Wendy Hall and her staff at Boulder’s Carnegie Library for Local History gave indispensable aid on too many occasions to count. Important research tasks were made at the beginning of this study by my students, now CU graduates, Abigail Bernales and Jessica Erbe. Other friends near and far have smoothed the process by improving my computer skills and assisting in proofreading. I am especially grateful to James and Mary Magee. Mark Schroder and A Brief History xiiivii Robin Powers have brought an elegant professional touch to the book’s production. Dean Robert Shay graciously provided the fi nancial resources to bring this product to completion. 1 Music in the Early Years, 1882-1919 he mining settlement of Boulder was organized as a town in 1859. A rough- and-ready creekside encampment, it sprang up and rapidly increased in T size with the report of the discovery of gold in the nearby foothills. As the short-lived “gold rush” subsided and the likelihood of quick riches faded, many new residents who found the region along the Boulder Creek to their liking—and the nearby Arapahos unthreatening—turned to farming, ranching and raising families. The fi rst school building erected in Colorado was reportedly located in the town of Boulder, thus boosting its early reputation as a frontier town that nevertheless placed high value on learning. On October 31, 1861, the fi rst territorial legislature of Colorado chose Boulder, over seven other towns that sought the prize, as the site for the future University of Colorado. Of course, assigning the university to Boulder was not the same as providing the resources needed to actually build a school, and the University would not open for business offi cially for another sixteen years, the year after Colorado achieved statehood in 1876. Until 1884, the entire college—all classrooms, a chapel, the residence of the President Joseph Sewall and his family, and housing for the building’s caretaker and wife— were located in a single solitary building, now known as Old Main. In the words of Jane Sewall, the president’s daughter, her family’s fi rst impression of the University was of . a huge brick building topped by a cupola, rising in the distance. It loomed before us gaunt and alone in the pitiless clear light. No tree nor shrub nor any human habitation was in sight. Vast expanses of rock and sagebrush were its only surroundings.1 2 Music at the University of Colorado Old Main, circa 1876-77 During the fi rst years of the university the instruction on off er was devoted chiefl y to preparing the few dozen admitted students to become teachers to supply public elementary and secondary schools. Informal musical activities took place among residents of Old Main, and the prospects for more music were increased with the acquisition of a square piano for the chapel in December 1882; student singing was promptly added to daily services. Formal instruction in music commenced a few months later when the board of regents allowed a “musical department” to be created. This modest eff ort was short lived—the fi rst instructor R. L. Kent apparently failed to please—and
Recommended publications
  • View & Download the 2020 Program
    University of Colorado Colorado Springs COMMENCEMENT MAY 15, 2020 FROM THE REGENTS OF THE UNIVERSITY TO THE CLASS OF 2020 Dear Graduate: One of the greatest honors for the University of Colorado Board of Regents, the institution’s governing board, is to be part of this commencement ceremony. Your success is a success for us all. Your degree is a measure not only of an accomplishment of dedication and talent, but also notice to the world that you have the skill and discipline to contribute greatly to any endeavor you pursue. This commencement ceremony, like every University of Colorado graduation since 1935, will close with the reading of the Norlin Charge. As originally expressed by former CU President George Norlin in 1935, graduation "marks your initiation in the fullest sense of the fellowship of the University, as bearers of her torch, as centers of her influence, and as promoters of her spirit." Welcome to the ranks of CU’s alumni family, which is over 445,000 strong. Congratulations on achieving this milestone. Well done and well earned! Cordially, THE REGENTS OF THE UNIVERSITY OF COLORADO Back Row: Linda Shoemaker, District 2 (Boulder); Lesley Smith, At Large (Boulder); Chance Hill, District 5 (Colorado Springs); John Carson, District 6 (Highlands Ranch); Glen Gallegos, Chair, District 3 (Grand Junction) Front Row: Heidi Ganahl, At Large (Superior); Sue Sharkey, District 4 (Castle Rock); John “Jack” Kroll, District 1 (Denver); Irene Griego, Vice Chair, District 7 (Lakewood) ORDER OF EXERCISES DR. CHRISTOPHER BELL, COMMENCEMENT MARSHAL UCCS MARSHAL’S CLUB MEMBER* Ceremony The National Anthem (Lyrics on page 33) .
    [Show full text]
  • March 1936) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1936 Volume 54, Number 03 (March 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 03 (March 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/842 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 'IPJg ETUDE <JXCagazine WHAT DOES IT TAKE TO MAKE A SINGER?" by Richard Crooks /Jte a &fieturte Toveas) rrvuAic NEW DITSON PUBLICATION MORRISON ORCHESTRAL UNIONS By DON MORRISON A Musical Revue A system of Relay Solos for train¬ By GERTRUDE VAN AKIN ™.TH ^ ^ ing young orchestras Interesting Invaluable for Vocal Score and Dialog"® direction8 and dance steps, may be had Instructive Exhibitions STAGE GUIDE, with ful^ d"e month or fraction thereof. Practical on a rental h™^™JZs,ed popular music and forms of This musical reYu^ °f ^gt jg unique among materials for school or Planned equally lor all i™1™" •„ Illustrates vividly variety * «lg*“,on entertainment of the P h n„e from the usual operetta, offers Builds intonation and tone quai ty Follows any first-year instrumental class •“inUto°o”aoS»^-y *»<! ■-■> ”*y b,! ,,erI<>rmtd "‘k method anv number of players.___ book one 1.
    [Show full text]
  • Bridge the Annual Meeting of the Gen- American Miss Mabel Legion by Frank B
    Legion Auxiliary OES Activities Aids Veterans’ Folk; fort In Local Dupont Post Music Other Activities Chapters Bridge The annual meeting of the Gen- American Miss Mabel Legion By Frank B. Lord. F. Staub, president eral Auxiliary Home Board will be of the District of Columbia Depart- held at One pair playing in the Northern 1:30 p.m. tomorrow for Officers Installed ment, the American Legion Aux- election Virginia championship bridge tour- of officers. iliary, announced last week that 58 Lee R. Pennington, commander of By James Waldo Fawcett. nament held last week at the Ward- Meetings announced are: needy children of World War II the District of Columbia Depart- Notes man a Readers of The Star, whether Park Hotel established near- veterans have been Electa Chapter—Tuesday, initia- ment, the American Legion, and his assisted finan- collectors are record for the magnitude of the set tion of 10 and stamp or not. invited cially since September 1, at a candidates; ways staff, last week installed officers of Orchestra which administered to their 1944, to attend a meeting of the Wash- Plays they cost of $2,691.60. means card party Saturday eve- the new Fort Dupont Post, at the adversaries in the qualifying round 3925 ington Philatelic Society at the Na- The American Legion Auxiliary ning, Alabama avenue S.E. St. Francis Xavier School. Three Concerts of the open pair match. William tional Museum Auditorium, Consti- Child Welfare Committee, under Naomi Chapter—Tuesday, re- They are as follows: R. H. Ran- Cheeks and on tution avenue at Ninth street N.W, Mrs.
    [Show full text]
  • DOROTHEA DIX LAWRENCE COLLECTION Special Collections 1999.3
    DOROTHEA DIX LAWRENCE COLLECTION Special Collections 1999.3 RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Tomoko Shibuya summer 2000 Revised by Gail E. Lowther December 2020 (Left) Dorothea Dix Lawrence in costume as Aida during San Carlo Opera Tour, Philadelphia, PA (1934). Photograph attributed to Je Te Winburn; (Right) Dorothea Dix Lawrence in costume as Marguerite from Gounod’s Faust; costume by Filomena Pangona (ca. 1930s). Photographs from Dorothea Dix Lawrence Collection, Box 1, Folder 8 (photos 2 and 4, respectively). TABLE OF CONTENTS Description of Collection 3 Description of Series 4 INVENTORY Series 1: Personal Documents 5 DESCRIPTION OF COLLECTION Shelf location: M3A 3, 4 Physical extent: .50 linear feet Biographical Sketch Dorothea Dix Lawrence at her home in Plainsfield, NJ (1940). Photograph attributed to Mattie Edwards Hewitt, from Dorothea Dix Lawrence Collection, Box 1, Folder 8. Dorothea Dix Lawrence, American soprano and folklorist, was born on 22 September 1899 in New York City. She studied voice for a time at Barnard College, and her teachers and coaches included Ernst Knoch, Cesare Stunai, Henry Russell, and Katherine Opdycke. In 1929, Lawrence made her operatic debut with the Quebec Opera Company in Montreal, appearing as Marguerite in Gounod’s Faust. In the 1930s and 1940s, she appeared regularly in opera and concert performances, including in roles with the San Carlo Opera Company and the Cosmopolitan Opera Company and in concerts in Chicago, Boston, New York City, Philadelphia, St. Louis, Los Angeles, New Orleans, Salt Lake City, and major cities across Europe.
    [Show full text]
  • View Program (PDF)
    University of Colorado Colorado Springs DECEMBER 20, 2013 CommenCement From The RegenTS Of The UniversiTy to The Class Of 2013 Dear Graduate, one of the greatest honors for the University of Colorado Board of Regents, the institution’s governing board, is to be part of a graduation ceremony. Your success is a success for us all. Your degree is a measure not only of an accomplishment of dedication and talent, but also notice to the world that you have the intellectual gifts and discipline to contribute greatly to our community. Your commencement ceremony, like every University of Colorado graduation since 1935, will close with the reading of the timeless norlin Charge. today “marks your initiation in the fullest sense of the fellowship of the university, as bearers of her torch, as centers of her influence, as promoters of her spirit.” each year, the University of Colorado grants thousands of bachelor’s, master’s, professional and doctoral degrees to some of the greatest minds in our country and the world. today, we proudly add your name to this notable group of individuals. Congratulations on your hard-earned accomplishment. The RegenTS Of The UniversiTy Of COloradO Back Row: Steve Bosley, At large (longmont); James geddes, district 6 (Sedalia); Stephen ludwig, At large (denver), glen gallegos, district 3 (grand Junction). front Row: Kyle hybl, district 5 (Colorado Springs); irene griego, district 7 (lakewood); michael Carrigan, Chair, district 1 (denver); Sue Sharkey, vice Chair, district 4 (Windsor); Joseph neguse, district 2 (Boulder). ORDER OF EXERCISES ROBERT VON DASSANOWSKY, COMMENCEMENT MARSHAL UNIVERSITY OF COLORADO COLORADO SPRINGS FACULTY AWARD FOR EXCELLENCE IN RESEARCH - 2013 Prelude Instrumental Music Visual and Performing Arts Honors Ensemble Music Program Coordinator, Colin McAllister Joseph Navarro - piano, Hannah Burlew - soprano, Therese Carmack - soprano, Brent Wollman - guitar/computer music, Benito Vena – saxophone Processional Pomp and Circumstance Military March No 1 in D, Op 39, No 1 – Arranged by Joseph Prostakoff .
    [Show full text]
  • January 1936) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1936 Volume 54, Number 01 (January 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 01 (January 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/840 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. | NEW YEAR JOY IN MUSIC THE SINGER'S ART" by Feodor Chal iapm NEW DITSON PUBLICATIONS CLUB OFFER BjARGAL MS Earn A Teacher’s Diploma (BIG SAVINGS ON ALLY OUR FAVORITE MAGAZINE :s) 1 IMPORTANT ADDITIONS TO MODERN PIANO PEDAGOGY | JUST IN TIME FOR or FOR THE PIANO A Bachelor’s Degree PlR ffi N: EWYEj ROBYN ROTE-CARDS TEACHING MUSICAL NOTATION WITH PICTURE In every community there are ambitious men and women, who know the ROBYN ROTE-CARDS Ri ■NEWA LS! advantages of new inspiration and ideas for their musical advancement, but SYMBOLS AND STORY ELEMENT still neglect to keep up with the best that is offered. They think they are too busy to study instead of utilizing the precious “Tell us a story” has been the cry of humanity since the world began.
    [Show full text]
  • The Ben Gray Lumpkin Collection of Colorado Folklore
    Gene A. Culwell The Ben Gray Lumpkin Collection of Colorado Folklore Professor Ben Gray Lumpkin, who retired from the University of Colorado in June of 1969, spent more than twenty years of his academic career amassing a large collection of folksongs in the state of Colorado. At my request, Profes- sor Lumpkin provided the following information concerning his life and career: Son of John Moorman and Harriet Gray Lumpkin, I was born De- cember 25, 1901, in Marshall County, Mississippi, on a farm about seven miles north of Holly Springs. Grandpa was a Methodist cir- cuit rider, but had to farm to eke out a living because his hill-coun- try churches were too poor to support his family. Because we lived too far from the Hudsonville school for me to walk, I began schooling under my mother until I was old enough to ride a gentle mare and take care of her at school—at the age of 8. When my father bought a farm in Lowndes County, Mississippi, my brother Joe and sister Martha and I went to Penn Station and Crawford elementary schools. Having finished what was called the ninth grade, I went to live with my Aunt Olena Ford, and fin- ished Tupelo High School in 1921, then BA, University of Missis- sippi, 1925. I worked as the secretary and clerk in the Mississippi State Department of Archives and History (September 1925 to March 1929) and in the Mississippi Division office of Southern Bell Telephone Company (March 1929 to August 1930). I taught English and other subjects in Vina, Alabama, High School (August 1930 through January 1932).
    [Show full text]
  • S'b'je Bumibl^Teliw^ Inadequate Tribute—
    Recreation Center Fund Inadequate Tribute— Still at $2,500 S'b'je BuMiBL^teliw^ Bumming Problem— Thirty-Seventh Year-No. 10 Duke University, Durham, N. C. Friday, October 18, 1940 Last Rites Held For President Few This Afternoon Concert Series Opens Monday Phi Beta Kappa Elections University Head Laid to Rest Confer High Scholastic Honor With Columbia Opera Quartet On 30 Outstanding Students In Crypt Beneath Chapel; North Carolina Leads Thousands Pay Last Respects In Page Auditorium at 8:15 Surprisingly Low List uf Juniors Elected With 10 New Members Social Functions Program Lists Number Register Thirty undergraduate students /Arias from Nine were elected to Phi Bela Kappa Over Week-End For Draft Here in the Junior elections, held on Are Postponed Famous Operas Less Than 900 Apply Wednesday in the School of Re­ For Registration During ligion building. Of the thirty The University cone 26 Hours of Activity who received this coveted honor, oared in from all over the na- will open its 1940-4 there were 18 men and 12 wom­ ion, William Prcsfon Few was lid to rest today in a chapel Monday night at 8:15, Registration of Duke students en. Seven were from Durham, rypt- Columbia Opera quarte ir selective service Wednesday and 10 were from North Caro- here. J. Foster Barnes, cached the surprisingly low The body of the president lay i stale in the chapel from 9 of the series, referred ti jtal of 825, a mark some 35 per Other states represented were .m. until shortly before the the District of Columbia, Penn­ me of (he funeral, surrounded sylvania, New York, New Jer­ y an honor guard of students.
    [Show full text]
  • Colorado Springs
    University of Colorado Colorado Springs COMMENCEMENT MAY 12, 2017 FROM THE REGENTS OF THE UNIVERSITY TO THE CLAss OF 2017 Dear Graduate: One of the greatest honors for the University of Colorado Board of Regents, the institution’s governing board, is to be part of this commencement ceremony. Your success is a success for us all. Your degree is a measure not only of an accomplishment of dedication and talent, but also notice to the world that you have the skill and discipline to contribute greatly to any endeavor you pursue. This commencement ceremony, like every University of Colorado graduation since 1935, will close with the reading of the Norlin Charge. As originally expressed by former CU President George Norlin in 1935, graduation "marks your initiation in the fullest sense of the fellowship of the University, as bearers of her torch, as centers of her influence, and as promoters of her spirit." Welcome to the ranks of CU’s alumni family, which is over 350,000 strong. Congratulations on achieving this milestone. Well done and well earned! Cordially, THE REGENTS OF THE UNIVERSITY OF COLORADO Back Row: John “Jack” Kroll, District 1 (Denver); John Carson, District 6 (Highlands Ranch); Stephen Ludwig, At Large (Denver); Heidi Ganahl, At Large (Superior); Kyle Hybl, District 5 (Colorado Springs) Front Row: Sue Sharkey, District 4 (Castle Rock); Irene Griego, Chair, District 7 (Lakewood); Glen Gallegos, Vice Chair, District 3 (Grand Junction); Linda Shoemaker, District 2 (Boulder) From the President oF the University to the Class oF 2017 May 12, 2017 Dear University of Colorado Graduate, Congratulations on earning your degree from the University of Colorado Colorado Springs.
    [Show full text]
  • Volume 54, Number 05 (May 1936) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 5-1-1936 Volume 54, Number 05 (May 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 05 (May 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/844 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. "MAKING YOUR MUSIC LIVE" a Conference with H. L. Mencken Compositions of VOCAL SOLOS W. H. Neidlinger American Composer, Teacher, Conductor and Lecturer TRUE THE LAW OF PROGRESS kas keen $995. Convenient terms will, of course, Baldwin’s law for tkree quarters of a PROGRESS gladly ke arranged. Visit your Baldwin century. Tke distmguisked Baldwin Pianos dealer. Hear and play tke wonde rful new of years gone ky are surpasse d only ky Baldwin Piano. See its keauty. Upon re¬ tke Baldwins of today. Tke glorious tone NEVER quest, we skall ke glad to send you our tkat entranced artists a generation ago is, new Atanual of Baldwin Pianos contain¬ in today’s Baldwin, even more marvel¬ PAUSES ing pkotograpks and expressions of world- ous; tke action even more responsive to famous artists wko use and endorse tke kand and mood.
    [Show full text]
  • Ian School of Music
    ALUMNI/UNIVERSITY ~ SEPTEMBER 19 VARSITY FOOTBALL, Vermont at Burlington. 9 CLASSES BEGIN, School of Med­ 21 GROUP RELATIONS LECTURE, icine and Dentistry. Du mont Kenny, U. S. State De- 16 CLASSES BEGIN, College of Arts partment, "Race Relati?ns. in and Science, Eastman School, Germany." Strong Auditorium, University School. 8 p. m. 28 . VARSITY FOOTBALL, Rensselaer 26 VARSITY FOOTBALL, Kings Point at Rochester. at Rochester. UNIVERSITY DAY for out-of­ 28 GROUP RELATIONS LECTURE, town high school seniors. Samuel Klausner, Near East In­ stitute, Columbia, "Race Rela­ OCTOBER tions in the Near East." Strong 3-5 ANNUAL MEETING, Medical Auditorium, 8 p. m. School Alumni Association. 5 ALUMNI/ALUMNAE HOME­ NOVEMBER COMING. 2 VARSITY FOOTBALL, De Pauw 7 GROUP RELATIONS LECTURE. at Rochester. le~­ Beginning of a series of. six UNIVERSITY DAY for Rochester On the Cover tures on "Race Relations In area high school seniors. World Perspective." Alex Inkeles, 4 GROUP RELATIONS LECTURE, Between classes at the Summer Session of the Russian Institute, Harvard Uni­ Gardner Murphy, Men n i n g e r versity, "Race Relations in Rus­ College of Arts and Science, Gail Wolff and Clinic, "Race Relations in In­ sia." Strong Auditorium, 8 p. m. Tom Rickert relax on a boat dock on the Gen­ dia." Strong Auditorium, 8 p. m. 12 VARSITY FOOTBALL, Union at 9 VARSITY FOOTBBALL, Tufts at esee River at' the edge of the River Campus. Schenectady. Medford. They were among students from many colleges SCHOLASTIC EDITORS CON­ II GROUP RELATIONS LECTURE, FERENCE, River Campus, for ed­ who attended the summer classes.
    [Show full text]
  • Colorado Springs
    University of Colorado Colorado Springs CommenCement may 17, 2019 From the REGENTS oF the UniverSity to the Class oF 2019 Dear Graduate: one of the greatest honors for the University of Colorado Board of regents, the institution’s governing board, is to be part of this commencement ceremony. your success is a success for us all. your degree is a measure not only of an accomplishment of dedication and talent, but also notice to the world that you have the skill and discipline to contribute greatly to any endeavor you pursue. this commencement ceremony, like every University of Colorado graduation since 1935, will close with the reading of the norlin Charge. as originally expressed by former CU President George norlin in 1935, graduation "marks your initiation in the fullest sense of the fellowship of the University, as bearers of her torch, as centers of her influence, and as promoters of her spirit." Welcome to the ranks of CU’s alumni family, which is over 475,000 strong. Congratulations on achieving this milestone. Well done and well earned! Cordially, The RegenTS Of The UniveRSiTy Of COlORAdO Back row: linda Shoemaker, District 2 (Boulder); lesley Smith, at large (Boulder); Chance hill, District 5 (Colorado Springs); John Carson, District 6 (highlands ranch); Glen Gallegos, District 3 (Grand Junction) Front row: heidi Ganahl, at large (Superior); Sue Sharkey, Chair, District 4 (Castle rock); John “Jack” Kroll, vice Chair, District 1 (Denver); irene Griego, District 7 (lakewood) FROM THE PRESIDENT OF THE UNIVERSITY TO THE CLASS OF 2019 May 17, 2019 Dear University of Colorado Graduate, Congratulations on earning your degree from the University of Colorado Colorado Springs.
    [Show full text]