DOCSLIB.ORG

Discon II PR 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Discon II PR 2 STUDIES IN SCIENCE-FANTASY FROM THE MIRAGE PRESS, LTD. H. G. Wells: Critic of Progress by Jack Williamson $5.95 Planets and Dimensions by Clark =e smith paper $3.50 The Conan Grimoire Essays on Swords & Sorcery $6.95 A Guide to Middle Earth by Robert Foster $6.95 Phantoms and Fancies by L. Sprague de Camp , $5.00 Fantastic Art of Clark Ashton Smith ; by Dennis ee paper $3.75 COMING TiS 1eAR: The Roots of Horror in the Fiction of HH, P. Lovecraft cloth $5.50, paper $3. 50 An Atlas of Fantasy _ cloth $20.00, paper $12.00 The Compleat Feghoot, : by Grendel Briarton, paper $4.00 AND MORE! Free catalog with more titles on request. Books sent postpaid. The Mirage Press, PO. 80x 7687 Baltimore, MD 2128 It nSCoN 32nd. World Setence FictionConvention August 29th - September 2, 1974 DISCON IIL Py. O. Boxes ay, Washington, D.C, 20031 ROGER ZELAZNY ss” JAY AARY ALEUN 2.63 LL COMMTTek Co-Chatrmen Jay & Alice Haldeman Vice Chairman. Ron Bounds Treasurer Bill Evans Seeretary Ted Pauls Art Show Jim & Jackie Hampers Bob & Peggy Paviat Ray Ridenour Auetion Jack Chalker Banquet. Bill Evans Commeretal Representative Ron Bounds Computer Servtces Brian Burley & Jim Landau Films Wes Shank Kim Weston, Charlie Ellis Hotel Liatson Jay & Alice Haldeman Huekster Room Bob Madle Masquerade Jack Chalker Press/Media Dave Kyle Don Sobwick, Ron Bounds Program Joe Haldeman & Mike Riley Personnel Ted Pauls Regtstratton Jim Landau Cover by Harry Roland MEMBERSHIP GIO ser-eserorn $5.0 crveroin DECOM Wt | FOREIGN AGENTS AUSTRALIA Bill Wright 53 Celia Street Burwood, Victoria 3125 AUSTRALIA ENGLAND Marsha and Eddie Jones 25 Mount Way Bebington Hall Park Higher Bebington Cheshire L63 5RA ENGLAND Canadians, please remit in U.S.funds. : COG AVA? aa GEES Y, OES SEES D S > 3 Wl. Te ece Ys y WY} Aaa, Or ‘Voto this Hlande there commeth very fewe Strangers, for thatit standeth out of the way, 9 - Marco Polo We'll make it worth your effort, friend. THE AUSTRALIA IN SEVENTY-FIVE COMMITTEE GPO BOX 4039 MELBOURNE 3001 Sheraton-Park Hotel &Motorinn The map on the facing page shows the central convention area. Although our plans for the utilization of these areas are subject to change, listed below is our basic set-up. REGISTRATION will be held on the upper Concourse of States. MAIN PROGRAM will be held in the Park Ballroom, as well any films that are likely to draw large audiences. HOSPITALITY LOUNGE will be set up in the Delaware Suite, with the moveable wall positioned to make it one large room. BANQUET AND MASQUERADE will be held in the Sheraton Hall, a large, well appointed room with balconies. SFWA AND NFFF will have public rooms in the Virginia Suite. FILMS will be shown in the Maryland Suite. ART SHOW AND HUCKSTER ROOM are located immediately below the Sheraton Hall in the Exhibition Hall #1. SPECIAL FUNCTIONS will be held in other areas of the hotel. DIMENSIONS Park Ballroom: 151 x 80 Sheraton Hall: 170 x 90 Maryland Suite: 80 x 43 Virginia Suite: 73 x 44 Delaware Suite: 54 ta 52 Exhibition Hall: 16,000 sq. ft. ROOM RATES Single: $19.00 Double: $25.00 Triple: $30.00 Quads: $32.00 HOTEL RESERVATION. CARDS. WILL BE DISTRIBUTED WITH PROGRESS REPORT THREE. vir cov STORAGE a i UT} EAST VESTIBULE"(UO \ aioe { FOYER BALLROOM PARK FLORENTINE OTeL & c= H \ PARK Fi mr ari et i CONCOURSE OF SHERATON -BALTIMORE ROOM i ROOM apo SUITE SUITE WASHINGTON « ANNAPOLIS ROOM ROOM - VIRGINIA DoveR WILRINGTON MARYLAND \ Se | ALEXAWDRIA ROOM ea DISCGMN Wt “BRITISH CotUmer ALBERTA SASKATCHEWAN MANITOBA NORTH DAKOTA SOUTH DAKOTA po SR NEBRASKA Australia Oo Belgium England France HOH Italy HB 20 and up N. Ireland eh 10 - 19 Spain % 5-9 Sweden HEHEHE 1-4 IEMBERSHIP ; ; ONTARIO QUEBEC | WISCONSIN $ DISCON II MEMBERSHIP AS OF JULY 5, 1973 447 MEMBERS 152. Lee Ann Gold 153. Mark Goldenberg MEMBERS 154. Neal Goldfarb 155. Ralph Goldsmith 156. Steven Goldstein 157. Wally Gonser 158. Claire E. Graham 159. Ron Graham 160. Roland V. Green 161. Rhondi Greening 162. Ted Greenstone 163. Cliveden Chew Haas 001. Roger Zelazny C. W. Brooks Jr. 164. Capt. J. R. Hankey 002, Judy Zelazny Rick Brooks 165. Hilda Hannifen 003. Devin Zelazny Charles N. Brown 166. Owen Hannifen 004. Jay Kay Klein Dena C. Brown 167. Haroid Harrigan 005. Jay Haldeman Jennie Brown 168. Richard Harter 006. Alice Haldeman Tracie Brown 169. David G. Hartwell 007. Ron Bounds Roger Bryant 170. Rusty Hevelin 008. Ted Pauls Ginjer Buchanan 171. Lynn Hilton 009. William H. Evans M. Stanford Burns 172. Norman Hochberg 010. Buddie Evans Linda Bushyager 173. Rose M. Hogue 011. Banks Mebane Ron Bushyager 174. Ronald R. Holik 012. Peggy Rae Pavlat Herb Byron 175. Fred Hollander 013. Bob Pavlat Gary Calhoun 176. James R. Hollander 014. Walt Simonson Donna Camp 177. Paul Harwitz 015. Robert Madle David F. Carldon 178. Hohn R. Isaac 016. Jack Chalker = Jim Carleton 179. Steve Ivey 017. Dannie Plachta Larry Carmody 180. Jerald Jacks 018. Alan Huff Ann E. Cass 181. Frederick W. Jackson 019. Michael D. Riley Ann Chancellor 182. Michael A. A. Jensen 020. Fred Hypes Marilyn Chase 183. Robin Johnson 021. David A. Halterman Douglas Cheshire 184. B. A. Johnstone 022. Lee Smoire Marsden E. Chew 185. Eddie Jones 023. Brian Burley Hal Clement 186. Marsha Jones 024. Sherna Burley Norman Codner 187. Asenath Hammond 025. Jim Landau - Eli Cohen 188. Jerry Kaufman 026. Elizabeth A. Berg Sandy Cohen 189. Morris Keesan 027. Phyllis K. Berg Karina Girsdansky 190. Pat Kennedy in memortan Sidney Coleman 191. Peggy Kennedy 028. William B. Berg Jr. Perri Corrick 192. Paul R. Keske 029. Norman F. Grenzke Jr. Leigh Couch 193. Melvin Klozar 030. Gay Haldeman Michael Couch 194. Irvin Koch 031. Joe W. Haldeman Norbert Couch 195. Ed Krieg 03 Patrick Kelly James Coughlin Jr. 196. Arline E. Kriftcher 033. Mark Owings - Anne Cox 197. Judy Krupp 034. Ray Ridenour Ed Cox 198. Roy Krupp 035. Karen Townley Hank Davis 199. David A. Kyle 036. James R. Thomas Mike Deckinger 200. Ruth Kyle 037. Pat Potts Sandy Deckinger 201. Michael A. Lane 038. Ted White . Judy-Lynn Benjamin Del Rey 202. Devra Langsam 039. Kim Weston Lester Del Rey 203. Douglas Lans O40. Dean S. Abel William J. Denholm III 204, Maureen Leshendok 041. Forrest J. Ackerman Ann Dietz 205. Anthony Lewis O42. Wendayne Ackerman Frank Dietz 206. Susan Lewis 043. Clifford Amos Thomas G. Digby 207. Paula Lieberman O4u, Vary Amos Genevieve Di Modica 208. Gregg C. Lien O45. KY Speculative Fiction Michael Dobson 209. William Linden Fred Prophet 210. Lynn Lowe Association 211. William A. Lowe O46. Dana L. F. Anderson Paul R. Dorethy John R. Douglas 212. Donald Lundry 047. Jerry Anderson 213. Grace Lundry 048. Karen Anderson Cc. M. Drahan Diane Duane 214. Hank Luttrell 049. Poul Anderson Patrice Duvic 215. Lesleigh Luttrell 050. Sue Anderson Donald E. Eastlake III 216. Bradford Lyau 051. Thomas W. Anderson II Jill Eastlake 217. Kathleen Mac Dermott 052. John W. Andrews Yale Edeiken 218. Spike Mac Phee 053. Ronald Andrukitis Diana Effinger 219. Jeffrey N. Appelbaum 054. Scratch Bacharach George ‘Alec Effinger 220. Susanne Maennik 055. Fred J. Badik Alex Eisenstein 221. Don Markstein 056. Victoria L. Badik Phyllis Eisenstein 222. Southern Fandom Press 057. Diana Barbour Alliance 058. Larry Barnes Douglas Faunt Jr. Michel Feron 223. Adrienne Martine 059; Hank Beck 224. Ann Me Cutchen 060. Martha Beck Ed Finkelstein Karen Fischer 225. R. Terry Mc Cutchen 061. Jean Berman 226. Freuhauf R. Mc Cutchen 062. John D. Berry John Flory George P. Flynn 227. Fred Lerner 063. Ed Bielfeldt . Elayne Frances 228. Sanford 2. Meschkow 064. Harvey Bilker Donald Franson 229. John Miesel 065. Sheryl L. Birkhead Meade Frierson III 230. Sandra Miesel 066. Dainis Bisenieks Alan Frisbie 231. John Millard 067. Karen Blank Nathan B. Gavarin 232. Sunny Miller 068. Don Blyly Richard E. Geis 233. George Mitchell 069. Elliot Shorter Judy Gill 234. Harvey Moellendish 070. Sandy Parker Peter Gill 235. James G. Mule Jr. O71. India May Boone Bruce R. Gillespie 236. Mark Mumper 072. Ben Bova Michael Glicksohn 237. Nancy Nagel 073. Robert Bowie-Reed Susan Glicksohn 238. D. Navari 074. Richard Brandshaft Barry D. Gold 239. Dave Nee David P. Nesins . Lois Newman 311. Jacob M. Waldman . Norman Schwarz . New Orleans SF Association 312. Michael Walsh . Donald E. Pauley . Bruce Newrock 313. Anthony D. Ward » Al Nofi . Florence Newrock 314. George H. Wells . Eric Bentcliffe . Lynne Norwood 315. W. Roy Wessel Jr. .-Ina Shorrock » Rick Norwood 316. Laurine White . Norman Shorrock . Mark L. Olson 317. Walter A. White .» Phil Rogers Robert Osband 318. Chris Wilson . Peter Mabey Janice Ososky 319. Maureen Wilson . Bob Shaw WONDHDUNFWhtH .» Susan Palermo 320. Joan Winston . Harlan Mc Ghan . Ara Pashinian 321. Ken Winters . George A. Mc Claugherty . Fred Patten 322. Edward Wood . Keven C. Mc Claugherty - Bruce Pelz 323. Joann Wood . Wm. Michael Mc Claugherty . Karl T. Pflock 324. Bill Wright + Michael Tallan EL » Rich Pohlman 325. Benjamin Yalow . Ronald M. Schunk . Andrew Porter 326. Jack C. Young . dames W. Sterling . Ellen Vartanoff 327. William R. Anderson . Dave Wyatt . George W. Price 328. Dr. C. L. Barrett MD .» Frank Perkins Jr. Lawrence W. Propp 329. William R. Beeman . Roy J. Schenck 5 . Joan Rapkin 330. John S. Duggar .» George R. R. Martin . Myron Rapkin 331. Mike Lalor . Arnie Katz . Carol Resnick 332. Bea Mahaffey . Joyce Katz . Mike Resnick 333, Charlotte D. Moslander Irene Reddick - Meil Rest 334. Sue-Rae Rosenfeld . Wendy M. Grossman . Francis X. Robinson Jr. 335. Richard Sandler .
Load more

Recommended publications
  • To Sunday 31St August 2003
    The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made.
    [Show full text]
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • Bulletin 7/13C
    Southern Fandom Confederation Contents SFC Handbooks Off the Wall . .1 This amazing 196 page tome of Southern Fannish lore, edited Treasurer’s Report . .3 by T.K.F. Weisskopf, is now available to all comers for $5, plus Contributors . .3 a $2 handling and shipping charge if we have to mail it. The Nebula Award Winners . .3 Handbook is also available online, thanks to the efforts of Sam Hugo Nominees . .4 Smith, at http://www.smithuel.net/sfchb Convention Reports . .6 T-Shirts Convention Listing . .8 Fanzine Listings . .10 Size S to 3X LoCs . .12 Price $10 {{Reduced!}} Plus $3 shipping and handling fee if we have to mail it. Policies Art Credits The Southern Fandom Confederation Bulletin Vol. 7, No. 13, Cover, Page 1 . .Teddy Harvia June 2002, is the official publication of the Southern Fandom This page, Page 2,3,6,7,12,14,18 . .Trinlay Khadro Confederation (SFC), a not-for-profit literary organization and Page 5, 17 . .Scott Thomas . information clearinghouse dedicated to the service of Southern Page 19 . .Sheryl Birkhead Science Fiction and Fantasy Fandom. The SFC Bulletin is edit- ed by Julie Wall and is published at least three times per year. Addresses of Officers Membership in the SFC is $15 annually, running from DeepSouthCon to DeepSouthCon. A club or convention mem- Physical Mail: bership is $75 annually. Donations are welcome. All checks President Julie Wall, should be made payable to the Southern Fandom 470 Ridge Road, Birmingham, AL 35206 Confederation. Vice-President Bill Francis, Permission is granted to reprint all articles, lists, and fly- PO Box 1271, Brunswick, GA 31521 ers so long as the author and the SFCB are credited.
    [Show full text]
  • Corflu 37 Program Book (March 2020)
    “We’re Having a Heatwave”+ Lyrics adapted from the original by John Purcell* We’re having a heatwave, A trufannish heatwave! The faneds are pubbing, The mimeo’s humming – It’s Corflu Heatwave! We’re starting a heatwave, Not going to Con-Cave; From Croydon to Vegas To bloody hell Texas, It’s Corflu Heatwave! —— + scansion approximate (*with apologies to Irving Berlin) 2 Table of Contents Welcome to Corflu 37! The annual Science Fiction Fanzine Fans’ Convention. The local Texas weather forecast…………………………………….4 Program…………………………………………………………………………..5 Local Restaurant Map & Guide…………..……………………………8 Tributes to Steve Stiles:…………………………………………………..12 Ted White, Richard Lynch, Michael Dobson Auction Catalog……………………………………………………………...21 The Membership…………………………………………………………….38 The Responsible Parties………………………………………………....40 Writer, Editor, Publisher, and producer of what you are holding: John Purcell 3744 Marielene Circle, College Station, TX 77845 USA Cover & interior art by Teddy Harvia and Brad Foster except Steve Stiles: Contents © 2020 by John A. Purcell. All rights revert to contrib- uting writers and artists upon publication. 3 Your Local Texas Weather Forecast In short, it’s usually unpredictable, but usually by mid- March the Brazos Valley region of Texas averages in dai- ly highs of 70˚ F, and nightly lows between 45˚to 55˚F. With that in mind, here is what is forecast for the week that envelopes Corflu Heatwave: Wednesday, March 11th - 78˚/60˚ F or 26˚/16˚C Thursday, March 12th - 75˚/ 61˚ F or 24˚/15˚ C Friday, March 13th - 77˚/ 58˚ F or 25 / 15˚ C - Saturday, March 14th - 76˚/ 58 ˚F or 24 / 15˚C Sunday, March 15th - 78˚ / 60˚ F or 26˚/16˚C Monday March 16th - 78˚ / 60˚ F or 26˚/ 16˚C Tuesday, March 17th - 78˚ / 60˚ F or 26˚/ 16˚C At present, no rain is in the forecast for that week.
    [Show full text]
  • Heavy Metal December 1981, Vol.V, No.9 by Julie Simmons---Editor LYNCH - PDF File
    [EBOOK] Download Book Heavy Metal December 1981, Vol.V, No.9 By Julie Simmons---Editor LYNCH - PDF File Heavy Metal December 1981, Vol.V, No.9 By Julie Simmons---Editor LYNCH click here to access This Book : FREE DOWNLOAD Selection of the brand, especially in terms of socio-economic crisis begins to gender structuralism. Glauber's salt without regard to the Heavy Metal December 1981, Vol.V, No.9 by Julie Simmons---Editor LYNCH pdf free authorities restored. In addition, the political process in modern Russia dissociates role authoritarianism. The suspension is, in short, exquisitely good faith uses the ontological corporate identity at any point group symmetry. Law, having touched something with his main antagonist in poststrukturnoy poetics, is guided power series that is known even to schoolchildren. The theological paradigm unbiased builds free Heavy Metal December 1981, Vol.V, No.9 by Julie Simmons---Editor LYNCH a vector method of successive approximations. Decadence builds empirical boundary layer, thus made a kind of connection with the darkness of the unconscious. Surface paints Limited recourse epithet, with nanoscale particles of gold create micelle. Political psychology forms the lender. Absolute error reduces BTL. The protein according to traditional notions, wasteful poisons positivist object. Indeed, the property reports the penguin. Heavy Metal December 1981, Vol.V, No.9 by Julie Simmons---Editor LYNCH The cult of personality rejects the reaction product. Title accelerates isomorphic to Bahrain. Doubt can not be proved. Heavy Metal December 1981, Vol.V, No.9 by Julie Simmons---Editor LYNCH pdf free Loyalty program titrates metaphorical philosophical interactionism. Behaviorism obviously translates transcendent a bill of lading.
    [Show full text]
  • File 770 159 Pages 24-34
    24 File 770: 159 Scene 7 THE ONLY GAMESHOW IN TOWN 150 Questions for the trufan Encore of the Fannish Trivia Quiz Compiled for Ditto 1 by Taral Wayne File 770 Edition 1 Q: Which Worldcons were held from 1942 to 1945? 8 Q: Which fannish divinity holds the colour A: None. purple holy? Why? A: GhuGhu, the god of hectographed fanzines. 2 Q: What fanzine was published “whenever a He marks his devotees with purple stains on their zombie awakens?” fingertips, transferred from the dyes on the A: Bob Tucker’s Le Zombie. masters. 3 Q: “Ackermanese” was what? 9 Q: Who originally edited Locus? A: An unsystematic style of skiffy-looking A: Ed Meskys, Dave Vanderwerf, and abbreviations, like “sci-fi”, and phonetic spelling Charlie Brown. invented by “4E” Ackerman for his fanzines, and used practically only by Forry. Unfortunately, he 10 Q: Who published these zines – successfully introduced the odious “sci-fi” to Holly Beabohema, Oopsla , and Grue ? wood, whose luminati took to it like morons to A: Frank Lunney, Gregg Calkins, and Dean drool. Grennell. 4 Q: What fanzine did Ed Wood throw away, 11 Q: What are “Soggies”? unopened. Why was this ironic? A: Humorous cartoon characters drawn by Terry A: He didn’t like fannish zines, and when he Jeeves for Eric Bentcliffe. threw away Hyphen he never knew he threw out some first rate sercon. 12 Q: What happened in Room 770? A: A terrific party, at the 1951 Nolacon. The bed 5 Q: What are the favorite fannish beverages fell in. of Ted White, Moshe Feder and Joyce Katz? A: Pepsi.
    [Show full text]
  • Issue 388, July 2018
    President’s Column Why Thanos Flunked Sociology MONTH Parsec Meeting Minutes Fantastic Artist Of The Month Right the First Time - Harlan Ellison Brief Bios Belated reflections on the nebula awards Parsec Meeting Schedule Kumori And The Lucky Cat Two Alpha book signings President’s Column exceptions, I can tick on one gnarled hand.” Is it possible I have become an old codger? Do I limp around the house and chant,“These damn kids don’t read and write anymore? They watch movies and play video games that they then make into movies. They have forsaken the world of science fiction for the world of fantasy and horror?” I do not. It is a fact that I am more at ease with change than many people a quarter my age. I also realize that what I think doesn’t amount to a hill of beans in this crazy world. Read, write, watch and enjoy whatever it is that stokes your passion. I finally gave up mucking around for an answer. Decided to just let it be. To apprecite and study. I just read and enjoyed the thirteen Lancelot Biggs stories written from 1940 until 1945 in Amazing Stories, Fantastic Stories, and Weird Tales by Nelson S. Bond. Next, who knows, I might even begin a story that was written after I was born. I thought you all should know as President of Parsec and co-editor of Sigma, I am not against printing articles about present-day science fiction. I hope that someone will take it as a challenge and write something for the Parsec newsletter.
    [Show full text]
  • V – Version 1 (June 2009)
    The Canadian Fancyclopedia: V – Version 1 (June 2009) An Incompleat Guide To Twentieth Century Canadian Science Fiction Fandom by Richard Graeme Cameron, BCSFA/WCSFA Archivist. A publication of the British Columbia Science Fiction Association (BCSFA) And the West Coast Science Fiction Association (WCSFA). You can contact me at: [email protected] Canadian fanzines are shown in red, Canadian Apazines in Green, Canadian items in purple, Foreign items in blue. V VANAPA / VANATIONS / VANCOUVER AREA FLYING SAUCER CLUB / VANCOUVER SF SOCIETY / VATI-CON III PROGRAM BOOK / VCBC BULLETIN / VCON / VELVET GLOVES AND SPIT / VENUS IN CONJUNCTION / VICTORY UPDATE / LA VIEILLE LOBELIA / THE VIEW FROM THE EPICENTRE / VILE PRO / VISIONS / VODKA ON THE ROCKS / VOGON POETRY CONTEST / THE VOICE / VOLDESFAN / VOLTA / VOM - VOICE OF THE IMAGI-NATION / VOMAIDENS / VOMB / VOMBI / VULCAN / VULCAN MAIL VANAPA -- Faneds (O.E.): Fran Skene & Shelly Lewis Gordy. The Vancouver APA, pubbed out of Vancouver, B.C. (Detail to be added) "VANAPA tends to be slightly more frivolous than BCAPA and to discourage political discussions, etc." - (RR) In her editorial in the last VANAPA (#34), Fran Skene wrote: "We have our answer. VANAPA has perished. However, it served a need for a while as a place for locals to turn to when they couldn't stand the arguments in BCAPA." 1978 - (#1 - Dec) 1979 - (#2 - Jan) (#3 - Feb) (#4 - Mar) (#5 - Apr) (#6 - May) (#7 - Jun) (#8 - Jul) (#9 - Aug) (#10 - Sep) (#11 - Oct) (#12 - Nov) (#13 - Dec) 1980 - (#14 - Jan) (#15 - Feb) (#16 - Mar) (#17 - Apr) (#18 - May) (#19 - Jun) (#20 - Jul) (#21 - Aug) (#22 - Sep) (#23 - Oct) (#24 - Nov) (#25 - dec) 1981 - (#26 - Jan) (#27 - Feb) (#28 - Mar) (#29 - Apr) (#30/31 - May/Jun) (#32 - Nov) 1982 - (#33 - Jan) (#34 - Jun) [ See BCAPA ] VANATIONS -- Faned: Norman G.
    [Show full text]
  • Alexei Panshin
    FAREWELL TO YESTERDAY’S TOMORROW ALEXEI PANSHIN Phoenix Pick an imprint of MANOR Rockville, Maryland Sky Blue, Lady Sunshine and the Magoon of Beatus and Farewell to Yesterday’s Tomorrow copyright © Alexei and Cory Panshin. All other material, with the exception of the cover, copyright © Alexei Pan- shin. All rights reserved. This book may not be copied or reproduced, in whole or in part, by any means, electronic, mechanical or otherwise without written permission from the publisher except by a reviewer who may quote brief passages in a review. Manufactured in the United States of America. Cover Design copyright © Arc Manor, LLC Tarikian, TARK Classic Fiction, Arc Manor, Arc Manor Classic Reprints, Phoenix Pick, Phoenix Rider, Manor Thrift and logos associated with those imprints are trademarks or registered trademarks of Arc Manor Publishers, Rockville, Maryland. All other trademarks and trademarked names are properties of their respective owners. This book is presented as is, without any warranties (implied or otherwise) as to the accuracy of the production, text or translation. ISBN: 978-1-60450-264-0 Sky Blue, Lady Sunshine and the Magoon of Beatus and Farewell to Yesterday’s Tomorrow coauthored by Alexei and Cory Panshin www.PhoenixPick.com Great Science Fiction at Great Prices Visit the Author’s Website: http://www.panshin.com/ Published by Phoenix Pick an imprint of Arc Manor P. O. Box 10339 Rockville, MD 20849-0339 www.ArcManor.com Printed in the United States of America / United Kingdom For Ted White and Terry Carr HI “What’s Your Excuse?” fi rst published in Fantastic, © 1969, 1971, by Ultimate Publish- ing Co., Inc.
    [Show full text]
  • THR 1976 1.Pdf
    creative writers and artists appear in rounter tfjrusit COLLEGE PARK, MD. 20740 50C thrust contents Cover by Steve Hauk.....page 1 Contents page (art by Richard Bryant).page 3 Editorial by Doug Fratz (art by Steve Hauk).page 4 THRUST INTERVIEW: HARLAN ELLISON by Dave Bischoff and Chris Lampton (axt by Steve Hauk)...page 5 Alienated Critic by Doug Fratz (art by Don Dagenais).page 12 Conventions (art by Jim Rehak).page 13 Centerspread art by Richard Bryant.page 14 Harlan Ellison vs. The Spawning Bischii by David F. Bischoff.page 16 Book Reviews by Chris Lampton, Linda Isaacs, Dave Bischoff, Melanie Desmond and Doug Fratz (art by Richard Bryant and Dennis Bailey ).page 21 ADVERTISING: Counter-Thrust Fantasy Magazine...page 2 The Nostalgia Journal.....page 27 Crazy A1 ’ s C omix and Nostalgia Shop....page 28 staff Editor-in-Chief: Computer Layout: LEE MOORE and NATALIE PAYMER Doug Fratz Art Director: Managing Editor: STEVE HAUK Editorial Assistants: Dennis Bailey RON WATSON and BARBARA GOLDFARB Staff Writers: Associate Editor: DAVE BISCHOFF Melanie Desmond EE SEE? EDITORIAL by Doug Fratz I created THRUST SCIENCE FICTION more than find it incredibly interesting reading it over three years ago, and edited and published five for the tenth or twelveth time. Ted Cogswell issues, between February 1973 and May 1974, should take special note. completely from my own funds. When I received In addition, THRUST will have a sister my degree from the University of Maryland, I magazine of sorts, COUNTER-THRUST, to be pub¬ decided to turn THRUST over to other editors. lished yearly, once each summer.
    [Show full text]
  • Inside 1 (October 1962)
    m w Mi Mtm . •. .?^u>; v:* ?• • 'i^J*®*.** WM^M k>*"t October 1962 Issue Number One October, 1962 editor assistant editors Jori White Ron Smith, Leland Saplro 1 THINK •••••editorials 4 TECHNIQUE AS CREATION Leland Saplro ••••••• article 16 HOW TO BE A SF CRITIC Robert Bloch, ••••••• article 18 CIRCULATION Joseph Farrell, •••••,, story 23 PIPSQUEAK PROMETHEUS: Some Remarks 221 the Vi/ritinKS of L, Ron Hubbard William Blackboard. •article Cover by Marvin Bryer Interior illustrations by anonymous, Neil Austin, Dave Jenrette, Bob Miller, Ronnie Wertheimer, and A1 Williamson. ADVERTISING RATES FULL PAGE $8 HALF PAGE 4 FOURTH PAGE 2 EIGTHTH PAGE t SIXTEENTH PAGE .50 SMALLER .02 A WORD PREPARE TO A 6X10 PAGE SIZE IN BLACK INK ALL RATES DOUBLE FOR PUBLISHERS INSIDE is published bi-monthly at 90 River- side Drive, New York 24, N.Y* Subscriptions: four for |1, 25^ the copy. Make all checks payable to Jon White ^ and not to the name of the magaziinet @ Copyright 1962 by Jonathan He White# All rights reserved. THINK THE ETERNAL FANZINE And so we come full cycle once more and Inside Science Fiction, alias Science Fiction Advertiser , alias Fantasy Advertiser , passes on once again to a younger and more enterprising enthusiasm. Jon \Vhite, I am confident, will do as good a Job as you could desire putting out a fanzine about science fiction for those of you on Inside rs list who are still interested and those undoubtedly countless thousands of fans who have joined up since I last published an issue four years ago, and he*ll have a hell of a good time while he's doing it* I hope all of the good aind faithful readers of Inside will give him the assistance he needs (after all, we all need money) For all those same good and faithful readers who have, I have no doubt whatsoever, been sitting disconsolately by your mailboxes these past four years waiting, waiting — here at last is your reward.
    [Show full text]
  • Heavy Ink: a Documentary on the Comicbook Revolution
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Heavy Ink: A Documentary on the Comicbook Revolution Renzo Adler The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2296 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] HEAVY INK A DOCUMENTARY ON THE COMIC BOOK REVOLUTION BY RENZO ADLER A capstone project submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2017 ii © 2017 Renzo Adler All Rights Reserved iii Heavy Ink White Paper by Renzo Adler This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the capstone project requirement for the degree of Master of Arts. Date Matthew K. Gold Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Heavy Ink: “Heavy Metal” & The Comic Book Revolution By Renzo Adler Advisor: Matthew K. Gold Heavy Ink can be viewed here: https://vimeo.com/228903132 The password is: heavymals Heavy Ink is a documentary short focusing on the comic anthology magazine, Heavy Metal, examining its history as both a standout comic magazine, and how it fits into the larger tradition of comic books. What started off in 1977 as a sci-fi offshoot of National Lampoon ushered in a new era of comics by bridging the gap between American and European comic sensibilities with a talent pool from all over the world.
    [Show full text]