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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
The Complete Peanuts Volume I by Charles M. Schulz
NACAE National Association of Comics Art Educators STUDY GUIDE: THE COMPLETE PEANUTS by Charles M. Schulz Volume One: 1950-1952 Study guide written by Art Baxter Introduction America was in the throes of post-war transition in 1950. Soldiers had returned home, started families and abandoned the cities for the sprawling green lawns of newly constructed suburbia. They had sacrificed during the Great Depression and subsequent war effort and this was their reward. Television was beginning to replace the picture-less radio not to mention live theater, supper clubs and dance halls, as Americans stayed home and raised families. Despite all this “progress” an empty feeling still resided in the pit of the American soul. Psychology, that new science that had recently gone mainstream, tried to explain why. Then, Charles M. Schulz’s little filler comic strip, Peanuts, appeared in the funny pages. Schulz was born in 1922, the solitary child of a barber and his wife, in St. Paul, Minnesota. Sparky, his lifelong nickname, was given to him when he was an infant, by an uncle, after the comic strip character Barney Google’s racehorse Spark Plug. Schulz had an early love and talent for drawing. He enjoyed famous comic strips like Roy Crane’s Wash Tubbs/Captain Easy (1924- 1943), the prototype of the adventure strip; E. C. Segar’s Thimble Theater (1919-1938), and its diverse cast of colorful characters going in and out rollicking adventures; and Percy Crosby’s Skippy (1925-1945) with its wise-for-his-age perceptive child protagonist. Schulz was a bright student and skipped several grades, making him the youngest and smallest in his class. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Earl Kemp: Ei54
Vol. 10 No. 1 February 2011 –e*I*54– (Vol. 10 No. 1) February 2011, is published and © 2011 by Earl Kemp. All rights reserved. It is produced and distributed bi-monthly through http://efanzines.com by Bill Burns in an e-edition only. Contents – eI54 – February 2011 Cover: “Cupid Goes Cosmic,” by Steve Stiles …Return to sender, address unknown….44 [eI letter column] by Earl Kemp Introduction “The Last Dangerous Visionaries,” by Earl Kemp A Touch of Ellison, by Earl Terry Kemp “I Must Have It,” by Ted White A Personal Remembrance of Harlan Ellison, by Lynn Munroe In Company with Harlan, by Linda Moorcock Harlan, by Michael Moorcock Harlan, by John-Henri Holmberg Harlan Ellison’s Dangerous Visions, by Rob Latham Fifty Years—That’s Not Too Many, by Richard Lupoff Nebula Awards Tempe AZ 2006, by Patricia Rogers Get Stuffed, by Jerome Winter Unzipped, by J.D. Crayne Harlan Ellison and Final Stage, by Bud Webster Fond Memories, by Various Back cover: “Steam Punk Rescue,” by Ditmar [Martin James Ditmar Jenssen] Writing is the hardest work in the world. I have been a bricklayer and a truck driver, and I tell you—as if you haven't been told a million times already—that writing is harder. Lonelier. And nobler and more enriching. —Harlan Ellison THIS ISSUE OF eI is for Harlan Ellison on the occasion of his being named recipient of the 2011 Eaton Award for Lifetime Achievement in Science Fiction by the University of California, Riverside. In the strictly science fiction world, it is also in memory of Ruth Kyle. -
Eastern Progress Eastern Progress 1965-1966
Eastern Progress Eastern Progress 1965-1966 Eastern Kentucky University Year 1966 Eastern Progress - 22 Apr 1966 Eastern Kentucky University This paper is posted at Encompass. http://encompass.eku.edu/progress 1965-66/26 5«9a NEW CAMPUS HISTORIC GRIPE HAZARD SESSION PAGE 2 PAGE 6 €(XSt€R OQRZSS 'Setting The Pace In ^4 Progressive Era' Friday, April 22, 1966 '» 43rd Year No. 26 Student Publication of Eastern Kentucky University. Richmond (Effective July I) Al Capp Demonstrates Junior-Senior Prom Highlights Wit And Intelligence Crowning Of King, Queen Tonight BARBARA DONNKIX the planning of the dance. This The music at the prom will By Frank Louden guards nnd want to run the in- be provided by Peter Palmer :.tituticn at Berkley they do!" Progress Staff Writer Junior committee Is in cnarge of Program Staff Writer scenery, chaperons, publicity, Voices and Orchestra. The Question: What do you think One of the highlights of the and the coronation of the King group consists of featured male Al Capp. renowned cartoonist- of student opinion? Eastern school year, the Junior- and Queen at the dance. soloist, Clay Randel, a four satirist and creative'artist, de- Answer: "I think students Senior Prom, will take place to- The committee consists of member vocal group, and a monstrated his keen wit and in- should have opinions on whit night in the Student Union Bill McDowell, Clara Black- twelve member orchestra. They telligence Tuesday night before they know most a'oout ---hubcaps Cafeteria. The dance will be- burn, Jerry Mitchell, Phil will play from 9 until 1. a capacity crowd in Hiram and puberty." gin at 9 p.m. -
THE COMIX BOOK LIFE of DENIS KITCHEN Spring 2014 • the New Voice of the Comics Medium • Number 5 Table of Contents
THE COMIX BOOK LIFE OF DENIS KITCHEN 0 2 1 82658 97073 4 in theUSA $ 8.95 ADULTS ONLY! A TwoMorrows Publication TwoMorrows Cover art byDenisKitchen No. 5,Spring2014 ™ Spring 2014 • The New Voice of the Comics Medium • Number 5 TABLE OF CONTENTS HIPPIE W©©DY Ye Ed’s Rant: Talking up Kitchen, Wild Bill, Cruse, and upcoming CBC changes ............ 2 CBC mascot by J.D. KING ©2014 J.D. King. COMICS CHATTER About Our Bob Fingerman: The cartoonist is slaving for his monthly Minimum Wage .................. 3 Cover Incoming: Neal Adams and CBC’s editor take a sound thrashing from readers ............. 8 Art by DENIS KITCHEN The Good Stuff: Jorge Khoury on artist Frank Espinosa’s latest triumph ..................... 12 Color by BR YANT PAUL Hembeck’s Dateline: Our Man Fred recalls his Kitchen Sink contributions ................ 14 JOHNSON Coming Soon in CBC: Howard Cruse, Vanguard Cartoonist Announcement that Ye Ed’s comprehensive talk with the 2014 MOCCA guest of honor and award-winning author of Stuck Rubber Baby will be coming this fall...... 15 REMEMBERING WILD BILL EVERETT The Last Splash: Blake Bell traces the final, glorious years of Bill Everett and the man’s exquisite final run on Sub-Mariner in a poignant, sober crescendo of life ..... 16 Fish Stories: Separating the facts from myth regarding William Blake Everett ........... 23 Cowan Considered: Part two of Michael Aushenker’s interview with Denys Cowan on the man’s years in cartoon animation and a triumphant return to comics ............ 24 Art ©2014 Denis Kitchen. Dr. Wertham’s Sloppy Seduction: Prof. Carol L. Tilley discusses her findings of DENIS KITCHEN included three shoddy research and falsified evidence inSeduction of the Innocent, the notorious in-jokes on our cover that his observant close friends might book that almost took down the entire comic book industry .................................... -
NEDOR HEROES! $ NEDOR HEROES! In8 Th.E9 U5SA
Roy Tho mas ’Sta nd ard Comi cs Fan zine OKAY,, AXIS—HERE COME THE GOLDEN AGE NEDOR HEROES! $ NEDOR HEROES! In8 th.e9 U5SA No.111 July 2012 . y e l o F e n a h S 2 1 0 2 © t r A 0 7 1 82658 27763 5 Vol. 3, No. 111 / July 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Proofreaders Rob Smentek, William J. Dowlding Cover Artist Shane Foley (after Frank Robbins & John Romita) Cover Colorist Tom Ziuko With Special Thanks to: Deane Aikins Liz Galeria Bob Mitsch Contents Heidi Amash Jeff Gelb Drury Moroz Ger Apeldoorn Janet Gilbert Brian K. Morris Writer/Editorial: Setting The Standard . 2 Mark Austin Joe Goggin Hoy Murphy Jean Bails Golden Age Comic Nedor-a-Day (website) Nedor Comic Index . 3 Matt D. Baker Book Stories (website) Michelle Nolan illustrated! John Baldwin M.C. Goodwin Frank Nuessel Michelle Nolan re-presents the 1968 salute to The Black Terror & co.— John Barrett Grand Comics Wayne Pearce “None Of Us Were Working For The Ages” . 49 Barry Bauman Database Charles Pelto Howard Bayliss Michael Gronsky John G. Pierce Continuing Jim Amash’s in-depth interview with comic art great Leonard Starr. Rod Beck Larry Guidry Bud Plant Mr. Monster’s Comic Crypt! Twice-Told DC Covers! . 57 John Benson Jennifer Hamerlinck Gene Reed Larry Bigman Claude Held Charles Reinsel Michael T. -
Bulletin 7/13C
Southern Fandom Confederation Contents SFC Handbooks Off the Wall . .1 This amazing 196 page tome of Southern Fannish lore, edited Treasurer’s Report . .3 by T.K.F. Weisskopf, is now available to all comers for $5, plus Contributors . .3 a $2 handling and shipping charge if we have to mail it. The Nebula Award Winners . .3 Handbook is also available online, thanks to the efforts of Sam Hugo Nominees . .4 Smith, at http://www.smithuel.net/sfchb Convention Reports . .6 T-Shirts Convention Listing . .8 Fanzine Listings . .10 Size S to 3X LoCs . .12 Price $10 {{Reduced!}} Plus $3 shipping and handling fee if we have to mail it. Policies Art Credits The Southern Fandom Confederation Bulletin Vol. 7, No. 13, Cover, Page 1 . .Teddy Harvia June 2002, is the official publication of the Southern Fandom This page, Page 2,3,6,7,12,14,18 . .Trinlay Khadro Confederation (SFC), a not-for-profit literary organization and Page 5, 17 . .Scott Thomas . information clearinghouse dedicated to the service of Southern Page 19 . .Sheryl Birkhead Science Fiction and Fantasy Fandom. The SFC Bulletin is edit- ed by Julie Wall and is published at least three times per year. Addresses of Officers Membership in the SFC is $15 annually, running from DeepSouthCon to DeepSouthCon. A club or convention mem- Physical Mail: bership is $75 annually. Donations are welcome. All checks President Julie Wall, should be made payable to the Southern Fandom 470 Ridge Road, Birmingham, AL 35206 Confederation. Vice-President Bill Francis, Permission is granted to reprint all articles, lists, and fly- PO Box 1271, Brunswick, GA 31521 ers so long as the author and the SFCB are credited. -
SF COMMENTARY 101 February 2020 129 Pages
SF COMMENTARY 101 February 2020 129 pages JAMES ‘JOCKO’ ALLEN * GEOFF ALLSHORN * JENNY BLACKFORD * RUSSELL BLACKFORD * STEPHEN CAMPBELL * ELAINE COCHRANE * BRUCE GILLESPIE * DICK JENSSEN * EILEEN KERNAGHAN * DAVID RUSSELL * STEVE STILES * TIM TRAIN * CASEY JUNE WOLF * AND MANY MANY OTHERS Cover: Ditmar (Dick Jenssen): ‘Trumped!’. S F Commentary 101 February 2020 129 pages SF COMMENTARY No. 101, February 2020, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. DISTRIBUTION: Either portrait (print equivalent) or landscape .PDF file from eFanzines.com: http://efanzines.com or from my email address: [email protected]. FRONT COVER: Ditmar (Dick Jenssen): ‘Tumped!’. BACK COVER: Steve Stiles (classic reprint from cover of SF Commentary 91.) PHOTOGRAPHS: Elaine Cochrane (p. 7); Stephen Silvert (p. 11); Helena Binns (pp. 14, 16); Cat Sparks (p. 31); Leigh Edmonds (pp. 62, 63); Casey Wolf (p. 81); Richard Hyrckiewicz (p. 113); Werner Koopmann (pp. 127, 128). ILLUSTRATIONS: Steve Stiles (pp. 11, 12, 23); Stephen Campbell (pp. 51, 58); Chris Gregory (p. 78); David Russell (pp. 107, 128) Contents 30 RUSSELL BLACKFORD 41 TIM TRAIN SCIENCE FICTION AS A LENS INTO THE FUTURE MY PHILIP K. DICK BENDER 40 JENNY BLACKFORD 44 CASEY JUNE WOLF INTERVIEWS WRITING WORKSHOPS AT THE MUSLIM SCHOOL EILEEN KERNAGHAN 2 4 I MUST BE TALKING TO MY 20 BRUCE GILLESPIE FRIENDS The postal path to penury 4 BRUCE GILLESPIE The future is now! 51 LETTERS OF COMMENT 6 BRUCE GILLESPIE AND ELAINE COCHRANE Leanne Frahm :: Gerald Smith :: Stephen Camp- Farewell to the old ruler. Meet the new rulers. -
Libertycon 20
Comfort Inn & Suites LibertyCon 20 is Dedicated to the LibertyCon Rules Memory of ATTENDEES 17 YEARS OLD AND UNDER: All convention attendees Wilson “Bob” Tucker who are 17 years of age or younger must be accompanied by a LEGAL November 23, 1914 - October 6, 2006 GUARDIAN. A Legal Guardian is a person 21 years of age or older who will take fi nancial and legal responsibility for the minor and will sign for Wilson “Bob” Tucker, a few weeks before turning 92, passed away Friday, October 6, 2006 in a Florida each minor person for which he/she is responsible. A parent or Legal hospital. Wilson Tucker, “Bob” and “Pop”, will be Guardian must accompany children under 7 years of age at all times. remembered by many as a father, friend and mentor. BADGES: Badges must be worn in plain sight above the waist at all By Linda L. Bolgeo times. I don’t remember where or when I fi rst met BATHING: Remember, “If in doubt, take a bath!” Your fellow attend- Wilson “Bob” Tucker but I do know that over ees will appreciate your courteous actions. the years he became not just a dear friend DRINKING AGE: To get a drinking badge you must produce a VALID mil- that we would see at many conventions, but itary ID or Drivers License with your picture on it to prove that you are at part of our family. We were not his only convention family though, he had least 21 years of age. Minors caught drinking at LibertyCon will be hung, special people all over the United States that he would spend time with drawn, quartered, and thrown out of the convention. -
2256 Inventory 4.Pdf
The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol.