Charles Augustus Keeler Papers, 1858-1949
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Chapter 21: Literature: John Muir
Mount Shasta Annotated Bibliography Chapter 21 Literature: John Muir John Muir's exceptional mental and physical stamina enabled him to rigorously pursue, often in solitary fashion, the exploration of California's mountains. In the Fall of 1874 and the Spring of 1875 he climbed Mt. Shasta three times. Among the entries listed in this section are Muir's pocket notebooks kept during these climbs. His 1875 notebook contains many detailed drawings of the Shasta region. In one case, on April 28, 1875, he drew from the summit of Mt. Shasta a picture depicting an approaching storm, a storm similar to the one which would two days later, on another climb of the mountain, trap him and his climbing partner Jerome Fay on the summit of Mt. Shasta. Also listed in this section are the reports of A. F. Rodgers, who had hired Muir and Fay in the Spring of 1875 to go and take summit barometric readings. Rodgers wrote a fascinating report which vividly details the appearance and condition of Muir and Fay immediately following the overnight ordeal on April 30, 1875. Muir himself wrote stories of the ordeal that were published in several sources, including Harper's Magazine in 1877 and Picturesque California in 1888. Many of Muir's other published works describe Mt. Shasta. His earliest Mt. Shasta writings were a series of five articles printed in the San Francisco Daily Evening Bulletin in 1874 and 1875; these have been edited and published by Robert Engberg as part of John Muir: Summering in the Sierra (not the same book as Muir's own book My First Summer in the Sierra). -
National Register of Historic Places Registration Form NOV 2 O Ip
Untttd States Department of the Interior National Park Service .- F C. fr 1 \/ ',r. National Register of Historic Places NOV 2 o ip SEP 3 0 I992i Registration Form NATIONAL REGISTER OHP Thla form to for uaa In nominating or requeetlng datarmlnatlona of eligibility for Individual propartiaa or dietrtcts. Saa Inetructton* in tor CompfcMng rVettona/ ftaofefar forma (National Register Bulletin 16). Complata aach Ham by marking "»" in tha appropriate box or by antahng tha raquaatad Information. H an rtam doaa not apply to tha proparly baing doeumantad, antar "N/A" for "not applicable." For functtone, atytee, matartalt, and areas of aignlficanca, antar onry tha catagorlaa and aubcatagoriaa liatad in tha Instructions. For additional apaoa uaa oomlnuatlon ahaatt (Form I0»800a). Typa all entries 1. Name of Property ""* hlatorlc nama Qlovne Court Hr>i-el othar names/sits number Cloyne Court 2, Location atn>et & number 2600 Ridae Road Nl^ not for publication Olft , town Berkeley jJT_ vicinity ftata coda CA oounty Alameda ood llDOOdt Claaalflcatlon Ownarahlp of Proparly Category of Proparty Numbar of Raaourota within Proparty prlvata bulldlng(a) Contributing Nonoontrlbutlng public-local district ^ bulldlngi publlc-Stata •Ita attai public-Federal atruoiura _ alructura i _ objact ,objacti .Total Nama of ralatad multlpla proptrty Hating: Numbtr of contributing raaourcaa pravlouily liatad In tha National Raglatar _. Q___ 4. Btata/Fadaril Agancy Cartlflcatlon Aa the designated authority under the National Hiatoric Preservation Act of 1066, as amended, I hereby certify that this Ol nomination CD requeat for determination of eligibility meats tha documentation atandarda for registering properties In the National Register of HiejSric Places and meets the procedural and professional requirements aet forth In 36 CFR Part 60. -
Ina Coolbrith Chit Chat Club
La Miglior Fabbra: Ina Coolbrith and the Provenance of Bay Area Literature On April 29, 1893, Ina Coobrith, poet, writer, librarian, and doyen of San Francisco’s literary scene, traveled to the southeastern section of Oakland — to Fruitvale, an area celebrated for its cherry and apricot orchards. There she met David Lesser Lezinsky, a young poet with a passion for sociology and psychology, and Edmund Russell, a portrait painter — of fashionable society women — who preferred to wear silk robes and heeled shoes. They met to ascend the Oakland hills to visit the home of Joaquin Miller. Recognizing Russell’s being unable to walk through the countryside in what his companions characterized as “kids pumps,” Lezinsky rented a small horse and cart — and a small young driver — to transport Ina and Russell — slowly up the hill. Lezinsky and a reporter for the Stockton Evening Mail made their way on the well-trodden path to “The Hights,” Joaquin’s Miller’s compound, nested in the hills. The compound featured four whitewashed structures: one for dining, another for work and sleep, and another — for his mother. Miller reserved the fourth — and largest — structure for the gardener and to support his work tending to the landscape and especially the terraces of roses. Miller drew numerous visitors to the “Hights” — each eager to catch a glimpse of this tall man who fashioned his appearance in a manner causing him to look like Walt Whitman on steroids — but with little of the poetic muscularity of America’s “Good Grey Poet.” Joaquin Miller was one of the most famous and readily recognized poets of the West in the last quarter of the 19th century, but few admirers at that time knew that Ina Coolbrith had prompted 1 Miller to change his name — from “Cincinnatus Hiner Miller.” Miller was born c. -
Swedenborgian Church Other
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 SWEDENBORGIAN CHURCH Page 1 United States Department of the Interior, National Park Service__________________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Swedenborgian Church Other Name/Site Number: Church of the New Jerusalem, Lyon Street Church 2. LOCATION Street & Number: 3200 Washington Street Not for publication: City/Town: San Francisco Vicinity:, State: California County: San Francisco Code: 075 Zip Code: 94115 3. CLASSIFICATION Ownership of Property Category of Property Private: x Building(s): x Public-Local: _ District: _ Public-State: _ Site: _ Public-Federal: Structure: _ Object:_ Number of Resources within Property Contributing Noncontributing 0 buildings 0 sites 0 structures 0 objects 0 Total Number of Contributing Resources Previously Listed in the National Register: 0 Name of Related Multiple Property Listing: N/A NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 SWEDENBORGIAN CHURCH Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. -
1325 Arch Street – Landmark Or Structure of Merit (#LMIN2020-0008)
ITEM 6 LPC 08-05-21 L ANDMARKS P RESERVATION C OMMISSION S t a f f R e p o r t FOR COMMISSION ACTION AUGUST 5, 2021 1325 Arch Street – The Schneider/Kroeber House Landmark application #LMIN2020-0008 for the consideration of City Landmark or Structure of Merit designation status for a single-family residence constructed in 1907 – APN 060-2465-027-00 I. Application Basics A. Land Use Designations: Zoning: R-1(H), Single-Family Residential/Hillside Overlay B. CEQA Determination: Exempt from environmental review pursuant to CEQA Guidelines Section 15061 C. Parties Involved: • Initiated by: Landmarks Preservation Commission (LPC) • Recorder: Steve Finacom, Commissioner • Property Owner: Golden Bear, LLC 1325 Arch Street Berkeley, CA D. Staff Recommendation: Hold a public hearing and consider final action on this request. 1947 Center Street, 2nd Fl., Berkeley, CA 94704 Tel: 510.981.7410 TDD: 510.981.7474 Fax: 510.981.7420 ITEM 6 LPC 08-05-21 1325 ARCH STREET LANDMARKS PRESERVATION COMMISSION Page 2 of 10 August 5, 2021 Figure 1: Vicinity Map – highlighting nearby City Landmarks and Structures of Merit Project Site North ITEM 6 LPC 08-05-21 LANDMARKS PRESERVATION COMMISSION 1325 ARCH STREET August 5, 2021 Page 3 of 10 Figure 2: Subject property, current conditions – primary (west) facade (Photo by C. Enchill) ITEM 6 LPC 08-05-21 1325 ARCH STREET LANDMARKS PRESERVATION COMMISSION Page 4 of 10 August 5, 2021 Figure 3: Subject property, architectural drawing by Maybeck & White Architects– primary (west) facade (no date) Figure 4: Subject property, rendering by unknown author, no date ITEM 6 LPC 08-05-21 LANDMARKS PRESERVATION COMMISSION 1325 ARCH STREET August 5, 2021 Page 5 of 10 II. -
The John Muir Newsletter, Winter 2006/2007
University of the Pacific Scholarly Commons John Muir Newsletters John Muir Papers Winter 12-1-2006 The ohnJ Muir Newsletter, Winter 2006/2007 The ohnJ Muir Center for Environmental Studies Follow this and additional works at: https://scholarlycommons.pacific.edu/jmn Part of the American Studies Commons, Natural Resources and Conservation Commons, and the United States History Commons Recommended Citation The oJ hn Muir Center for Environmental Studies, "The oJ hn Muir Newsletter, Winter 2006/2007" (2006). John Muir Newsletters. 85. https://scholarlycommons.pacific.edu/jmn/85 This Newsletter is brought to you for free and open access by the John Muir Papers at Scholarly Commons. It has been accepted for inclusion in John Muir Newsletters by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. TH£ JOHN MUIR NEWSLETTER TWO CALIFORNIA LIONS: JOHN MUIR & LUTHER BURBANK by Roberta M. McDow, Stockton, CA have long wanted to know you," John Muir wrote the time to pursue them. To him, plants were objects from his home in Martinez, California on January of beauty and love in the wild, but breeding them to I 6, 1910. "Strange how people so near are so long produce more and better food was not his vocation. kept apart."1 His message accompanied a receipt Yet Muir and Burbank had interests in common dated December 29, 1909 for five dollars, about one and in some ways their lives almost mirrored each hundred in today's currency, contributed to the other. Muir, born in Dunbar, Scotland on April21, Society for the Preservation of National Parks? 1838, was about eleven years older than Burbank.6 A day later, Muir's letter arrived at its destination The latter was born at Lancaster, Massachusetts on in Santa Rosa. -
Berkeley's First Art Colony
72 Chapter Three – Sanctuary: Berkeley’s First Art Colony (1906-1911) If an art colony consists of individuals who have migrated to a specific place in order to live in close association, share common aesthetic interests and receive institutional support in a sympathetic community that recognizes the cultural and economic importance of artists,1 then Berkeley between 1850 and 1905 did not satisfy these requirements. In sharp contrast to the nearby “Sodom of San Francisco,” this rural town was incorporated in 1878 with the intent of creating a “sober bayside municipality” for the University of California which officially moved from Oakland to its present campus in 1873.2 Berkeley’s charm and stunning location at the base of the forested coastal hills enticed many artists who needed a convenient weekend escape from their San Francisco associates and “a venue of inspiration” to sketch in unfettered nature.3 Sightings of mountain lions and deer were frequent. Eventually, the lure of this bucolic haven attracted three major figures from the art world as permanent settlers. The “Dean” among the California painters, William Keith, moved to Berkeley in 1886 and lived near the campus until his death in April of 1911. Despite his spiritual attachment to the local oak trees, Keith commuted for many years on the ferry to his San Francisco studio and sold his paintings there or in that city’s galleries. The tightly controlled social life of this rather shy temperamental painter revolved around the literati of the University of California and visiting naturalists, such as John Muir, not his fellow artists.4 Edwin Deakin, one of the region’s most famous and versatile painters, purchased in 1890 a large tract of land along the south Berkeley border and built a Mission-style studio-home on Telegraph Avenue. -
Catalogue I of the Regional Oral History Office, 1954-1979
http://oac.cdlib.org/findaid/ark:/13030/tf4s200481 No online items Catalogue I of the Regional Oral History Office, 1954-1979 Processed by The Bancroft Library staff The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 1997 The Regents of the University of California. All rights reserved. Note History --History, CaliforniaGeographical (By Place) --California Catalogue I of the Regional Oral 1 History Office, 1954-1979 Catalogue I of the Regional Oral History Office, 1954-1979 The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Edited by: Suzanne B. Riess and Willa Baum Encoded by: Xiuzhi Zhou © 1997 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Catalogue I of the Regional Oral History Office, Date (inclusive): 1954-1979 Creator: Bancroft Library. Regional Oral History Office Repository: The Bancroft Library Berkeley, California 94720-6000 Languages Represented: English Access Collection is open for research. Publication Rights Copyright has not been assigned to The Bancroft Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Public Services. Permission for publication is given on behalf of The Bancroft Library as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the reader. -
Important Figures in the History of the Pathways Berkeley's Early Byways
. BPWA 1442A WALNUT ST, #269 Dedicated to the creation, preservation and restoration of public paths, steps and walkways in Berkeley for the use and enjoyment of all. BERKELEY, CA 94709 Berkeley’s Berkeley Path Wanderers Association is a grassroots volunteer group of community members who have come together to increase PATHS public awareness of the City of Berkeley’s A Newsletter of the Berkeley Path Wanderers Association, Winter 2001 Vol. 4 No. 1 pathways. BPWA hopes to accomplish this goal through volunteer-led path walks, identification and accurate mapping of Important Figures in the History of the Pathways Berkeley’s complete path network, and In searching for documents showing the son of the Hillside Club; environmentalist eventual restoration of paths that have been origin of Berkeley’s paths, the best John Muir, painter William Keith; and blocked or obscured. sources are often original development architect Bernard Maybeck. San Francisco maps of Berkeley, Paul Grunland had provided a bad example of applying explained to January’s general meeting. the rigid grid design of streets to hilly terrain. Meetings Live Oak Park Rec. Center In the early 20th Century, Berkeley’s By this period, there seemed to be consensus 7-9 pm 1200 Shattuck Avenue hills were controlled by the Realty that hillside streets should be aligned with Feb. 22 Board Meeting Syndicate, the brain child of Frank the natural contours of the land. Thus the Mar. 15 General Meeting Havens and Frances Marion (Borax) continued on back Berkeley’s Early Byways Smith. The area was ripe for a boom: by Richard Schwartz The trans-Bay transportation network Apr. -
Berkeley, a City in History"
"Berkeley, A City in History" by Charles Wollenberg © 2002 Chapter 1 - First Settlers In the year 2000 the Berkeley city council approved formal landmark status for the Indian shellmound that once stood near the mouth of Strawberry Creek in West Berkeley. Scientists estimate that the mound, actually a giant midden filled with the remains and material remnants of the society that created it, was used for more than three thousand years, from 3000 BC to 800 AD. Like dozens of its companions along the bay shore, the Berkeley shellmound was leveled and paved over in the late nineteenth and early twentieth centuries. But some remains of the structure survive under the Truitt and White lumberyard and the Spengers Restaurant parking lot. Opponents of the landmark proposal, mainly property owners concerned about limits on development, argued that the site was not eligible for landmark status since it was "archeological" rather than "historical". Although the precise difference between these categories is not entirely clear, the city council's approval implicitly recognizes that Berkeley's history doesn't just begin with the arrival of American residents a hundred and fifty years ago, but extends back thousands of years to the area's very first settlers. The Huichin When the Europeans initially arrived in the late eighteenth century, Berkeley was inhabited by the Huichin, part of the larger Ohlone or Costanoan linguistic and cultural group which occupied coastal regions from the central Bay Area south to Monterey Bay. Like all Ohlone peoples, the Huichin lived in bands of a few hundred individuals inhabiting a well-defined hunting and gathering territory. -
Cara V02 Keith
0 1 7 3 [for more accurate reproduction, please see microfiche card 12, frame WILLIAM KEITH 1839...... 1911 Biography and Works "AUTUMN OAKS AND SYCAMORES" 0174 WILLIAM KEITH California's early day painter-poet and mystic, William Keith, is still a favorite with lovers of California landscape. His great canvases and small sketches are today true interpretations of the snow-clad peaks and rocky gorges of the High Sierras and the pastoral valleys and streams of the San Francisco 3ay region. Keith's were the first brushes to depict the live-oaks that beautify the golden-grasses, hillsides and fields. Even his home was in the midst of live- oaks, in quiet Berkeley, across the bay from his studio in S%n Francisco's lively artist colony. Keith, a contemporary of the great landscape paint er, George Innes, was also his friend and countryman. Keith's Scotch heritage, as well as his painting career, cJosely par allels that of Innes in American art annals. The son of Wil liam Keith and Elizabeth Bruce, he was born on November 21, 1839 at Old Meldrum, Aberdeenshire, Scotland,the ruined Dunno- tar Castle being the family seat. He died far away from his native land, in Berkeley, California, on April 13, 1911. Keith came from a distinguished family, one of his ancestors being Earl Marischall Jacob Keith, who was a close friend of King Frederick the Great of Prussia; a bronze statue of the famous Scotsman was erected in Berlin. 2 0175 KEITH KEITH IN NEW YORK CITY William Keith's parents brought the lad up in the austere and strict Presbyterian faith in Scotland until he was ten years old, when they oame to Amerioa and settled in New York City. -
Bernard Maybeck Collection, 1897-1956 (Bulk 1902-1939))
http://oac.cdlib.org/findaid/ark:/13030/tf0h4n986k Online items available Bernard Maybeck Collection, 1897-1956 (bulk 1902-1939)) Processed by the Archives Staff Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] http://www.ced.berkeley.edu/cedarchives/ © 2001 The Regents of California. All rights reserved. Note Arts and Humanities--ArchitectureHistory--California History--Bay Area HistoryHistory--California HistoryGeographical (By Place)--CaliforniaGeographical (By Place)--California--Bay AreaHistory--University of California HistoryHistory--University of California History--UC Berkeley HistoryGeographical (By Place)--University of California--UC Berkeley Bernard Maybeck Collection, 1956-1 1 1897-1956 (bulk 1902-1939)) Bernard Maybeck Collection, 1897-1956 (bulk 1902-1939) Collection Number: 1956-1 Environmental Design Archives University of California, Berkeley Berkeley, California Contact Information: Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] URL: http://www.ced.berkeley.edu/cedarchives/ Processed by: Elizabeth Konzak Date Completed: August 2001 Encoded by: Michael C Conkin Funding: Arrangement and description of this collection was funded by a grants from the Getty