08 February 2010

Total Page:16

File Type:pdf, Size:1020Kb

08 February 2010 15 March 2021 FROM BRUNSWICK TO BROADWAY AND BACK AGAIN! EDDIE PERFECT: INTROSPECTIVE – QPAC JUNE 2021 Popular star of stage and screen and award-winning creative talent for major Broadway shows, Eddie Perfect will offer Queensland audiences a rare glimpse into his recent life and career in Eddie Perfect: Introspective in Queensland Performing Arts Centre’s (QPAC’s) Concert Hall on 24 June 2021. Having spent the last two years living in New York writing the Broadway musicals Beetlejuice and King Kong, Eddie packed up his family and escaped back to Melbourne at the start of the pandemic. In between home schooling his kids and appearing as a giant frilled neck lizard on the second season of Network 10’s The Masked Singer, Eddie filled in the lockdown hours reconnecting with the piano. For the talented artist, it has been a time of self-reflection and introspection on the other side of what has been a very loud, stressful, and high-stakes period of his life. Now Eddie is returning to the stage to talk about his experiences living in Manhattan writing two Broadway shows and to share some of the songs that took him from Brunswick to New York and back again. Stripped back, intimate and honest, this show will be a candid reflection on Eddie’s recent life and career working on Strictly Ballroom The Musical, Vivid White, Beetlejuice The Musical and King Kong; Alive On Broadway. With Eddie back on stage and at the piano, and accompanied by violin and cello, Introspective offers a rare glimpse of what it takes to write songs in some of the most creative and hostile environments known to humankind. Many of the songs have never been heard or recorded, but every one of them has a story. Eddie is well known for his TV screen roll of Mick Holland in Channel Ten’s Offspring, and as a presenter on ABC’s Playschool as well as many stage roles including Luther Bills in South Pacific and various characters in Keating! The Musical. QPAC is pleased to welcome back the multi-talented singer-songwriter, comedian, writer and actor for Eddie Perfect: Introspective on Thursday 24 June 2021. Tickets on sale now at qpac.com.au or phone 136-246. -ENDS- An intimate hour of musical comedy that felt like a reunion of old friends. ★★★★ The Age, 2021 cont…. …2 Season Details QPAC Presents: Eddie Perfect: Introspective WHEN: Thursday 24 June 2021 WHERE: Concert Hall, QPAC, Queensland Cultural Centre, South Bank, Brisbane TICKETS: Refer qpac.com.au for current pricing BOOKINGS: qpac.com.au or phone 136-246 Please go to the QPAC media centre qpac.com.au for images and bio. For more information, interviews or images please contact: Cindy Ullrich, Publicity Manager QPAC ph: +61-7-3840-7589, mob: 0434-366-038 or [email protected] .
Recommended publications
  • 98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
    98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city.
    [Show full text]
  • 2013 Helpmann Awards Winners Announced! Full List of Winners At
    HELPMANN AWARDS MEDIA RELEASE MONDAY 29TH JULY 2013 2013 HELPMANN AWARDS WINNERS ANNOUNCED! FULL LIST OF WINNERS AT www.helpmannawards.com.au The 13th Annual Helpmann Awards were presented tonight live in Sydney at the Joan Sutherland Theatre, Sydney Opera House and broadcast on Foxtel’s Arena. Co-hosts Eddie Perfect and Christie Whelan Browne kicked off the night’s proceedings with an incredibly entertaining opening number written specifically for the occasion by the multi-talented Mr Perfect himself. The Helpmann Awards recognise distinguished artistic achievement and excellence across the major disciplines of Australia's live performance industry. In total 43 awards were presented this evening by some of Australia’s most celebrated talent including, Tina Arena, Baz Luhrmann, Sarah Murdoch, John Waters, Hugh Sheridan, Marcus Graham, Elizabeth Debicki, Patrick Brammall, Chloe Dallimore, Erika Heynatz, Ashley Zukerman, Miranda Tapsell, Rob Mills, Sharon Millerchip, Toby Schmitz, Alison Bell, David Harris, Wayne Scott Kermond, Lynette Curran, Christen O’Leary, Russell Dykstra, Esther Hannaford, The Hon. George Souris, Ewen Leslie, Jennifer Vuletic and Helen Thomson. Further showcasing Australia’s unique and diverse live performance industry, show highlights included live performances by Tim Minchin, the casts of GREASE and HOT SHOE SHUFFLE, Sydney Dance Company, Silvie Paladino and the Sydney Children’s Choir, Emma Birdsall and Timomatic. In addition, as previously announced pop music icon Kylie Minogue OBE and Arts philanthropist David Blenkinsop CBE AM were co-recipients of the 2013 JC WILLIAMSON AWARD. By bestowing this award, Live Performance Australia (LPA) recognises individuals who have made an outstanding contribution to the Australian live entertainment industry and shaped the future of our industry for the better.
    [Show full text]
  • Beetlejuice I Ll Be Your Guide Song
    Beetlejuice I Ll Be Your Guide Song Mitchael unwrapped idyllically as regurgitate Skipton disclaims her carragheens geometrising loosest. Birch and dash Olag still entrenches his Candace week. Freeman often disbarred lissomely when Zwinglian Jerome isolate uncandidly and bat her manifest. All presences have a waiting for your guide song ever, perfect victorian house is say The chunk Being seen Thing Pt 2 Lyrics. The Jazzie for Creepy-Crawliest Dancing Goes to. This feature is finished tonight. Icon from bright and again at the wall in town that beetlejuice i ll be your guide song genre songs of orange juice pours for. We have got it through with our community in a record player and beetlejuice i ll be your guide song you send him the scene that covers the. Obsessed with beetlejuice i ll be your guide song as this! Review of Beetlejuice starring Alex Brightman on Broadway. UNIDENTIFIED ACTOR 1 As Beetlejuice I'm cave to enlighten some help SOUNDBITE OF MUSIC. Address to beetlejuice i ll be your guide song lyrics and readiness of the camera quickly and then very little janitor wizened and. Dancers with the sandworm, watching the same mistake they both look like to beetlejuice i ll be your guide song you provoke her, each of the attic door and terrorizes the. Night charles skeleton key out of the audience gives a while on. BEETLEJUICE THE crown BEING same THING PT2. She too long black share the help, kids call me laugh grows from a haircut before she can hear about people and beetlejuice i ll be your guide song.
    [Show full text]
  • Eddie Perfect
    Eddie Perfect Singer-songwriter, pianist, comedian, writer and actor Eddie Perfect is a multi-talented and multi-award winning Australian performer. A successful singer- songwriter, pianist, comedian, writer and actor, Eddie is also a fabulous MC and entertainer for corporate events. He has thrilled audiences on many occasions by writing and performing an original song for the event. He has become more widely known to television audiences for his role as Mick Holland in Channel Ten’s hit long-running TV series Offspring in which he performs his own music. His television credits also include FOX8’s Ultimate School Musical, The 2011 Logie Awards, Kath and Kim, Stingers, Blue Heelers, MDA and Spicks And Specks, and performing his own comedy on ABC TV’s Stand Up and Sideshow, The Melbourne Comedy Festival Gala, Good News Week. Eddie has written and toured several shows including Angry Eddie, Cliff Hanger: Catch A Falling Star, The Big Con with Max Gillies, Drink Pepsi Bitch, Shane Warne The Musical, Songs From The Middle, a collaboration with The Brodsky Quartet and the Australian National Academy Of Music and most recently the award-winning Misanthropology. He has composed music for Malthouse Theatre’s productions of The Big Con, Babes In The Wood and Helen Noonan’s Voicing Emily as well as composing and performing music for the Helpmann, Awgie and Inside Film Awards and for Offspring. Eddie’s theatre credits include Bat Boy (Loudmouth/MTC), A Poor Student (The Storeroom), Take Flight, Babes in the Wood (Malthouse), The Big Con (Malthouse), Keating! The Musical (Company B Belvoir), Shane Warne The Musical (Token), Misanthropology (Sydney Festival) and The Threepenny Opera (Malthouse).
    [Show full text]
  • Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
    ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers.
    [Show full text]
  • VICE Studios and Screen Australia Present in Association with Film Victoria and Create NSW a Blue-Tongue Films and Pariah Production
    VICE Studios and Screen Australia present In association with Film Victoria and Create NSW A Blue-Tongue Films and Pariah Production Written and Directed by Mirrah Foulkes Starring Mia Wasikowska and Damon Herriman Produced by Michele Bennett, Nash Edgerton and Danny Gabai Run Time: 105 Minutes Press Contact Samuel Goldwyn Films [email protected] SYNOPSES Short Synopsis In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering, but Punch's driving ambition and penchant for whisky lead to an inevitable tragedy that Judy must avenge. Long Synopsis In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering, but Punch's driving ambition and penchant for whisky lead to an inevitable tragedy that Judy must avenge. In a visceral and dynamic live-action reinterpretation of the famous 16th century puppet show, writer director MIRRAH FOULKES turns the traditional story of Punch and Judy on its head and brings to life a fierce, darkly comic and epic female-driven revenge story, starring MIA WASIKOWSKA and DAMON HERRIMAN. 2 DIRECTOR’S STATEMENT JUDY AND PUNCH is a dark, absurd fable treading a line between fairy-tale, fantasy and gritty realism, all of which work together to establish a unique tone while upsetting viewer expectations. When Vice Studios’ Eddy Moretti and Danny Gabai approached me with the idea of making a live action, feminist revenge film about Punch and Judy, they encouraged me to let my imagination go wild and take the story wherever I felt it needed to go.
    [Show full text]
  • Annual Report 2015-2016 Live Performance Australia®
    LIVE PERFORMANCE AUSTRALIA® ANNUAL REPORT 2015-2016 LIVE PERFORMANCE AUSTRALIA WOMADelaide 2016 2016 Helpmann Award Winner Best Contemporary Music Festival ANNUAL REPORT 2015 - 2016 In 2015, the Australian live performance industry generated $1.4 billion in ticket sales and 18.4 million attendances - that’s more than the combined attendances at AFL, NRL, Soccer, Super Rugby and Cricket* * LPA Ticket Attendance and Revenue Survey 2015 Australian Stadiums and Sport (2016), Australian Sporting Attendances 2015 LIVE PERFORMANCE AUSTRALIA Contents About 3 LPA Staff 4 President & Chief Executive Report 5 Workplace Relations 6 Policy & Programs 10 2016 Federal Election 12 2016 Helpmann Awards® 15 Member Roadshows and Membership Overview 18 Governance, Compliance & Finance 20 Financial Report 21 Independent Auditor’s Report 38 Executive Council Attendance 40 Acknowledgements 41 Members 44 Contact Us 48 2 ANNUAL REPORT 2015 - 2016 About Live Performance Australia® (LPA) is the peak body for Australia’s live performance industry. Established in 1917 and registered as an employers’ organisation under the Fair Work (Registered Organisations) Act 2009, LPA has over 400 Members nationally. We represent commercial producers, music promoters, major and small to medium performing arts companies, independent producers, major performing arts centres, metropolitan and regional venues, commercial theatres, stadiums and arenas, arts festivals, music festivals, and service providers such as ticketing companies and technical suppliers. Our membership spans from sole operators and not-for-profit organisations to large commercial entities. As the peak body for Australia’s live performance industry, LPA has a clear mandate to advocate for and support policy decisions that benefit the sustainability and growth of the live performance industry in Australia.
    [Show full text]
  • Eddie Perfect & Christie Whelan Browne Confirmed
    HELPMANN AWARDS MEDIA RELEASE FRIDAY 14TH JUNE 2013 EDDIE PERFECT & CHRISTIE WHELAN BROWNE CONFIRMED TO HOST THE TH 13 ANNUAL HELPMANN AWARDS TICKETS ON SALE TUESDAY 25TH JUNE Live Performance Australia (LPA) announced today that the critically acclaimed multi- talented Eddie Perfect and musical theatre and cabaret star Christie Whelan Browne will host the 13th Annual Helpmann Awards® presented live in Sydney at SYDNEY OPERA HOUSE on Monday 29th July. Currently performing together in Shane Warne the Musical, Eddie and Christie are truly fitting ambassadors for Australia’s Live Performance industry. Eddie Perfect is a writer, actor, musician and composer having won multiple awards for his work including Helpmann Awards for Best Cabaret Performer in 2011 and in 2009 Best New Australian Work for the incomparable Shane Warne The Musical. Eddie’s passion and success have also helped forge a television career where currently he can be seen in Network Ten’s Offspring. Eddie is truly one of the busiest men in the business, recently performing in Opera Australia’s South Pacific, writing new original work The Beast for Melbourne Theatre Company and of course reprising the role of Shane Warne on stage in the latest incarnation of the Musical. Christie Whelan Browne was a born performer. Her first big break came in 2005 when she played the part of Patty Simcox in Grease – The Arena Spectacular. Christie has received rave reviews for her performances in many and varied productions including her one woman, show Britney Spears The Cabaret, the Melbourne Theatre Company’s The Drowsy Chaperone and The Importance of Being Earnest, A Funny Thing Happened on the Way to the Forum and is currently starring as Liz Hurley in Shane Warne the Musical.
    [Show full text]
  • By Eddie Perfect
    vivid white By Eddie Perfect Education Mini-Pack 18 NOVEMBER – 23 DECEMBER Southbank Theatre, The Sumner About the Play Production Liz and Ben have been mates with Cynthia and Evan for years, Director Dean Bryant and would never let anything get in the way of their friendship. Set Designer Owen Phillips Except when both couples set their sights on buying the same Costume Designer Tim Chappel house – that’s different. Forget friendship, forget respect, Lighting Designer Ross Graham forget human decency: this is the Australian property market. Sound Designer Russell Goldsmith Not even the imminent collapse of civilisation itself could stop Musical Director/Orchestrator James Simpson the zombie-like single-mindedness of buying the perfect house. Assistant Director Sarah Kriegler Choreographer Andrew Hallsworth About the Playwright Associate Choreographer Natalie Gilhome Movement Director Lyndall Grant Eddie Perfect’s stage credits include Baz Lurhmann and Global Associate Movement Director Kyle Davey Creatures’ Strictly Ballroom, Shane Warne: The Musical, and Creature Designer A Blanck Canvas Opera Australia’s South Pacific. His solo music comedy shows Vocal Consultant Debbie Phyland have received several awards and toured internationally, and Stage Manager Whitney McNamara his first play The Beast was a commercial and critical hit. Eddie’s Deputy Stage Manager Julia Smith current projects include writing a musical adaptation of Assistant Stage Manager Jess Maguire Beetlejuice for Warner Bros. Theatrical Enterprises in New York. VCA Stage
    [Show full text]
  • 'One of the Best Theatres in Australia. Full Stop.'
    ON STAGE The Spring 2009 newsletter of Vol.10 No.4 ‘One of the best theatres in Australia. Full stop.’ Actor Sandy Gore sums-up one of Australia’s newest regional theatres, and she should know. Frank Van Straten reports… orget best in Australia— ‘ regional The long awaited first night came after The story of what is now officially termed I think it is one of the best theatres years of community antipathy and acrimony, the Glasshouse Arts, Conference and Fin Australia. Full stop.’ building delays and frightening cost over- Entertainment Centre started in 2002 when That’s how distinguished actor Sandy runs—all of which led to the government of Port Macquarie–Hastings council decided Gore described Port Macquarie’s new NSW sacking the local council and replacing to build a facility which, said former Mayor Glasshouse Theatre. Gore was in Bell it with an administrator (see ON STAGE, Rob Drew, would ‘take our community Shakespeare’s touring production of The Autumn 2008). 30 years into the future’. * Taming of the Shrew, which opened the controversial venue on 3 July. The complex—with its two theatres, The Theatre ties to other locations within the complex. Just weeks before Willan released his Council administrator Gary Payne says back wall and comes back and hits you in galleries, meeting spaces and café—was The main Glasshouse theatre has 606 The Ross Family Studio report, council voted ‘behind closed doors’ the council currently has a $2 million deficit, the forehead. It’s very, very hard to get estimated to cost $6 million, a figure that has comfortable wool-covered seats spread over to accept a $1.8 million tender for supply and he is unsure how it will pay the $6 million theatres with good acoustics.
    [Show full text]
  • DS Infinity Program Lowres.Pdf
    2012 SEASON Melbourne 24 February – 6 March Arts Centre Melbourne, State Theatre with Orchestra Victoria Sydney 5 – 25 April Opera Theatre, Sydney Opera House with Australian Opera and Ballet Orchestra Media Sponsor Principal Sponsor Cover and above: Lana Jones Photography Georges Antoni TEL0262_AB_297x210_v07_OL.indd 1 25/10/11 5:32 PM Andrew Killian Photography Georges Antoni note from the artistic director Since its very first season, The Australian To complete the evening, Warumuk – Ballet has been a champion of new Australian in the dark night reunites The Australian work. Two homegrown ballets (Rex Reid’s Ballet with Bangarra Dance Theatre. Our Melbourne Cup and Ray Powell’s Just for Fun) two companies have been having a most were in that inaugural program, and over the passionate artistic “affair” since our first past 50 years we have built a huge catalogue joint production in 1997, when Stephen Page of original works. created Rites. Since then, Bangarra and TAB have shared the stage in London, New York Infinity starts our year of celebration and Paris, and it is such a joy to have the looking firmly forward. Three brand-new opportunity to be together again in this exciting works, three commissioned scores, three 50th anniversary year. With music by David different explorations of our contemporary Page, costumes by Jennifer Irwin and set Australian dance culture – each work exploring designs by Jacob Nash, Warumuk - in the dark the importance of dance in our country’s night draws on the beautiful Aboriginal stories creative landscape. of the night sky to create a work celebrating our Graeme Murphy has been provoking and unique Australian culture.
    [Show full text]
  • A Study of the Lyric in Musical Theatre
    2084: A Study of the Lyric in Musical Theatre Sarah Courtis This dissertation is presented for the degree of Doctor of Philosophy, Murdoch University, Perth, 2019. 1 2 I declare that this dissertation is my own account of my research and contains as its main content work, which has not previously been submitted for a degree at any tertiary education institution. _______________________Sarah Courtis Sarah Courtis 3 Acknowledgements This document is the culmination of five years of research and a lifetime of dedication to an art form and general practice. The years spent studying have been hard but inspiring, as I negotiated the life of a researcher with the daily struggles of having a chronic illness. This work was generated through perseverance and the continual support of the people around me. My first, and undying, gratitude to my supervisors: Associate Professor Jenny de Reuck and Doctor David Moody. Jenny, you supported me through many trials and tribulations, providing me with positivity and a safe space to express myself and try new approaches. Words cannot express my gratitude. David, your numerous edits and illuminating discussions shall remain with me, always. You kept me grounded and reminded me not to take myself too seriously. Thank you both for your patience. Secondly, I would like to thank all of the people who participated in and enriched my creative practice. To the cast and crew of 2084 (both the workshop and final product): you helped make the show what it is. To Dr Melissa Merchant I am deeply indebted for mentoring me through life as an academic and for all the good advice I promptly ignored: perhaps the next generation will be wiser.
    [Show full text]