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Annual Report National Archives Malta
Annual Report 1 January - 31 December 2010 National Archives Malta A publication of the National Archives Malta, February 2011 © Copyright, National Archives, Malta 2011 National Archives Head Office Hospital Street Rabat RBT1043 Malta Tel: +356 2145 9863 Fax: +356 2145 0078 E-mail: [email protected] www.nationalarchives.gov.mt Cover Images: A 78 rpm recording donated to the National Archives by tenor Paul Asciak and a gramophone donated by the Friends of the National Archives as part of the sound ar- chives initiatives taken during 2010. Cover design: Marlene Gouder Photos: Joseph Amodio, Stephen Busuttil, Kevin Casha, Marlene Gouder, DOI ISSN 1997-6348 2 Table of Contents Foreword 4 1. Mission and Functions 5 1.1 Mission 5 1.2 Functions 5 2. Organisational Structure 5 3. Records Management Unit 5 4. Archives Processing Unit 5 4.1 Accessions 6 4.2 Sorting 6 4.3 Cataloguing 6 4.4 Digitisation 6 5. Public Services Unit 6 5.1 Reading Room Services 7 6. Outreach 7 6.1 Exhibitions / Open Days 7 6.2 National Archives Annual Public Lecture 7 6.3 Educational / Cultural Visits 8 6.4 Internships 9 7. Corporate Management Unit 9 7.1 Finance and Administration 9 7.2 Upkeep of premises 9 8. International Participation 10 8.1 EUROPEANA 10 8.2 APEnet 10 8.3 ICA 10 8.4 Audio-visual Heritage Group 9. National Archives Council 10 10. Volunteers 11 11. Friends of the National Archives 11 12. Publications 11 13. New Digitisation Laboratory in Gozo 12 Photo captions 12 Charts and tables 14 Unaudited financial statements for the year ended 31 December 2010 19 ….. -
Growing up in Hospitaller Malta (1530- 1798): Sources and Methodologies for the History of Childhood and Adolescence
Growing Up in Hospitaller Malta (1530- 1798): Sources and Methodologies for the History of Childhood and Adolescence Emanuel Buttigieg University of Malta ABSTRACT The study of young people in the past is fraught with methodological problems and unearthing source material on children and adolescents can be problematic. It requires the adoption of a different set of lenses through which textual primary material can be viewed. This entails striving to recognise and release previously unheard voices. Fur- thermore, the textual material can be complemented by an array of visual and mate- rial objects that have preserved a certain image of children and adolescents in the past. This chapter commences with a brief outline of the methodological developments that have taken place in this field since Philippe Ariès’s seminal book appeared in 1960, and traces the resulting changes and innovations that concern sources. In particular, it will underline the importance to historians of taking into account recent developments in the field of childhood archaeology. Furthermore, the fundamental role of religion in people’s lives in early modern times necessarily influenced their upbringing. In turn, most of the sources that are available from this era – court records, statutes, paintings – were either produced by religious institutions, or were heavily influenced by religious beliefs. Thus, this chapter will strive to demonstrate how approaches used in one place can be adapted and used in different historiographical contexts, and how vital it is to adopt an interdisciplinary approach. L-istudju dwar it-tfulija u l-adoloxenza fil-passat ipoġġi lill-istoriku biswit sfidi kbar fejn jidħol il-materjal li jista’ jitfa’ dawl fuq dawn, kif ukoll liema metodoloġija wieħed għandu juża sabiex jgħarbel u jifhem l-idea u l-esperjenza li tkun tifel / tifla u adoloxenti fl-imgħoddi. -
The DEVELOPMENT of the Maltese Insurance Industry This Page Intentionally Left Blank the Development of the Maltese Insurance Industry: a Comprehensive Study
THE DEVELOPMENT OF THE MAltESE INSURANCE INDUSTRY This page intentionally left blank THE DEVELOPMENT OF THE MALTESE INSURANCE INDUSTRY: A COMPREHENSIVE StUDY MARK LAURENCE ZAMMIT, JONATHAN SPITERI AND SIMON GRIMA Faculty of Economics, Management and Accountancy, Insurance Department, University of Malta, Malta United Kingdom – North America – Japan – India – Malaysia – China Emerald Publishing Limited Howard House, Wagon Lane, Bingley BD16 1WA, UK First edition 2018 Copyright © 2018 Emerald Publishing Limited Reprints and permissions service Contact: [email protected] No part of this book may be reproduced, stored in a retrieval system, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without either the prior written permission of the publisher or a licence permitting restricted copying issued in the UK by The Copyright Licensing Agency and in the USA by The Copyright Clearance Center. Any opinions expressed in the chapters are those of the authors. Whilst Emerald makes every effort to ensure the quality and accuracy of its content, Emerald makes no representation implied or otherwise, as to the chapters’ suitability and application and disclaims any warranties, express or implied, to their use. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN: 978-1-78756-978-2 (Print) ISBN: 978-1-78756-977-5 (Online) ISBN: 978-1-78756-979-9 (Epub) Acknowledgements We would like to thank the people who participated in the interviews for their patience, their insight and knowledge which was greatly valued and useful for the compilation of this book. Our thanks go to Dr Joan Abela, Curator of the Notarial Archives, for her help and guidance in the archival research conducted and with the translations required to interpret the contracts held there. -
Book Reviews 6'7 Book Reviews G
BOOK REVIEWS 6'7 BOOK REVIEWS G. WETTINGER - M. FSADNI O.P., Peter Caxaro's Cantilena, a poem in medieval Maltese, Malta, 1968, 52 p. The poem dedicated to Grand Master Nicholas Cotoner (166371680) by G.F. Bonamico (1639-1680) has constantly been pointed out by scholars of Maltese Literature as being the earliest evidence of written Maltese. The search for earlier examples of written Maltese had always proved fruit less. G. Wettinger and M. Fsadni, however, have succeeded in unearthing an earlier document in Maltese: Peter Caxaro's CantiLena, which they discovered in the Notarial Archives in Valletta in a register containing the deeds of Brandano de Caxario. It is to their credit that this unique example of written Maltese dating from the latter half of the fifteenth Century has come to light. This book presenting the discovery of these two gentlemen is a synthe sis of the conclusions arrived at, after long research work in the Notarial Archives and the Archives of the Royal Malta Library - a scholarly work in which assertions are supported by, documentary evidence. In Part One of this publication, after some brief notes concerning the actual discovery of the CantiLena, the authors give a survey of the studies made by other scholars in their search of early examples of written Maltese. The question of the authorship of the CantiLena is then treated at full length. The interesting biographical details about Brandano de Caxario and his ancestor Peter make the reader familiar with the prominent Caxaro family that flourished in Malta in the fifteenth and sixteenth centuries. -
Subsidiary Legislation 445.01 Protection of Antiquities
PROTECTION OF ANTIQUITIES [S.L.445.01 1 SUBSIDIARY LEGISLATION 445.01 PROTECTION OF ANTIQUITIES REGULATIONS 21st November, 1932 GOVERNMENT NOTICE 402 of 1932, as amended by Government Notices 137 of 1935 and 338 of 1939. 1. The title of these Regulations is Protection of Antiquities Title. Regulations. 2. Any person discovering, whether in private tenements or in Discovery of sites tenements belonging to the Government, such sites or remains as or remains. from their general appearance or from the nature of the objects found on or in such sites or remains would justify the suspicion that they are important in the sense of the Cultural Heritage Act, is Cap. 445. required forthwith to report the discovery to the Director of the Museum and Secretary of the Antiquities Committee, or to the senior officer of the nearest Police Station, who will immediately forward it, or a record thereof, if the report is verbal, to the Director of the Museum and Secretary of the Antiquities Committee. 3. The Director of the Museum and Secretary of the Inspection of sites Antiquities Committee shall immediately inspect such sites or or remains. remains or cause them to be inspected and shall report to the Minister the result of his investigations. 4. Such sites or remains are to be regarded as falling under Sites to be the provisions of the Cultural Heritage Act, unless and until they regarded under Cultural Heritage are by the Minister declared to be free from the operation thereof Act. by means of a letter directed to the person who shall have made the Cap. -
Houses in Merch~Nts Street, V Alletta
HOUSES IN MERCH~NTS STREET, V ALLETTA by VICTOR F. DENARO Merchants Street, stretching from the Auberge d'Italie at one end to the Infermeria or old hospital at the other, is one of the busiest thoroughfares of Valletta. Every morning the street between St. John Street and Old Theatre Street is crowded with buyers at the stalls set up by vendors of every des cription of goods. At the left hand of the corner formed by Merchants Street and St. Lucia Street is what may be termed the cereal and potato exchange where brokers transact a considerable volume of business with exporters of potatoes and importers of cereals, whilst the opposite side of the road is oc cupied by importers of provisions and foodstuffs and their brokers. Near the Monte di Pietil (1) gold and jewellery changes hands, and the Valletta Market is only about fifty yards away. All these factors combine to make the street a hive of activity during the forenoon. At the head of Merchants Street, or Strada San Giacomo as it was known during the rule of the Order, opposite the Auberge d'Italie, stands the Palazzo Parisio at present used as the General Post Offi<;e. The site was originally occupied by two houses, one belonging to Chev. Fra Michel Fonterme dit la Chiesa and the other by Francesco This. These were purchased by the Bali of Manosca, Comm. Fra Giovanni di Ventimiglia, of the Langue of Provence, and formed part of an usufruct which he instituted in 1608 in favour of those members of his family who at any time might be serving in the Order (2). -
Black African Slaves in Malta 65 Black African Slaves in Malta Godfrey Wettinger
PART TWO The Political Role Played by Fortified Islands in the Mediterranean: The Malta Example Part Two 63 15.03.18, 09:32 Part Two 64 15.03.18, 09:32 Black African Slaves in Malta 65 Black African Slaves in Malta Godfrey Wettinger The Problem: Black African Slaves in Malta My study of Slavery in Malta originally entitled Some Aspects of Slavery in Malta during the Rule of the Order was first conceived to deal principally with the slaves or prisoners that resulted from the never ending Crusade fought by the Order of St John with the Turks and Moors in the Mediterranean Sea and on its shores. One’s first impression was that it would deal almost entirely with white or off-white captives who were former inhabitants of the shores and towns of Tunisia, Tripolitania, Algeria and the Levant including the rest of the Ottoman Empire. Although people in Malta still speak of iswed Tork, “as black as a Turk”, the latter meaning a Muslim and without precise ethnic significance, and a number of old town houses have the statue of a black African slave at the head of the staircase, it still seemed as if the typical slave in Malta during early modern times was a Moor or Turk, of whom it is known Malta had a constant number that varied between 500 early in the sixteenth century, went up to about a couple of thousands in the seventeenth century and perhaps exceeded three thousands in the opening decades of the eighteenth century, to be gradually reduced during the course of that century until it was finally ended by the operations both of the Emperor of Morocco and finally of General Bonaparte and later Maltese authorities. -
Annual Report 2009
Annual Report 2009 Annual Report 2009 In accordance with the provisions of the Cultural Heritage Act 2002, the Board of Directors of Heritage Malta herewith submits the Annual Report and Accounts for the calendar year 2009. Table of Contents Mission Statement .......................................................................................................... 1 Chairman’s Statement .................................................................................................... 2 CEO’s Statement ............................................................................................................ 3 The Inauguration of the National War Museum ............................................................ 5 Capital, Rehabilitation and Maintenance Works ........................................................... 8 Interpretation, Exhibitions and Events ......................................................................... 22 Research, Conservation and Collections ...................................................................... 34 HM Conservation Division .......................................................................................... 49 The Institute for Conservation and Management of Cultural Heritage ....................... 58 Appendix I : List of Acquisitions ................................................................................. 60 Appendix II : Heritage Malta Events Diary ................................................................. 74 Appendix III : Visitor Statistics .................................................................................. -
Heritage Malta (Hm) Annual Report 2014
HERITAGE MALTA (HM) ANNUAL REPORT 2014 CAPITAL WORKS An international design competition was launched to select the design for MUZA , involving the relocation of the National Museum of Fine Arts (NATIONAL MUSEUM OF FINE ARTS) from Admiralty House, South Street to the Auberge d’Italie, following which the chosen professional multi-disciplinary team was commissioned the project. An exhibition with all entries, incorporating also the newly-acquired Sciortino sculpture ‘Speed’, was set-up in October at the Auberge. This project is being proposed for ERDF funding. In the meantime preparations are underway for the necessary permits and tender documents. In collaboration with the Office of the Prime Minister, two design contests were launched to select the designs of national monuments for former Presidents Prof Guido de Marco and Dr Censu Tabone, Prime Minister Perit Dom Mintoff (Castille Square, Valletta), and an ‘ Artistic Statement to the Maltese Republic ’ (end of Republic Street, Valletta). The monuments for Prof Guido de Marco and Dr Censu Tabone were inaugurated in September and December in Valletta and St Julian’s respectively, whereas works are progressing well to complete the remaining monuments/artistic statement in 2015. Works also continued with the restoration of the main façade and the structural consolidation of the turrets of the Malta Maritime Museum . Restoration works also commenced in the loggia around the lower courtyard of the National Museum of Natural History in Mdina and on Bighi ’s historic smoking shed. Other works have been undertaken in other museums and sites. Among others, these include the installation of a CCTV system at the Ghar Dalam complex, and the continuation of the reconstruction work on Ta’ Kola Windmill , the final elements of which shall be installed in place in 2015. -
The Sacra Infermeria, the Knights' Hospital at Valletta
MALTESE HISTORY C. Some of the Order’s Projects in Malta Form 3 1 Unit C.1 - Valletta and the Three Cities H F E B D C A G Grand Harbour c. 1750. 1. Valletta in the 17th and 18th centuries To the original group of public buildings in Valletta the Order added in the 17th and 18th centuries, a theatre, a library, a custom house and a municipal palace for the Università of Valletta and the Three Cities. The Law Courts (Castellania) were rebuilt and the Church of St John was decorated by the paintings and sculpture of the Neapolitan artist Mattia Preti. During the 18th century new buildings in Valletta had a more worldly use. In 1732 the Manoel Theatre was built (the oldest standing theatre in Europe today), a library and warehouses along the Valletta Grand Harbour waterfront. Grand Master Pinto’s warehouses (known as Pinto Wharf) were built in the second half of the 18th century – today these have become the Valletta Waterfront sea- passenger terminal. The Grandmaster’s Palace and most of the auberges had their façade decorated on the th baroque style. Some of the richest houses (eg.Casa Rocca Piccola) were built in the 18 century. Strada San Giorgio and Strada Mercanti were the best streets of Valletta having most of the finest buildings with shops, stores or workrooms in the ground floor. Strada Forni and Strada San Paolo were mainly residential having fewer shops and fewer public buildings. In the 17th century more and more people went to live within the walls of the city. -
Annual Report 2017
ANNUAL REPORT 2017 TABLE OF CONTENTS 1. Capital Works 1.1 National Funds 3 1.2 National Monuments 8 1.3 EU Co-Funded Projects 9 2. Exhibitions and Events 14 3. Collections and Research 17 4. Conservation 4.1 Paintings, Polychrome Sculpture and Wood Sculpture 27 4.2 Stone, Ceramics, Metal and Glass 29 4.3 Textiles, Books and Paper 30 4.4 Diagnostic Sciences Laboratories 31 5. Education, Publications and Outreach 5.1 Thematic Events and Hands-on Sessions 32 5.2 Publications 37 6. Other Corporate 39 7. Visitor Statistics and Analysis 7.1 Admissions 42 7.2 Statistical Analysis 43 8. Appendix 1 – Calendar of Events 8.1 Exhibitions Hosted by HM 54 8.2 Exhibitions Organised by HM 54 8.3 Exhibitions in Collaboration with Others 55 8.4 Exhibitions in which HM Participated 56 8.5 Lectures Organised/Hosted by HM 57 8.6 Events Organised by HM 58 8.7 Events in HM Participated 64 8.8 Organised in Collaboration with Others 65 8.9 Events Hosted by HM 68 9. Appendix 2 – Purchase of Modern and Contemporary Artworks 71 10. Appendix 3 – Acquisition of Natural History Specimens 72 11. Appendix 4 – Acquisition of Cultural Heritage Objects 73 2 1. CAPITAL WORKS 1.1 NATIONAL FUNDS During the year under review design for improvements to the layout in the ticketing and shop area of the Ħaġar Qim and Mnajdra visitor centre was concluded and manufacture of furniture started. Such works will include the construction of a site office, new ticketing facilities and new larger shop within the existing building in order to maximize shop space and visitor flow. -
Instrument Building and Musical Culture in Seventeenth-Century Malta
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Music Instrument Building and Musical Culture in Seventeenth-Century Malta: the luthier Mattheo Morales by Anna Borg Cardona Thesis for the degree of PhD Music Submitted November 2017 The research work disclosed in this thesis is partly funded by the Malta Government Scholarship Scheme UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the degree of Doctor of Philosophy INSTRUMENT BUILDING AND MUSICAL CULTURE IN SEVENTEENTH-CENTURY MALTA: THE LUTHIER MATTHEO MORALES Anna Borg Cardona By the seventeenth century, Malta had become a nucleus of cultural activity. It provides us with totally new perspectives on the production and consumption of music within a Mediterranean context.