DOCSLIB.ORG

Face to Face AUTUMN 2008

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Face to Face AUTUMN 2008 Face to Face AUTUMN 2008 Annie Leibovitz: A Photographer’s Life, 1990 – 2005 Taylor Wessing Photographic Portrait Prize 2008 Four Great Portraits My Favourite Portrait by Bill Morris From the Director The Gallery has this year the opportunity to acquire four exceptional portraits for the Collection: Lady Dacre and her son by Hans Eworth – an outstanding and well preserved Tudor portrait; Sir Richard Arkwright by Joseph Wright of Derby (left and cover) – a towering figure in the British Industrial Revolution; Mary Seacole by Albert Challen – a remarkable individual in terms of nineteenth-century army healthcare; and finally Marc Quinn’s Self – the latest of the artist’s self-portrait images, created out of his own blood and frozen. While the Gallery is familiar with raising extra resources for one special portrait at a time, as with the successful appeals for the portraits of John Donne in 2006 or John Fletcher in 2007, these four potential acquisitions pose a great challenge for us. We COVER AND ABOVE Sir Richard Arkwright have some funding already secured, including generous support from the Art Fund by Joseph Wright of Derby, and a contribution from the Gallery’s Portrait Fund, and we are making application to c.1783–85 appropriate external bodies. However, this will leave us with a shortfall and we need substantial help to ensure that we secure these important works for the nation. If you are interested in donating, please contact Emma Black, Individual Giving Manager, on 020 7312 2444 or email her on [email protected]. The article in this issue of Face to Face gives more information. In October we open Annie Leibovitz: A Photographer’s Life, 1990–2005. Her previous monographic exhibition was a great success at the Gallery in 1993, and a number of classic Leibovitz images were included in the recent Vanity Fair Portraits. But this exhibition marks a difference by combining the best of her public editorial images with personal, intimate portraits of her family and close friends. This autumn we are delighted to relaunch the Photographic Portrait Prize with the new sponsors, Taylor Wessing. The law firm has been a great supporter of the Gallery for a number of years, sponsoring the successful World’s Most Photographed in 2005 and co-sponsoring the recent Face of Fashion exhibition in 2007. I will be chairing the jury to seek out the very best photographic portraits of the many submitted from around the world. I am also pleased that the current building and lift works will give full access to our landing space, off the front staircase. The Gallery will finally be fully accessible and everyone will be able to enjoy the interesting displays on the landing. Currently on display are Portraits of the 1970s, a selection of recently donated photographs by the American photographer Bern Schwartz. Sandy Nairne DIRECTOR As Director of the London MY FAVOURITE Organising Committee of the Olympic Games, Bill is responsible PORTRAIT for all the London 2012 ceremonies BILL MORRIS including the Opening and Closing Ceremonies and the Torch Relay. He is also in charge of the Cultural Olympiad, the London 2012 Education programme and the network of Live Sites being established around the UK. IT WAS EXQUISITE TORTURE, trying to pick out just Through this confusion over the medium, Brooks ABOVE one portrait for this article. The collection of great instantly propels us into questioning portraiture, Bill Morris Olympians and Paralympians was an obvious target, begging us to examine this sitter. The cinematic LEFT and the multi-media portraits of Sir Steve Redgrave crop of the face, and the shallow depth of field, are Sir Paul Nurse nearly won me over. The most striking photograph deliberate photographic techniques Brooks has by Jason Brooks, 2008 of Denise Lewis was incredibly beguiling too – her employed to highlight the electrifying eyes of Commissioned by the National statuesque physique and the most penetrating of this man. You are drawn to Nurse through the Portrait Gallery with the support stares that told you everything about medal winning. searing intellect and the unshakeable determination of JPMorgan through the Fund emanating from these eyes. for New Commissions It makes you reflect on the profound difference This work currently features in between the ubiquity of digital photography and the Nurse has been painted with every bristle on display, Jason Brooks: Portraits on display revealing brilliance of true portraiture. The first is often delivering a ‘what you see is what you get’ feeling. in Room 40. An interview with the a poor copy of the original whilst the second interprets This is what excites me about all of these portraits, artist can be seen in this issue. the inner self of the subject and the artist. So what these renowned figures, famous for their astonishing did I choose – and why? achievements, but so devoid of the cult of the celebrity image. This is where art plays a great role As soon as I saw it, I was compelled by the arresting in the lead-up to the London 2012 Games. These commission of Sir Paul Nurse, Nobel Prize winner, works stretch the understanding and limitations of painted by Jason Brooks. From a distance it tricks portraiture, delving deeper to illuminate something you into believing that it is an engaging black and more of the passion and motivation of the great white photograph. On closer inspection, you have to sitters, exactly what the Olympiad hopes to inspire. abandon these assumptions, because this is a highly detailed, painstakingly executed painting. Bill Morris DIRECTOR OF CULTURE, CEREMONIES AND EDUCATION, LONDON 2012 OLYMPIC AND PARALYMPIC GAMES IF YOU VISITED THE GALLERY in June or July, THE LANDING you would have noticed scaffolding to the left of the ACCESS PROJECT main entrance and perhaps wondered why it was there. It provided the only route (via the roof) to the void between the National Gallery and the National Portrait Gallery buildings, in which a link corridor was being built between the lift and Room 33, the first-floor landing. The landing, which forms part of the original Victorian staircase, was the only part of the Gallery not accessible by lift. This had meant it was impossible for some visitors with mobility problems to see the exhibitions there, such as the recent Yousuf Karsh and Diana, Princess of Wales photographs. Thanks to the receipt of grants from the DCMS/Wolfson Fund and the H.B. Allen Trust, together with some of our own money, we have been able to tackle this interesting but challenging building project. With minimal disruption to the daily work of the Gallery, Killby and Gayford, who were appointed as contractors, built a corridor between the landing and the lift. The photograph (right) shows them the lift LEFT under construction. A flat roof, with sophisticated Work in progress on the new lift, detection monitors, will complete the project, which which will provide access to is due to be finished by the end of August. Room 33, the first-floor landing. Judith West HEAD OF RESOURCES ANNIE LEIBOVITZ: A PHOTOGRAPHER’S LIFE, 1990–2005 16 October 2008 – 25 January 2009 Wolfson Gallery and selected Lerner Galleries Admission charge Organised by the Brooklyn Museum Sponsored by American Express London Sponsors: Bridgepoint and GAP RIGHT ANNIE LEIBOVITZ: A PHOTOGRAPHER’S LIFE, Close and Cindy Sherman. Highlights include dancers Susan Sontag at Petra, 1990–2005 will draw together for the first time Mikhail Baryshnikov and Rob Besserer holding a Jordan, 1994 the well-known assignments and rarely seen personal dance position on a beach, William S. Burroughs in by Annie Leibovitz work of one of the world’s best-known portrait Kansas and Agnes Martin in Taos. Photograph © Annie Leibovitz photographers. FROM ANNIE LEIBOVITZ: Featured assignment work includes searing reportage A PHOTOGRAPHER’S LIFE, With over 150 photographs, the exhibition shows from the siege of Sarajevo in the early 1990s and 1990–2005 iconic images of famous public figures together with the election of Hillary Clinton to the US Senate. personal photographs of her family and close friends. There are also landscapes taken in Monument Arranged chronologically, they project a unified Valley in the American West and in Wadi Rum in narrative of the artist’s private life against the the Jordanian desert. backdrop of her public image. ‘I don’t have two lives,’ Annie Leibovitz: A Photographer’s Life, 1990–2005 is Leibovitz says. ‘This is one life, and the personal a Brooklyn Museum exhibition, curated by Charlotta pictures and the assignment work are all part of it.’ Kotik, Curator Emerita of Contemporary Art. The At the heart of the exhibition, Leibovitz’s personal exhibition opened at the Brooklyn Museum on photography documents scenes from her life, 20 October 2006 and has since toured to the San including the birth and childhood of her three Diego Museum of Art, the High Museum of Art in daughters, her holidays, reunions, and rites of Atlanta, the Corcoran Gallery in Washington D.C., and passage with her parents, her extended family and the de Young Museum in San Francisco. It is now close friends. on tour at La Maison Européenne de la Photographie in Paris before arriving in London, and after the The exhibition features Leibovitz’s portraits of well- National Portrait Gallery, the exhibition will tour known figures, including actors such as Jamie Foxx, to C/O Berlin. Daniel Day Lewis, Al Pacino, Nicole Kidman and Brad Pitt as well as artists and architects such as Neil Evans Richard Avedon, Brice Marden, Philip Johnson, Chuck SENIOR PRESS OFFICER LEFT Philip Johnson, Glass House, New Canaan, Connecticut, 2000 by Annie Leibovitz Sarajevo: Fallen bicycle of teenage boy just killed by a sniper, 1994 by Annie Leibovitz Both photographs © Annie Leibovitz FROM ANNIE LEIBOVITZ: A PHOTOGRAPHER’S LIFE, 1990–2005 ‘WHAT I’M DOING AS A PHOTOGRAPHER IS GETTING A LITTLE TINY SLICE OF THEM.
Load more

Recommended publications
  • Karsh: a Feast for the Eyes Book Review
    KARSH: A FEAST FOR THE EYES BOOK REVIEW Shutter Release, February 2003 Karsh: A Sixty-Year Retrospective by Yousuf Karsh; Little, Brown and Company, Boston. 192 pages. $75 H.G. Wells. Ansel Adams. Bill Clinton. Sophia Loren. Helen Keller. Fidel Castro. Mother Teresa. I.M. Pei. What do these luminaries have in common? All sat in quiet pose before Yousuf Karsh, the outstanding portrait photographer. His autobiographical retrospective expansively illustrates his talent and genius. Nearly every image is worthy of extended contemplation—skillfully crafted, thoughtful, reflective. Not only that, but this book features storytelling. Most coffee-table photography books begin with concise text followed by page after page of images without any significant descriptive. Potential buyers tend to peruse the pictures in the bookstore, then see little reason to purchase the invariably costly volume. The Karsh retrospective is different. Comprised of 140 full-page portraits and 30 smaller images, it manages to read as an absorbing book of historical sketches: Each image is accompanied by anecdotal history as recalled by Karsh himself. The bookstore browser finds it difficult to put the book down, and the buyer acquires not just a treasury of photography but a wealth of biographical history. In this spellbinding volume, you can learn what King Faisal thought at the UN Conference in 1945; about Ernest Hemingway’s approach to beginning a novel; and a full description of Georgia O’Keefe’s simple adobe house in New Mexico, as told to or witnessed by Karsh. Yet he is clearly loyal to his subjects, as the recollections do not contain anything unseemly or embarrassing.
    [Show full text]
  • Yousuf Karsh: American Portraits
    Yousuf Karsh: American Portraits During a career that spanned six decades, photographer Bergman and Humphrey Bogart; athletes Muhammad Yousuf Karsh (1908–2002) created iconic portraits Ali and Jackie Robinson; business leaders Elizabeth of many of the twentieth century’s most influential Arden and Warren Buffett; architects Frank Lloyd Wright men and women—from fields as diverse as business, and I. M. Pei; first ladies Jacqueline Kennedy Onassis and medicine, entertainment, politics, and the arts. Karsh Eleanor Roosevelt; and entertainment giants Walt Disney photographed countless international figures, but his and Jim Henson, among many others. images of Americans—from Marian Anderson to Albert Einstein to Grace Kelly—are counted among his finest A refugee from his native Armenia, Karsh immigrated to portraits. This exhibition features forty-eight black-and- Canada in 1925. His uncle, a professional photographer, white photographs from the National Portrait Gallery’s facilitated Karsh’s apprenticeship with the renowned collection, including writer Ernest Hemingway; artists Boston portrait photographer John H. Garo in 1928. Georgia O’Keeffe and Andy Warhol; actors Ingrid By the time Karsh returned to Canada, he had “set [his] Yousuf Karsh: American Portraits heart on photographing those men and women who leave their mark on the world.” In May 1933, he opened his portrait studio in Ottawa. EXHIBITION SPECIFICATIONS The phenomenal success of his 1941 portrait of Winston Churchill, Content: included in this exhibition, served as the catalyst to Karsh’s career. • 48 black-and-white photographs Thereafter, he traveled the world fulfilling portrait commissions and • Digital files for all exhibition texts, title graphic editorial assignments.
    [Show full text]
  • Access Ii LIBRARY and ARCHIVES CANADA | ACCESS Overview
    access ii LIBRARY AND ARCHIVES CANADA | ACCESS overview At Library and Archives Canada we face a unique challenge, to reach Canadians and to engage with our stakeholders in a world where everything is changing, even the nature of knowledge itself. We have started moving forward. We have become leaders and partners in the digital revolution, providing online services and virtual exhibitions, creating national strategies and building relationships throughout the knowledge world. We are reaching out to Canadians by putting our collections on the road, developing new search tools and finding aids, and using the power of television to de mystify the search for family history. We continue to build our national memory through major acquisitions and donations, and to care for our collections and preserve them for future generations. And we gather the evidence of who we are and what we stand for in all its forms—whether it is a government website, a pair of moccasins, a rare book, or a family tree. We can’t do it alone. There is too much information. But knowledge contains the power to change. Working with and through our partners, we can have a major impact. On lives. On histories. On futures. ACCESS | LIBRARY AND ARCHIVES CANADA 1 table of contents Introduction .......................................................... 3 News and highlights............................................ 4 The new media: shift ........................................... 6 Literacy and learning........................................... 10 Building the national memory............................ 12 Connecting Canadians......................................... 18 Untold stories ....................................................... 24 Documenting democracy .................................... 26 Canada as a global citizen................................... 28 Portrait Gallery of Canada................................... 30 2 LIBRARY AND ARCHIVES CANADA | ACCESS introduction Mandate and vision Human invention, innovation and creativity increase every day at unprecedented speeds.
    [Show full text]
  • THE CHURCHILLIAN Churchill Society of Tennessee June 2019
    THE CHURCHILLIAN Churchill Society of Tennessee June 2019 th D-DAY 75 Anniversary June 22, 1944 Winston Churchill visits the beaches of Normandy Inside this issue: Upcoming Events: Churchill’s Tour of the Normandy Beaches Summer Tea on July 20, 2019 and D-Day announcement to Parliament September 28, 2019 - Fall Session and Banquet, From the President - Jim Drury At the Brentwood Country Club Behind the Photo – Churchill’s Iconic Photograph The Graham Sutherland “Churchill Portrait” by Celia Lee Book Review - Robin Sinclair The Churchillian Page 1 Churchill’s visit to the Normandy beaches on June 22, 1944 pictures from “World War II Today” Churchill and Monty on the beach at Normandy Lighting up and rolling out! FM Sir Allen Brook, Mr. Churchill, FM Montgomery LTG Simonds, LTG Dempsey, Churchill and Monty Churchill boarding HMS Kelvin off the Normandy Coast Churchill and FM Sir Allen Brook The Churchillian Page 2 This is Prime Minister Churchill’s announcement to members of Parliament that the D-Day invasion had begun. I have to announce to the House that during the night and the early hours of this morning the first of the series of landings in force upon the European Continent has taken place. In this case the liberating assault fell upon the coast of France. An immense armada of upwards of 4,000 ships, together with several thousand smaller craft, crossed the Channel. Massed airborne landings have been successfully effected behind the enemy lines and landings on the beaches are proceeding at various points at the present time. The fire of the shore batteries has been largely quelled.
    [Show full text]
  • The Time Has Come, for You to Lip-Sync, for Your Identity: Bridging the Queer
    The Time Has Come, For You to Lip-Sync, For Your Identity: Bridging the Queer Gap Between Theory and Practice Thesis RMA Musicology Vera van Buren (5539307) Feb- Aug 2019 RMA Musicology | Supervisor: Dr. Olga Panteleeva | Second reader: Dr. Judith Peraino Abstract The humanities seem to want to specialize in capturing the human experience in their socio-cultural context. It seems, however, that throughout the past decades, certain experiences are harder to academically pin down than others. The critique posed by queer people on queer theory is one example of this discrepancy. Judith Butler, Maggie Nelson, Sara Ahmed and Crystal Rasmussen are some authors who intellectually capture the experience of queerness. Especially Butler has received critique throughout her career that her description of queerness had very little to do with the real-lived experience of queer people. But, her work showed seminal in the deconstruction of gender identity, as did the works by the other mentioned authors. Despite the important works produced by these authors, it is still difficult to find academic works that are written with a ‘bottom-up’ approach: where the voices of oppressed groups are taken for the truth they speak, while academic references are only there to support their claims. In this thesis, I utilize this ‘bottom-up’ approach, testing through my case study—namely, the experiences of Dutch drag queens, specifically how they experience topics around lip-sync performances—to what extent their lived experience is in accordance with the theoretical works by which they are framed. Through interviews with Dutch drag queens, by attending drag shows, and by critically reviewing academic literature, I will test the discrepancy, or parallel, between the theory, and practice.
    [Show full text]
  • "WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
    "WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday.
    [Show full text]
  • Beyond Addiction, Reframing Recovery
    Contacts: Susan Stellin: [email protected], 917-226-7438 Graham MacIndoe: [email protected], 347-283-4097 Location: Arnold and Sheila Aronson Galleries, Parsons School of Design, The New School 66 Fifth Ave. @ 13th St., New York City Dates: April 6-20, 2019 Gallery hours: Open daily 12:00–6:00 p.m. and Thurs. until 8:00 p.m. Tues. April 9: Opening reception (5:30 - 6:30 p.m.) and Panel discussion (6:30 - 8:00 p.m.) Art, Media, Research, and Advocacy: What Shapes Public Opinion and Drug Policy? Part of the Open Society Foundations' Dialogues on Drug Policy series at The New School Exhibition Curators: Graham MacIndoe & Susan Stellin Graham is a photographer and assistant professor at Parsons and Susan is a reporter and adjunct professor in the Journalism + Design department at The New School who recently completed a master’s in public health at Columbia University. They have collaborated on projects combining interviews and photography, including exhibitions, talks, and a memoir documenting Graham’s addiction, incarceration, and recovery. Contributing Artists: Nina Berman, Allan Clear, John Donadeo, Yannick Fornacciari, Tony Fouhse, Paul Gorman, John Linder, Luceo, Graham MacIndoe, Josh Meltzer, Jackie Neale, Neil Sneddon, and Susan Stellin. Student Projects, supervised by Graham MacIndoe and Julia Gorton, assistant professor of communications at Parsons: Sara Akiki, Carly Bayroff, Scoutt Palframan, Ellie Plass, Josie Stevenson, and Lucy Xin. Exhibition website: www.reframingrecovery.org 1 Exhibition Overview There are about 23 million people in the United States who have successfully resolved a problem with drugs or alcohol, but we rarely see or hear their stories compared to depictions of addiction in media, art, music, and film.
    [Show full text]
  • Yousuf Karsh Fonds
    Manuscript Division des Division manuscrits YOUSUF KARSH FONDS R613 Finding Aid No. 2171 / Instrument de recherche no 2171 Prepared in 1999 by Sean Smith, Janet Préparé en 1999 par Sean Smith, Janet Murray and Christiane Prévost for the Social Murray and Christiane Prévost pour les and Cultural Archives Archives sociales et culturelles TABLE OF CONTENTS GARO COLLECTION .........................................................1 CORRESPONDENCE AND SUBJECT FILES - OTTAWA OFFICE I ...........2, 412, 428 Solange Karsh Files......................................................2 General Files ...........................................................4 CORRESPONDENCE AND SUBJECT FILES - OTTAWA OFFICE II ............ 91, 413, 428, 429 Alphabetical Correspondence and Subject Files ................................ 91, 428 Sittings Files ........................................................... 110, 413 Unlikely Sittings Files ....................................................... 135 Requests Files.............................................................. 138 CORRESPONDENCE AND SUBJECT FILES - NEW YORK .......................... 142, 428 TRAVEL FILES .................................................................. 153 FINANCIAL RECORDS ..................................................192, 413 Ledgers..........................................................192, 413 Income Tax Records . .193 Account Books ........................................................196 Calendars, Diaries, Notebooks ........................................198,
    [Show full text]
  • Selections from the Gift Collection of Walter and Leonore
    Graduated brass weights cast in the shape of elephants (page 47). Previous page A sampling of decorative boxes that the Annenbergs received as gifts over the decades. TREASURES AT SUNNYLANDS: SELECTIONS FROM THE GIFT COLLECTION OF WALTER & LEONORE ANNENBERG January 25, 2015 through January 17, 2016 by Anne Rowe Text, design, and all images copyright © The Annenberg Foundation Trust at Sunnylands 2014. An illustration of Washington, D.C. from First published in 2014 by The Annenberg Foundation Trust at Sunnylands, the interior of the decoupage presentation 71231 Tamarisk Lane, Rancho Mirage, CA 92270, United States of America. box given to the Annenbergs by All rights reserved. No part of this book may be reproduced or utilized, in any form or by any Jay and Sharon Rockefeller (page 51). means, electronic or mechanical, without prior permission in writing from the publisher. Library of Congress Control Number: 2014951183 ISBN: 978-0-9858429-9-4. Printed in the United States of America. Book and cover design by JCRR Design. Contents The Annenberg Retreat at Sunnylands by Geoffrey Cowan page 6 Walter and Leonore Annenberg by Janice Lyle, Ph.D. page 6 Treasures at Sunnylands by Anne Rowe pages 7 – 17 Gifts from Presidents & First Ladies pages 18 – 27 Gifts from Royalty pages 28 – 33 Gifts from Diplomats pages 34 – 43 Gifts from Business Leaders pages 44 – 53 Gifts from Entertainers pages 54 – 59 Gifts from Family pages 60 – 63 Acknowledgments page 64 This eighteenth-century silver creamer was a gift from David Rockefeller (page 45). 5 The Annenberg Retreat at Sunnylands Walter and Leonore Annenberg For more than forty years, Sunnylands served as Sunnylands was the winter home of Walter and an oasis for presidents of the United States, other Leonore Annenberg.
    [Show full text]
  • Yousuf Karsh Photographer ( 1908 – 2002 )
    Yousuf Karsh Photographer ( 1908 – 2002 ) Karsh was a Canadian photographer, and one of the most famous and accomplished portrait photographers of all time. He was born in the eastern Ottoman Empire and at the age of 14, he fled with his family to Syria to escape persecution. Two years later, his parents sent Yousuf to live with his uncle, a photographer in Quebec. His uncle saw great poten- tial in his nephew and in 1928 arranged for Karsh to appren- tice with portrait photographer John Garo in Boston. Karsh returned to Canada four years later and established a stu- dio in Ottawa, where he was discovered by Prime Minister © Canada Post Corporation {1951}. Reproduced with Permission Reproduced {1951}. Corporation Post © Canada The photo on the stamp is a self-portrait MACKENZIE KING, who arranged introductions with visiting dignitaries for portrait sittings. Karsh’s place in history was established on December 30, 1941 when he photographed Winston Churchill, after he gave a speech to the Canadian House of Commons. He allowed Karsh just two minutes but the result was the iconic image of the indomitable Churchill. The famous scowl came after Karsh removed the cigar Churchill was smoking. This image, along with one of Audrey Hepburn and one of Karsh himself, were used on a trio of Canadian stamps issued in 2009 to honor the photog- rapher. In 1967, Karsh was made an Officer of the Order of Canada and in 1990 was promoted to Companion. In 2000, Karsh was named one of the 100 most notable people of the cen- tury by the International Who’s Who.
    [Show full text]
  • YOUSUF KARSH SELECTED EXHIBITIONS 2007 Yousuf Karsh
    YOUSUF KARSH SELECTED EXHIBITIONS 2007 Yousuf Karsh Photographs, Kresge Art Museum, Michigan State University, East Lansing Michigan Yousuf Karsh: Portraits, Canadian Cultural Centre, Paris, France 2006 Yousuf Karsh: Portraits, Theatre de la Photographie et de l’Image, Nice, France 2004 Yousuf Karsh: Industrial Photographs, Art Gallery of Windsor, Ontario, Canada (currently traveling) 2003 Yousuf Karsh: Through the Lens, Whyte Museum of the Canadian Rockies, Banff, Canada 2000 Yousuf Karsh: Heroes of Light and Shadow, Deutsches Historisches Museum, Berlin Karsh: Nagoya/Boston Museum of Fine Arts, Nagoya, Japan 1999 Karsh: Faces of the Twentieth Century, National Portrait Gallery of Australia, Canberra (celebration of Karsh’s 90th birthday) 1998 Karsh in London, Canada House, London 1998 90th Birthday Celebration 24-Portrait Exhibition, National Gallery of Canada, Ottawa 1992 American Legends, International Center of Photography, New York (traveled) 1991 British Personalities- A Tribute Exhibition, National Portrait Gallery, London 1989 Karsh: The Art of the Portrait, National Gallery of Canada, Ottawa (traveled) 1988 Karsh: A Birthday Celebration, Barbican Centre of London (traveled) 1983 Karsh: A Fifty-Year Retrospective, International Center of Photography, New York (traveled) Celebration of Karsh’s 75th birthday, Museum of Photography, Film and Television, Bradford (traveled) 1967 Faces of Our Time, Museum of Fine Arts, Boston Men Who Make Our World, Montreal’s World Fair 1959 Karsh Photographs, National Gallery of Canada, Ottawa 1958
    [Show full text]
  • Experimenting with Analogy for Lyrics Transformation
    WeirdAnalogyMatic: Experimenting with Analogy for Lyrics Transformation Hugo Gonc¸alo Oliveira CISUC, Department of Informatics Engineering University of Coimbra, Portugal [email protected] Abstract Our main goal is thus to explore to what extent we can rely on word embeddings for transforming the semantics This paper is on the transformation of text relying mostly on of a poem, in such a way that its theme shifts according a common analogy vector operation, computed in a distribu- to the seed, while text remains syntactically and semanti- tional model, i.e., static word embeddings. Given a theme, cally coherent. Transforming text, rather than generating it original song lyrics have their words replaced by new ones, related to the new theme as the original words are to the orig- from scratch, should help to maintain the latter. For this, we inal theme. As this is not enough for producing good lyrics, make a rough approximation that the song title summarises towards more coherent and singable text, constraints are grad- its theme and every word in the lyrics is related to this theme. ually applied to the replacements. Human opinions confirmed Relying on this assumption and recalling how analogies can that more balanced lyrics are obtained when there is a one-to- be computed, shifting the theme is a matter of computing one mapping between original words and their replacement; analogies of the kind ‘what is to the new theme as the origi- only content words are replaced; and the replacement has the nal title is to a word used?’. same part-of-speech and rhythm as the original word.
    [Show full text]