YOUSUF KARSH SELECTED EXHIBITIONS 2007 Yousuf Karsh

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YOUSUF KARSH SELECTED EXHIBITIONS 2007 Yousuf Karsh Photographs, Kresge Art Museum, Michigan State University, East Lansing Michigan Yousuf Karsh: Portraits, Canadian Cultural Centre, Paris, France 2006 Yousuf Karsh: Portraits, Theatre de la Photographie et de l’Image, Nice, France 2004 Yousuf Karsh: Industrial Photographs, Art Gallery of Windsor, Ontario, Canada (currently traveling) 2003 Yousuf Karsh: Through the Lens, Whyte Museum of the Canadian Rockies, Banff, Canada 2000 Yousuf Karsh: Heroes of Light and Shadow, Deutsches Historisches Museum, Berlin Karsh: Nagoya/Boston Museum of Fine Arts, Nagoya, Japan 1999 Karsh: Faces of the Twentieth Century, National Portrait Gallery of Australia, Canberra (celebration of Karsh’s 90th birthday) 1998 Karsh in London, Canada House, London 1998 90th Birthday Celebration 24-Portrait Exhibition, National Gallery of Canada, Ottawa 1992 American Legends, International Center of Photography, New York (traveled) 1991 British Personalities- A Tribute Exhibition, National Portrait Gallery, London 1989 Karsh: The Art of the Portrait, National Gallery of Canada, Ottawa (traveled) 1988 Karsh: A Birthday Celebration, Barbican Centre of London (traveled) 1983 Karsh: A Fifty-Year Retrospective, International Center of Photography, New York (traveled) Celebration of Karsh’s 75th birthday, Museum of Photography, Film and Television, Bradford (traveled) 1967 Faces of Our Time, Museum of Fine Arts, Boston Men Who Make Our World, Montreal’s World Fair 1959 Karsh Photographs, National Gallery of Canada, Ottawa 1958 Portraits by Karsh, Brussels World’s Fair 1953 Karsh, Ford of Canada, Oakville (traveled) 1952 Karsh Photographs, N.W. Mutual Exhibition at Layton School of Art, Milwaukee Men Who Make Atlas Steel, Charles Francis Press Gallery, New York (traveled) PERMANENT COLLECTIONS Library and Archives of Canada Portrait Gallery of Canada, Ottawa National Portrait Gallery, London Art Institute of Chicago Bibliotheque nationale de France, Paris Detroit Institute of Arts Deutsches Historisches Museum, Berlin George Eastman House, Rochester, New York Huntington Library, San Marino, California International Center of Photography, New York Metropolitan Museum of Art, New York Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Australia, Canberra National Gallery of Canada National Museum of Modern Art, Tokyo National Portrait Gallery of Scotland Philadelphia Museum of Art Rhode Island School of Design Museum of Art, Providence, Rhose Island The Royal Library, Windsor Castle, England SELECTED PHOTOGRAPHS T. Eaton Company, Toronto, June 1938 and Chateau Laurier Hotel, Ottawa, November 1938 .

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Karsh: a Feast for the Eyes Book Review
KARSH: A FEAST FOR THE EYES BOOK REVIEW Shutter Release, February 2003 Karsh: A Sixty-Year Retrospective by Yousuf Karsh; Little, Brown and Company, Boston. 192 pages. $75 H.G. Wells. Ansel Adams. Bill Clinton. Sophia Loren. Helen Keller. Fidel Castro. Mother Teresa. I.M. Pei. What do these luminaries have in common? All sat in quiet pose before Yousuf Karsh, the outstanding portrait photographer. His autobiographical retrospective expansively illustrates his talent and genius. Nearly every image is worthy of extended contemplation—skillfully crafted, thoughtful, reflective. Not only that, but this book features storytelling. Most coffee-table photography books begin with concise text followed by page after page of images without any significant descriptive. Potential buyers tend to peruse the pictures in the bookstore, then see little reason to purchase the invariably costly volume. The Karsh retrospective is different. Comprised of 140 full-page portraits and 30 smaller images, it manages to read as an absorbing book of historical sketches: Each image is accompanied by anecdotal history as recalled by Karsh himself. The bookstore browser finds it difficult to put the book down, and the buyer acquires not just a treasury of photography but a wealth of biographical history. In this spellbinding volume, you can learn what King Faisal thought at the UN Conference in 1945; about Ernest Hemingway’s approach to beginning a novel; and a full description of Georgia O’Keefe’s simple adobe house in New Mexico, as told to or witnessed by Karsh. Yet he is clearly loyal to his subjects, as the recollections do not contain anything unseemly or embarrassing.
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