Ceci N'est Pas Une Revue
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The Time Has Come, for You to Lip-Sync, for Your Identity: Bridging the Queer
The Time Has Come, For You to Lip-Sync, For Your Identity: Bridging the Queer Gap Between Theory and Practice Thesis RMA Musicology Vera van Buren (5539307) Feb- Aug 2019 RMA Musicology | Supervisor: Dr. Olga Panteleeva | Second reader: Dr. Judith Peraino Abstract The humanities seem to want to specialize in capturing the human experience in their socio-cultural context. It seems, however, that throughout the past decades, certain experiences are harder to academically pin down than others. The critique posed by queer people on queer theory is one example of this discrepancy. Judith Butler, Maggie Nelson, Sara Ahmed and Crystal Rasmussen are some authors who intellectually capture the experience of queerness. Especially Butler has received critique throughout her career that her description of queerness had very little to do with the real-lived experience of queer people. But, her work showed seminal in the deconstruction of gender identity, as did the works by the other mentioned authors. Despite the important works produced by these authors, it is still difficult to find academic works that are written with a ‘bottom-up’ approach: where the voices of oppressed groups are taken for the truth they speak, while academic references are only there to support their claims. In this thesis, I utilize this ‘bottom-up’ approach, testing through my case study—namely, the experiences of Dutch drag queens, specifically how they experience topics around lip-sync performances—to what extent their lived experience is in accordance with the theoretical works by which they are framed. Through interviews with Dutch drag queens, by attending drag shows, and by critically reviewing academic literature, I will test the discrepancy, or parallel, between the theory, and practice. -
"WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
"WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday. -
Our Own Pressions Poe Try
Our own pressions Poe try DRAWING photography SHORT Teen STORY Writing & Art Contest 2018 Winners Pierce County Library System 2018 Congratulations to the more than 1,100 talented students who participated in the Winners 22nd annual Our Own Expressions Teen Writing & Art Contest. Volunteers, including Pierce County Library System staff and Pierce County Library Foundation Board members, Poe try reviewed the entries. Writers Gloria Muhammad and DRAWING Kathryn Galbraith selected this year’s writing winners, evaluating originality, style, general presentation, photography grammar and spelling. Photographer Dominique Thomas-McCullum and artist Saiyare Refaei selected the art winners based on composition, artistic skills, creativity and effective use of media. SHORT STORY Pierce County Library Foundation awarded the winners with cash prizes, and the winning entries are published in this book. Pierce County Library gratefully acknowledges the support of Pierce County Library Foundation and Pacific Lutheran University to help fund the contest. Our own pressions Poetry Winners Grades 7 & 8 1st What's Today? Livy LeCompte Pioneer Middle School 2nd Dance Vanessa John Lochburn Middle School 3rd About Love Sofia Guerra Annie Wright School Grades 9 & 10 1st Sixty-Five Million Kristine Pham Curtis Junior High School 2nd Screaming in My Whisper Daniel Titov Other 3rd Night Kaylie Steinbacher Bellarmine Preparatory School Grades 11 & 12 1st So I Weep Hannah Carter Franklin Pierce High School 2nd Ignorance Keir Adamson Gig Harbor High School 3rd Of Music -
David Taylor - Poems
Poetry Series David Taylor - poems - Publication Date: 2007 Publisher: Poemhunter.com - The World's Poetry Archive David Taylor(3rd January 1956) Born, Baby, Child, Adolescent, Student, Employee, Husband, Self Employed, Father, Father, Father, Divorcee, Husband, Father...and throughout all that I'm me! www.PoemHunter.com - The World's Poetry Archive 1 *alone* what should be an invigorating freshness a chill inside (shaking heart beats) traffic on the road silent rising clanking passing (silent again) phone rings silence, recorded voice speaks a real person with taped speech (a recorded message would be better?) selling cheap energy i think i will buy some flowers (petals coloured fragrance) arrange them in a wreath celebrate my death reports of (my) death greatly exaggerated until the silence speaks with the voice of great souls (departed) come in they say (here is the place) to be; alone in eternity. David Taylor www.PoemHunter.com - The World's Poetry Archive 2 *dance Ohh bliss what do you say, do you have a voice today? Where may I find your joy, which I remember as a boy? Ahh bliss where are you now, hidden under frown of brow? Where may I find your sound, which surely must be all around? Hmm bliss what is it that I miss, as I go on with that and this? Where may I find your smile, in each and every hour and mile? Yes I can feel it now, the harmony of the sky and clouds, the moon's revolving round, earth's harvest after plough. It is a dance eternal found the sweetest movement in all sound; and never will be missed, as by that bliss this life is kissed. -
Face to Face AUTUMN 2008
Face to Face AUTUMN 2008 Annie Leibovitz: A Photographer’s Life, 1990 – 2005 Taylor Wessing Photographic Portrait Prize 2008 Four Great Portraits My Favourite Portrait by Bill Morris From the Director The Gallery has this year the opportunity to acquire four exceptional portraits for the Collection: Lady Dacre and her son by Hans Eworth – an outstanding and well preserved Tudor portrait; Sir Richard Arkwright by Joseph Wright of Derby (left and cover) – a towering figure in the British Industrial Revolution; Mary Seacole by Albert Challen – a remarkable individual in terms of nineteenth-century army healthcare; and finally Marc Quinn’s Self – the latest of the artist’s self-portrait images, created out of his own blood and frozen. While the Gallery is familiar with raising extra resources for one special portrait at a time, as with the successful appeals for the portraits of John Donne in 2006 or John Fletcher in 2007, these four potential acquisitions pose a great challenge for us. We COVER AND ABOVE Sir Richard Arkwright have some funding already secured, including generous support from the Art Fund by Joseph Wright of Derby, and a contribution from the Gallery’s Portrait Fund, and we are making application to c.1783–85 appropriate external bodies. However, this will leave us with a shortfall and we need substantial help to ensure that we secure these important works for the nation. If you are interested in donating, please contact Emma Black, Individual Giving Manager, on 020 7312 2444 or email her on [email protected]. The article in this issue of Face to Face gives more information. -
Elsewhere, Then Tracie Renée Dawson University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2017 Elsewhere, Then Tracie Renée Dawson University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Creative Writing Commons Recommended Citation Dawson, T. R.(2017). Elsewhere, Then. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/4193 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. ELSEWHERE, THEN by Tracie Renée Dawson Bachelor of Arts Augusta University, 2011 Master of Arts University of Southern Mississippi, 2014 ____________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Fine Arts in Creative Writing College of Arts and Sciences University of South Carolina 2017 Accepted by: Elise Blackwell, Director of Thesis David Bajo, Reader Julia Elliott, Reader Susan Vanderborg, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School ABSTRACT Elsewhere, Then is a cross-generational road novel that traces the sociopolitical and personal narrative of a family through a musician making her way from Savannah to San Francisco. Traditional road narratives have long depicted the lone female traveller as being subject to violence when stepping outside the domestic sphere, which echoes history's larger and pervasive trend of denying women agency through silence and subjugation—in life, as in stories. The novel interrogates how (and by whom) narratives are created, embellished, changed, and/or discarded through the narrator's temporal and spatial journey. -
Experimenting with Analogy for Lyrics Transformation
WeirdAnalogyMatic: Experimenting with Analogy for Lyrics Transformation Hugo Gonc¸alo Oliveira CISUC, Department of Informatics Engineering University of Coimbra, Portugal [email protected] Abstract Our main goal is thus to explore to what extent we can rely on word embeddings for transforming the semantics This paper is on the transformation of text relying mostly on of a poem, in such a way that its theme shifts according a common analogy vector operation, computed in a distribu- to the seed, while text remains syntactically and semanti- tional model, i.e., static word embeddings. Given a theme, cally coherent. Transforming text, rather than generating it original song lyrics have their words replaced by new ones, related to the new theme as the original words are to the orig- from scratch, should help to maintain the latter. For this, we inal theme. As this is not enough for producing good lyrics, make a rough approximation that the song title summarises towards more coherent and singable text, constraints are grad- its theme and every word in the lyrics is related to this theme. ually applied to the replacements. Human opinions confirmed Relying on this assumption and recalling how analogies can that more balanced lyrics are obtained when there is a one-to- be computed, shifting the theme is a matter of computing one mapping between original words and their replacement; analogies of the kind ‘what is to the new theme as the origi- only content words are replaced; and the replacement has the nal title is to a word used?’. same part-of-speech and rhythm as the original word. -
The Unique Discovery of Sahaja Yoga 26 1
The Divine Mother Her Holiness Shri Mataji Nirmalal Devi Whatsoever is contained in this book, O Devi, comes From You. What is there to dedicate to You? Preface I started writing this text in Kathmandu, shortly after my first encounter of a different kind with HH Shri Mataji Nirmala Devi. I was quite young and nothing qualified me as one of the messengers of The Advent. However, the intensity and depth of the blissful illumination of Samadhi, bestowed effortlessly by this One Mother and Master, in Hurst Green, Surrey, by a sunny day of August 1975, left me stunned and amazed! I became instantly convinced of the historical dimension of Shri Mataji’s powerful message of love, hope and spiritual transformation. I was eager to communicate the news of the manifestation of an exceptional spiritual Avatar. I did so with a sort of youthful enthusiasm. I was perhaps naive in my assumption that such deep reality can be communicated by limited words. My attempt might have lacked in writing skills but it was sincere. The book was later rewritten for a broader, non initiated public, and translated in various languages. But this original version in English, reprinted without any modifications, captures the mood of discovery, as I crossed for the first time the gate to God’s glorious Reality. I had ventured in the transformed consciousness landscape that Sahaja Yoga opens for us and wanted to report about my exciting journey. Shri Mataji Herself reviewed the manuscript in London a little later. It is clear that the knowledge is Hers and the mistakes are mine. -
"MALCOLM X" Screenplay by Arnold Perl, Spike Lee and James Baldwin
"MALCOLM X" Screenplay by Arnold Perl, Spike Lee and James Baldwin (uncredited) Based on the book "The Autobiography of Malcolm X" by Malcolm X and Alex Haley Fourth Draft 1991 FADE IN: EXT. ROXBURY STREET - THE WAR YEARS - DAY It is a bright sunny day on a crowded street on the black side of Boston. PEOPLE and KIDS are busy with their own things. SHORTY bops his way down the street. He is a runty, very dark young man of 21 with a mission and a smile on his face. He wears the flamboyant style of the time: the whole zoot- suit, pegged legs and a wide brim hat with a white feather stuck in the hat band. EXT. STREET - DAY FOLLOW SHOT. Shorty dodges through the crowd with his packages. His smile is one of anticipation. He nods to a PAL without stopping; eyes a COUPLE OF CHICKS dancing on the street, but is not dissuaded. INT. BARBER SHOP - DAY Shorty has his jacket and hat off, his sleeves rolled up. He Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library is like a surgeon preparing for an operation. His equipment is spread out on a table: can of lye, large mason jar, wooden stirring spoon, knife, the eggs. His actions have the character of a ritual: each thing being done just so, in time-honored fashion. He slices the potatoes and drops the thin slices into the mason jar. He adds water and makes a paste of the starch. Behind Shorty is a spirited barbershop conversation. -
Karaoke Songs We Can Use As at 22 April 2013
Uploaded 3rd May 2013 Before selecting your song - please ensure you have the latest SongBook from the Maori Television Website. TKS No. SONG TITLE IN THE STYLE OF 21273 Don't Tread On Me 311 25202 First Straw 311 15937 Hey You 311 1325 Where My Girls At? 702 25858 Til The Casket Drops 16523 Bye Bye Baby Bay City Rollers 10657 Amish Paradise "Weird" Al Yankovic 10188 Eat It "Weird" Al Yankovic 10196 Like A Surgeon "Weird" Al Yankovic 18539 Donna 10 C C 1841 Dreadlock Holiday 10 C C 16611 I'm Not In Love 10 C C 17997 Rubber Bullets 10 C C 18536 The Things We Do For Love 10 C C 1811 Because The Night 10,000 Maniacs 24657 Hot And Wet 112/ Ludacris 21399 We Are One 12 Stones 19015 Simon Says 1910 Fruitgum Company 26221 Countdown 2 Chainz/ Chris Brown 15755 You Know Me 2 Pistols & R Jay 25644 She Got It 2 Pistols/ T Pain/ Tay Dizm 15462 Citizen Soldier 3 Doors Down 23044 Everytime You Go 3 Doors Down 24923 Here By Me 3 Doors Down 24796 Here Without You 3 Doors Down 15921 It's Not My Time 3 Doors Down 15820 Let Me Be Myself 3 Doors Down 25232 Let Me Go 3 Doors Down 22933 When You're Young 3 Doors Down 15455 Don't Trust Me 3 Oh!3 21497 Double Vision 3 Oh!3 15940 StarStrukk 3 Oh!3 21392 My First Kiss 3 Oh!3 / Ke$ha 23265 Follow Me Down 3 Oh!3/ Neon Hitch 20734 Starstrukk 3 Oh3!/ Katy Perry 10816 If I'd Been The One 38 Special 10112 What's Up 4 Non Blondes 9628 Sukiyaki 4.pm 15061 Amusement Park 50 Cent 24699 Candy Shop 50 Cent 12623 Candy Shop 50 Cent 1 Uploaded 3rd May 2013 Before selecting your song - please ensure you have the latest SongBook from the Maori Television Website. -
Brooch of Clytemnestra
THE BROOCH OF CLYTEMNESTRA By Kathleen T. Moorhead A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Florida Atlantic University Boca Raton, Florida May 2006 THE BROOCH OF CLYTEMNESTRA by Kathleen T. Moorhead This thesis was prepared under the direction of the candidate's thesis advisor, A Papatya Bucak, Department of English, and has been approved by the members of her supervisory committee. It was submitted to the faculty of The Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Master of Fine Arts. SUPERVISORY COMMITTEE: Dr. Andrew Furman Dr. Thomas Sheehan Dr. Andrew Furman Chairperson, Department of English ~~~ofAru&Lette~ s 11 ABSTRACT Author: Kathleen T. Moorhead Title: The Brooch of Clytemnestra Institution: Florida Atlantic University Thesis Advisor: A. Papatya Bucak Degree: Master of Fine Arts Year: 2006 The Brooch of Clytemnestra follows the adventures Margaret O'Brien, age thirteen, encounters when her family returns to The United States after living in Venezuela for ten years. Set in 1963, in the fictional town of Desolasol, located on southeastern coast of Florida, the O'Brien family must cope with cultural, social and religious changes in order to adjust to life in the U.S. The story takes place over the course of one week in story present in Florida, and over the course of one year in story past in Venezuela. The protagonist, Meg, runs afoul of the gods, when she unwittingly incurs the wrath of Zeus, who, along with the Pantheon of Greek gods, is summering on the coast in Desolasol.