ADRIANA PEREZ, MS, PHD University of Texas Health Science
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FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue -
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Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect Simón Calle Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Simón Calle All rights reserved ABSTRACT Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect Simón Calle This dissertation analyses identity formation through music among contemporary Colombian musicians. The work focuses on the emergence of musical fusions in Bogotá, which participant musicians and Colombian media have called “nueva música Colombiana” (new Colombian music). The term describes the work of bands that assimilate and transform North-American music genres such as jazz, rock, and hip-hop, and blend them with music historically associated with Afro-Colombian communities such as cumbia and currulao, to produce several popular and experimental musical styles. In the last decade, these new fusions have begun circulating outside Bogotá, becoming the distinctive sound of young Colombia domestically and internationally. The dissertation focuses on questions of musical circulation, affect, and taste as a means for articulating difference, working on the self, and generating attachments others and therefore social bonds and communities This dissertation considers musical fusion from an ontological perspective influenced by actor-network, non-representational, and assemblage theory. Such theories consider a fluid social world, which emerges from the web of associations between heterogeneous human and material entities. The dissertation traces the actions, interactions, and mediations between places, people, institutions, and recordings that enable the emergence of new Colombian music. In considering those associations, it places close attention to the affective relationships between people and music. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Nathaniel Méchaly
NATHANIEL MÉCHALY AWARDS ASIAN FILM AWARDS 2014 THE GRANDMASTER Best Composer *shared ASIA-PACIFIC FILM FESTIVAL THE GRANDMASTER NOMINATION 2013 Best Music *shared BMI FILM & TV AWARD 2013 TAKEN 2 Film Music BMI FILM & TV AWARD 2009 TAKEN Film Music FEATURE FILM TAKEN 3 Luc Besson, prod. Canal+ / 20 th Century Fox Olivier Megaton, dir. Composer LA VIE PURE Jeremy Banster, Olicier Compere, prods. Cantina Studio Jeremy Banster, dir. Composer GET WELL SOON Louis Becker, prod. Canal+ Jean Becker, dir. Composer ANGELIQUE Ariel Zeitoun, dir. Europa Corp. Composer THE GRANDMASTER Jacky Pang Yee Wah, Kar Wai Wong, prods. Block 2 Pictures / Annapurna Pictures Kar Wai Wong, dir. Composer / Cello / Orchestrator LE NOIR VOUS VA SI BIEN Jacques Bral, dir. Thunder Films International Composer / Music Editor TAKEN 2 Luc Besson, prod. EuropaCorp / 20 th Century Fox Olivier Megaton, dir. Composer The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 NATHANIEL MÉCHALY LES PAPAS DU DIMANCHE Louis Becker, dir. Canal+ Composer COLOMBIANA Luc Besson, Pierre-Ange Le Pogam, prods. EuropaCorp / Tri Star Pictures Olivier Megaton, dir. Composer FINAL BALANCE Alain Benguigui, Jean-Jacques Neira, Hubert Sombrero Films Toint, prods. Composer Pierre Lacan, dir. JOSEPH ET LA FILLE Pierre Forette, Christine Gozlan, Thierry Thelma Films Wong, prods. Composer / Orchestrator Xavier De Choudens, dir. LE MAC Thomas Langmann, prod. Canal+ Pascal Bourdinaux, dir. Composer A SPOT OF BOTHER Yves Marmion, prod. UGC Alfred Lot, dir. Composer THE ASSASSIN NEXT DOOR Ehud Bleiberg, Edouard Douek, prods. Bleiberg Entertainment Danny Lerner, dir. Composer EYES WIDE OPEN Isabelle Attal, David C. Barrot, Michael Israel Film Fund Eckelt, Rafael Katz, prods. -
Breakdown of French Cinema Admissions By
2013 Performance 2013 Performance KEY FACTS AND FIGURES The performance of French films The cinema year in foreign markets in international markets After an exceptional year in 2012, when French films posted of total admissions for French films abroad, compared to 50 million admissions* for French films in international record performance with 144.1 million admissions in foreign 70.6% in 2012. This is the weakest concentration since markets, ticket sales fell sharply in 2013 to a total of 50 the year 2000. markets in 2013 (down 65% compared to 2012) million admissions for 280 million euros in receipts. Note: French films in France totaled 64 million admissions** in 2013. In fact, among the 10 French films that surpassed 1 million Beyond just the backlash effect of following a bumper year, admissions during 2013, only Luc Besson’s film Malavita 24 million admissions* for French-language films in 2013 2013 was a year of relatively weak performance. exceeded 5 million admissions. It should be noted that 66 (down 65% compared to 2012) French productions and coproductions (of which 49 were The total admissions for French cinema were far more majority-French) obtained more than 100,000 admissions, widely spread across individual films. The top five French compared to an average of 55 per year since 2000. 37 million admissions* for majority-French films in 2013 hits of 2013 in overseas theaters only accounted for 37.7% (down 69% compared to 2012) 280 million euros in receipts* generated at the foreign Ticket sales for French films in France -
Nathaniel Méchaly
NATHANIEL MÉCHALY AWARDS ASIAN FILM AWARDS 2014 THE GRANDMASTER Best Composer *shared ASIA-PACIFIC FILM FESTIVAL THE GRANDMASTER NOMINATION 2013 Best Music *shared BMI FILM & TV AWARD 2013 TAKEN 2 Film Music BMI FILM & TV AWARD 2009 TAKEN Film Music FEATURE FILM STRATTON Guy Collins, Matthew Jenkins, prods. Atomic Arts Simon West, dir. Composer TAKEN 3 Luc Besson, prod. Canal+ / 20 th Century Fox Olivier Megaton, dir. Composer LA VIE PURE Jeremy Banster, Olicier Compere, prods. Cantina Studio Jeremy Banster, dir. Composer GET WELL SOON Louis Becker, prod. Canal+ Jean Becker, dir. Composer ANGELIQUE Ariel Zeitoun, dir. Europa Corp. Composer THE GRANDMASTER Jacky Pang Yee Wah, Kar Wai Wong, prods. Block 2 Pictures / Annapurna Pictures Kar Wai Wong, dir. Composer / Cello / Orchestrator LE NOIR VOUS VA SI BIEN Jacques Bral, dir. Thunder Films International Composer / Music Editor The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 NATHANIEL MÉCHALY TAKEN 2 Luc Besson, prod. EuropaCorp / 20 th Century Fox Olivier Megaton, dir. Composer LES PAPAS DU DIMANCHE Louis Becker, dir. Canal+ Composer COLOMBIANA Luc Besson, Pierre-Ange Le Pogam, prods. EuropaCorp / Tri Star Pictures Olivier Megaton, dir. Composer FINAL BALANCE Alain Benguigui, Jean-Jacques Neira, Hubert Sombrero Films Toint, prods. Composer Pierre Lacan, dir. JOSEPH ET LA FILLE Pierre Forette, Christine Gozlan, Thierry Thelma Films Wong, prods. Composer / Orchestrator Xavier De Choudens, dir. LE MAC Thomas Langmann, prod. Canal+ Pascal Bourdinaux, dir. Composer A SPOT OF BOTHER Yves Marmion, prod. UGC Alfred Lot, dir. Composer THE ASSASSIN NEXT DOOR Ehud Bleiberg, Edouard Douek, prods. Bleiberg Entertainment Danny Lerner, dir. Composer EYES WIDE OPEN Isabelle Attal, David C. -
View Full Catalog of Encoded Compatible Content
D-BOX HOME ENTERTAINEMENT IMMERSIVE EXPERIENCES (Hold the Ctrl keyboard key and press the F (Ctrl+F) to search for a specific movie) HaptiCode Release Date RECENTLY ADDED (Year-Month-Day) Star Wars: The Bad Batch - 1st Season EP11 2021-07-09 Black Widow 2021-07-09 Lupin 1st Season EP 6,7 2021-07-07 Loki 1st Season EP 4 2021-07-06 Ace Venture - When Nature Calls 2021-07-06 Ace Ventura - Pet Detective 2021-07-06 Star Wars: The Bad Batch - 1st Season EP10 2021-07-02 Lupin 1st Season EP 4,5 2021-06-30 Loki 1st Season EP 3 2021-06-29 Star Wars: The Bad Batch - 1st Season EP9 2021-06-25 Always 2021-06-23 Lupin 1st Season EP 2,3 2021-06-23 Loki 1st Season EP 2 2021-06-22 Jack Ryan - 2nd Season EP 7,8 2021-06-22 Star Wars: The Bad Batch - 1st Season EP8 2021-06-18 Astérix - The Mansion of the Gods 2021-06-17 Lupin 1st Season EP 1 2021-06-16 Wandavision 1st Season EP 9 2021-06-16 Loki 1st Season EP 1 2021-06-15 Jack Ryan - 2nd Season EP 5,6 2021-06-15 Star Wars: The Bad Batch - 1st Season EP7 2021-06-11 In the Heights 2021-06-11 Wandavision 1st Season EP 7,8 2021-06-09 Jack Ryan - 2nd Season EP 3,4 2021-06-08 Star Wars: The Bad Batch - 1st Season EP6 2021-04-06 Conjuring : The Devil Made Me Do It 2021-06-04 Wandavision 1st Season EP 5,6 2021-06-02 Jack Ryan - 2nd Season EP 1,2 2021-06-01 Star Wars: The Bad Batch - 1st Season EP5 2021-05-28 Cruella 2021-05-28 Star Wars: The Clone Wars S07 EP 9,10,11,12 2021-05-27 Wandavision 1st Season EP 3,4 2021-05-26 Get Him to the Greek 2021-05-25 Jack Ryan 1st Season EP 7,8 2021-05-25 Star Wars: The Bad Batch -
No. 1131 2020
The path to gender equality in Colombia: Are we there yet? By: Ana María Iregui-Bohórquez Ligia Alba Melo-Becerra María Teresa Ramírez-Giraldo Ana María Tribín-Uribe No. 1131 2020 Bogotá - Colombia - B ogotá - Bogotá - Colombia - Bogotá - Colombia - Bogotá - Colombia - Bogotá - Colombia - Bogotá - Colombia - Bogotá - Colombia The path to gender equality in Colombia: Are we there yet? The opinions contained in this document are the sole responsibility of the authors and do not commit Banco de la República nor its Board of Directors Ana María Iregui-Bohórquez. Ligia Alba Melo-Becerra. María Teresa Ramírez-Giraldo. Ana María Tribín-Uribe Abstract This document analyzes the historical process of women transformation in education, employment, fertility, civil rights and political participation in Colombia during the 20th century and the beginning of the 21st century. Four stages of this transformation were identified in this article. The first stage, from 1905 to 1935, was characterized by high fertility and maternal mortality rates, low enrollment rates in education, low labor participation and few civil and political rights. In the second stage, between 1936 and 1965, high fertility rates and low labor participation continued to be observed; however, enrollment in education increased, although it was still low. During this stage, women achieved the right to vote and the right to be elected. The third stage, between 1966 and 1985, stood out for the demographic transition, for a greater education of women and for an increase in their labor participation. In the fourth stage, from 1985 to the present, there is a significant increase in the enrollment of women in higher education, exceeding that of men. -
The Malleable Latina: the Construction of Hispanic Womanhood in Hollywood
IJURCA: International Journal of Undergraduate Research & Creative Activities Volume 13 Article 3 APRIL 11, 2020 The Malleable Latina: The Construction of Hispanic Womanhood in Hollywood Eliana Colletti Pace University, [email protected] Abstract This research studies how Latinas have been characterized in Hollywood movies and television in the past twenty years, questioning who is able to portray Hispanic women, who gets to be considered a Hispanic woman in Hollywood, and what productions look for when casting a “Latina” character. Data analysis includes analysis of films with Latinas as the central characters and the roles Hispanic women play in films. I aim to trace how the perception of Latinas has changed over the past twenty years in film and television in order to highlight the lack of diversity in films and television and to turn the spotlight onto the need for the creation of more realistic stories for Hispanic women. Keywords Latinas, Hollywood, Representation, Hispanic, Diversity Peer Review This work has undergone a double-blind review by a minimum of two faculty members from institutions of higher learning from around the world. The faculty reviewers have expertise in disciplines closely related to those represented by this work. If possible, the work was also reviewed by undergraduates in collaboration with the faculty reviewers. Acknowledgments Thank you so much to my professors, Dr. Emily Bent and Dr. Pamela J. Fuentes for all their support and assistance. If it weren’t for you, I wouldn’t have realized I had the ability to accomplish this. IJURCA | i | Colletti Introduction We need more in art and entertainment that is reflective of the world that we live in. -
Inter-American Court of Human Rights Case of the Pueblo Bello Massacre V. Colombia Judgment of January 31, 2006
Inter-American Court of Human Rights Case of the Pueblo Bello Massacre v. Colombia Judgment of January 31, 2006 (Merits, Reparations and Costs) In the Case of the Pueblo Bello Massacre , the Inter-American Court of Human Rights (hereinafter “the Inter-American Court” or “the Court”), composed of the following judges: Sergio García Ramírez, President Alirio Abreu Burelli, Vice President Oliver Jackman, Judge Antônio A. Cançado Trindade, Judge Cecilia Medina Quiroga, Judge Manuel E. Ventura Robles, Judge Diego García-Sayán, Judge, and Juan Carlos Esguerra Portocarrero, Judge ad hoc, also present, Pablo Saavedra Alessandri, Secretary, and Emilia Segares Rodríguez, Deputy Secretary; pursuant to Articles 62(3) and 63(1) of the American Convention on Human Rights (hereinafter “the Convention” or “the American Convention”) and with Articles 29, 31, 56 and 58 of the Rules of Procedure of the Court (hereinafter “the Rules of Procedure”), delivers the following judgment. I INTRODUCTION OF THE CASE 1. On March 23, 2004, in accordance with the provisions of Articles 50 and 61 of the American Convention, the Inter-American Commission on Human Rights (hereinafter “the Commission” or “the Inter-American Commission”) filed before the Court an application against the State of Colombia (hereinafter “the State” or “Colombia”), originating from petitions Nos. 10,566 and 11,748, received by the Secretariat of the Commission on February 12, 1990, and May 5, 1997, respectively. 2. The Commission lodged the application for the Court to decide whether the State had violated the rights embodied in Articles 4 (Right to Life), 5 (Right to Humane Treatment), 7 (Right to Personal Liberty) and 19 (Rights of the Child) in relation to the obligations established in Article 1(1) (Obligation to Respect Rights) thereof, to the detriment of the purported victims of the alleged massacre perpetrated in the village of Pueblo Bello, described in the application. -
Nathaniel Méchaly Composer
Nathaniel Méchaly Composer SWOON: Guldbaggen (Sweden) - Best Film Music Award 2020 Movie Music Uk Awards 2019 - Best Original Music For A Comedy Award THE AGE OF THE STATELESS: FIPA (France) – Best Score Award 2017 A PURE LIFE – UCMF Award 2016 (France) THE GRANDMASTER: Best Composer Award at the 8th Asian Film Festival Best Original Music Award at the 33rd Hong Kong Film Awards TAKEN 3: 1 BMI Award London & Los Angeles – Best Film Music 2014 TAKEN 2: 2 BMI Awards London & Los Angeles – Best Film Music 2013 TAKEN: 2 BMI Awards London & Los Angeles – Best Film Music 2009 Nathaniel Méchaly is now currently scoring the TV serie SHADOWPLAY directed by Måns Mårlind and Björn Stein, starring Taylor Kitsch and Michael C. Hall and the Chinese feature film THE HUNTING by Leo Zhang. In 2019, he scores the last Roschdy Zem’s feature PERSONA NON GRATA. In 2018, he signs the score of the first French documentary TV series produced by Netflix 13 NOVEMBRE directed by Jules and Gédéon Naudet. He also works with the director Madeleine Sackler to create the original score for her first feature film OG and composes the original music for the Sweden film SWOON directed by Måns Mårlind and Björn Stein. Recently he had a very full year with Farren Blackburn’s feature film SHUT IN and MIDNIGHT SUN a French-Swedish Tv Series with actress Leïla Bekthi aired on Canal+. After working on season 3 of KABOUL KITCHEN, he teams up again in 2017 with Wong Kar Wai on his latest film, SEE YOU TOMORROW. -
Video Windows Grosses MAJOR 3 25 16.Xlsx
THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 days 11/14/00 10 mo 13 days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 days 7/11/00 5 mo 20 days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 days 6/20/00 4 mo 16 days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 days 8/22/00 6 mo 11 days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 days 8/8/00 5 mo 14 days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 days 9/12/00 6 mo 2 days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 days 9/19/00 5 mo 19 days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 days 9/12/00 4 mo 29 days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 days 10/17/00 6 mo 3 days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 days 10/10/00 5 mo 12 days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 days 11/14/00 6 mo 2 days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 days 11/14/00 5 mo 19 days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 days 12/12/00 6 mo 3 days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 days 12/19/00 6 mo 10 days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 days 11/14/00 4 mo 29 days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 days 1/16/01 6 mo 9 days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 days 1212/00 5 mo 5 days 157 Disney Coyote Ugly 8/4/00 11/28/00 3