FOR IMMEDIATE RELEASE Flying Dog Movie Series to Feature “Dirty Dancing”

Total Page：16

File Type：pdf, Size：1020Kb

FOR IMMEDIATE RELEASE Flying Dog Movie Series to Feature “Dirty Dancing”

Media Contact: John Healey, Executive Theater Manager 301-600-2839 | [email protected] FOR IMMEDIATE RELEASE Flying Dog Movie Series to Feature “Dirty Dancing” FREDERICK, Md., Wednesday, January 16, 2018 — The Weinberg Center for the Arts’ popular Flying Dog Film Series will feature the 1987 hit “Dirty Dancing” on Wednesday, January 31 at 7:30pm. The cult classic features Jennifer Grey, Jerry Orbach, and Patrick Sawyze. The movie will follow a happy hour at 6:30pm. Tickets are $5-7 and may be purchased online at WeinbergCenter.org, by calling the Box Office at 301.600.2828, or in person at 20 West Patrick St. Discounts are available for students, children, military, and seniors. Frances “Baby” Houseman, a privileged daddy’s girl, spends the summer at a resort in upstate New York’s Catskill Mountains. Baby’s family expects her to go to college, join the Peace Corps, and marry a doctor. However, Baby becomes infatuated with the resort’s dance instructor, Johnny Castle, a man whose means are vastly different from her own. Baby and Johnny’s lives entangle when she fills in as his dance partner — their chemistry is undeniable and they fall in love, but everything crumbles when Baby’s parents find out. The film is rated PG-13 for sexuality and violence with a total runtime of 100 minutes. The Flying Dog Film Series is sponsored by Flying Dog Brewery. A complete listing of artists and performers scheduled for the 2017-2018 season can be found at WeinbergCenter.org. ABOUT THE WEINBERG CENTER FOR THE ARTS The Weinberg Center for the Arts is one of the region’s premier performing arts presenters, offering film, music, dance, theater, and family-focused programming. Located in the historic Tivoli movie theater in downtown Frederick, Md., the Weinberg Center strives to ensure that the arts remain accessible and affordable to local and regional audiences alike. Weinberg Center events are made possible with major support from the City of Frederick, the Maryland State Arts Council, Plamondon Hospitality Partners, and other corporate and individual donors. Photos available upon request. ### .

Copy Link

Recommended publications

FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected]
Contact: Tatiana Moton FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected] GLOBAL ICON MÝA RETURNS WITH BRAND NEW SINGLE CELEBRATING 20TH YEAR ANNIVERSARY MÝA ANNOUNCES THIRTEENTH ALBUM, ARRIVING 2018 Grammy-winning recording artist, Mýa, unveiled the release of her brand new single, from her highly anticipated upcoming 13th studio project. The global entertainer and humanitarian surprised eager fans by ushering in Valentine’s Day with a debut of her new music, once again breaking the mold with a sexy, sultry, soulful sound that is sparking scores of praise and raving fanfare. The new single, “You Got Me,” now available on all digital outlets worldwide, celebrates the 20th year anniversary of Mýa’s debut single, the Billboard chart- topping hit, “It’s All About Me,” featuring R&B singer, Sisqo. Released in 1998, it was the leading single on the self-titled, double platinum, debut album, Mýa, which would launch the then 18-year-old Mýa into the fabric of pop-culture. The celebrated singer, songwriter, producer, musician, dancer/choreographer, designer, actress, activist and philanthropist has electrified audiences over the years with world smash hits including, “It’s All About Me,” “Movin On,” “Ghetto Superstar,” “Take Me There,” “Case of the Ex,” “Best of Me,” “My Love Is Like Wo,” “Fallen” and more. Mýa’s impressive catalog of music includes her second double platinum album, Fear of Flying, released in 2000. In 2001, Mýa collaborated with Christina Aguilera, Lil’ Kim, P!nk and Missy Elliot on a remake of LaBelle’s “Lady Marmalade,” which is featured in Baz Luhrman’s “Moulin Rouge.” Selling over 5.5 million copies, it became the most successful airplay-only single in history, winning the Grammy Award for Best Pop Collaboration and garnering numerous awards.
[Show full text]
2015-16 Broadway Season Order Form Reserve Your Seats for the Broadway Season
2015-16 BROADWAY SEASON ORDER FORM RESERVE YOUR SEATS FOR THE BROADWAY SEASON 1. SELECT A SUBSCRIPTION PACKAGE 7 SHOW 7 SHOWS 7 SHOWS 9 SHOW PACKAGE + RIVERDANCE + JERSEY BOYS PACKAGE Dirty Dancing, Motown The Musical, Dirty Dancing, Motown The Musical, Dirty Dancing, Motown The Musical, Dirty Dancing, Motown The Musical, Newsies, Matilda The Musical, Newsies, Matilda The Musical, Newsies, Matilda The Musical, Newsies, Matilda The Musical, Cabaret, The Sound of Music, Cabaret, The Sound of Music, Cabaret, The Sound of Music, Cabaret, The Sound of Music, The Bridges of Madison County The Bridges of Madison County, The Bridges of Madison County, The Bridges of Madison County, Riverdance Jersey Boys Jersey Boys, Riverdance NUMBER OF TICKETS: 2. CHOOSE PERFORMANCE TIME Tuesday 7:30pm Thursday 7:30pm Saturday 2:00pm Sunday 1:00pm Wednesday 7:30pm Friday 8:00pm Saturday 8:00pm Sunday 6:30pm 3. CHOOSE YOUR PRICE LEVEL STAGE orchestra pit AA STAGE AA BB BB SELECT 7 SHOW 7 SHOW 7 SHOW 9 SHOW CC CC PRICE LEVEL PACKAGE +RIVERDANCE +JERSEY BOYS PACKAGE A PREMIUM* $605 $690 $690 $775 LEVEL 1 $605 $690 $690 $775 K L SOUND BOARD LEVEL 2 $525 $600 $610 $685 Q R LEVEL 3 $455 $520 $530 $595 V W, X FOUNDER’S CIRCLE LEVEL 4 $385 $440 $450 $505 A D E SKY $180 $205 $235 $260 G H, J *With give a gift of $250 or more you will have access to all the great Peacekeeper benefits, plus Premium Orchestra seating! BALCONY A, B C 4. CHOOSE YOUR LOCATION G H Orchestra Founder’s Circle Balcony K SEATING REQUESTS Close to the aisle seating Notes: Close to the center seating Accessible seating Please call me to discuss my subscription.
[Show full text]
CFP: Gender in the Golden 80S (Film & History Conference 6
H-Amstdy CFP: Gender in the Golden 80s (Film & History conference 6/1/14; 10/29/14) Discussion published by Laura M. D'Amore on Monday, April 14, 2014 The 1980s is its own “golden age” of film when considering the idea/ls of gender contained within its borders. The era indulged representations of high-testosterone masculinity (such as Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis) and vulnerable femininity (such as Molly Ringwald and Ally Sheedy). And, while films of the decade were also capable of imagining men who were strong and sensitive (like Eric Stoltz in Some Kind of Wonderful, Rob Lowe in About Last Night, and Judd Nelson in The Breakfast Club), there were far fewer roles for women that broke from stereotypically feminized characterizations (like Linda Hamilton inTerminator , Lea Thompson in Back to the Future, and Demi Moore in St. Elmo’s Fire). What can an examination of gender roles in the films of the 1980s tell us about a decade that was fraught with a crisis of identity, simultaneously proud and insecure The( Outsiders, Dirty Dancing, Less Than Zero), strong and vulnerable (War Games, Red Dawn) real and imagined (Robocop, Predator)? How might we interrogate gender in American films of the 1980s, in order to better understand the ironies and anxieties contained within them? Possible paper topics include, but are not limited to the following topics as embodied in 1980s films: Representations of masculinity and femininity in film and television Character/izations that disrupt gender norms The relationship between gender and culture, i.e. politics, economy, the Cold War, post- industrialization Gendered tensions between characters, actors, filmmakers, etc.
[Show full text]
The Elusive Utopian Vision in Dance Films
2015 HAWAII UNIVERSITY INTERNATIONAL CONFERENCES ARTS, HUMANITIES, SOCIAL SCIENCES & EDUCATION JANUARY 03 - 06, 2015 ALA MOANA HOTEL, HONOLULU, HAWAII THE ELUSIVE UTOPIAN VISION IN DANCE FILMS WOO, MISEONG YONSEI UNIVERSITY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE Dr. Miseong Woo Dept. of English Language & Literature Yonsei University, South Korea. The Elusive Utopian Vision in Dance Films Synopsis: This paper is an attempt to analyze dominant patterns embedded in the dance films as a genre different from musicals and music videos. I attempt to read the optimistic closure of the narrative in dance movies made in Hollywood between the 1970s to the 2010s as a utopian vision derived from Western art and body philosophy. THE ELUSIVE UTOPIAN VISION IN DANCE FILMS Miseong Woo Associate Professor in Department of English, Yonsei University (Seoul, South Korea) [email protected] Hawaii University International Conference Jan.3-6, 2015, Honolulu, Hawaii Conference Presentation Paper The Elusive Utopian Vision in Dance Films Miseong Woo (Yonsei University) Why bother to analyze and find meaning when everyone knows dance films are meant for sheer entertainment? As Robin Wood pointed out, “genre cinema today—deprived of the sustaining base of the star/studio system, replaced by a set of businessmen sitting around a conference table asking ‘Well, what made the most money last year?’ and constructing a ‘package’ resembling it as closely as possible but going a little further—obviously survives only in an extremely debased and impoverished form” (310) 1 . From the audience’s perspective, the viewing pleasure of watching the dance movies is similar to watching music videos but with more developed dramatic stories that offer voyeuristic pleasure.
[Show full text]
What Does Patrick Swayze Know About Fetal Arrhythmias? by Dr Alison Chu MD, Editorial Fellow, Neoreviews
What does Patrick Swayze know about fetal arrhythmias? by Dr Alison Chu MD, Editorial Fellow, NeoReviews Figure 1. The 1987 romantic drama Dirty Dancing made for just $6 million, went on to gross $214 million worldwide and was the first film to sell over 1 million copies on video. Last week, I auscultated an adult for the first time since I graduated from medical school in 2007. It was awkward, and eerily reminiscent of that scene in the 1987 film " Dirty Dancing" where Patrick Swayze is trying to teach Jennifer Grey how to feel the rhythm of her heart beat (minus Jennifer's white Keds ® and Patrick's hair). I was attending in the newborn nursery, and we were evaluating one of the neonates for an arrhythmia. When the mother had come in for a scheduled Cesarean section and they had placed the baby on monitors, they had detected an irregular tachycardic fetal heartbeat. After delivery, and after lab work, an echocardiogram, an EKG, and 24-hour Holter monitoring, we had diagnosed the infant with a ventricular tachycardia. We were preparing to discharge the infant home with a very scared set of parents, with instructions from the pediatric cardiology team to check the baby's heart rate twice a day. I was trying to teach the father how to auscultate and count the baby's heart rate, and as the infant's heartbeat was so irregular and fast, I thought it would be easier to teach the father first on his own heartbeat. The father and mother were scared and on the verge of tears, worried that if they couldn't figure out how to take their newborn son's heartbeat, the baby might be in serious life-threatening danger.
[Show full text]
Dance Films - Movies - Some Examples
Dance Films - Movies - Some examples Hip Hop/Street Ballroom Ballet Saturday Night Fever Wild Style The King and I The Red Shoes Staying Alive Beat Street The Story of Vernon and The Tales of Hoffmann Flashdance Body Rock Irene Castle Black Swan Dirty Dancing Breakin' Roseland An American in Paris Fame Breakin' 2: Electric Strictly Ballroom Suspiria Dance Academy Boogaloo Shall We Dance The Turning Point Funny Face Fast Forward Dance with Me White Nights West Side Story Save the Last Dance Dance with the Wind Dancers Grease Honey Mad Hot Ballroom Billy Elliot Center Stage You Got Served Marilyn Hotchkiss Center Stage Footloose Rize Innocent Steps Save the Last Dance Burlesqe Roll Bounce Take the Lead Dracula: American In paris Save the Last Dance 2 Wishing Stairs Shall We Dance Step Up Flying Boys Singin' in the Rain Take the Lead Tango Dancing with Time Oh... Rosalinda!! Break Out Ballet Shoes Breaking Feel the Noise The Tango Lesson Center Stage: Turn It Up Girls Just want to have fun Planet B-Boy Tango (1998) (2008) Fledermaus Stomp the Yard The Tango Bar 'Center Stage' [2000] Spanish dancers How She Move Assassination Tango Mao's Last Dancer All That Jazz B-Girl Dance Subaru! Mary poppins Make It Happen Black Swan Hairspray Step Up 2: The Streets Swing Tutu Much Dance Flick Dance Academy Tap Step Up 3D With the Whiteys Lindy Bunheads Sing Stomp the Yard 2: Hoppers First Position Flamenco Homecoming Hellzapoppin' by Henry C. The King is Dancing StreetDance 3D (2010) Potter Save the Last Dance Boogie Town A Day at the Races by Dirty Dancing: Havana Nights Honey 2 Sam Wood Step Up You Got Served: Make It Happen StreetDance 2 The Jungle Book Battlefield America Pina Step Up Revolution Love n' Dancing Battle Of The Year Turn the Beat Around Step Up: All In The War Zone 3D Jig (Irish Dancers competing in Glasgow) Footloose Strictly Irish Dance I'll Take My Chances Frances Ha Magic Mike The Big Jig Underground Make a Move Magic Mike XXL Pop In Q .
[Show full text]
Everything Began with the Movie Moulin Rouge (2001)
Introduction Everything began with the movie Moulin Rouge (2001). Since I was so obsessed with this hit film, I couldn’t but want to know more about this particular genre - musical films. Then I started to trace the history of this genre back to Hollywood’s classical musical films. It’s interesting that musical films have undergone several revivals and are usually regarded as the products of escapism. Watching those protagonists singing and dancing happily, the audience can daydream freely and forget about the cruel reality. What are the aesthetic artifices of this genre so enchanting that it always catches the eye of audience generation after generation? What kinds of ideal life do these musical films try to depict? Do they (musical films) merely escape from reality or, as a matter of fact, implicitly criticize the society? In regard to the musical films produced by Hollywood, what do they reflect the contemporary social, political or economic situations? To investigate these aspects, I start my research project on the Hollywood musical film genre from the 1950s (its Classical Period) to 2002. However, some people might wonder that among all those Hollywood movies, what is so special about the musical films that makes them distinguish from the other types of movies? On the one hand, the musical film genre indeed has several important contributions to the Hollywood industry, and its influence never wanes even until today. In need of specialty for musical film production, many talented professional dancers and singers thus get the chances to join in Hollywood and prove themselves as great actors (actresses), too.
[Show full text]
Bank of America Presents the 2015-16 Broadway in Fort Lauderdale Six Musical Subscription Series at the Broward Center for the Performing Arts
EMBARGO UNTIL FEBRUARY 15, 2015 Contacts: Charlie Cinnamon 305.672.1324 Charlotte Vermaak 954.626.7821 BANK OF AMERICA PRESENTS THE 2015-16 BROADWAY IN FORT LAUDERDALE SIX MUSICAL SUBSCRIPTION SERIES AT THE BROWARD CENTER FOR THE PERFORMING ARTS Fort Lauderdale, Fl. – February 15, 2015 – Continuing its reputation as one of the nation’s most successful theatrical houses, the Broward Center for the Performing Arts announces that the six-time Tony Award-Winner “Kinky Boots” along with the two-time Tony Award-winner “Beautiful – The Carole King Musical” will be among the six musical Broadway hits of the 2015-16 subscription series. The series is presented by Bank of America in partnership with Broadway Across America and the Broward Center for the Performing Arts in association with Florida Theatrical Association. Rounding out the season will be “Once,” Disney’s “Newsies,” “Dr. Seuss’ How The Grinch Stole Christmas” and “Dirty Dancing - The Classic Story On Stage”. Broadway Across America Season Ticket Holders receive exclusive benefits including: • SEAT LOCATIONS: Same seat locations for all six season shows. • SPECIALIZED SERVICES – Flexibility on ticket exchanges and Lost Ticket Replacement. • PRIORITY PURCHASE OPTIONS - including additional tickets for all season shows and season “add- ons” prior to the general public • ON-LINE UPGRADES – a new benefit for season ticket holders! Season tickets for the 2015-2016 Bank of America Broadway in Fort Lauderdale six-show package are currently available and range from $199 - $597. For faster service, those interested in renewing or purchasing new season tickets can visit BroadwayInFortLauderdale.com. Subscribers may also call the Season Ticket Hotline at 800.764.0700.
[Show full text]
Build a Be4er Neplix, Win a Million Dollars?
Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept.
[Show full text]
Class of 1990 25Th Reunion Yearbook
Class of 1990 th 25 Reunion BRANDEIS UNIVERSITY 25th Reunion Special Thanks On behalf of the Institutional Advancement Division, we would like to thank the members of the Class of 1990 Reunion Committee Michael I. Kanovitz, Co-chair Steven H. Levine, Co-chair Andrew M. Zeitlin, Co-chair Darin J. Correll, Yearbook Coordinator Adrienne A. Waterston, Yearbook Coordinator Jason A. Advocate Melissa Benenfeld-Merovitz Stella A. Levy Cohen Miri Abrams Forster Ilene Judith Parish Gershen Jonathan S. Gershen, Lyla A. Naseem Gleason Marni Smith Katz Susan E. Loeb-Zeitlin Judy Cashman Magram Eric S. Mulkowsky Paul Ruggerio Namaste Daniel B. Ramer Wendy L. Shlensky Julie B. Smith-Bartoloni Class of 1990 Timeline World News Pop Culture Supernova is observed, the fi rst “naked-eye” Academy Award, Best Picture: Platoon supernova since 1604. Fox Broadcasting Co. makes its e Nazi war criminal Klaus Barbie (Butcher prime-time TV debut. of Lyon)is found guilty of crimes against Rock and Roll Hall of Fame inducts humanity. Aretha Franklin as fi rst female artist. William Buckley, American hostage in Lebanon, reported slain. Iraqi missiles kill 37 in attack on U.S. frigate Stark in Persian Gulf; Iraqi president Hussein apologizes. e world’s population reaches fi ve billion. e fi rst criminal is convicted by using DNA evidence in England. Movies Fatal Attraction Beverly Hills Cop II US News e Untouchables AZT wins FDA approval for use in the treatment of AIDS. Lethal Weapon U.S. Stock Market crashes on October Dirty Dancing 19 with a 22.6% point drop. RoboCop Admiral John M.
[Show full text]
Motown the Musical to Be Featured on Lifetime® Television’S “The Balancing Act®”
FOR IMMEDIATE RELEASE August 4, 2014 PRESS CONTACT Molly Sommerhalder Marcus Center Phone: 414-273-7121 ext. 399 Email: [email protected] MOTOWN THE MUSICAL TO BE FEATURED ON LIFETIME® TELEVISION’S “THE BALANCING ACT®” Six-part miniseries will take viewers behind-the-scenes of some of the most beloved Broadway Musicals Broadway Across America has announced that MotoWn the Musical will be featured on Lifetime® Television’s award-winning morning show “The Balancing Act®” as part of the six part series “Broadway Balances America.” MotoWn the Musical is being presented at the Marcus Center for the Performing Arts as part of the 2014/2015 BMO Harris Bank Broadway at the Marcus Center Series from July 7 to 12, 2015. Season subscriptions are available at the Marcus Center Box Office or by visiting MarcusCenter.org. The MotoWn the Musical “Broadway Balances America” segment will air on “The Balancing Act®” on November 8 & 25. [Segment air dates: Annie, Aug. 12 & 19/ Dirty Dancing, September 9 & 16, Pippin, October 29 & November 5, Disney’s NeWsies, November 6 & 13, MotoWn the Musical, November 8 & 25). “Broadway Balances America” will provide exclusive behind-the-scenes excerpts and interviews with MotoWn the Musical casts, creatives and crews, even experiencing what it’s like to dance in their shoes. Host Olga Villaverde had the time of her life when she traveled to Orlando and danced with “Johnny Castle,” the star of Dirty Dancing. She even learned the iconic leap that stole people’s hearts in the original movie classic. Balancing Act correspondent Amber Milt hit the boards on Broadway for a unique look at Motown The Musical, Disney’s Newsies, Annie and Pippin.
[Show full text]
Nfl Celebrates Touchdown Celebrations in Super Bowl Lii Commercial
FOR IMMEDIATE RELEASE 02/04/18 NFL CELEBRATES TOUCHDOWN CELEBRATIONS IN SUPER BOWL LII COMMERCIAL Eli Manning and Odell Beckham Jr. Have the Time of Their Lives The NFL will premiere its new TV commercial starring Eli Manning and Odell Beckham Jr. after the third quarter of Super Bowl LII on Sunday, February 4. While the world is focused on two teams in the big game, the spot sheds light on what the other 30 teams are up to by providing an inside look at one team: the New York Giants. The commercial is set in the Giants practice facility where Manning and Beckham Jr. are practicing passing routes. They ultimately celebrate a touchdown by recreating the iconic dance scene from the 1987 hit movie “Dirty Dancing,” which starred Patrick Swayze and Jennifer Grey, to the theme song “(I've Had) the Time of My Life” sung by Bill Medley and Jennifer Warnes. Both players are joined on-the-field by their offensive linemen – Brett Jones, John Greco, Chad Wheeler, D.J. Fluker, and John Jerry – who serve as the duo’s backup dancers. Watching from the sideline, safety Landon Collins delivers the memorable line, “Let Them Dance.” Choreographed by Stephanie Klemons from the Tony Award-winning musical, “Hamilton,” the touchdown celebration culminates with Beckham sprinting toward Manning in slow motion as Beckham soars into the air for the perfect cinematic catch, mirroring the movie’s climactic scene. The spot ends with the tagline: “To all the touchdowns to come,” acknowledging the fun and personality that players have not only brought to their celebrations this year, but also for seasons to come.
[Show full text]