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Carmen Miranda: Ein Bio-Biblio-filmografisches Dossier 2020
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Carmen Miranda: Ein bio-biblio-filmografisches Dossier 2020 https://doi.org/10.25969/mediarep/13565 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Carmen Miranda: Ein bio-biblio-filmografisches Dossier. Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 191). DOI: https://doi.org/10.25969/mediarep/13565. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0191_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 191, 2020: Carmen Miranda. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0191_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 25.02.2020. Carmen Miranda: Ein bio-biblio-filmographisches Dossier Zusammengestellt v. Hans J. Wulff Inhalt: 1. Die Frau mit dem Tutti-Frutti-Hut. Carmen Miranda – Showstar und Brazilian Icon [1] 2. Bibliographie [6] 3. Filmographie [18] 4. Diversa [26] 1. Die Frau mit dem Tutti-Frutti-Hut. Carmen Miranda – Showstar und Brazilian Icon Carmen Miranda * 9.2.1909 in Várzea da Ovelha e Aliviada, concelho [Kreis] de Marco de Canaveses, Portugal † 5.8.1955 in Beverly Hills, USA eigentlich: Maria do Carmo Miranda da Cunha Carmen Miranda wurde als zweites von sechs Kindern von José Maria Pinto da Cunha und Maria Emilia Miranda (da Cunha) in Portugal geboren, Jedoch zog die Familie nach Brasili- en, noch bevor Carmen ein Jahr alt war, und ließ sich in Rio de Janeiro nieder. -
November 1942–February 1943
Chapter 3 November 1942–February 1943 November 1, 1942 Dear Ray, I received your letter and also the check. I sure do appreciate the money and I will pay you every cent when I come back from the furlough. I am trying to get it at the end of this month but they haven’t told me if it was ok yet. They are letting twenty-five at a time go. The first bunch came back today and the second twenty- five leave tomorrow. I will probably be one of the third twenty-five, I hope. I told Mom I was coming, Ray, so she ought to be glad. She was always asking when they were going to give me a furlough and now they are going to. The way I have it figured out, it will take me about four days to get home, stay about seven and four days back. That will be my full fifteen days. I received the magazine you sent and I must say you look pretty good alongside the bishop and with that trophy, too. Boy, you must be doing an awful lot for those kids in your parish. I hope they appreciate all that you are doing for them. Eddie training in the desert–October 1942. 1 Well, Ray, we are getting ready to leave the desert. They tell us we will be sent out of here by the fifteenth of this month and then back to Camp Cooke. It sure will be great to get back to camp. I am having some pictures developed and I will bring them home or mail them to either you or home. -
O Rio De Janeiro De Carmen Miranda: O Poder De Influência Do Cinema Na Construção Da Imagem Turística Da Cidade
UNIVERSIDADE FEDERAL FLUMINENSE FACULDADE DE TURISMO E HOTELARIA CURSO DE TURISMO GLAUCIA GALVÃO PEREIRA DE SOUZA O RIO DE JANEIRO DE CARMEN MIRANDA: O PODER DE INFLUÊNCIA DO CINEMA NA CONSTRUÇÃO DA IMAGEM TURÍSTICA DA CIDADE NITERÓI 2016 GLAUCIA GALVÃO PEREIRA DE SOUZA O RIO DE JANEIRO DE CARMEN MIRANDA: O PODER DE INFLUÊNCIA DO CINEMA NA CONSTRUÇÃO DA IMAGEM TURÍSTICA DA CIDADE Trabalho de Conclusão de Curso apresentado ao Curso de Graduação em Turismo da Universidade Federal Fluminense como requisito parcial para obtenção do título de Bacharel em Turismo. Orientador: Prof. Dr. Ari da Silva Fonseca Filho. NITERÓI 2016 Ficha Catalográfica elaborada pela Biblioteca Central do Gragoatá S729 Souza, Glaucia Galvão Pereira de. O Rio de Janeiro de Carmen Miranda : o poder de influência do cinema na construção da imagem turística da cidade / Glaucia Galvão Pereira de Souza. – 2016. 158 f. : il. Orientador: Ari da Silva Fonseca Filho. Trabalho de Conclusão de Curso (Graduação em Turismo) – Universidade Federal Fluminense, Faculdade de Turismo e Hotelaria, 2016. Bibliografia: f. 150-158. 1. Miranda, Carmen, 1909-1955. 2. Cinema. 3. Estereótipo. 4. Imagem. 5. Rio de Janeiro (RJ). 6. Turismo. I. Fonseca Filho, Ari da Silva. II. Universidade Federal Fluminense. Faculdade de Turismo e Hotelaria. III. Título. O RIO DE JANEIRO DE CARMEN MIRANDA: O PODER DE INFLUÊNCIA DO CINEMA NA CONSTRUÇÃO DA IMAGEM TURÍSTICA DA CIDADE Por GLAUCIA GALVÃO PEREIRA DE SOUZA Trabalho de Conclusão de Curso apresentado ao Curso de Graduação em Turismo da Universidade Federal Fluminense como requisito parcial para obtenção do título de Bacharel em Turismo. Orientador: Prof. -
Pg2.015 Vc Portuguese Films
UW-Madison Learning Support Services May 7, 2019 Van Hise Hall - Room 274 SET CALL NUMBER: PG2.015 VC PORTUGUESE FILMS ON VIDEO (Various distributors, 1986-89) TYPE OF PROGRAM: Portuguese culture and civilization: feature film DESCRIPTION: Popular & classic films either produced in the Portuguese language, or about a Portuguese or Brazilian subject. Most have English subtitles. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours to preview them or show them in class. AUDIENCE: Any; Portuguese is needed for films not subtitled FORMAT: VHS; NTSC CONTENTS CALL NUMBER 5x Favela agora por nos mesmos PG2.015.123 Brazil. 2010. DVD. Color. In Portuguese w/English subtitles. 99 min. Drama. Directed by Carlos Diegues, Renata de Almeida Magalhaes. O Aleijadinho : paixão, glória e suplío PG2.015.107 Brazil. 2000. DVD, requires region free player. In Portuguese w/English subtitles. Directed by Geraldo Santos Pereira. 100 min. An historian’s search for the daughter-in-law of Antonio Francisco Lisboa opens this dramatization of the life of the Brazilian sculptor and architect known as Aleijadihno. All Nudity Shall be Punished PG2.015.079 Almost Brothers PG2.015.106 Brazil. 2004. DVD. 102 min. Color. In Portuguese w/English subtitles. Directed by Lucia Murat. Look at the class struggle in Brazil over a period of four decades is told through the closely linked yet fatally divided lives of Miguel, a middle-class white rebel, and Jorge, his black childhood friend. Amores (Loves) PG2.015.058 Brazil. 1998. DVD. 95 min. Color. -
Soldiers' Stories: Military Women in Cinema and Television Since World
SoldierS’ StorieS Yvonne Tasker SoldierS’ StorieS Military WoMen in CineMa and television sinCe World War ii Duke University Press Durham and London 2011 © 2011 Duke University Press All rights reserved. Printed in the United States of America on acid- free paper ♾ Designed by Heather Hensley Typeset in Warnock Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. In memory of Elspeth Snodgrass, 1964–2003 Contents List of Figures ix Acknowledgments xiii A Provocative Presence: Military Women in Visual Culture 1 Part one 19 1. Auxiliary Military Women 23 2. Invisible Soldiers: Representing Military Nursing 71 Part two 111 3. Musical Military Women 115 4. Women on Top: Comedy, Hierarchy, and the Military Woman 139 5. Military Women and Service Comedy: M*A*S*H and Private Benjamin 173 Part three 201 6. Controversy, Celebration, and Scandal: Military Women in the News Media 205 7. Conflict over Combat: Training and Testing Military Women 235 8. Scandalous Stories: Military Women as Victims, Avengers, and Investigators 255 Afterword 277 Notes 281 Bibliography 301 Index 309 Figures 1. Recruitment ad for the WRAF (1953) 2 2. Life magazine (August 1941) circulates the image of British military women for American audiences. 7 3. In Marine Raiders (1944) military women are pictured disrupting the frame and the expectations of male Marines. 8 4. A recruitment ad for the British Army 11 5. Both patriotic endeavor and gender inclusion are central to this recruitment poster (1943). 14 6. Beverley Pick’s ATS poster emphasizes women in a vital and modern military role. -
United Service Organizations - Wikipedia
12/17/2017 United Service Organizations - Wikipedia United Service Organizations The United Service Organizations Inc. (USO) is a nonprofit organization that provides live entertainment, such as comedians and The United Service musicians, and other programs to members of the United States Armed Forces and their families. Since 1941, it has worked in partnership with the Organizations Department of Defense (DoD), relying heavily on private contributions and on funds, goods, and services from various corporate and individual donors. Although it is congressionally-chartered, it is not a government agency. During World War II, the USO became the GI's "home away from home" and began a tradition of entertaining the troops that continues today. Involvement in the USO was one of the many ways in which the nation had come together to support the war effort, with nearly 1.5 million people Founded February 4, [1] having volunteered their services in some way. After it was disbanded in 1941 1947, it was revived in 1950 for the Korean War, after which it also provided peacetime services. During the Vietnam War, USOs were Type Services sometimes located in combat zones. Focus The USO The organization became particularly famous for its live performances, strengthens called Camp Shows, through which the entertainment industry helped boost the morale of its servicemen and women. Hollywood in general was America’s eager to show its patriotism, and many famous celebrities joined the ranks military of USO entertainers. They entertained in military bases at home and overseas, sometimes placing their own lives in danger, by traveling or service performing under hazardous conditions. -
Universal Blu-Ray
The Fastest Growing DVD, CD and Blu-ray Retail Catalog Connecting Content with Consumers Volume 8 Issue 22 industry Icon Questar Entertainment joins the AV Entertainment Collection this week and we're pleased to offer their first wave of Holiday titles and classic collections. Fox Cinema adds to their repertoire with Laurel & Hardy, Raquel Welch and Jack Benny, more titles for the collecting consumers. Look also below at the fresh from its theatrical run, "The New Romantic" from The Orchard, available exclusively to AV Retailers. It's a full week of title expansion in all genres and decades from Major Studios, Networks and Independents, enjoy! Happy Retailing! Richard Skillman Vice President Allied Vaughn [email protected] http://www.alliedvaughn.com AV Entertainment Studio Brochure AV Entertainment Gallery Title Library AV Entertainment Newsletter Archives FOX Cinema Remasters the Classics for Holiday Retailers 11/06/2018 024543586135 Dead Men Tell DVD-5 1941 DEAD MEN TELL is a Charlie Chan mystery centering on a treasure hunt for $60 million. The humble detective investigates the death of an eccentric old woman who was murdered just before she was to set out on a schooner to find a hidden family treasure. Chan decides the woman died of fright, brought on by one of her enemies posing as a ghost. Chan continues on with the treasure hunt, while his Number Two Son Jimmy stays at harbor seeking suspects. Sidney Toler; Sheila Ryan; Robert Weldon 11/06/2018 024543586173 Charley's Aunt DVD-5 1941 In this comedic Jack Benny film, three Oxford undergraduate roommates scheme to find a way to date two closely watched young ladies. -
Musicals / Dance Films Are Cinematic Forms That Emphasize And
Musicals / Dance Films are cinematic forms that emphasize and showcase full-scale song and dance routines in a significant way (usually with a musical or dance performance as part of the film narrative, or as an unrealistic "eruption" within the film). Or they are films that are centered on combinations of music, dance, song or choreography. In traditional musicals, cast members are ones who sing. Musicals highlight various musical artists or dancing stars, with lyrics that support the story line, often with an alternative, escapist vision of reality - a search for love, success, wealth, and popularity. This genre has been considered the most escapist of all major film genres. Tremendous film choreography and orchestration often enhances musical numbers. See this site's extensive compilation of the Greatest Musical Song/Dance Movie Moments and Scenes (illustrated) Introduction: With the coming of talking motion pictures, the musical film genre emerged from its roots: stage musicals and operettas, revues, cabaret, musical comedy, music halls and vaudeville. They were the last of the major film genres, because they were dependent on sound captured on film. (How could a movie be "all-singing, all-dancing" without sound?) Musicals are often described as Broadway on film, although many other forms of musicals have been made (e.g., rock 'n' roll movies and disco/dance films). Recently, animated films (with musical soundtracks, such as Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994), and Tarzan (1999)) have emerged as one of the major musical forms, and many of them have won Best Original Song Oscars. -
Jascha Heifetz Collection ARS.0046
http://oac.cdlib.org/findaid/ark:/13030/c80k2gqb No online items Guide to the Jascha Heifetz Collection ARS.0046 Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound 2011 [email protected] URL: http://library.stanford.edu/ars Guide to the Jascha Heifetz Collection ARS.0046 1 ARS.0046 Language of Material: English Contributing Institution: Archive of Recorded Sound Title: Jascha Heifetz Collection creator: Pfeiffer, John Identifier/Call Number: ARS.0046 Physical Description: 27 box(es)22 boxes of 10" and 12" sound discs; 5 boxes of 12" open reel tapes Date (inclusive): 1911-1972 Abstract: The collection contains primarily sound recordings of performances of Jascha Heifetz, but it also includes recordings of other artists, some of whom were collaborators with Heifetz, as well as one recording of his teacher, Leopold Auer. There are 924 recordings on 10" and 12" sound discs, including test pressings, instantaneous discs and commercially released records. Most of the discs are 78 rpm recordings, but there are also a few 33 1/2 rpm 12" discs. In addition to audio discs, the collection contains 88 recordings on magnetic tape which consist of 1/4" tape on 10" reels. 61 of the tapes were made between December 14, 1954 and November 21, 1972. 27 of the tapes are undated. The collection also includes a computer-generated inventory of the collection prepared by the donor. Language of Material: English, French, German, Spanish, Hungarian, Arabic, Italian, Japanese Stanford Archive of Recorded Sound Stanford University Libraries Stanford, California 94305-3076 Arrangement The recordings are arranged in three series: Series 1: 10" discs; Series 2: 12" discs; Series 3: Open Reel Tapes. -
The Hollywood Victory Committee BOND SELLING
Actors Equity Association American Federation of Radio Artists American Guild of Musical Artists, Inc. American Guild of Variety Artists American Society of Composers, Authors and Publishers Artists' Managers Guild Association of Motion Picture Producers, Inc. S INCE the Hollywood Victory Committee BOND SELLING .. in six war loan drives was organized on Dec. 10, 1941, three days THE activities summarized in 233 Victory Committee volunteers have made Hollywood Writers Mobilization after Pearl Harbor, 3564 performers-the stars extended tours for the Treasury Department, this report are the result of a and featured players of screen and radio, con others have taken part in 214 broadcasts, 93 mobilization of forces through Independent Motion Picture cert artists, celebrities of stage ad night clubs, transcriptions, and 527 individual personal ap Producers Association variety artists-have traveled an estimated pearances. out Hollywood's entertainment 4,000,000 miles to make 37,979 free appear PATRIOTIC BROADCASTS . .. one hundred Independent Publicists Association ances. They have served the armed forces, industry, to the end that all ma broadcasts and transcriptions have been made government agencies, war relief and charity for the Co-ordinator of Inter-American Affairs, jor organizations and their mem Public Information Committee and our allies in 5680 events, with an average of the Motion Picture Industry 317 for OWI and other government agencies, bers might best contribute to the of 35 players appearing every day. [In the 116 for charity. Victory Committee's third year they have total effect of free appearances Motion Picture Producers stepped up the average to 48 appearances a AID FOR CANADA .