10 Year Anniversary
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Robert Hunter (Huntersbx) on Twitter
Robert Hunter (HunterSBX) on Twitter http://twitter.com/ Twitter Search Home Profile Messages Who To Follow AliaK Settings Help Switch to Old Twitter Sign out New Tweet Robert Hunter @HunterSBX Perth Western Australia Rapper, a parent to a Son named Marley. A cancer patient. That's what I am. Message Following Unfollow Timeline Favorites Following Followers Lists » HunterSBX Robert Hunter @ @I_Am_Simplex Kirks massive BBQ bonananza! Was just Trials, Daz, Kirk, me, a digital 1 of 134 20/04/11 1:50 PM Robert Hunter (HunterSBX) on Twitter http://twitter.com/ camera, 3 cartons of Pale. 21 minutes ago Favorite Retweet Reply » HunterSBX Robert Hunter @ @funkoars the confusion of being in a photo within a photo of your own penis is something that will always confuse me. #scaredofthedick 26 minutes ago Favorite Retweet Reply » HunterSBX Robert Hunter I didn't make, fund, or have anything to do with said Doco, I just consented to them following me around. I am honored that they did but. 31 minutes ago Favorite Retweet Reply » HunterSBX Robert Hunter @ @funkoars yeh no shit hey! That's an integral part of the whole picture! Hahah! I'm just glad they don't have too much footage of my penis 33 minutes ago Favorite Retweet Reply » HunterSBX Robert Hunter Check this video out -- Hunter: The Documentary (short teaser) youtube.com/watch?v=LVNc8b… via @youtube <~~ pretty strange feeling. 1 hour ago Unfavorite Undo Retweet Reply » HunterSBX Robert Hunter Exclusive: Drapht''s "Sing It (The Life of Riley)" music video - NovaFM Videos novafm.com.au/video_exclusiv… <-- good shit! 1 hour ago Favorite Retweet Reply » HunterSBX Robert Hunter Turned on the computer and lost all inspiration to write... -
MC Trey: the 'Feline Force' of Australian Hip Hop Tony Mitchell
ARTIST PROFILE MC Trey: The ‘Feline Force’ of Australian Hip Hop Tony Mitchell A Hip Hop Role Model Fijian-Australian MC Trey, aka Thelma Thomas, is arguably Australia’s leading female MC, who has begun to receive prominent mainstream media coverage for her Pacific Islander style, dynamic live performances, distinctively street-wise and musically diverse recordings, and her hip hop workshops. Described by Andrew Drever in the Sydney Morning Herald as ‘one of Australian hip hop’s true role models,’1 to date she has released two acclaimed mini-albums, the ten-track Daily Affirmations (2000)—described as a ‘landmark for the Australian hip hop scene’ and album of the week in Sydney street mag Revolver2—and the eight-track Tapastry Tunes (2003), described by George Palathingal in the Sydney Morning Herald’s ‘Metro’ as ‘[d]emonstrating potentially the biggest leap forward for Australian hip hop.’3 Trey (initially an anagram for ‘The Rhymin’ Edifying Young’un’) has also contributed tracks to numerous Australian hip hop compilations, most notably the all-woman First Words (2000), released on Sydney-based label Mother Tongues, described by label founder Heidi Pasqual as ‘the first label in the world dedicated to the development of Women in Hip Hop Music.’ On the US release Best of International Hip Hop (Hip-O Universal, 2000) she represents Australia with her ‘melodic, realistic, personal, political, positive’ MC style, alongside a host of non-Anglophone male MCs and crews from Argentina, Algeria, Switzerland, Israel, Romania, Greece, Austria, Greenland, Croatia, France, South Africa and Portugal. Trey’s track on the international hip hop compilation, ‘Feline Forces,’ is about the African- American and Australian women in hip hop who have influenced her, from Roxanne Shante to MC Lyte, Baby Love, MC Que and local graffiti artist and MC Charlene aka Spice, who ‘in ’88 dropped the first Aussie female tune’ (on the Virgin compilation of Australian hip hop 1 Andrew Drever, ‘Trey bien,’ Sydney Morning Herald 27 June 2003: ‘Metro’ 10. -
Home Grown Issue 36
Home Grown Gavin Hammond Tastefully produced and hugely respected Aussie hip-hop made in a back shed in Adelaide? Yes, you heard it right – so let’s meet the Hilltop Hoods, a genuine homegrown success story. ustralian hip-hop. Ten years ago and that would have been and decided to give scratching a go on my dad’s half-wooden an oxymoron. But the genre has come on in leaps and turntable. From there I became interested in mixing and the Abounds since then, and now has more mainstream credibil- technical side of sound and decided to enrol in a diploma course ity than many of its overblown US counterparts. in sound engineering when I was 15. And this is because it has matured into damn fine music. GH: How did the current project begin and why? One of the main pro- DJD: The project we are working on ponents of this new, well- currently will be Hilltop Hoods’ fourth LP. respected sound is Adelaide’s It’s been nearly a year since the last album Hilltop Hoods. UK magazine The Calling was released so we thought we Hip-Hop Connection had better pull our thumbs out and get stuck described them thus: “When into it. Australian hip-hop breaks Our touring schedule has been so hectic out, these chaps will be for the past 12 months that we haven’t spearheading the campaign. achieved much in the studio. We decided that No silly gimmicks, no wack before we start recording our next album we beats, no nonsense hip-hop.” should upgrade most of our gear. -
The Jackson Jive: Blackface Today and the Limits of Whiteness in Australia
The Journal of the European Association of Studies on Australia, Vol.2. No.2, 2011, ISSN 2013-6897 under the auspices of Coolabah Observatori: Centre d‘Estudis Australians, Australian Studies Centre, Universitat de Barcelona The Jackson Jive: Blackface Today and the Limits of Whiteness in Australia Jon Stratton Copyright © Jon Stratton 2011. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged Abstract: Blackface has had something of a renaissance in the United States. There it is invested with a postmodern, selfconsciously parodic quality. In Australia there has also been a renaissance of blackface. Here, however, it appears to continue to be invested more straightforwardly with racism. This article focuses on the notorious Jackson Jive sketch on Hey, Hey It's Saturday in 2009. In that sketch six men blacked up and wore cheap Afro wigs performing as if they were the Jackson Five. They claimed that the sketch was simply humorous. Australians were divided; many found the sketch offensive while many considered it enjoyable. A similar division in the population occurred when Sam Newman, an ex-Australian Rules footballer and knockabout comedian, blacked up in 1999 and pretended to be the Indigenous footballer, Nicky Winmar. In Australia blackface continues to reinforce the privileges of whiteness-even when, as was the case with the members of the Jackson Jive, most were in Australian terms either non-white or marginally white. In this case, blackface reinforced these men's honorary whiteness. Keywords: blackface; Jackson Jive; Nicky Winmar; larrikins; bogans; racism Introduction It‘s October 7th, 2009. -
SS&H Journal Lhg.UG S46 the UNIVERSITY of QUEENSLAND
SS&H Journal THE UNIVERSITY LHg.UG S46 OF QUEENSLAND LIBRARY Semper floreiHr; £003 x^ Received on: 04-11-03 SEMPER FLOREAT ENDGAME EDITION 2003 Contents: Indigenous people have been, often violently, dispossessed of their land EDITORIALS and culture. They remain some of the most marginalised in our society. STUFF There can be no social progress without recognition of the Injustices Dream Job in the Last Stalinist State 6 suffered by Indigenous Australians. A Test not Primarily of Speed 7 Interview with John Birmingham 8 Dude, Where's my haggis? 11 The End 12 SEMPER FLOREAT Inconceivable: A life without music 13 THE UQ UNION NEWSPAPER Whinge for a whinge, More Whinging, and Whinge 14 Aunty Jan: I Need a Man 16 Unleash the Gimp 19 Editors: David Lavercombe Shona Nystrom UNION STUFF Jim Wilson Arts Editor: Sofia Ham What you need to know and do when you vote. 20 What student politicians mean when they say 21 Polling places and times 21 Telephone: 3377 2237 President's report 22 Facsimile: 3377 2220 Resignation 25 [email protected] Annual Budget 26 Paying the Printer _ 26 27 Semper Floreat Offices Red Room Incident 27 Union Complex Idle Threats 'Yes' campaign 28 The University of Queensland On being defamed, and Mojo mumbo jumbo 29 St Lucia, 4067 How to Succeed in the UQ Union 30 Quotes from the year 34 The views expressed in Semper Floreat do not necessarily reflect OTHER STUFF those of the editors, the UQ Union, or The University of Queensland. To my friends in the Ministry of Truth. -
Hiphop Meets Academia
Karin Bock, Stefan Meier, Gunter Süß (Hg.) HipHop meets Academia Studien zur Popularmusik hrsg. v. Thomas Phleps und Helmut Rösing Karin Bock, Stefan Meier, Gunter Süss (Hg.) HipHop meets Academia. Globale Spuren eines lokalen Kulturphänomens Gefördert aus Mitteln der Hans-Böckler-Stiftung. Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.ddb.de abrufbar. © 2007 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Umschlaggestaltung: Kordula Röckenhaus, Bielefeld Umgschlagabbildung: Dali, © Akram Chaabeni (myspace.com/akiphoto) Lektorat & Satz: Karin Bock, Stefan Meier, Gunter Süß Druck: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-761-5 Gedruckt auf alterungsbeständigem Papier mit chlorfrei gebleichtem Zellstoff. Besuchen Sie uns im Internet: http://www.transcript-verlag.de Bitte fordern Sie unser Gesamtverzeichnis und andere Broschüren an unter: [email protected] INHALT GRUNDLAGEN HipHop Meets Academia: Positionen und Perspektiven auf die HipHop-Forschung KARIN BOCK/STEFAN MEIER/GUNTER SÜSS 11 HipHop Meets Academia: Fallstricke und Möglichkeiten der HipHop Studies MURRAY FORMAN 17 GLOKALER UND LOKALER HIPHOP HipHop und die Aborigines: Die moderne Corroboree TONY MITCHELL 39 Rassismus und RAPublikanismus ² Islamismus oder Welt,bürger¶tum? Geschichte, Wahrnehmung und Funktionsmechanismus -
Robert Hunter (Huntersbx) on Twitter
Robert Hunter (huntersbx) on Twitter http://twitter.com/ Twitter Search Home Profile Messages Who To Follow New Tweet AliaK Settings Help Sign out Robert Hunter @HunterSBX Perth Western Australia Rapper, a parent to a Son named Marley. A cancer patient. That's what I am. Following Unfollow Tweet to @HunterSBX 140 Tweet Tweets Favorites Following Followers Lists » HunterSBX Robert Hunter Rob passed away peacefully this morning surrounded by family & friends. Thanks so much for all the love. Keep u posted about funeral. Lau xo 3 hours ago Favorite Retweet Reply » 1 of 525 20/10/11 9:33 PM Robert Hunter (huntersbx) on Twitter http://twitter.com/ HunterSBX Robert Hunter There will be no pearls of wisdom today or tommorow. They are gathering my next if kin 18 Oct Favorite Retweet Reply » HunterSBX Robert Hunter So I guess you all know there is a bad blog going around about you? 18 Oct Favorite Retweet Reply » HunterSBX Robert Hunter @ @AliaK I went a bit crazy. Am feelin a bit that way tonight but gonna try grin and bear it 17 Oct Favorite Retweet Reply » HunterSBX Robert Hunter If it wasn't @mattiegeesus visit to me in the hospice last night, shit would have gotten extreme! I ain't talkin make over biitchez! 17 Oct Favorite Retweet Reply » HunterSBX Robert Hunter @ @Drapht us oldies still ROCK ON! 17 Oct Favorite Retweet Reply » HunterSBX Robert Hunter @ @Mattb636 pretty fucked. Open warfare with the nurses last night 17 Oct Favorite Retweet Reply » HunterSBX Robert Hunter Bad night last night. Bad 17 Oct Favorite Retweet Reply 2 of 525 20/10/11 9:33 PM Robert Hunter (huntersbx) on Twitter http://twitter.com/ » HunterSBX Robert Hunter @ @hippo_rex Go Glasgow Rangers! 16 Oct Favorite Retweet Reply » HunterSBX Robert Hunter I'm getting this shit taken out of my arm in the morning, it's making me sick, and I already sick enough thankyou 16 Oct Favorite Retweet Reply » HunterSBX Robert Hunter I'm getting this shit taken out of my arm in the morning, it's making sick. -
13/Australian Hip Hop's Multi
AUSTRALIAN HIP HOP’S MULTI- 13/ CULTURAL LITERACIES / A SUBCULTURE EMERGES INTO THE LIGHT / TONY MITCHELL uch has been written in recent years about the relationship between hip hop Mculture, pedagogy and youth literacies in an African-American context (Ibrahim 2003; Dimitriades 2004; Ginwright 2004; Richardson 2006). However, hip hop is also being used increasingly in the broader educational contexts of language learning and popular culture studies both in the US and throughout the rest of the world. Hip Hop Studies is now a discipline taught in US universities (Forman & Neal 2004) and is gradually spreading to educational contexts in other parts of the world. In Hiphop literacies, Elaine Richardson (2006) argues for “the depth, the importance, and the immediate necessity of acknowledging one of the most contemporary, accessible, and contentious of African American literacies, Hiphop literacies” (p.xv). She sets out to locate hip hop discourses “within a trajectory of Black discourses” and to consider hip hop as an oral and semiotic form of discourse, analysing “rap music and song lyrics, electronic and digital media, including video games, music videos, telecommunication 231 SOUNDS OF THEN, SOUNDS OF NOW / POPULAR MUSIC IN AUSTRALIA devices, magazines, ‘Hip hop’ novels, oral performances, and cinema” (Richardson 2006, p.xvi). Richardson’s study is restricted by two major limitations. Apart from looking at the use of African-American language in online German hip hop sites, neither considers the indigenising global spread of hip hop beyond the boundaries of African-American vernacular cultures, nor the non-linguistic but fundamentally semiotic aspects of hip hop such as beatboxing, DJing, breakdancing and graffiti writing, which are arguably of equal importance to MCing as hip hop literacies. -
Lucas Marie (Actor, Dancer, Choreographer) Contact: 0451088600 | [email protected] Location: Perth, Western Australia
Lucas Marie (Actor, Dancer, Choreographer) Contact: 0451088600 | [email protected] Location: Perth, Western Australia http://lucasmarie.com/ PERSONAL STATEMENT Began breakdancing (bboying) in 1999 when I was fourteen years old. My history as a performer really began to take shape after moving to London in 2008. Here I worked full-time as a performance artist with Pro-Dance (dance agent) http://www.prodance.co.uk/ After arriving back in Australia in 2010, I began training as a stage actor, completing a Performance Studies degree at Curtin University in 2012. It was here at Curtin that I developed a range of skills for the stage, including; Stage Combat (Andy Fraser), Shakespeare (Michael McCall), Voice (Polly Low), Devised Theatre (Leah Mercer), Laban Movement Analysis (Teresa Izzard). Since then I have begun working in contemporary dance projects. A few of my own and a couple with STRUT Dance. Once completing my Bachelor of Arts - double majoring in Anthropology and Performance Studies - I undertook an honours degree in Anthropology and was awarded First Class Honours. This secured me an APA scholarship for postgraduate study of which I am working on. My PhD research focuses on the world of hip hop and explores matters relating to hip hops representation in both academic and non-academic discourses. My writing is anthropological in nature covers a broad range of topics including embodiment, narrative, ethnicity, gender and performativity. EDUCATION 2014 – Current, Curtin University PhD in Social Science (Candidacy Approved: -
Cyclic Defrostissue10 [01.2005] Page1
CYCLIC DEFROST ISSUE 10 [01.2005] PAGE 1 ISSUE 10 CONTENTS CDITORIAL 4 COVER DESIGNER: RICHARD BYERS/SUPERLIGHT Summer brings BBQs, cricket on the telly, and if you live in one of the major capital by Sebastian Chan cites, endless festivals. In Sydney we’re rather unlucky because all the festivals seem to run up against the end of each other meaning a lot of pain on your wallet. Every year 7 PONYLOAF a new festival pops up to enter the fray, this year there are two already – the Ken West- We welcome your contributions and contact: by Angela Stengel funded part of What Is Music called Onathon, and the Cockatoo Island Festival that PO Box a2073 8 INCH-TIME takes over an enormous old industrial site in the middle of Sydney Harbour for the first Sydney South by Peter Hollo time. If you are in Sydney, come visit the Cyclic Defrost/Frigid stage at the Cockatoo NSW 1235 Australia 9 CHASM festival. If you haven’t spent up on festival tickets, your wallets are no doubt just [email protected] by Dale Harrison recovering from the vast number of musical releases that emerged late last year, and www.cyclicdefrost.com 11 INGA LILJESTROM by late February the indies will all be pushing out their first big records of 2005. by Christine Piper This issue of Cyclic is our tenth and it calls for a bit of a celebration.We’ve decided to ISSUE 11 deadline: 12/03/2005 do another wrap around cover and generally have a bit of redesign and expand the 13 WINTERVILLE amount of text in this issue. -
Final Thesis (#5) 18
Niche Publications and Subcultural Authenticity: The case of Stealth magazine David Blight Submitted in partial fulfilment of the degree of Bachelor of Arts (MECO), Honours The Department of Media and Communications October 2008 1 ABSTRACT Authenticity is often constructed as an absolute subcultural value. Within the field of subcultural studies, a relatively small amount of literature exists regarding the relationship between different forms of media and subcultural notions of authenticity. Even less literature examines the relationship that individual media texts foster with subcultural niche markets or the internal techniques such publications utilise to discuss authenticity. This thesis aims to address these gaps by performing an in-depth analysis of a Sydney-based hip hop publication, Stealth magazine. The analysis explores how subcultural authenticity is constructed within this publication. In doing so, the nature of authenticity is called into question. 2 DECLARATION I certify that this thesis does not, to the best of my knowledge and belief: i) incorporate without acknowledgement any material previously submitted for a degree or diploma in any institutions of higher education; ii) contain any material previously submitted or written by another person except where due reference is made in the text; or iii) contain any defamatory material Signed: Date: 3 ACKNOWLEDGEMENTS Firstly, I have to give my undying gratitude to Megan Le Masurier, my supervisor. Without her support and constructive criticism, I would never have asked myself (nor would I have attempted to answer) some of the more difficult questions within this thesis. Her positive attitude gave me a great deal of strength in some of the more stressful times. -
(26Th DEC) – Triplej.Net.Au
1 of 12 [Is] (aka Tom Ugly) - Cult Romance Autokratz - Stay The Same A Little Dragon - Twice Autumn Isles - It's Been A While A Skillz - Happiness Awesome Color - Already Down A.C.Newman - There Are Maybe 10 or 12 Baddies - The - Battleships Abbe May - Howl And Moan Bag Raiders - Turbo Love Acorn , The - The Flood Bamboos , The - Can't Help Myself (Ft. Ty) Adam Green - Festival Song Band Of Horses - Ode To LRC After The Fall - Cut Your Losses Band Of Horses - No One's Gonna Love You After The Fall - Break Me Bang! Bang! Eche! - 4 To The Floor Albert Hammond Jr - GFC Bank Holidays , The - Cheating - Cheating Alkaline Trio - Help Me Basement Jaxx - Wheel N Stop Amanda Palmer - Leeds United Be Your Own Pet - The Kelley Affair Amity Affliction - Fruity Lexia Beach House - Gila An Horse - Postcards Beaches - Sandy Anberlin - Feel Good Drag Beck - Chemtrails Andrew Bird - Oh No Beck - Orphans Andy Clockwise - My Generation Beck - Gamma Ray Animal Collective - Water Curses Behind Crimson Eyes - Addicted Anti-Flag - Bright Lights Of America Belles Will Ring - Priest Coats Antony & The Johnsons - Another World Ben Ely's Radio Five - I'm Psyched Aquasky - The Day (Ft. Blu Rum 13) Ben Folds - You Don't Know Me (Ft. Regina Spektor) Arcade Made - Sudoku Ben Folds - Hiroshima (B-B-Benny Hit His Architecture In Helsinki - Beef In Box Head) Architecture In Helsinki - That Beep Ben Folds - Dr Yang Arms - Whirring Ben Folds - Brainwascht Art Vs Science - Flippers Ben Folds - Bitch Went Nuts Art Vs Science - Hollywood Ben Kweller - Sawdust Man Ash Grunwald - The Devil Called Me A Liar Beni - My Love Sees You Ash Grunwald - Breakout Biffy Clyro - Mountains Ashes Divide - The Stone Bird And The Bee , The - Polite Dance Song Aston Shuffle - Stomp Yo Shoes (Ft.