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Roger Waters Presentó En El TIFF 2014 La Cinta Roger Waters: the Wall Al Mismo Tiempo Que Celebró Su Cumpleaños >9 TRAVIS YA PIENSA EN EL FUTURO
EXCELSIOR FUNERAL ESTILO HOLLYWOOD LUNES 8 DE SEPTIEMBRE DE 2014 Tal como la humorista lo deseaba, sus exequias fueron un [email protected] @Funcion_Exc desfile de figuras, tanto del cine como de la televisión. Whoopi Goldberg, Sarah Jessica Parker, Kelly Osbourne, Hugh Jackman, quien cantó el tema Quiet Please, There’s a Lady on Stage, Howard Stern, Geraldo Rivera y Donald Trump, además de su hija Melissa, se reunieron en el Upper East Side de Nueva York para dar su último adiós a la también actriz y presentadora >2 Foto: AP Antibélico. El músico Roger Waters presentó en el TIFF 2014 la cinta Roger Waters: The Wall al mismo tiempo que celebró su cumpleaños >9 TRAVIS YA PIENSA EN EL FUTURO Fran Healy, vocalista del grupo escocés que hoy toca en el DF, reveló en entrevista que en octubre y enero la banda volverá al estudio a grabar nuevas canciones, para lanzar su próximo disco en abril o mayo> 6 Foto: Cortesía JENNIFER ANISTON SERÁ MAMÁ La actriz Jennifer Anis- ton, pareja de Justin Theroux, tiene tres me- ses de embarazo. Una fuente dijo a la revista OK Magazine que la pro- tagonista de Friends “no quiere que la noticia sal- ga hasta que sepa segu- ro que el bebé va a es- tar bien”. Aniston, de 45 años, quedó embara- Foto: Tomada de Facebook zada tras un tratamien- Foto: Archivo to de fertilización in vitro JUANES LLEGA A LA TV después haber congela- GUARDIANES SIN RIVAL do algunos de sus óvu- El cantante colombiano Juanes debutará en la pantalla chica en LOS ÁNGELES.— La película de ciencia ficción Guardianes de la los. -
LISTENING STATION Music for Abandoned Structures and Shakuhachi
PRESS RELEASE CD RELEASE LISTENING STATION music for abandoned structures and shakuhachi For his first excursion into the world of the audio CD format, artist Thorsten Knaub climbed up a hill and into the main dome of the former US listening station at Teufelsberg at the outskirts of Berlin, Germany. His mission, to explore the particular reverb present in the dome through site-specific improvisation with the shakuhachi, a vertical, end-blown Japanese bamboo flute. The shakuhachi with its sonic potential and long history, including an era it was used by a wandering sect of spying ex-samurai, seemed an appropriate choice to engage with the space. The patterns and phrases of the played music developed through an ad hoc and in situ performance. In this way the recording documents as much the searching for the next note as the result of this process, often literally, as due the long decay times inherent in the space, the sounds start to overlap and layer into more complex textures. Long notes, abrasive sonic gestures, incidental sounds of other people present in the building and the occasional rumble of a plane flying overhead, intertwine to sculpt a multi-threaded narrative between the shakuhachi, the space and its location. Abandoned structures, buildings and defunct spaces, their architecture, a sense of location and a lot of other things were going through Knaub’s mind while breathing into the flute and listening to the dome throwing back its response. Listening Station – music for abandoned structures and shakuhachi caught and preserved these utterances, before all that was said faded away and dispersed into the realm of memory. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
An Austin-Travis County Ems Publication
P U L S EJanuary 2018 AN AUSTIN-TRAVIS COUNTY EMS PUBLICATION 1 ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| Contents Featured News 04 CAPTAIN RANDY CHHABRA APPOINTED TO THE 16 NATIONAL CPS SAFETY BOARD PLUS SIZED TO PALEO PROUD The National Child Passenger Safety Board (NCPSB) has appointed Randy Chhabra to serve as the Our very own Shannon Cook contributes a very special, board’s Public Safety Fire/EMS Representative. very triumphant, and very inspirational story about her lifelong struggle with weight and her recent victory over that battle. __________________________________________ ___________________________________________ 06 EMS DEPARTMENT SPONSORED PORTRAITS 28 Recently, the department sponsored a formal por- ATCEMS MEDIC CHAD STOWE PRODUCES ESD 12/ trait session for all ATCEMS employees and their families. The sessions were a huge success and the MEDIC 23 TRIBUTE VIDEO department will be offering future opportunities to Chad Stowe has been at ESD 12/M23 in Manor since get your professional portrait taken. January 2015 on D shift. “I can honestly say in my 19 years at ATCEMS and 26 years in EMS total I have __________________________________________ never been more happier with an assignment as I am at M23. “ Chad produced an amazing tribute video and he shares it with PULSE readers. 12 ATCEMS EXPLORER POST 247 HOSTS FIRST ANNUAL AWARDS CEREMONY ___________________________________________ On Tuesday, January 9th, EMS Explorer Post 247 held their first annual awards ceremony. This was a 34 big step forward for Explorer Post 247 as recent growth in the program has seen many changes. SURVIVOR STORIES On Wednesday, December 27th 2017, Mr. Robert Williamson finally got to meet medics Matt Schickel __________________________________________ and John Costantino who saved him from a cardiac arrest event last summer. -
Final Report of the Radio Intelligence Section
REF ID:A66334 Co1intkntitil Register No.181 WAR DEPARTMENT OFFICE 01' THE CIDEF SIGNAL OFFICEB W ABBINGTON FINAL REPORT ur rnx RADIO lNTELLIGE..1'f CE SECTION, G~"'ERAL STAFF GENERAL HEADQUARTERS AMERICAN EXPEDITIONARY FORCES eclassified and a roved for release b NSA on 08-22 2013 ursuantto E.O. 1352 .......... ~~--"":"""'""""."....,..._.. ____ ~----.-·~·~~- .. , .....,----.-·"!'·- ····1·---·-- .- ···~-~ REF ID:A66334 .. 30 April 1959 '!bill a.oc-t 1a N~ •emW!aL" UP at DCI> DSnctl'ftl 5200.14ate48~1957, 9.11111 'bJ' mthar!:t7 at tm mnc~, Bat:Lmal. SecmrltJ' A&fl"l"Y• · ~!~ Col.cmel I AlJC ... MJu"tmt GeDtlnJ. .. ~ ·:·. .. ClasslfiCCJ.t.ion ch3l'l=lea. t.o ri":i:il'h:i::i;}!j'i:ij, BJ .... ~t.. •:rlti '' ~ ~h!~ G. H... n:.s, Col., ~i;;n:.::. t;ur~.. s •.ct-1.ng Ghio.f' 1 ar::;y :.iecurity . .z£nc'1 1 lly ~ ..• :....h• G. i.: •..: ... .0!"-.AJ.1 lat .i...t., ~ii_!C l "~'ril l·M6 i.!-DI:;·.r11....TJ...>:~ c... ~i.;·:. ..n; by •.utha r i ..Q li-=ts, ,..;.. lLJ" u 'l!~~=d 27 :_.·, ·t. ..v .2d Ina. U t·1&r 46, si§H~d: H.• 1i.;.Ul fi. li.. Y:-:S, Col ••• Sl.:pal Co". oi ...cti~ Chie1", •.rr:J¥ !.e1:urlt•.. • •• ~~11t:~ · REF ID:A66334 Register N9 181 WAH DBPABTMBNT On'ICll OW TJD CBID SIGNAL ORICU WA.SBIN'GTON FINAL REPORT OI' 'ID RADIO INTEIJJGENCE SECTION, GENERAL STAFF GENERAL HEADQUARTERS AMERICAN EXPEDITIONARY FORCES TBCllNICAL PAP.BR Ol''ID SIGNAL INTBLUGBNCll UCDON WO PUNS A.ND TllADflNG DIVIBION ,. ~- .- .:..:· .•=-"-"" ., -- ~· ... l ~ ! I •, REF ID:A66334 = -= i i i ! i I l'OBEWOBD The report contained herein was prepared by Lt. -
Sing for Your Rights
SING FOR YOUR RIGHTS OVERVIEW RELATED AcTIVITIES Songs, song lyrics, and musical performances are forms • Music and Historical Narrative of speech protected by the First Amendment. The Explore how music has shaped Americans’ understanding of their history. Constitution protects authors’ and inventors’ exclusive property rights for limited times over their creative • Born in the U.S.A.: Music as works. Further, the Fifth Amendment protects property Political Protest Analyze Springsteen’s use of irony and owners by ensuring: “No person shall be … deprived of metaphor in this song that is more complex life, liberty, or property without due process of law.” All than it might first appear. of these constitutional protections have helped music • Debate It! flourish in the United States and have allowed musicians Role play two First Amendment to give voices to their ideas and to generations. In this scenarios and decide where you stand! lesson, students will understand the ways the Constitution protects the rights of citizens who express themselves through music. Developed in partnership with the Bill of Rights Institute NATIONAL CONSTITUTION CENTER Developed in partnership with the Bill of Rights Institute teAcHer NoteS LeArNINg goALS exteNSIoNS Students will understand: A. In 1984, Ronald Reagan referred to Bruce Springsteen’s “Born in the U.S.A.” at a reelection • The First Amendment campaign event. Reagan had neither ask for nor protects individual received permission from Springsteen to reference expression in music as a his song. When Springsteen learned that he was form of free speech. being associated with a presidential candidate • Several property protections without his permission, he commented to Rolling in the Constitution, including Stone magazine, “You see in the election ads on Article I, Section 8, and the TV, you know, ‘It’s morning in America.’ Well, it’s not Fifth Amendment, protect morning in Pittsburg.” the rights of musicians to their intellectual property. -
Espionage and Intelligence Gathering Other Books in the Current Controversies Series
Espionage and Intelligence Gathering Other books in the Current Controversies series: The Abortion Controversy Issues in Adoption Alcoholism Marriage and Divorce Assisted Suicide Medical Ethics Biodiversity Mental Health Capital Punishment The Middle East Censorship Minorities Child Abuse Nationalism and Ethnic Civil Liberties Conflict Computers and Society Native American Rights Conserving the Environment Police Brutality Crime Politicians and Ethics Developing Nations Pollution The Disabled Prisons Drug Abuse Racism Drug Legalization The Rights of Animals Drug Trafficking Sexual Harassment Ethics Sexually Transmitted Diseases Family Violence Smoking Free Speech Suicide Garbage and Waste Teen Addiction Gay Rights Teen Pregnancy and Parenting Genetic Engineering Teens and Alcohol Guns and Violence The Terrorist Attack on Hate Crimes America Homosexuality Urban Terrorism Illegal Drugs Violence Against Women Illegal Immigration Violence in the Media The Information Age Women in the Military Interventionism Youth Violence Espionage and Intelligence Gathering Louise I. Gerdes, Book Editor Daniel Leone,President Bonnie Szumski, Publisher Scott Barbour, Managing Editor Helen Cothran, Senior Editor CURRENT CONTROVERSIES San Diego • Detroit • New York • San Francisco • Cleveland New Haven, Conn. • Waterville, Maine • London • Munich © 2004 by Greenhaven Press. Greenhaven Press is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Greenhaven® and Thomson Learning™ are trademarks used herein under license. For more information, contact Greenhaven Press 27500 Drake Rd. Farmington Hills, MI 48331-3535 Or you can visit our Internet site at http://www.gale.com ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems—without the written permission of the publisher. -
DISCOGRAPHY MICHAEL ILBERT Producer,Mixer, Engineer
Zippelhaus 5a 20457 Hamburg Tel: 040 / 28 00 879 - 0 Fax: 040 / 28 00 879 - 28 DISCOGRAPHY mail: [email protected] MICHAEL ILBERT producer,mixer, engineer P3 Guld Award 2015 "Best Pop": Beatrice Eli Danish Music Awards 2014 "Best Popalbum of the year": Michael Falch "Sommeren Kom Ny Tilbage" Spellemann's Awards 2014 "Best Newcomer" & "Best Popsolist": Monica Heldal "Boy From The North" (Norwegian Grammy) EMAs 2014 "Best German Act": Revolverheld "Immer In Bewegung" Grammy Nomination "Rock of the year": Side Effects "A Walk In The Space Between Us" Sweden 2014 Grammy Nomination 2013 "Best record of the year": Taylor Swift "We are never ever getting back together" Grammy Nomination "Rock of the year": The Hives "Lex Hives" Sweden 2013 Taylor Swift "Shake it off" (4x USA) Taylor Swift "Red"(3x USA) Bosse "Kraniche" Revolverheld "Ich Lass Für Dich Das Licht An" Herbert Grönemeyer "Schiffsverkehr" / "Zeit dass sich was dreht" Jupiter Jones "Still" Platin Award Laleh "Sjung"(SWE) Pink "Funhouse" (GER, SWE) Robyn "Robyn" (SWE) Cardigans "Long before daylight" (SWE) Roxette "Centre of my heart" (SWE) / "Have a nice day" (SWE) Ulf Lundell "I ett vinterland" (SWE) Lars Winnerbäck "Kom" (SWE) Laleh "Colors" (SWE) Herbert Grönemeyer "Dauernd Jetzt" (GER) Revolverheld "Immer In Bewegung" (GER, AUT) Ulf Lundell "Trunk" (SWE) Katy Perry "Roar" Amanda Jensen "Hyms for the haunted" (SWE) Thåström "Beväpna dig med vingar" (SWE) Jupiter Jones "Jupiter Jones"/ "Still"(AU) Gold Award Avril Lavigne "What the hell" (SWE) Pink "Raise your glass" Selig -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Where You Sit Is Where You Stand: the Behavioral Impact of Geography on International Organizations
Where You Sit is Where You Stand: The Behavioral Impact of Geography on International Organizations by Larry Hamlet and Devesh Kapur Paper No. 04-06 September 2004 Contact: Larry Hamlet is an assistant professor in the Department of International Studies at Rhodes College. [email protected] Devesh Kapur is a faculty associate of the Weatherhead Center for International Affairs and an associate professor in the Department of Government at Harvard University. [email protected] Acknowledgements: Thanks to Steve Ceccoli, Ron Gelleny, Karl Kaltenthaler, Odette Lienau, Frank Mora and Paul Nelson for comments on earlier drafts of this paper. An earlier version of this paper was presented at the 43rd Annual Convention of the International Studies Association, New Orleans, 2002. We are especially grateful to Elisa Liberatori Prati, Bank Group Chief Archivist, and Patricia Murphy for painstaking research assistance. Published by the Weatherhead Center for International Affairs, Harvard University. Copyright by the author. The author bears sole responsibility for this paper. The views expressed here are those of the author and do not necessarily represent the views of the WCFIA or Harvard University. Publications Chair, Weatherhead Center for International Affairs Robert Paarlberg Director of Publications, Weatherhead Center for International Affairs Amanda Pearson Submission procedures: Weatherhead Center affiliates are encouraged to submit papers to the Working Paper Series. Manuscripts are assessed on the basis of their scholarly qualities —the extent of original research, the rigor of the analysis, the significance of the conclusions—as well as their relevance to contemporary issues in international affairs. Manuscripts should range between 25 and 80 double-spaced pages and must include an abstract of no more than 150 words. -
Jock Kane's Story Into the Hands Pf Businessmen Who Have Established Corrupt Relationships with GCHQ
Fiddles and fraud Large sums of money disappear annually Jock Kane's story into the hands pf businessmen who have established corrupt relationships with GCHQ. Its operations are secret and un-supervised, I LEFT GCHQ sixteen months ago. I was then documents. My life in the Service was made and some of its officials have been long ac- in the £7,000-a-year Supervisory Radio Of- impossible because as soon as I became aware customed to the abuse of public trust in service ficer grade at an intelligence-gathering station of the losses In 1973 I insisted on reporting of their own financial advancement. Routine in Scotland. them - and on reporting other losses which corrupt practices involve false subsistence and Much of GCHQ's work could be important have occurred since then. travel claims, false overtime payments, false/ and worthwhile. But it is conducted behind a The material went missing, at times accommodation and furniture allowances a( wall of artificial secrecy, which protects a unknown but certainly over a lengthy period, overseas stations - together with oversized disgusting network of corruption, inefficiency from the Little Sai Wan station in Hong Kong, payments for transport of property and in- and security betrayal. which is one of GCHQ's most important surance, and much unnecessary travelling. I When I joined GCHQ in 1946, our 'indoc- operations. estimate that such pilfering from the public trination' prescribed that the name of the When I arrived there in January 1973 my purse exceeded at least £1 million during 1976. organisation, and the nature of its work - 'interference' in reporting that many The fiddles are practised everywhere. -
The Cold War
Konrad H. Jarausch, Christian F. Ostermann, Andreas Etges (Eds.) The Cold War The Cold War Historiography, Memory, Representation Edited by Konrad H. Jarausch, Christian F. Ostermann, and Andreas Etges An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-049522-5 e-ISBN (PDF) 978-3-11-049617-8 e-ISBN (EPUB) 978-3-11-049267-5 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliografische Information der Deutschen Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover Image: BlackBox Cold War – Exhibition at Checkpoint Charlie, Berlin. Typesetting: Dr. Rainer Ostermann, München Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Acknowledgements This volume grew out of an international conference on the history, memory and representation of the Cold War in Berlin. The editors would like to thank the following co-sponsors: the Berlin city government, the European Academy Berlin, the German Historical Institutes in Moscow, London, and Washington, the Centre for Contemporary History in Potsdam, the Military History Research Institute in Potsdam, the Allied Museum in Berlin, the German-Russian Museum Berlin-Karlshorst, the Berlin Wall Foundation, the Airlift Gratitude Foundation (Stiftung Luftbrückendank) in Berlin, and the John F.