Punk Rock Bowling Tickets
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Concert Hall As a Medium of Musical Culture: the Technical Mediation of Listening in the 19Th Century
The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century by Darryl Mark Cressman M.A. (Communication), University of Windsor, 2004 B.A (Hons.), University of Windsor, 2002 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Darryl Mark Cressman 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Darryl Mark Cressman Degree: Doctor of Philosophy (Communication) Title of Thesis: The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century Examining Committee: Chair: Martin Laba, Associate Professor Andrew Feenberg Senior Supervisor Professor Gary McCarron Supervisor Associate Professor Shane Gunster Supervisor Associate Professor Barry Truax Internal Examiner Professor School of Communication, Simon Fraser Universty Hans-Joachim Braun External Examiner Professor of Modern Social, Economic and Technical History Helmut-Schmidt University, Hamburg Date Defended: September 19, 2012 ii Partial Copyright License iii Abstract Taking the relationship -
Palmetto Pages Second Edition
PALMETTO PAGES SECOND EDITION PALMETTO PAGES Palmetto Pages Editors Zachary Cannon/Haley Davenport !1 PALMETTO PAGES SECOND EDITION Palmetto Mustangs C-team Football Coaches use the iPad for the players to watch their games and practices. We use hudl for watching games and practices. Palmetto vs Belton 35-0-W Palmetto vs Walhalla 8-30-L Palmetto vs Liberty 16-32-L Palmetto vs Powdersville 14-21-L Palmetto vs West Oak 36-14-W Palmetto vs Pickens 38-34-W Palmetto vs Starr Iva 22-8-W Palmetto vs Riverside 22-18-L By: Zachary Cannon iPad Tips and tricks • Battery life can be increased by turning brightness down, turning the device on airplane mode, or turning the iPad off while charging. • To mute the iPad, rapid-tap the volume button or hold down the volume button. • Use spotlight search to find Apps quickly instead of flipping through all the pages. To do so pull down on the home screen. • Make a link to a favorite websites on the home screen by clicking the open-in/share tab and click add to home screen. • Turn on caps-lock by double-tapping shift. • There are hidden keys on the keyboard. To access them by swiping up or holding shift and tapping an Icon. • Take a big screenshot of a picture and use as a wallpaper. • Triple-click the home button to perform certain actions. Do this by going into settings> general> accessibility> accessibility shortcut. • Use the magnifying glass to edit text or perform actions by holding a finger over the letter and finding the spot. -
CMO and EMO Public Charter Schools: a Growing Phenomenon in the Charter School Sector Public Charter Schools Dashboard Data from 2007-08, 2008-09, and 2009-10
CMO and EMO Public Charter Schools: A Growing Phenomenon in the Charter School Sector Public Charter Schools Dashboard Data from 2007-08, 2008-09, and 2009-10 Charter Management Organizations (CMOs) are nonprofit entities that manage two or more charter schools. Widely recognized CMOs include KIPP, Uncommon Schools and Achievement First, but there are many more. CMOs often provide back office functions for charter schools to take advantage of economies of scale, but some also provide a wider range of services—including hiring, professional development, data analysis, public relations and advocacy. Education Management Organizations (EMOs) are for-profit entities that manage charter schools and perform similar functions as CMOs. EMOs generally charge a management fee for their services to charter schools. CMOs and EMOs are different than the wide range of vendors that schools may contract with for specific services, primarily because CMOs and EMOs have considerable influence over the instructional design and operations of their affiliated charter schools.i CMOs and EMOs play an important part in the scalability of the charter school movement by enabling the replication of models that work, creating economies of scale, encouraging collaboration between similar schools, and building support structures for schools.ii Philanthropic foundations as well as federal policymakers have promoted the growth of CMO and EMO run schools. Two bills in the 112th Congress pursued additional funding for the replication and expansion of quality charter schools: the All Students Achieving through Reform (All STAR) Act and the Empowering Parents Through Quality Charter Schools Act. Additionally, the U.S. Department of Education has promoted replication of high- quality models through competitive grant programs: Race to the Top, Investing in Innovation (i3) Fund, and the Replication and Expansion for High-Quality Charter Schools through the Charter Schools Program. -
The Evolution of Emo and Its Theoretical Implications 175
The Evolution of Emo and Its Theoretical Implications 175 Mirosław Aleksander Miernik The Evolution of Emo and Its Theoretical Implications The purpose of this article is to analyze how emo, a youth subculture, evolved in the United States during a period of approximately twenty five years, since the mid-1980s, particularly focusing on how it changed in regard to the zeitgeist of the time period, as well as how it appropriated various elements of past subcultures into itself in order to create its own subcultural identity. Special attention will be paid to the third incarnation, which emerged at the beginning of the twenty-first century and proved to be the most widespread variation of the subculture. It is also interesting how this incarnation was affected by historical events such as the Columbine High School Massacre and 9/11. The theoretical implications of emo are the second issue that this article at- tempts to tackle. In particular, when viewed from the perspective of post-subculture studies, it allows one to revisit certain theories of the Centre for Contemporary Cultural Studies at the University of Birmingham (CCCS), which pioneered sub- culture studies in the 1960s and 70s. The relationship between post-subculture studies and the CCCS’s approach has always been very complex. Even though many representatives of post-subculture studies criticized the CCCS for various shortcomings, most significantly for an a priori approach that ignores empirical evidence and limits the concept of authenticity within subcultures (Muggleton 19–30). At the same time, the work of the CCCS has been always treated with respect and considered a milestone. -
Understanding Youth and Culture
Module 4 ‐ Understanding Youth and Culture Subcultures: definitions Look at the list of some subcultures that are observed in youth culture around the world1. Punk The punk subculture is based around punk rock. It emerged from the larger rock music scene in the mid‐to‐late‐1970s in the United Kingdom, the United States, Canada, Australia, and Japan. The punk movement has spread around the globe and developed into a number of different forms. Punk culture encompasses distinct styles of music, ideologies, fashion, visual art, dance, literature, and film. Punk also lays claim to a lifestyle and community. Biker Around the world, motorcycles have historically been associated with subcultures. Some of these subcultures have been loose‐knit social groups such as the cafe racers of 1950s Britain, and the Mods and Rockers of the 1960s. A few are believed to be criminal gangs. Social motorcyclist organisations are popular and are sometimes organised geographically, focus on individual makes, or even specific models. Many motorcycle organisations raise money for charities through organised events and rides. Some organisations hold large international motorcycle rallies in different parts of the world that are attended by many thousands of riders. Bōsōzoku (暴走族 "violent running gang") is a Japanese subculture associated with motorcycle clubs and gangs. They were first seen in the 1950s as the Japanese automobile industry expanded rapidly. The first bōsōzoku were known as kaminari‐zoku (雷族 "Lightning Tribes"). It is common to see bōsōzoku groups socializing in city centres and playing loud music characterized by their lifestyle, such as The Roosters, and the Street Sliders. -
Fall out Boy & Wiz Khalifa Set to Embark on Massive Boys of Zummer Tour
FALL OUT BOY & WIZ KHALIFA SET TO EMBARK ON MASSIVE BOYS OF ZUMMER TOUR — Chart-Topping Rock Group and Hip-Hop Superstar Will Travel Across More Than 40 North American Cities This Summer — —- Tickets On Sale Beginning Friday, Jan. 23 at LiveNation.com — LOS ANGELES (Jan. 15, 2014) – Multi-platinum selling artists Fall Out Boy and Wiz Khalifa announced today their 40+ city Boys of Zummer co-headlining tour in support of their respective hit albums American Beauty/American Psycho and Blacc Hollywood. The 2015 summer tour, promoted exclusively by Live Nation, will kick off on Wednesday, June 10 at the Susquehanna Bank Center in Camden, N.J., before continuing through cities like Chicago, Toronto, Nashville, St. Louis, Atlanta, Dallas and Las Vegas before concluding at Los Angeles’ famed Hollywood Bowl on Monday, Aug. 10. American rapper, singer and hip hop artist Hoodie Allen will serve as special guest on the tour. Citi® cardmembers will have access to pre-sale tickets beginning Wednesday, Jan. 21 at 10 a.m. local time through Citi's Private Pass® Program. For complete pre- sale details, visit www.citiprivatepass.com. General tickets for select cities will be available at www.livenation.com beginning Friday, Jan. 23 at 10 a.m. local. American Beauty/American Psycho is Fall Out Boy’s sixth studio album, set for release on Jan. 20 on Island Records & DCD2 Records. The record’s first single “Centuries” was certified platinum and served as the theme for the first ever College Football Championship on Jan. 12. The song is now Top 15 on the Pop charts after going Top 10 at Modern Rock and has been streamed more than 60 million times between YouTube and Spotify alone. -
CSUF Talents Shine at Concert Under the Stars
Volume 94, Issue 11 MONDAY, SEPTEMBER 23, 2013 dailytitan.com NEWS | CAMPUS NEWS | COFFEE Latino Library summit Starbucks addresses has grand success gap opening Community leaders and Grand opening provided officials open dialogue on students with free coffee Latino acheivement gap and pastries SAMUEL MOUNTJOY CHU-LING YEE Daily Titan Daily Titan Hidy Lopez, a 23-year-old Students and faculty cele- Latina, dreams of becoming a brated the grand opening of the doctor. However, growing up second Starbucks at Cal State as a first-generation Ameri- Fullerton, located in the first can, she faced backlash from floor of Pollak Library, with some of her family members giveaways and a ribbon-cutting for her high hopes. ceremony Thursday. Lopez sat among a state sena- The $900,000 establish- tor and a school superintendent ment, built by Dalke and Sons on the Policy Panel at the fifth an- DYLAN LUJANO / Daily Titan Constructions and MAG Con- nual Closing the Latino Achieve- The Preeminents crooned a medley of memorable songs from the past 11 decades to an audience of students, parents, sponsors and supporters. struction was funded by the ment Gap Summit on Friday in CSU Fullerton Auxiliary Ser- the Titan Student Union. vices Corporation. The location Hundreds attended the includes an indoor and outdoor summit, which aims to create patio. a dialogue between legislators, CSUF talents shine at Director of Campus Dining students and school adminis- Tony Lynch said none of the trators to end the disparity of funding for the construction high school and college gradu- came from university funds. -
Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia" (2016)
Dickinson College Dickinson Scholar Student Honors Theses By Year Student Honors Theses 5-22-2016 Consuming Authenticity: Deconstructing “Do-It- Yourself” Punk Rock Ethics in Philadelphia Patricia Ann Kotrady Dickinson College Follow this and additional works at: http://scholar.dickinson.edu/student_honors Part of the American Popular Culture Commons, Music Commons, and the Sociology of Culture Commons Recommended Citation Kotrady, Patricia Ann, "Consuming Authenticity: Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia" (2016). Dickinson College Honors Theses. Paper 238. This Honors Thesis is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. Consuming Authenticity Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia By Patricia Ann Kotrady Submitted in partial fulfillment of Honors Requirements for the Department of American Studies at Dickinson College May 10, 2016 Table of Contents Introduction: Welcome to “the Best Punk Scene in the Country Right Now” 1 “The House Shows Don’t Really Happen Everywhere”: Why Philadelphia? 7 “Semi Anti-Establishment, I Guess”: Punk as a Vessel 12 “You Know, Just Do It”: An Overview of DIY Punk Ethics 16 “This Music is Just Organic”: 21 Authenticity, Opposition, and the Myth of the Mainstream "We never want to be a band that's just in it to make a buck”: 27 The Narrative of “Selling Out” “It’s Never Been Easier to Make Music Like a Pro”: 32 -
Punk Fashion in Canada
PUNK FASHION IN CANADA: THE TRANSLATION OF AN INTERNATIONAL SUBCULTURE A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph by KATIE VICTORIA GREEN In partial fulfilment of requirements for the degree of Master of Arts April, 2011 © Katie Victoria Green, 2011 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-88934-3 Our file Notre reference ISBN: 978-0-494-88934-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Emo Online: Networks of Sociality/Networks of Exclusion
[PB 11.2 (2010) 141-162] Perfect Beat (print) ISSN 1038-2909 doi:10.1558/prbt.v11i2.141 Perfect Beat (online) ISSN 1836-0343 Rosemary Overell Emo online: networks of sociality/networks of exclusion Rosemary Overell is currently in the second year School of Culture and Communication of her PhD research. Her thesis concerns mascu- John Medley Building linities and transnationality in grindcore music University of Melbourne scenes in Melbourne and Osaka. Parkville, Victoria, Australia 3001 [email protected] Abstract This article examines Australian emo subcultural practices and new media technologies. I use subcultural studies to analyse whether emo is, indeed, a subculture. I respond to framings of emo as an ‘Other’ (sub)culture, in mainstream Australian media and Australian alternative music scenes. I interrogate whether, as dominant media claims, emo subculturalists’ internet usage inevitably leads to ‘social alienation’. First, I present a case study of a mediatized moral panic concerning the so-called ‘emo suicides’ of Jodie Gater and Stephanie Gestier in 2007. Media reports positioned emo adherents as non-normative ‘dark’ users of new technologies, particu- larly the internet. I counter this representation with a textual analysis of emo micro-media, in the form of MySpace homepages, which demonstrate emo sociality online. However, in my !nal section I look at how such sociality is limited by gate-keeping practices mobilizing discourses of subcultural capital. Keywords: emo; internet; moral panics; music; new media; subcultural studies Introduction This article looks at the intersection between new media technologies and subcultural formations. In particular, I ask whether new media technologies are catalysts of alienation or sociality for subculturalists. -
© 2021 Andrew Gregory Page 1 of 13 RECORDINGS Hard Rock / Metal
Report covers the period of January 1st to Penny Knight Band - "Cost of Love" March 31st, 2021. The inadvertently (single) [fusion hard rock] Albany missed few before that time period, which were brought to my attention by fans, Remains Of Rage - "Remains Of Rage" bands & others, are listed at the [hardcore metal] Troy end,along with an End Note. Senior Living - "The Paintbox Lace" (2- track) [alternative grunge rock shoegaze] Albany Scavengers - "Anthropocene" [hardcore metal crust punk] Albany Thank you to Nippertown.com for being a partner with WEXT Radio in getting this report out to the people! Scum Couch - "Scum Couch | Tree Walker Split" [experimental noise rock] Albany RECORDINGS Somewhere In The Dark - "Headstone" (single track) Hard Rock / Metal / Punk [hard rock] Glenville BattleaXXX - "ADEQUATE" [clitter rock post-punk sasscore] Albany The Frozen Heads - "III" [psychedelic black doom metal post-punk] Albany Bendt - "January" (single) [alternative modern hard rock] Albany The Hauntings - "Reptile Dysfunction" [punk rock] Glens Falls Captain Vampire - "February Demos" [acoustic alternative metalcore emo post-hardcore punk] Albany The One They Fear - "Perservere" - "Metamorphosis" - "Is This Who We Are?" - "Ignite" (single tracks) Christopher Peifer - "Meet Me at the Bar" - "Something [hardcore metalcore hard rock] Albany to Believe In" (singles) [garage power pop punk rock] Albany/NYC The VaVa Voodoos - "Smash The Sun" (single track) [garage punk rock] Albany Dave Graham & The Disaster Plan - "Make A Scene" (single) [garage -
Faouda Wa Ruina: a History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Islamic World and Near East History Commons, and the Social and Cultural Anthropology Commons Recommended Citation Trott, Brian Kenneth, "Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal" (2018). Theses and Dissertations. 1934. https://dc.uwm.edu/etd/1934 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott A Thesis Submitted in Partial Fulfillment of the Requirements of a Degree of Master of Arts In History at The University of Wisconsin - Milwaukee May 2018 ABSTRACT FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott The University of Wisconsin-Milwaukee, 2018 Under the Supervision of Professor Gregory Carter While the punk rock and heavy metal subcultures have spread through much of the world since the 1980s, a heavy metal scene did not take shape in Morocco until the mid-1990s. There had yet to be a punk rock band there until the mid-2000s. In the following paper, I detail the rise of heavy metal in Morocco. Beginning with the early metal scene, I trace through critical moments in its growth, building up to the origins of the Moroccan punk scene and the state of those subcultures in recent years.