Enclosures of the Mind: Intellectual Property from a Global Perspective

Total Page:16

File Type:pdf, Size:1020Kb

Enclosures of the Mind: Intellectual Property from a Global Perspective Enclosures of the Mind: Intellectual Property from a Global Perspective Wybo Wiersma University of Groningen [email protected] A Confrontation with the Subject determination who had to reject the authori- ties of distant, uninformed powers. We must “Governments of the Industrial World, you declare our virtual selves immune to your weary giants of flesh and steel, I come from sovereignty, even as we continue to consent Cyberspace, the new home of Mind. On be- to your rule over our bodies. We will spread half of the future, I ask you of the past to leave ourselves across the Planet so that no one can us alone. You are not welcome among us. You arrest our thoughts. have no sovereignty where we gather. We will create a civilization of the Mind in We have no elected government, nor are we Cyberspace. May it be more humane and fair likely to have one, so I address you with no than the world your governments have made greater authority than that with which liberty before.” itself always speaks. I declare the global so- - From the Declaration of the Independence cial space we are building to be naturally in- of Cyberspace, by John P. Barlow, co-founder dependent of the tyrannies you seek to impose of the Electronic Frontier Foundation.1 on us. You have no moral right to rule us nor do you possess any methods of enforcement 1 Introduction we have true reason to fear. As this almost unearthly quote of J. Barlow Governments derive their just powers from suggests, cyberspace — or for many of us just the consent of the governed. You have neither the internet — is currently one of the most vis- solicited nor received ours. We did not invite ible, accessible and far reaching vehicles of you. You do not know us, nor do you know our globalisation. Globalisation is not just hap- world. Cyberspace does not lie within your pening on the internet, it is also well under borders. way in the spheres of economy and law. In ... addition, with the increasing importance of in- Your increasingly obsolete information in- novations and information, our society is also dustries would perpetuate themselves by transforming into what has been called the In- proposing laws, in America and elsewhere, formation Society: in which information and that claim to own speech itself throughout the other intellectual produce are becoming the world. These laws would declare ideas to primary source of wealth. This, in turn, has be another industrial product, no more no- — together with, and against increased file- ble than pig iron. In our world, whatever sharing and recombination of existing works the human mind may create can be repro- on-line — made more parties interested in duced and distributed infinitely at no cost. enclosing these riches by stricter Intellectual The global conveyance of thought no longer Property (IP) Laws, resulting in what some requires your factories to accomplish. have called a virtual land-grab. It is at these These increasingly hostile and colonial 1 A Declaration of the Independence of measures place us in the same position as John Perry Barlow. Cyberspace. 1996. URL: http://homes.eff.org/ those previous lovers of freedom and self- ~barlow/Declaration-Final.html, p. 1. Enclosures of the Mind: IP from a Global Perspective Wybo Wiersma increasingly relevant crossroads of informa- cause of the problems that IP runs into due tion technology, globalisation, and IP-law that to historical and technological developments, this paper finds its subject. IP is no longer justified. Then some alter- The main question asked is whether IP and natives will be briefly discussed, such as the IP-laws can still, or no longer, be justified emergence of a second, parallel, market for from a historic and global perspective. While virtual goods in which usage, or popularity is answering this question we do not just look at rewarded, not the piece-wise sale that mainly the contemporary ethical issues, but take his- works well for physical goods. Finally we toric developments as our basis and starting- will criticise the reification that is central to point. This because historic analysis can un- the debate in the form of both talk of ’nat- earth not just the history of IP-law itself, but ural’ rights and the blind acceptance of the also — and especially relevant for our ques- need to impose artificial scarcity on works of tion here — how it functions in the world as the intellect in order to extract a fair profit the times and technology change, changing from the first market. We will conclude with the ways and degrees to which these laws ap- a short answer to the question of the justifia- ply and function, similar to how not just mod- bility of copyrights and a sketch of recent de- ifications to a text, but also the further evolu- velopments. tion of the language it is written in, can change its readings. 2 A Short History of Intellectual Property We will start with a short history of IP in early, modern, and contemporary history, to We will begin with a short history of IP in provide the necessary background. Then we chronological order, starting with the early will attempt to clear the conceptual muddle history upto the 18th century Statute of Anne, that is currently swamping much of the day to then the modern, culminating in the Berne day debate about IP. It starts with an explica- Convention, followed by that of the contem- tion of the central concepts: property, intellec- porary United States (US). tual and intellectual property. Following, all stakeholders and interests involved in IP are 2.1 Early History: In Service of the King identified; authors, publishers, the public and In classical history we do not encounter the society. The introductory explication of con- concept of IP for a long time. In the India of cepts ends with a listing and discussion of the ancient times ideas were ascribed to peoples, most important fields of power in which these not to individuals. What was said mattered interests are opposing and balancing against more than who said it. In Greek oral tradition each other. works were fluid, and traveling story-tellers Then we will go into the two main clas- freely adopted and adapted stories from their sical theories of justification for Intellectual shared tradition. It was only hesitatingly that Property: the utilitarian stimulation of cre- in 6th century BC Athens creative works be- ation theory and the Lockean labor desert the- gan to be associated with individual authors. ory. In the sixth section an outline will be In the Jewish Talmud we see true attribution given of the long term structural changes that of ideas to authors for the first time, but this are of relevance for our understanding of IP in was mostly for the determination of authority, relation to the two theories of justification; the not for the assertion of rights. Then in Ro- rise of the information society, the second en- man times — while writing was still mostly closures movement, globalisation, decentral- something for the leisured class — we find a ized (re-)production, and creation by globally few records of publishing-contracts. Still, in dispersed communities. Roman Law there is no trace yet of the con- In the last part the findings will be pre- cept of IP, and where a living was to be made, sented. First of all it will be argued that be- patronage was still the most common form of 2 Enclosures of the Mind: IP from a Global Perspective Wybo Wiersma financial support for authors.2 the East India Company.7 Then again in the Middle Ages, authorship Besides the protection of infant industries was not a popular notion. Most works were and an expectation of loyalty, the employment anonymous and ascribed to ones group or at- 3 of censorship also played a role when queen tributed to the glory of God. Obsession with Mary I granted — what was to become — the improvement of ones social-economic po- a 150 year monopoly on publication to the sition was frowned upon, as was profit (via the Stationers Company in 1557.8 This company, doctrine of the ’just price’). For a long time next to its obligation of censorship, had the the church was the only party concerned with right to organize book-sales, to limit the num- anything intellectual, and they did not exploit ber of master-printers to 25, and to keep a ideas or texts in any direct way: copying of public registry of which of them was allowed manuscripts was free, besides the monks labor to publish which titles.9 required to do it. The only exception were a few Benedictine monasteries who did charge For a long time most works published and money, land, or cattle for access to their li- in demand were classics. Because of the braries (but again not for copying). Even Company’s monopoly, the few authors who when around the turn of the first millennium did produce new works were in a very weak the University of Paris — and later other uni- bargaining-position for royalties. It thus took versities — started to offer (manual) copy- more than a hundred years — until 1667 — services to students, the stationers that were before John Milton was the first author who licensed to provide this service still had the received something (£8) from the Company obligation to lend out works for free to people for his book Paradise Lost. It was in this set- who wanted to make the copies themselves.4 ting that in 1704 — when the Company’s 150 It is only with the advent of Mercantil- year-monopoly was about to expire — Daniel ism that something resembling true intellec- Defoe made a good case for changes in his: 10 tual property appeared.5 In 1449 Henry VI Essay on the Regulation of the Press.
Recommended publications
  • The Freedom to Copy: Copyright, Creation, and Context
    The Freedom to Copy: Copyright, Creation, and Context Olufunmilayo B. Arewa* Although much separates them musically, George Harrison and Michael Bolton share a common legal fate. Both have been held liable in copyright infringement cases in which a court articulated theories of liability based on subconscious infringement. This Article discusses how decisions in the Bolton, Harrison, and other copyright infringement cases reflect a common failing. Such decisions highlight the incomplete nature of the theories of creativity and creation processes in copyright doctrine. After discussing current approaches to questions of creation, this Article suggests ways in which copyright theory can better incorporate a contextualized understanding of creativity and creation processes. Creativity in copyright is frequently characterized as not involving copying, which is typically thought to be antithetical to both originality and creativity. This stigmatization of copying, however, means that copyright theory cannot adequately account for the reality of not infrequent similarities between works that are a result of copying both ideas and expression in the creation of new works. This missing theoretical link has significant implications for copyright in practice. The lack of legal analysis of the full range of creativity and processes of creation is also a major reason why copyright theory often has such difficulty delineating what constitutes appropriate and inappropriate copying of existing works. * Associate Professor, Northwestern University School of Law. A.B. Harvard College; M.A. Anthropology, Ph.D. Anthropology, University of California, Berkeley; A.M. Applied Economics, University of Michigan; J.D., Harvard Law School. For their helpful comments and suggestions on earlier drafts, I am indebted to Margaret Chon, Julie Cohen, Paul Heald, Kevin Jon Heller, Andrew Koppelman, Roberta Rosenthal Kwall, Jacqueline Lipton, Andrew P.
    [Show full text]
  • A Conceptual Framework for Copyright Philosophy and Ethics Jon M
    Cornell Law Review Volume 88 Article 2 Issue 5 July 2003 Normative Copyright: A Conceptual Framework for Copyright Philosophy and Ethics Jon M. Garon Follow this and additional works at: http://scholarship.law.cornell.edu/clr Part of the Law Commons Recommended Citation Jon M. Garon, Normative Copyright: A Conceptual Framework for Copyright Philosophy and Ethics, 88 Cornell L. Rev. 1278 (2003) Available at: http://scholarship.law.cornell.edu/clr/vol88/iss5/2 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in Cornell Law Review by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. NORMATIVE COPYRIGHT: A CONCEPTUAL FRAMEWORK FOR COPYRIGHT PHILOSOPHY AND ETHICS Jon M. Garont This Article explores the theoretical underpinnings of copyright to deter- mine which theories provide an appropriate basis for copyright. The Article first critiques the leading conceptual underpinnings, including naturallaw, copyright's intangible nature, economic balancing and copyright's role in creatingincentives for new authorship. The Article then addresses each of the three core elements in normative justice-the social contract, the legal rules, and the mechanisms of enforcement-to develop a schema for reestablishing a normatively valid copyright policy. The research presented demonstrates that the intangible nature of copy- right does not govern the public's attitude toward copyright. Instead, norms associated with plagiarism illustrate society's ability to accept intangible property rules, while comparison with shoplifting indicates a strong corollary to piracy involving physical goods.
    [Show full text]
  • The Right "To Authorize" in Us Copyright Law: Questions of Contributory
    87 Copyright (c) 1996 PTC Research Foundation of Franklin Pierce Law Center IDEA: The Journal of Law and Technology 1996 37 IDEA 87 THE RIGHT "TO AUTHORIZE" IN U.S. COPYRIGHT LAW: QUESTIONS OF CONTRIBUTORY INFRINGEMENT AND EXTRATERRITORIALITY PHANESH KONERU * * Third Year Student, J.D. Program, University of San Diego School of Law; Ph.D., University of Southern California, 1992; admitted to practice before the United States Patent and Trademark Office. The author is grateful to Professors Paul Horton and Darrell Bratton of the University of San Diego Law School for their helpful discussions during preparation of this manuscript. Any errors, omissions or misstatements should be attributed to the author alone. This work is dedicated to the author's parents and wife. I. INTRODUCTION The U.S. Copyright Act of 1976 n1 (hereinafter "the Copyright Act") grants copyright owners exclusive rights "to do" and "to authorize" certain acts. n2 Since the addition of the phrase "to authorize" to the copyright statute in 1976, n3 courts have been divided over the scope of the authorization right. [*88] The question has been whether a violation of the authorization right results in direct n4 or third party infringement. n5 A direct infringer is always liable to the copyright owner, whereas a third party infringer is liable only if the authorized infringement actually takes place. n6 Substantial authority argues for the proposition that the right "to authorize" is no more than a mere codification of the common law doctrines of contributory infringement and vicarious liability, identified as the "codification theory." n7 Under this theory, for an authorizer n8 to be liable, [*89] conduct that amounts to authorization should be analyzed under third party liability theories which require that the authorized infringement has actually occurred.
    [Show full text]
  • INTELLECTUAL PRIVILEGE: Copyright, Common Law, and The
    INTELLECTUAL PRIVILEGE Copyright, Common Law, and the Common Good TOM W. BELL Arlington, Virginia Founders’ Copyright 2014 by Tom Bell. (See opposite for more information.) Second printing, April 2018 Printed in the United States of America Mercatus Center at George Mason University 3434 Washington Blvd., 4th Floor Arlington, VA 22201 www.mercatus.org 703-993-4930 Library of Congress Cataloging-in-Publication Data Bell, Tom W. Intellectual privilege : copyright, common law, and the common good / Tom W. Bell. pages cm ISBN 978-0-9892193-8-9 (pbk.) -- ISBN 978-0-9892193-9-6 (e-book (kindle)) 1. Copyright--United States. I. Title. KF2994.B45 2014 346.7304’82--dc23 2014005816 COPYRIGHT NOTE Not long ago, in “Five Reforms for Copyright” (chapter 7 of Copyright Unbalanced: From Incentive to Excess, published by the Mercatus Center at George Mason University in 2012), I suggested that the United States should return to the kind of copyright the Founders supported: the one they created in their 1790 Copyright Act. The Founders’ copyright had a term of only fourteen years with the option to renew for another fourteen. It conditioned copyright on the satisfaction of strict statutory formali- ties and covered only maps, charts, and books. The Founders’ copyright protected only against unauthorized reproductions and offered only com- paratively limited remedies. This book follows through on that policy advice. The Mercatus Center and I agreed to publish it under terms chosen to recreate the legal effect of the Founders’ 1790 Copyright Act. For example, the book’s copy- right will expire in 2042 (if not before), and you should feel free to make a movie or other derivative work at any time.
    [Show full text]
  • Claiming the Copyright Amanda Reid*
    Reid FINAL COPY.docx (Do Not Delete) 7/7/2016 3:29 PM YALE LAW & POLICY REVIEW Claiming the Copyright Amanda Reid* Introduction ..................................................................................................... 425 I. Why Claim ................................................................................................... 429 II. History of Claiming ................................................................................. 434 III. Claiming Today ..........................................................................................444 IV. A Modest Proposal: Claim the Copyright .......................................... 451 Conclusion .........................................................................................................469 Introduction Our modern world is filled with a dizzying number of copyrights.1 The texts, tweets, and selfies created each day are automatically copyrighted, as are home movies, diary entries, and Play-doh® sculptures. All original works of au- thorship fixed in a tangible medium of expression are protected for seventy * Associate Professor of Law, Florida Coastal School of Law. Ph.D., University of Florida, College of Journalism and Communications, 2004; J.D., University of Florida, Levin College of Law, 2004; M.A., Florida State University, Speech Communication, 1999; B.A., Florida State University, Communication and Philosophy, 1998. Participants at the 2015 Works-in-Progress Intellectual Property Colloquium (WIPIP) provided valuable insights for which I am grateful.
    [Show full text]
  • The Philosophy Behind Fair Use: Another Step Towards Utilitarianism
    JICLT Journal of International Commercial Law and Technology Vol.9, No.3 (2014) The Philosophy behind Fair Use: Another Step towards Utilitarianism Giovanni Tamburrini Department of Law, SolBridge International School of Business, Daejeon, South Korea [email protected] Sergey Butakov Information Systems Security Concordia University College of Alberta, Edmonton, Canada [email protected] Abstract. iParadigms, a company involved in plagiarism detection, was hold not liable for the unauthorized use and archival of students’ papers. Both the District and Appellate Courts of Virginia, in fact, maintained that the exception of fair use applied to the copyright infringement action. As the relevant facts represent a novelty in case law, it might plausible the hypothesis that iParadigms precedent is not going to be followed in forthcoming cases. This investigation is an attempt to appreciate the possibilities that such an event could happen. In particular, the attention is focused on the special nature of the Copyright Act which is simultaneously backed by opposite theoretical backgrounds such as utilitarianism and moral desert as well as personhood theories, among others. The prevailing of one theory over another shall depend on how liberally or strictly the fair use doctrine shall be interpreted. Despite findings demonstrate judges have applied the fair use doctrine according to the correct conceptions of justice, the discussion ends up recommending a new system of plagiarism detection that drastically reduces the likelihood of copyright infringement actions. 1. Introduction . The problem of plagiarism is not something new that the digital revolution has brought to education1 and to many other human activities. Yet, one cannot deny that the digitalization of life has made plagiarism much simpler: the information is just few clicks away.
    [Show full text]
  • A Reconsideration of Copyright's Term
    2 GARCIAMCCRARY 351-406 (DO NOT DELETE) 12/4/2019 6:49 PM A RECONSIDERATION OF COPYRIGHT’S TERM Kristelia A. García & Justin McCrary INTRODUCTION ..................................................................................................... 353 I. COPYRIGHT’S TERM & ITS DISCONTENTS ............................................... 358 A. A History of Obsession with Term .......................................................... 358 B. A Single, Lengthy Term with Uniform Protection .................................... 361 1. Term ............................................................................................... 361 2. Protection & Exceptions ................................................................. 362 C. Critique .................................................................................................. 363 1. Economic ......................................................................................... 364 2. Intuitive ........................................................................................... 367 3. Empirical ........................................................................................ 368 D. Support .................................................................................................. 371 1. Economic ......................................................................................... 371 2. Moral .............................................................................................. 372 II. MUSIC: A CASE STUDY ...............................................................................
    [Show full text]
  • Open-Source Software and the Rationale for Copyright Protection of Computer Programs
    Open-source software and the rationale for copyright protection of computer programs by Sadulla Karjiker Dissertation presented for the degree of Doctor of Laws in the Faculty of Law at Stellenbosch University Promoter: Prof Owen Henry Dean March 2013 Stellenbosch University http://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the authorship owner thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Date: 19 February 2013 Copyright © 2013 Stellenbosch University All rights reserved ii Stellenbosch University http://scholar.sun.ac.za Abstract The rationale for the legal protection of copyright works is based on the perceived need to encourage the creation of works which are considered to be socially beneficial. By awarding authors proprietary rights in their creations, copyright law allows authors the ability to earn direct financial returns from their efforts, and, thus, copyright law provides the required incentives for authors to create copyright works. Since the early days of commercial software development, copyright protection has been extended to computer programs; thus, by providing such protection it was assumed that their production should be encouraged, and that without such protection they will not be produced to the extent required by society. Comparatively recently, we have witnessed large-scale production of open-source software, which is licensed on generous terms, giving users the right to freely use, modify and redistribute such software. By adopting such licensing terms, the authors of open- source software are unable to charge licensees a fee for permission to use their software, which is the reward which copyright assumes authors seek to create such software.
    [Show full text]
  • Fair Use and the Fairer Sex: Gender, Feminism, and Copyright Law Ann Bartow
    Journal of Gender, Social Policy & the Law Volume 14 | Issue 3 Article 4 2006 Fair Use and the Fairer Sex: Gender, Feminism, and Copyright Law Ann Bartow Follow this and additional works at: http://digitalcommons.wcl.american.edu/jgspl Part of the Intellectual Property Commons, Jurisprudence Commons, and the Women Commons Recommended Citation Bartow, Ann. "Fair Use and the Fairer Sex: Gender, Feminism, and Copyright Law." American University Journal of Gender, Social Policy & the Law. 14, no. 3 (2006): 551-584. This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Journal of Gender, Social Policy & the Law by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Bartow: Fair Use and the Fairer Sex: Gender, Feminism, and Copyright Law FAIR USE AND THE FAIRER SEX: GENDER, FEMINISM, AND COPYRIGHT LAW ∗ ANN BARTOW Introduction.........................................................................................551 I. Gender and Copyright Law..............................................................554 II. Fair Use, Fairness, and Gender.......................................................559 III. Feminism and Copyright Law........................................................564 A. Should the Explicit Substantive Coverage of Copyright Law be Expanded? .....................................................................565
    [Show full text]
  • Music Industry V. File-Sharing Why We Need a New Approach to Copyright Protection in the Digital Era
    Music Industry v. File-Sharing Why We Need a New Approach to Copyright Protection In the Digital Era By Coralie Hélène Pasche A thesis submitted in conformity with the requirements for the degree of Master of Laws Graduate Department of the Faculty of Law University of Toronto © Copyright by Coralie Hélène Pasche 2009 Music Industry v. File-Sharing Why We Need a New Approach to Copyright Protection In the Digital Era Coralie Hélène Pasche Master of Laws 2009 Graduate Department of the Faculty of Law University of Toronto Abstract This thesis examines the evolution of digital copyright protection in response to the digital challenges, specifically unauthorized file-sharing, in the context of the music industry. It reviews the different strategies used to fight the peer-to-peer technology and its users so as to assess whether the direction which has been taken is in agreement with the ultimate goal of copyright and with other fundamental values of our modern society. It posits that the effort to strengthen the rights of copyright holders and thus maintain an old system of distribution in the face of new technology not only runs afoul the expectations of the public but also prevents the artists and the public from fully taking advantage of the new opportunities of the digital era. This thesis ultimately suggests that policy makers tackling the digital copyright reform should seriously consider legitimizing the use of file-sharing services as a possible way to better achieve the goals of copyright. ii Table of Contents Introduction……………………………………………………………………………………...1 Chapter 1 Internet and the Digital Threat to Copyright…………………………………8 Chapter 2 Copyright’s Purposes and Underpinning Theories………………………...11 2.1.
    [Show full text]
  • Copyright, Digitization, & RFID
    JLAMS A Peer-Reviewed Journal of the New York Library Association Copyright, Digitization, & RFID Fall 2011 Vol. 8, No. 1 1 Library and Administration Management Section (LAMS) Officers President Julie Johnson President Elect Tim Burke Past President Rebekkah Smith Aldrich Secretary Patricia Kaufman Treasurer Mary M. De Bellis JLAMS Richard J. Naylor CONTENTS Web Liaison Frank Rees At Large Board Members President’s and Editor’s Message Rebecca Lubin 3 Ed Falcone Gillian Thorpe Claudia Depkin 4 How Copyright Theory Affects Practices: Rob Carle a Primer For Information Professionals To submit an article read the JLAMS by Robert Weiss and editorialpolicy on our websiteat: http://www.nyla.org/index.php?page_id=813 Katherine M. Shelfer. Then send an eMail proposal to: [email protected] 25 RFID Materials Circulation and Handling: A Model for Improving Customer Service New York Library By Christine McDonald Association 6021 State Farm Road 31 Digitizing Everything? Part II: Piloting Guilderland, NY 10284 Metadata Creation By Kimmy Szeto 518-432-6952/800-252-NYLA email: [email protected] web:www.nyla.org President Marcia Eggleston 315-250-0352 [email protected] Executive Director Michael J. Borges [email protected] President’s and Editor’s Message Julie Hamrah Johnson Richard J. Naylor, LAMS President LAMS Editor JLAMS, the electronic Journal of the Library Administration and Management Section of the New York Library Association, begins its eight year, and we are privileged to introduce the Fall 2011-12 JLAMS. JLAMS provides a valuable outlet for the dissemination of articles, academic papers, and essays of interest to administrators and managers of all types of libraries: academic, public, school and special libraries.
    [Show full text]
  • The “Performatic Mantras” of Copyright
    International Journal of Humanities Social Sciences and Education (IJHSSE) Volume 4, Issue 4, April 2017, PP 88-98 ISSN 2349-0373 (Print) & ISSN 2349-0381 (Online) http://dx.doi.org/10.20431/2349-0381.0404010 www.arcjournals.org The “Performatic Mantras” of Copyright Victor Gameiro Drummond Post. Doc. - Universidade de Lisboa; Phd - Universidade Estácio de Sá - Rio de Janeiro; LLM/Master - Universidade de Lisboa; Professor of Law at PPGD Faculdade Guanambi. Visiting researcher at Universidade Complutense de Madrid e Universidade de Lisboa. Abstract: The realm of copyright is experiencing a serious crisis. This has partly resulted from opposition between proponents of conservative and libertarianist schools of thought. In the face of such polarisation and radical opposition, definitions of copyright do not give space for philosophical and hermeneutical conceptual- isations that may improve understandings of its rationale and philosophical foundations. Thus, both schools make use of “performatic mantras”, which intensify conflicting relationships and ideological positions. This article shows that “performatic mantras” cannot be used in a pernicious manner and that the recovery of copyright worth involves a review of schools that examine it. Keywords: Copyright, hermeneutics, philosophy, philosophical justifications, theoretical foundations of copyright. 1. INTRODUCTION: JUSTICE, LANGUAGE AND COPYRIGHT Some might say that Law is synonymous with Justice. It is known, however, that this is not true. Law may entail a search for Justice. This search, however, involves respecting the foundations of Justice in Law. Law is also a specific language, and thus it may be said that Law can be fundamentally defined as a form of language.1 By means of language, the basis of Justice can also be extracted from Law.
    [Show full text]