Boston Symphony Orchestra Concert Programs, Summer, 1996

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Summer, 1996 harmonic, the Danish Radio Orchestra, the Stockholm Philharmonic, and the Dresden Phil- harmonic. His recent recordings have included Strauss's Arabella, Humperdinck's Hansel und Gretel, Offenbach's Les Contes dHoffmann, Berg's Lulu, Mozart piano concertos with Mitsuko Uchida, all of Mozart's symphonies with the English Chamber Orchestra, the major orches- tral works of Elgar with the London Symphony Orchestra, and Mendelssohn's complete Mid- summer Night's Dream music with the Rotterdam Philharmonic. Other recordings include Bruckner's Symphony No. 9 with the Rotterdam Philharmonic, Grieg's Peer Gynt with the Berlin Philharmonic, and the Ninth symphonies of Schubert and Beethoven with the Dres- den Staatskapelle. Dr. Tate made his Boston Symphony debut in April 1986 and appeared with the orchestra most recently this past November at Symphony Hall, leading music of Haydn, Mozart, Oliver Knussen, and Elgar. He will return to the Boston Symphony podium at Symphony Hall with music of Mozart and Bruckner for further subscription concerts next January and February. Making her Boston Symphony debut this week, and hailed by the British press as the "Operatic Discovery of the Year" in 1991, soprano Rebecca Evans made her American debut as Susanna in he nozze di Figaro with Santa Fe Opera last summer, soon after having sung the role with Welsh National Opera. She made her San Francisco Opera debut as Zerlina in a new pro- duction of Don Giovanni opposite Samuel Ramey, and was the featured soloist in the Indianapolis Symphony's New Year's Eve gala. This summer brings her first appearances at the Hollywood Bowl, as Musetta in a con- cert performance of La boheme; at the Ravinia Festival, in Schumann's Scenes from "Faust"; and at Tanglewood. In 1996-97 she returns to the Bavarian State Opera in Munich as Ilia in Idomeneo and Sophie in Der Rosenkavalter. She sings Zerlina in a new produc- tion of Don Giovanni for Netherlands Opera and the title role in The Cunning Little Vixen for Scottish Opera. In addition to recitals in the United Kingdom, her concert schedule includes appearances at the BBC Proms, at the Melbourne Festival in Haydn's The Seasons, and with the San Francisco Symphony in Bach's Magnificat. Future plans include a Royal Opera, Covent Garden, debut as Susanna in Le nozze di Figaro led by Sir Charles Mackerras, Pamina in Die Zauberflote at Santa Fe Opera directed by Jonathan Miller, Marzelline in Fidelio at Welsh National Opera, a return to the Bavarian State Opera, and debuts at the Metropolitan Opera and Lyric Opera of Chicago. Past operatic engagements have also included the title role in Cendrillon, Hero in Beatrice et Benedict, Sophie in Der Rosenkavalier, Ilia in Idomeneo, Norina in Don Pasquale, Gretel in Hansel und Gretel, and Oscar in Un ballo in maschera for Welsh National Opera; Ilia and Sophie for the Bayerische Staatsoper; Ilia for New Israeli Opera; Marzelline in Leonore and Barbarina in Le nozze di Figaro at the Edinburgh Festival; and Tamiri in II re pastore at Alde- burgh. In concert she has performed Moses und Aron, Dido and Aeneas, and Vivaldi's Gloria with the Scottish Chamber Orchestra at the Edinburgh Festival, and Ilia in Idomeneo with the BBC Proms at Royal Albert Hall. She has toured Europe in Haydn's Creation with Frans Briig- gen and the Orchestra of the Eighteenth Century, has appeared with Luciano Pavarotti at a gala concert in Cardiff, and has given recitals at Wigmore Hall, at the Barcelona Festival, and throughout Britain. Her recordings include Barbarina in Le nozze di Figaro, Mabel in The Pirates of Penzance, Josephine in HMS Pinafore, the Plaintiff in Trial by Jury, and Mary in Vaughan Williams's Hugh the Drover. She recently sang Belinda in the BBC film of Purcell's Dido and Aeneas, the soundtrack of which is available on compact disc. On television she has hosted three series of her show "Rebecca" for Welsh television; her first solo CD, taken from that series, was released in May 1995. Upcoming recording projects include a solo disc of Italian songs, Finzi's Dies natalis, and Delius's Requiem. Rebecca Evans is a native of Pontrhy- dyfen, South Wales, and studied at London's Guildhall School of Music and Drama with Lauri Sarti. In 1991 the Welsh Arts Council presented her with the "Young Welsh Singer of the Year Award." She has also been a prizewinner in the BP Peter Pears International Competition. 41.
Recommended publications
  • Press Information Eno 2013/14 Season
    PRESS INFORMATION ENO 2013/14 SEASON 1 #ENGLISHENO1314 NATIONAL OPERA Press Information 2013/4 CONTENTS Autumn 2013 4 FIDELIO Beethoven 6 DIE FLEDERMAUS Strauss 8 MADAM BUtteRFLY Puccini 10 THE MAGIC FLUte Mozart 12 SATYAGRAHA Glass Spring 2014 14 PeteR GRIMES Britten 18 RIGOLetto Verdi 20 RoDELINDA Handel 22 POWDER HeR FAce Adès Summer 2014 24 THEBANS Anderson 26 COSI FAN TUtte Mozart 28 BenvenUTO CELLINI Berlioz 30 THE PEARL FISHERS Bizet 32 RIveR OF FUNDAMent Barney & Bepler ENGLISH NATIONAL OPERA Press Information 2013/4 3 FIDELIO NEW PRODUCTION BEETHoven (1770–1827) Opens: 25 September 2013 (7 performances) One of the most sought-after opera and theatre directors of his generation, Calixto Bieito returns to ENO to direct a new production of Beethoven’s only opera, Fidelio. Bieito’s continued association with the company shows ENO’s commitment to highly theatrical and new interpretations of core repertoire. Following the success of his Carmen at ENO in 2012, described by The Guardian as ‘a cogent, gripping piece of work’, Bieito’s production of Fidelio comes to the London Coliseum after its 2010 premiere in Munich. Working with designer Rebecca Ringst, Bieito presents a vast Escher-like labyrinth set, symbolising the powerfully claustrophobic nature of the opera. Edward Gardner, ENO’s highly acclaimed Music Director, 2013 Olivier Award-nominee and recipient of an OBE for services to music, conducts an outstanding cast led by Stuart Skelton singing Florestan and Emma Bell as Leonore. Since his definitive performance of Peter Grimes at ENO, Skelton is now recognised as one of the finest heldentenors of his generation, appearing at the world’s major opera houses, including the Metropolitan Opera, New York, and Opéra National de Paris.
    [Show full text]
  • Late Fall 2020 Classics & Jazz
    Classics & Jazz PAID Permit # 79 PRSRT STD PRSRT Late Fall 2020 U.S. Postage Aberdeen, SD Jazz New Naxos Bundle Deal Releases 3 for $30 see page 54 beginning on page 10 more @ more @ HBDirect.com HBDirect.com see page 22 OJC Bundle Deal P.O. Box 309 P.O. 05677 VT Center, Waterbury Address Service Requested 3 for $30 see page 48 Classical 50% Off beginning on page 24 more @ HBDirect.com 1/800/222-6872 www.hbdirect.com Classical New Releases beginning on page 28 more @ HBDirect.com Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Late Fall 2020 Late Fall 2020 Classics & Jazz Catalog, with a broad range of offers we’re sure will be of great interest to our customers. Catalog Index Villa-Lobos: The Symphonies / Karabtchevsky; São Paulo SO [6 CDs] In jazz, we’re excited to present another major label as a Heitor Villa-Lobos has been described as ‘the single most significant 4 Classical - Boxed Sets 3 for $30 bundle deal – Original Jazz Classics – as well as a creative figure in 20th-century Brazilian art music.’ The eleven sale on Double Moon, recent Enlightenment boxed sets and 10 Classical - Naxos 3 for $30 Deal! symphonies - the enigmatic Symphony No. 5 has never been found new jazz releases. On the classical side, HBDirect is proud to 18 Classical - DVD & Blu-ray and may not ever have been written - range from the two earliest, be the industry leader when it comes to the comprehensive conceived in a broadly Central European tradition, to the final symphony 20 Classical - Recommendations presentation of new classical releases.
    [Show full text]
  • The Magic Flute
    The Magic Flute PRODUCTION INFORMATION Music: Wolfgang Amadeus Mozart Text (English): Emanuel Schikaneder English Translation: J.D. McClatchy World Premiere: Vienna, Theater auf der Wieden Austria, September 30, 1791 Final Dress Rehearsal Date: Friday, December 13, 2013 Note: the following times are approximate 10:30am – 12:30pm Cast: Pamina Heidi Stober Queen of the Night Albina Shagimuratova Tamino Alek Shrader Papageno Nathan Gunn Speaker Shenyang Sarastro Eric Owens Production Team: Conductor Jane Glover Production Julie Taymor Set Designer George Tsypin Costume Designer Julie Taymor Lighting Designer Donald Holder Puppet Designers Julie Taymor and Michael Curry Choreographer Mark Dendy 2 Table of Contents Production Information 2 An Introduction to Pathways for Understanding Study Materials 4 Meet the Characters 5 The Story of The Magic Flute Synopsis 6 Guiding Questions 8 The History of Mozart’s The Magic Flute 10 Guided Listening Overture 12 I’m sure that there could never be 13 Such loveliness beyond compare 14 Don’t be afraid, now hear my song 15 The wrath of hell is burning in my bosom 16 Now I know that love can vanish 17 If only I could meet her 18 Pa-pa-ge-na! – Pa-pa-ge-no! 19 The Magic Flute Resources About the Composer 20 The Enlightenment & Singspiel 22 Online Resources 25 Additional Resources The Emergence of Opera 26 Metropolitan Opera Facts 30 Reflections after the Opera 32 A Guide to Voice Parts and Families of the Orchestra 33 Glossary 34 References Works Consulted 38 3 An Introduction to Pathways for Understanding Study Materials The goal of Pathways for Understanding materials is to provide multiple “pathways” for learning about a specific opera as well as the operatic art form, and to allow teachers to create lessons that work best for their particular teaching style, subject area, and class of students.
    [Show full text]
  • Dialogues Des Carmélites Le Nozze Di
    14 OCTOBER 2013 CASTING ANNOUNCEMENT DIALOGUES DES CARMÉLITES 29 May at 7.30 pm, 2, 4, 9, 11 June at 7.30 pm 7 June at 7pm. Having been contracted for the role of Blanche in Dialogues des Carmélites some time ago, Magdalena Kožená finds it no longer fits with her current vocal development. With great regret, therefore, she has decided she must withdraw from the forthcoming production and remove the role from her repertory. The role of Blanche will now be sung by British soprano Sally Matthews . Sally has recently sung the role of Blanche for Bavarian State Opera in Munich and also sang Blanche in Vienna in 2008. A former member of The Royal Opera’s Young Artists Programme, Sally made her debut with The Royal Opera in 2001 as Nannetta ( Falstaff ). Since leaving the Programme she has returned to sing Fiordiligi ( Così fan tutte ), Calisto (La Calisto) and Anne Trulove ( The Rake’s Progress ) for the Company. Her other recent appearances include Countess Almaviva ( Le nozze di Figaro ) for Glyndebourne Festival and Sophie ( Der Rosenkavalier ) for Netherlands Opera. LE NOZZE DI FIGARO 2, 5, 7, 15, May at 7pm: 10 May at 12 noon As British soprano Sally Matthews will now be singing the role of Blanche in Dialogues des Carmélites Welsh soprano Rebecca Evans will sing the role of Countess Almaviva in Le nozze di Figaro . Rebecca returns to The Royal Opera to sing the role of Countess Almaviva for the first time with the Company. She made her Royal Opera debut in 1997 and also sang Susanna For all Royal Opera House press releases visit www.roh.org.uk/press (Le nozze di Figaro ) with the Company in 1998.
    [Show full text]
  • Live TV Coverage Than Ever Before for BBC Cardiff Singer of the World 2019 Extensive Coverage Across BBC TV, Radio and Online 15-22 June 2019
    More live TV coverage than ever before for BBC Cardiff Singer of the World 2019 Extensive coverage across BBC TV, radio and online 15-22 June 2019 Backstage at BBC Cardiff Singer of the World © Brian Tarr The BBC brings all the drama and excitement of this year’s BBC Cardiff Singer of the World through extensive broadcasting on TV, radio and online, including more live TV coverage of the prestigious competition than ever before. The biennial competition, which has helped launch the careers of such stars as Jamie Barton, Elīna Garanča, Bryn Terfel and Dmitri Hvorostovsky, returns to Cardiff between 15-22 June 2019. Twenty of the world’s most outstanding young singers representing 15 countries compete for the title of BBC Cardiff Singer of the World and a £20,000 cash prize, and audiences can follow every note on BBC iPlayer and watch and listen on BBC TV and radio. The Main Prize Final on Saturday 22 June - in which the five final contenders are accompanied by the BBC National Orchestra of Wales conducted by Ewa Strusińska and Ariane Matiakh - is broadcast as live from St David’s Hall, Cardiff, by BBC Four, BBC Radio 3 and live on BBC Radio Cymru. The first Main Prize round on Sunday 16 June is broadcast on BBC Four as live at 9pm. For the first time, viewers across the country can follow their progress through every round in tandem with audiences in Cardiff, with most of the Main Prize rounds relayed as live on BBC Two Wales (Monday 17 – Wednesday 19 June).
    [Show full text]
  • 2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020
    2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Due to the 2020 COVID-19 situation, the WFMT Radio Network will release information in batches as opera broadcasts are confirmed. Please contact [email protected] for more information. PROGRAM #: OS 20-01 RELEASE: May 16, 2020 OPERA: Alceste (in French) COMPOSER: Christoph Willibald Gluck LIBRETTO: Marius-François-Louis Gand Lebland, Bailli Du Roullet after Ranieri de’ Calzabigi VENUE: National Theatre, Munich PRESENTING COMPANY: Bavarian State Opera CAST: Admeto Charles Castronovo Alceste Dorothea Röschmann High Priest of Apollo/Hercules Michael Nagy Evandro Manuel Günther Herald/Apollo Sean Michael Plumb Oracle/Infernal Deity Callum Thorpe ENSEMBLE: Bavarian State Orchestra and Opera Chorus CONDUCTOR: Antonello Manacorda DIRECTOR: Sidi Larbi Cherkaoui Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-02 RELEASE: May 23, 2020 OPERA: Tales of Hoffmann (in French) COMPOSER: Jacques Offenbach LIBRETTO: Juless Babier, Michel Carré VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Hoffmann Dmitry Korchak Olympia/Antonia/Giulietta Olga Peretyatko The Muse/Nicklausse Gaëlle Arquez Councillor Lindorf/Coppélius/ Luca Pisaroni Miracle/ Dapertutto Andrès/Cochenille/Frantz/ Michael Laurenz Pitichinaccio ENSEMBLE: Vienna State Opera Chorus and Orchestra CONDUCTOR: Frédéric Chaslin DIRECTOR: Andrei Serban Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-03 RELEASE: May 30, 2020 OPERA: Elektra (in German) COMPOSER: Richard Strauss LIBRETTO: Hugo von Hofmannsthal VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Klytaemnestra Waltraud Meier Elektra Christine Goerke Chrysothemis Simone Schneider Aegisth Norbert Ernst Orest Michael Volle ENSEMBLE: Vienna State Opera Orchestra CONDUCTOR: Semyon Bychkov DIRECTOR: Uwe Eric Laufenberg Approx.
    [Show full text]
  • Hansel and Gretel Synopsis 5 Guiding Questions 6
    2 Table of Contents An Introduction to Pathways for Understanding Study Materials 3 Production Information/Meet the Characters 4 The Story of Hansel and Gretel Synopsis 5 Guiding Questions 6 The History of Humperdinck’s Hansel and Gretel 7 Guided Listening Goosey goosey gander, the mouse in the straw 10 Little brother, dance with me 13 At night it’s a gruesome and sordid place 15 Cuckoo, cuckoo, eggs are blue 17 Where each child lays down its head 19 Hansel, don’t be greedy 21 So hopp hopp hopp, galopp lopp lopp 23 The dead arise but cannot see 25 Hansel and Gretel Resources About the Composer 27 Online Resources 28 Additional Resources Reflections after the Opera 30 The Emergence of Opera 31 A Guide to Voice Parts and Families of the Orchestra 35 Glossary 36 References Works Consulted 40 2 An Introduction to Pathways for Understanding Study Materials The goal of Pathways for Understanding materials is to provide multiple “pathways” for learning about a specific opera as well as the operatic art form, and to allow teachers to create lessons that work best for their particular teaching style, subject area, and class of students. Meet the Characters / The Story/ Resources Fostering familiarity with specific operas as well as the operatic art form, these sections describe characters and story, and provide historical context. Guiding questions are included to suggest connections to other subject areas, encourage higher-order thinking, and promote a broader understanding of the opera and its potential significance to other areas of learning. Guided Listening The Guided Listening section highlights key musical moments from the opera and provides areas of focus for listening to each musical excerpt.
    [Show full text]
  • CHAN 3143(2) Book.Indd
    CHAN 3143(2) yyipyip.inddipyip.indd 1 330/4/070/4/07 110:01:160:01:16 Engelbert Humperdinck (1854 –1921) Hansel and Gretel Märchenspiel (fairy-tale) in three acts Libretto by Adelheid Wette after a fairy-tale © Lebrecht Music & Arts Library Photo Music © Lebrecht by the Brothers Grimm, English translation by David Pountney Hansel Jennifer Larmore mezzo-soprano Gretel, his sister Rebecca Evans soprano Gertrude, their Mother Rosalind Plowright mezzo-soprano Peter, their Father Robert Hayward baritone The Witch Jane Henschel mezzo-soprano The Dew Fairy Sarah Tynan soprano The Sandman Diana Montague mezzo-soprano The Cuckoo Sarah Coppen New London Children’s Choir Ronald Corp chorus master Philharmonia Orchestra Gareth Hancock assistant conductor Sir Charles Mackerras Engelbert Humperdinck with Hansel and Gretel Caricature by Oscar Garvens 3 CCHANHAN 33143(2)143(2) BBook.inddook.indd 22-3-3 330/4/070/4/07 110:02:180:02:18 COMPACT DISC ONE Time Page Time Page 13 1 ‘Gretel, I think we’ve lost the way’ 4:18 [p. 87] Overture 7:39 [p. 76] Hansel, Gretel, voices 14 Act I ‘I am the little sandman’ 2:39 [p. 88] Sandman, Hansel, Gretel 2 ‘Goosey goosey gander, the mouse in the straw’ 2:57 [p. 76] 15 ‘Where each child lays down its head’ 3:24 [p. 89] 3 ‘Down with the dumps, out with the grumps’ 2:40 [p. 77] Gretel, Hansel 4 ‘Little brother dance with me’ 3:39 [p. 78] 16 Pantomime 5:01 [p. 89] Gretel, Hansel TT 58:49 5 ‘Hansel!’ 2:15 [p.
    [Show full text]
  • S4C Review of Statement of Programme Policy 2008
    S4C Review of Statement of Programme Policy 2008 Introduction This is the S4C Authority’s Review of the performance of S4C’s public services against the Statement of Programme Policy 2008. This Review was prepared in accordance with the requirements outlined in paragraph 4(1) (b) of Annex 2 of the Communications Act 2003. The Review is based on the objectives set out in the Statement of Programme Policy 2008. The Statement noted that S4C would continue to develop and invest in the provision for children in line with the results of the S4C Authority Consultation into services for children. This aim was fulfilled. 2008 was a historic year for S4C’s Programmes and Content Service with the launch of Cyw , the new service for young children. Nursery provision was extended from one hour to six and a half hours per day, five days a week, and a number of brand new series and characters were introduced to the screen. As mentioned in the Statement of Programme Policy, 2008 was designated a ‘Green Year’ by S4C and there were several highlights to this special season of programming, including Natur Cymru , Yr Afon and Byw yn Ardd. There was an undertaking to use suitable distribution platforms with an emphasis on broadband to increase the value and usage of S4C content. In September, S4/Clic was launched – the Channel’s online viewing service developed to improve the view-again service first introduced in 2006. As a result, there was a year-on-year increase of 182% in the online viewing sessions during 2008, in comparison with 2007.
    [Show full text]
  • NAFOW Program Booklet
    Wisconsin Cows Caws Wisconsin North American Festival of Wales Gŵyl Cymru Gogledd America Milwaukee, Wisconsin August 29–September 1, 2019 Celebrating 90 years, 1929-2019 WWW.NAFOW.ORG ’ For over 130 years, working to celebrate, preserve, The Calgary Welsh Society and promote Welsh cultural heritage in the Cymdeithas Gymreig Calgary Southwestern Pennsylvania region. PROUD TO SUPPORT NAFOW 2019 in MILWAUKEE Founded by John Morris – ‘Morris Bach’ in 1906 Proud supporters of the Welsh North American Association Website: calgarywelshsociety.com Facebook page: Calgary Welsh Society Welsh Language Classes DEWCH I YMWELD Â NI Cultural Festivals COME & VISIT US at the Wales-Pennsylvania Digitization Project GREAT PLAINS WELSH HERITAGE CENTRE Museum • Library • One-Room School Annual Daffodil Luncheon Archive For Welsh America Gymanfa Ganu Visitors & researchers welcome! St. David’s and Owain Glyndŵr Pub Crawls Learn more at our table in the marketplace. 307 S. Seventh Street Carnegie Library Welsh Collection P.O. Box 253 Wymore, NE 68466 University of Pittsburgh Welsh Nationality Room welshheritageproject.org Visit: stdavidssociety.org (402) 645-3186 [email protected] Facebook: welshsociety.pittsburgh Photo: Welsh Nationality Room in Cathedral of Learning at University of Pittsburgh 1 Croeso! Welcome to the North American Festival of Wales Milwaukee 2019 Cynnwys/Table of Contents Hotel Floor Plan ........................................................................................... 4–5 Schedule at a Glance ....................................................................................
    [Show full text]
  • San Francisco Opera Presents Mozart's The
    SAN FRANCISCO OPERA PRESENTS MOZART’S THE MAGIC FLUTE OCTOBER 13– NOVEMBER 3 AT THE WAR MEMORIAL OPERA HOUSE Company premiere of Gerald Scarfe’s magical production features soprano Dina Kuznetsova as Pamina and tenor Piotr Beczala as Tamino; Music Director Donald Runnicles leads the San Francisco Opera Orchestra and Chorus SAN FRANCISCO (October 1, 2007) –– San Francisco Opera’s Fall 2007 Season continues on October 13 with Wolfgang Amadeus Mozart’s The Magic Flute, featuring the acclaimed lyric tenor Piotr Beczala as Tamino and rising Russian-American soprano Dina Kuznetsova in the role of Pamina. Ms. Kuznetsova, originally slated to alternate in the role with Welsh soprano Rebecca Evans and sing the final three performances, will now sing all nine performances running through November 3 at the War Memorial Opera House. Ms. Evans has had to withdraw from the production due to an illness in her family. Gerald Scarfe’s captivating vision of The Magic Flute receives its Company premiere this month. Replete with a menagerie of fantastical creatures, the production revolves around a 30-foot-tall pyramid that morphs as the opera’s plot unfolds. A long-time political cartoonist for London’s Sunday Times, Scarfe’s extensive work in opera, theater, and film includes designing and directing the animation for Pink Floyd’s The Wall concerts and film. The renowned British artist’s colorful and visually inventive production will be directed by Stanley Garner, also in his San Francisco Opera debut. Filled with ritual and symbolism, Mozart’s masterpiece is a playful, yet profound look at the human quest for love, wisdom, and virtue.
    [Show full text]
  • Download Booklet
    CHAN 3103 Cover.qxd 20/9/06 10:02 am Page 1 CHAN 3103(2) CHANDOS O PERA IN ENGLISH PETER MOORES FOUNDATION CHAN 3103 BOOK.qxd 20/9/06 10:22 am Page 2 Wolfgang Amadeus Mozart (1756–1791) Lebrecht Collection Lebrecht Idomeneo, King of Crete Dramma per musica in three acts Libretto by Giovanni Battista Varesco after Antoine Danchet’s Idomenée English translation by David Parry Idomeneo, King of Crete.....................................................................................Bruce Ford tenor Idamante, his son.........................................................................Diana Montague mezzo-soprano Ilia, Trojan princess, daughter of King Priam..............................................Rebecca Evans soprano Electra, princess, daughter of Agamemnon...............................................Susan Patterson soprano Arbace, the King’s confidant .........................................................................Ryland Davies tenor High Priest of Neptune ................................................................................Nicolai Gedda tenor Voice of Neptune ................................................................................................Clive Bayley bass Orchestra and Chorus of Opera North Philip Sunderland assistant conductor/chorus master David Parry Wolfgang Amadeus Mozart 3 CHAN 3103 BOOK.qxd 20/9/06 10:22 am Page 4 The version of Idomeneo to be found on this Mozart, we also omitted Arbace’s first aria, recording is exactly that which Tim Albery feeling that it was probably retained for
    [Show full text]