Matatu 49 (2017) 386–399 brill.com/mata Transculturalism, Otherness, Exile, and Identity in Chimamanda Ngozi Adichie’s Americanah Augustine Uka Nwanyanwu University of Port Harcourt, Nigeria
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[email protected] Abstract Today African literature exhibits and incorporates the decentred realities of African writers themselves as they negotiate and engage with multifarious forms of dias- pora experience, dislocation, otherness, displacement, identity, and exile. National cultures in the twenty-first century have undergone significant decentralization. New African writing is now generated in and outside Africa by writers who themselves are products of transcultural forms and must now interrogate existence in global cities, transnational cultures, and the challenges of immigrants in these cities. Very few nov- els explore the theme of otherness and identity with as much insight as Adichie’s Americanah. The novel brings together opposing cultural forms, at once transcend- ing and celebrating the local, and exploring spaces for the self where identity and otherness can be viewed and clarified. This article endeavours to show how African emigrants seek to affirm, manipulate, and define identity, reclaiming a space for self where migrant culture is marginalized. Adichie’s exemplary focus on transcultural engagement in Americanah provides an accurate representation of present-day African literary production in its dialectical dance between national and international partic- ularities. Keywords transculturalism – Adichie – identity – otherness – exile – displacement © koninklijke brill nv, leiden, 2017 | doi: 10.1163/18757421-04902008Downloaded from Brill.com09/27/2021 03:39:14AM via free access transculturalism, otherness, exile, and identity 387 Introduction The post-independence period in Nigeria during the 1980s and 1990s was mark- ed by massive economic and academic emigration to the stable and prosper- ous West (notably the usa and the uk).