Music That Inspires! Feb. 2017 Live Music Schedule

Total Page:16

File Type:pdf, Size:1020Kb

Music That Inspires! Feb. 2017 Live Music Schedule CUP O JOY – Music That Inspires! 232 S. Broadway St. Green Bay, WI 54303 920 - 435 - 3269 www.cupojoy.com Feb . 201 7 Live Music Schedule ( Changes to printed schedule will be updated at www.cupojoy.com ) FRI FEB 3 JESSICA MARTINDALE – a Nashville singer - songwriter with a n aching wisdom in her voice. BOBBY COVERSTON an infectious gritty, Americana style. Show 7:30pm , Doors 6:45pm SAT FEB 4 RYAN STEVENSON – blends influences from soul, pop, and some of the great guitarists to create engaging acoustic guitar driven melodies such as with his chart - topping song "Eye of the Storm." 7:30pm show, doors 6:45pm. FRI FEB 10 GRASSCUTTERS - Three piece bluegrass WI group that bring s great m usic with guitar , banjo , killer mandolin and the upright bass 7:30pm, Doors at 6:45pm SAT FEB 11 JIM COLE – subtly - textured songs and finger - style guitar playing evoke an outpouring of emotions as Jim touches our hearts with his music. The music is acoustic, warm, and captivating. It is pure and simple, but very poignant. Tonight Jim Cole brings Celebrates Vale ntine's Day to YOU! Show 7:30pm , doors 6:45 FRI FEB 17 OPEN MIC – Come take the stage. Show 7pm , doors open at 6:30pm SAT FEB 18 SHAWN MCDONALD – The single, We Are Brave', went #1 on CHR. Shawn entered the music scene in 2004 with Simply Nothing and has offered up so many great and thoughtful hits. One S how Only! With Guest: ASH BULTMAN 7:30pm, Doors 6:45pm FRI FEB 24 JOSHUA CARSWELL – performed at the 2016 Cup Benefit Concert w / the Annie Moses Band. Joshua's breathtaking agility creates a signature sound, singin g pop originals, folk melodies, and stunning interpretations of beloved American classics . Show 7 :30 pm , Doors 6:45pm SAT FEB 25 FISHSTICKS IMPROV COMEDY – One of t he premiere IMPROV comedy teams in the country. It's "Whose Line?" that doesn't cross the line, it's high - energy, interactive, all - age appropriate fun. Bring the Kids and the Grandparents! TWO Crazy - Interactive Shows . 6:30 & 8:30pm, doors 1/2hr before .
Recommended publications
  • Music That Inspires! JAN. 2018 Live Music Schedule
    CUP O JOY – Music That Inspires! 232 S. Broadway St. Green Bay, WI 54303 920-435-3269 www.cupojoy.com JAN. 2018 Live Music Schedule (Changes to printed schedule will be updated at www.cupojoy.com) FRI JAN 5 MECAN RIVER RAMBLERS - a Wisconsin based bluegrass band bringing contemporary and traditional bluegrass and acoustic music. Show 7:30pm, SAT JAN 6 SWING’N ANGELS big band - Stand up, clap your hands, to this lively 16+ piece BIG BAND which includes a full HORN section.7:30pm, Doors 6:45pm! FRI JAN 12 REDSTAR EXPRESS – brings you traditional BLUEGRASS music along with a good many other old-time favorites in its Opry-style shows. 7:30pm Show! SAT JAN 13 FAMILY NIGHT – with Monty from Monty's Magic Theater– An EarlyNight of Fun so bring the kids out. Monty holds 3 Guinness World Records for slight of hand tricks, bringing wonder and audience participation to everyone's delight! Show 7pm (doors open 6:30). FRI JAN 19 OPEN MIC–take the stage. Show 7pm, doors open at 6:30pm SAT JAN 20 SHAWN MCDONALD – The single, We Are Brave', went #1 on CHR. Shawn entered the music scene in 2004 with Simply Nothing and has offered up so many great and thoughtful hits. Now with a New CD and One Show Only! With Guest: TBA 7:30pm, Doors 6:45pm 4 Shows – A Weekend of Comedy with: FRI JAN 27 JEFF ALLEN– The World’s Funniest, totally clean Comedian for adults. Jeff Allen combines clean, hilarious humor with inspiration like no other comedian working today.
    [Show full text]
  • RACC Project Grants for 2016
    RACC Project Grants for 2016 The 131 Projects – 54 organizations and 77 individual artists – are arranged alphabetically. * Clackamas County; **Washington County; All other recipients are Multnomah County. First time Project Grant recipients are highlighted. The RACC Project Grant Program provides financial support to Multnomah, Washington and Clackamas County individual artists and non-profit organizations in two (2) categories: Artistic Focus and Community Participation & Access. A project is defined as a specific art presentation, exhibit or creation of work that demonstrates characteristics that have clear benefit and is accessible to the constituency for which it is intended. A project possesses artistic quality, imaginative scope and vision, and is fully executed within a specified timeline. Feryal Abbasi-Ghnaim* From the Diaspora: Identity, Feminism, and Symbolism of Traditional Palestinian Designs Artistic Focus Folk Arts $2,633 My project idea is to document the endangered oral history of Palestinian folk, fabric and fiber arts into a downloadable ebook. I have selected 15 tapestries and embroidery pieces from my large collection to feature. Traditionally, the history of each design is shared between grandmother, mother and daughter through storytelling. The story is documented through the design itself -- a coded language used by women over centuries -- which is decoded through dialogues between women. In the same tradition, I'll work with my daughter, Wafa Ghnaim, to translate and transcribe the stories I learned from my mother and grandmother. At the end of the grant year, we will conduct a book reading and lecture at the Ledding Library of Milwaukie for the launch of the eBook. Wafa will donate her time to translate and transcribe the book.
    [Show full text]
  • South African Women Poets, 2000-2015
    ATLANTA REVIEW V o l u m e XXIV, I s s u e N u m bATLANTA e r 2 REVIEW i ATLANTA REVIEW at the Georgia Institute of Technology Editor Karen Head Managing Editor JC Reilly Design Editor Duo-Wei Yang Guest Editor Phillippa Yaa de Villiers Editor Emeritus Dan Veach ***** Editorial Staff Senior Reader Robert Wood Reader Andrea Rogers Reader Julie Weng Layout Assistant Jordan Davis ***** Atlanta Review logo designed by Malone Tumlin Davidson ii ATLANTA REVIEW Visit our website: www.atlantareview.com Atlanta Review appears in May and November. Subscriptions are $15 a year. Available in full text in Ebsco, ProQuest, and Cengage databases. Atlanta Review subscriptions are available through Ebsco, Blackwell, and Swets. Submission guidelines: Up to five poems, without identifying information on any poem. For more information, visit our website. Submission deadlines are as follows: June 1st (Fall issue) December 1st (Spring issue) Online submissions preferred: https://atlantareview.submittable.com/submit Postal mail submissions must include a stamped, self-addressed return envelope, and a cover letter listing poet’s contact informa- tion and a list of poem titles submitted. Please send postal mail submissions and subscriptions requests to: ATLANTA REVIEW 686 Cherry St. NW, Suite 333 Atlanta GA 30332-0161 © Copyright 2018 by Atlanta Review. ISSN 1073-9696 Atlanta Review is a nonprofit literary journal. Contributions are tax-deductible. ATLANTA REVIEW iii Welcome Winter has been tempestuous for many of our writers and subscribers this year. Even in Atlanta, we had a January snowstorm that shut down the city for a couple of days.
    [Show full text]
  • Younger+Children.Pdf
    License, Copyright and Online Permission Statement Copyright © 2019 by Chalice Press. Outlines developed by an Editorial Advisory Team of outdoor ministry leaders representing six mainline Protestant denominations. Purchase of this resource gives license for its use, adaptation, and copying for programmatic use at one outdoor ministry or day camp core facility/operation (hereinafter, “FACILITY”) for up to one year from purchase. Governing bodies that own and operate more than one FACILITY must buy one copy of the resource for each FACILITY using the resource. Copies of the files may be made for use only within each FACILITY for staff and volunteer use only. Each FACILITY’s one-year permission now includes the use of this material for one year at up to three additional venues to expand the FACILITY’s reach into the local community. Examples would include offering outdoor ministry experiences at churches, schools, or community parks that are not part of your core FACILITY program. Copies of the files are for programming use only by staff and volunteers, and distribution for resale is strictly prohibited in any form electronically or in hard copy such as printing, copying, website posting/re-posting, emails, etc. Upon request and approval this site license allows your FACILITY to post this edition of InsideOut resources for up to one year from purchase on a password-protected Web site for the exclusive use of volunteer directors and authorized staff. The password must expire within one year of purchase, and the administrator must change the password immediately upon discovery of unauthorized use. Please e-mail the Web site link to [email protected] for approval.
    [Show full text]
  • Rising Strong / Brené Brown
    This is a work of nonfiction. Nonetheless, some of the names and personal characteristics of the individuals involved have been changed in order to disguise their identities. Any resulting resemblance to persons living or dead is entirely coincidental and unintentional. Copyright © 2015 by Brené Brown Illustrations copyright © 2015 Simon Walker All rights reserved. Published in the United States by Spiegel & Grau, an imprint of Random House, a division of Penguin Random House LLC, New York. SPIEGEL & GRAU and the HOUSE colophon are registered trademarks of Penguin Random House LLC. Grateful acknowledgment is made to the following for permission to reprint previously published material: BMG Rights Management (US) LLC: Excerpt from “In Spite of Ourselves,” words and music by John Prine, copyright © 1999 by Weona Music (BMI)/BMG Bumblebee (BMI). All rights administered by BMG Rights Management (US) LLC. All rights reserved. Used by permission of BMG Rights Management (US) LLC. Hal Leonard Corporation: Excerpt from “The Devil Went Down to Georgia,” words and music by Charlie Daniels, John Thomas Crain, Jr., William Joel DiGregorio, Fred Laroy Edwards, Charles Fred Hayward, and James Wainwright Marshall, copyright © 1979 by Songs of Universal, Inc. All rights reserved. Used by permission of Hal Leonard Corporation. Sony/ATV Music Publishing LLC: Excerpt from “Delta,” written by David Crosby, copyright © 1982 Stay Straight Music; excerpt from “Hallelujah,” written by Leonard Cohen, copyright © 1985 Sony/ATV Songs LLC. All rights for both titles administered by Sony/ATV Music Publishing LLC., 424 Church Street, Suite 1200, Nashville, TN 37219. All rights reserved. Used by permission. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Brown, Brené.
    [Show full text]
  • Shakespeare Play Is Mix of Laughter, Love, Chaos
    Volume 85 - Issue 15 February 15, 2013 Shakespeare Heemstra Radio play is mix of laughter, turns down tunes love, chaos On October 26, 2012, Dr. BY KALI WOLKOW John Brogan sent an email to h* OPINION EDITOR Radio with a list of guidelines Love triangles are complicated, regarding the continuation of messy situations. In the “Comedy the music, one of which included of Errors,” this “messy situation” a volume decrease. According becomes more like a chaotic love to the guidelines, “The volume hexagon. A jealous wife mistakes her must be turned down during brother-in-law for her husband. Her class periods. The volume can be brother-in-law, in turn, falls for her increased during the 10-minute sister. Meanwhile, her actual husband breaks between classes but not is locked out of his own house, and the beyond an acceptable level. lives of their servants spiral into a tizzy: Once the next class period begins, Nell, a kitchen wench, is engaged to one the music must once again be of the twin Dromio servants but soon turned down to a quieter level.” mistakenly sets her sights on the other. The termination of the station Sound confusing? It might be. It’s after chapel caused frustration also funny. and disappointment within Shakesphere’s play, “Comedy Heemstra and across campus. of Errors,” will be performed by “It’s something like taking Northwestern students and directed by away Melon and Gourd week Jeff Barker starting today at 7:30 p.m. in because it’s traumatizing to the Allen Black Box Theatre.
    [Show full text]
  • Music Annual Presentation
    Committee(s) Date(s): Barbican Centre Board 20 November 2019 Subject: Public Music Annual Presentation Report of: For Information Louise Jeffreys, Artistic Director Report author: Huw Humphreys, Head of Music Summary This report provides an overview of the Barbican Music department’s recent activity, current positioning and forward strategy within the context of the Barbican’s overall vision and mission and Strategic Business Plan. It is divided into the following sections: 1. Music Mission Statement 2. 2018/9 Season Review and 2019/20 Highlights 3. Equality and Inclusion 4. Milton Court 5. Conclusions Recommendation(s) Members are asked to note the report. Main Report 1. MUSIC MISSION STATEMENT Our music programme connects audiences with international artists who have bold new ideas; from experimental collaborations to the world’s leading orchestras and soloists, our programme crosses genres and boundaries to break new ground. We work in partnership with the greatest orchestras and creative organisations from across the globe – our Resident Orchestra the London Symphony Orchestra, International Orchestral Partner the Los Angeles Philharmonic and our family of associates: Barbican International Associate Ensemble at Milton Court, the Australian Chamber Orchestra; Barbican International Associate Ensemble, Jazz at Lincoln Center Orchestra with Wynton Marsalis; Associate Orchestra, BBC Symphony Orchestra; Associate Ensembles, the Academy of Ancient Music and Britten Sinfonia; and Associate Producer, Serious. We empower and invest in artists to realise their vision; commissioning new work, brokering new collaborations, encouraging creative risk and connecting emerging talent with the stars of today through our partnership with the Guildhall School of Music & Drama. Our programme aims to be accessible to all; from free events both in the Centre and offsite in east London to discounted Young Barbican tickets for 14-25 year olds for every concert we produce.
    [Show full text]
  • HHH Song Book
    Summit Hash House Harrier Song Book With Special Thanks to Woodford:[email protected] (Flying Booger) Converted from MSWord 2 files dated January, 1994 The material assembled herein has flunked every test of political, religious, sexual, and ethnic correctness known to man. Public performance of these songs will cause persons of refinement to swoon, and every one of them is guaranteed to offend somebody (in some cases, everybody). Hashers, thankfully, don't give a damn who they offend. That's why Hashers are my kind of people. This collection was made possible by the efforts of Hashers around the world, who freely share their favorite songs. In turn, everything here is meant to be shared. You're welcome to reproduce any part, or all, of this songbook (but be careful with the Monty Python stuff, which is copyrighted but too good to leave out of a Hash songbook—ed). This is a work in progress, with plenty of room to grow. If you know good songs (or bad) you don't see here, please send them to me for inclusion in future editions. I'll be happy to give you credit. My address is in the back. Hash Hymns III is dedicated to Hash House Harriers everywhere, especially my friends of the Tampa, Other Orlando, Phoenix, Okinawa, Hong Kong (Little Sai Wan, Hong Kong, and Southside), Bangkok (Saturday and Monday), Darwin, Orange County, Long Beach, Osan Bulgogi, Seoul, Tacoma, Puget Sound, Singapore (Lion City), San Diego, Fog City, East Bay/Mt. Diablo, San Francisco City, Honolulu, Aloha, Hilo, and Hawaii Full Moon Hash House Harriers.
    [Show full text]
  • Music That Inspires! Jan. 2016 Live Music Schedule
    CUP O JOY – Music That Inspires! 232 S. Broadway St. Green Bay, WI 54303 920 - 435 - 3269 www.cupojoy.com Jan . 201 6 Live Music Schedule ( Changes to printed schedule will be updated at www.cupojoy.com ) F RI JAN . 1 CLOSED FOR NEW YEAR’S DAY - ENJOY your family and come to see us soon ☺ SAT JAN . 2 APRIL STROM JOHNSON – Finish the Christmas season and welcome the new year with the gal with the Big voice. April sings her favorite tunes and puts a new twist on some old favorites Show 7:30pm , doors 6:45pm! FRI JAN. 8 GENESSE RIDGE BLUEGRASS – a hard - driving traditional bluegrass sound with sweet harmony vocals playing everything from traditional bluegrass standards to contemporary songs with some Gospel to round things out. 7:30pm S AT JAN . 9 REMEDY DRIVE –– a high - energy rock band from Nashville bringing their NEW CD, Remedy Drive has made a name for themselves through their energetic and dynamic live show. ALSO : NATIVE TONGUES 7:30pm, doors 7 pm. Get an Early Bird to be a part of the Preshow Meet N Greet at 6:30pm ( doors - 6: 20 pm) FRI JAN . 15 SHAWN MCDONALD – o ne of music's most respected and soulful troubadours recently released the project , BRAVE. The s ingle, We Are Brave', went #1 on CHR. Shawn entered the music scene in 2004 with Simply Nothing . He since released Risen (2006) and Roots (2008). Closer , (2011) and the The Analog Sessions” 2012 … 2 SHOWS: 6:30 & 8:45 pm (doors ½ hr before) . SAT JAN.
    [Show full text]
  • 341:48:54 Total Tracks Size: 38.1 GB
    Total tracks number: 5587 Total tracks length: 341:48:54 Total tracks size: 38.1 GB # Artist Title Length Genre 01 A Firm Handshake Feat Sammy Brown How To Go To Confession 02:51 02 A Rotterdam November Enough 02:46 03 Aaron Buchholz Circles 02:56 04 Aaron Buchholz Walk In It 03:17 05 Aaron Bucks I Got You 03:04 06 Aaron Cole Feat Tobymac Right On Time 03:24 07 Aaron Gillespie All He Says I Am 03:14 08 Aaron Gillespie Praise Him 03:32 09 Aaron Shust Come And Save Us 03:16 10 Aaron Shust Create Again 04:30 11 Aaron Shust Give Me Words To Speak 03:44 12 Aaron Shust God Has Come To Earth 03:42 13 Aaron Shust Long Live The King 03:59 14 Aaron Shust My Hope Is In You 04:13 15 Aaron Shust My Savior My God 03:27 16 Aaron Shust Resurrecting 03:35 17 Aaron Shust Risen Today 03:20 18 Aaron Shust To God Alone 03:45 19 Aaron Shust To The Only God 04:10 20 Aaron Shust Watch Over Me 03:56 21 Aaron Shust We Are Free 03:29 22 Aaron Shust You Redeem 03:35 23 Aaron Sprinkle Real Life 03:52 24 Abandon Feel It In Your Heart 02:59 25 Abandon Hope Is Alive 03:27 26 Abandon Live It Out 03:25 27 Abandon New Years Day 04:06 28 Abandon Providence 03:25 29 Abandon Under Fire 03:08 30 Abandon Kansas Turn It To Gold 03:30 31 Abigail Duhon I M Not Ashamed 03:53 32 Abigail Duhon Rebound 02:57 33 Abigail Sloane Enough 03:12 34 About A Mile Born To Live 02:51 35 About A Mile Satisfied 03:44 36 About A Mile Taking Back 03:18 37 About A Mile Trust You All The Way 03:15 38 About A Mile Who You Say You Are 03:28 39 Above The Fall Brace For Impact 03:20 40 Above The Golden
    [Show full text]
  • A Description About Types of Moral Values in Selected Songs of Demi Lovato’S Confident Album
    A DESCRIPTION ABOUT TYPES OF MORAL VALUES IN SELECTED SONGS OF DEMI LOVATO’S CONFIDENT ALBUM A PAPER WRITTEN BY: EKLESIA NASRANI SINAGA REG. NO 172202003 ENGLISH DIPLOMA 3 STUDY PROGRAM FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2020 Universitas Sumatera Utara i Universitas Sumatera Utara Universitas Sumatera Utara i Universitas Sumatera Utara Universitas Sumatera Utara AUTHOR’S DECLARATION I am EKLESIA NASRANI SINAGA, declare that I am the sole writer of this paper. Except where the reference made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper, which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgment in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : Date : August 2020 i Universitas Sumatera Utara COPYRIGHT DECLARATION Name : Eklesia Nasrani Sinaga Title of Paper : A DESCRIPTION ABOUT TYPES OF MORAL VALUES IN SELECTED SONGS OF DEMI LOVATO’S CONFIDENT ALBUM Qualification : D3/Ahli Madya Study Program : English I am willing that paper should be available for reproduction at the discretion of the Librarian in the English Diploma 3 Study Program, Faculty of Cultural Studies, USU on the understanding that users made aware of their obligation under the law of the Republic of Indonesia. Signed : Date : August 2020 ii Universitas Sumatera Utara ABSTRAK Judul kertas karya ini adalah “A Description about Types of Moral Values in Selected Songs of Demi Lovato’s Confident Album.” Tujuan kertas karya ini adalah untuk mendeskripsikan jenis-jenis nilai moral yang digambarkan pada lirik lagu Demi Lovato.
    [Show full text]
  • Common Ground How Bipartisanship Produced the Largest Land Conservation Legislation in a Decade
    INSIDE The Lost Decade 18 A City in Motion 24 Common Ground How bipartisanship produced the largest land conservation legislation in a decade Fall 2019 | Vol. 21, No. 4 TIME CAPSULE Thirty-five years ago, The Pew Charitable Trusts began funding a program that supports promising young researchers who seek to advance human health. The Pew Scholars Program in the Biomedical Sciences was one of the first of its kind—and the first to have the Pew name attached to it after years of anonymous grantmaking. Nearly 1,000 scholars have received grants and their numbers include three scientists who have gone on to win the Nobel Prize, awarded in a ceremony each year by Sweden’s King Carl XVI Gustaf: Roderick MacKinnon for chemistry in 2003, Craig Mello for physiology or medicine in 2006, and Carol Greider for physiology or medicine in 2009. Getty Images CONTENTS 2 Notes From the President: What a Difference a Decade Makes 4 The Big Picture: Canada Modernizes Fisheries Management 6 Noteworthy: Innovative Ideas Could Help Fund National Parks; Philadelphia’s High Commuting Costs; Complicated Views on Diversity in the U.S.; Surgeon General Adams Visits Pew 10 Dean Fikar/Getty Images 10 How America’s Lands Became Common Ground The most significant land conservation legislation in a decade was marked by a rare display of congressional bipartisanship. By Charles Babington 18 The Lost Decade The Great Recession may be over, but many states are still feeling its effects. By Stephen Fehr 24 A City in Motion A bump in population from immigrants and 24 Lexey Swall for The Pew Charitable Trusts young people is just one of the positive changes for Philadelphia over the past decade.
    [Show full text]