Wood Characteristics Today
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Use of Wood Residue in Making Reconstituted Board Products
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1959 Use of wood residue in making reconstituted board products Suthi Harnsongkram The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Harnsongkram, Suthi, "Use of wood residue in making reconstituted board products" (1959). Graduate Student Theses, Dissertations, & Professional Papers. 3981. https://scholarworks.umt.edu/etd/3981 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE USE OF WOOD RESIDUE IN MAKING RECONSTITUTED BOMD HiODUCTS SUTHI HARNSOMJKRAM B.S.F., Unlveinsity of the Philippines, 1952 Presented in partial fulfillment of the requirements for the degree of Master of Forestry MONTANA STATE UNIVERSITY 1959 Approved Dean, Graduate School I 3 I960 Date UMI Number: EP34193 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT " DlM«litionP«ibWfca ^ UMI EP34193 Copyright 2012 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. -
From Cutting to Order to Cutting for Value a Handbook for Chainsaw Millers
From cutting to order to cutting for value A handbook for chainsaw millers From cutting to order to cutting for value A handbook for chainsaw millers Andrew Mendes and Nick Pasiecznik This publication has been produced with the financial assistance of the European Commission’s Programme for Environment and Sustainable Management of Natural Resources including Energy, and the partners involved in implementing the EU Chainsaw Milling Project, specifically the Forestry Training Centre Inc., Iwokrama International Centre for Rainforest Conservation and Development, and Tropenbos International. The contents and the views expressed by the authors do not necessarily reflect those of the programme partners, nor of the European Union. Disclaimer Chainsaws are dangerous and potentially fatal and this must be acknowledged by all users. This manual contains information and best practice recommendations based on the experiences of the authors, and on sources believed to be reliable. This is supplied without obligation and on the understanding that any person who acts on it, or otherwise changes their position in reliance thereon, does so entirely at their own risk. Published by: Tropenbos International Copyright: © Tropenbos International, the Netherlands, and the Forestry Training Centre Inc., Guyana Text may be reproduced for non-commercial purposes, citing the source Citation: Mendes, Andrew, and Nick Pasiecznik. 2015. From cutting to order to cutting for value. A handbook for chainsaw millers. Tropenbos International, Wageningen, the Netherlands, and the Forestry Training Centre Inc., Georgetown, Guyana. ISBN: 978-90-5113-126-0 Contributors: Chris Davis, Wilfred Jarvis, Rohini Kerrett, Godfrey Marshall and Leroy Welcome Layout: Harry Wilcken Design & Photography Photo credits: Tropenbos International, the Forestry Training Centre Inc., Guyana, and the authors Printed by: Digigrafi, Veenendaal, the Netherlands Available from: Forestry Training Centre Inc. -
Code of Practice for Wood Processing Facilities (Sawmills & Lumberyards)
CODE OF PRACTICE FOR WOOD PROCESSING FACILITIES (SAWMILLS & LUMBERYARDS) Version 2 January 2012 Guyana Forestry Commission Table of Contents FOREWORD ................................................................................................................................................... 7 1.0 INTRODUCTION ...................................................................................................................................... 8 1.1 Wood Processing................................................................................................................................. 8 1.2 Development of the Code ................................................................................................................... 9 1.3 Scope of the Code ............................................................................................................................... 9 1.4 Objectives of the Code ...................................................................................................................... 10 1.5 Implementation of the Code ............................................................................................................. 10 2.0 PRE-SAWMILLING RECOMMENDATIONS. ............................................................................................. 11 2.1 Market Requirements ....................................................................................................................... 11 2.1.1 General .......................................................................................................................................... -
Architectural Panels and Veneers
L u m b e r M e l a m i n e H a r d w o o d P l y w o o d A r c h i t e c t u r aAl PRa nCe l Hs IC oTl oEr eCd TC aUu l kRAP a L r t i c l e B o a r d E x o t i c L u m b e r M D F V e n e e r M o u l d i n g L a m i n a t e s H Pa rAd wNa r Ee LESd g e&b a nVd EANd h Ee sEi vRe sS B e n d a b l e P a n e l s L u m b e r M e l a m i n e H a r d w o o d P l y w o o d P a n e l s L u m b e r M e l a m i n e H a r d w o o d P l y w o o d A r c h i t e c t u r a l P a n e l s C o l o r e d C a u l k P a r t i c l e Architectural Panels and Veneers Our distribution centers offer architectural-grade veneer and panels for the most demanding applications. Whether your project requires one panel, a large sequenced-matched set, or a blueprint-matched set, our technical staff can assist you. -
Modelling Mechanical Properties of Spruce and Douglas Fir Timber By
Modelling mechanical properties of spruce and Douglas fir timber by means of X-ray and grain angle measurements for strength grading purpose Joffrey Viguier, Damien Bourreau, Jean-François Bocquet, Guillaume Pot, Laurent Bléron, Jean-Denis Lanvin To cite this version: Joffrey Viguier, Damien Bourreau, Jean-François Bocquet, Guillaume Pot, Laurent Bléron, etal.. Modelling mechanical properties of spruce and Douglas fir timber by means of X-ray and grain angle measurements for strength grading purpose. European Journal of Wood and Wood Products, Springer Verlag, 2017, 75 (4), pp.527-541. 10.1007/s00107-016-1149-4. hal-01530963 HAL Id: hal-01530963 https://hal.archives-ouvertes.fr/hal-01530963 Submitted on 1 Jun 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - ShareAlike| 4.0 International License Modelling mechanical properties of spruce and Douglas r timber by means of X-ray and grain angle measurements for strength grading purpose Jorey Viguier1∗, Damien Bourreau2, Jean-François Bocquet1, Guillaume -
The Future Pickups, Mounted Directly Into the Neck and Middle Pickups Have Warm, Mango Top
Gear Reviews gerboard, abalone inlays, and a mango great with palm-muted chugging and headstock overlay. The Virtuoso is rocking riffs, bringing every line and outfitted with Hipshot locking tuners chord tone to life. It’s equally im- Back to the and vibrato bridge, Graphtech nut, pressive for lead tones, maintaining Dunlop strap locks, 6155 fret wire, fullness even into the upper register, and powered by two single-coils and without becoming screechy. Blues a humbucker wound by Amalfitano and shred tones are easy to coax; the Future Pickups, mounted directly into the neck and middle pickups have warm, mango top. Some builders feel direct fat tones that ably cover the Hendrix/ mounting derives a more powerful, SRV/Clapton spectrum. And the low The Mike Lipe Virtuoso immediate tone from the pickups. fretboard action allows for easy tap/ Control of them comes from a single sweep combinations and all other Tone and Volume and a five-position types of shred lickology. One improve- Mike Lipe has built guitars for perstrat” configuration. The figured pickup selector. ment compared to a vintage shredder top players and guitar companies (no- top of the guitar is made from mango From the moment you pick it up, axe is the lack of a locking nut, thanks tably heading up the Ibanez Custom wood, which lays upon a korina body. it’s clear the Virtuoso is a superbly to excellent hardware (most notably, 1 Shop in the ’90s). In 2000, he struck The 25 /2" neck is constructed of crafted instrument. Lead guitarists locking tuners) and construction that quartersawn korina (quarter sawing will enjoy the fast feel of the neck – its bypasses the need for the cumbersome gives a piece of wood slim profile is built for speed and the devices of yesteryear. -
Wood & Veneer Care and Maintenance
Materials Wood & Veneer Care and Maintenance Wood and veneer products are natural wood, requiring more attention than other surfaces. When properly cared for, it will last long and keep looking beautiful. To maintain the quality of your Herman Miller products, please follow the cleaning procedures outlined here. Wood & Veneer Stains Herman Miller products finished with wood, wood veneer, Herman Miller woods and veneers meet strict testing standards or recut wood veneer, except the oiled Eames Lounge and for resistance to wear, light, stains, water, and pressure. Ottoman with Rosewood, Oiled Walnut, or Oiled Santos Palisander veneer, and the Eames Sofa back panels with To reduce the risk of damage, take some precautions: Oiled Walnut, unless specifically noted. Use coasters for glasses and mugs. Routine Care If a glass top is added to the wood or veneer surface, be sure it Normal Cleaning rests on felt pads. Dust regularly with a slightly damp, soft, lint-free cloth. Don’t place a potted plant on a wood or veneer surface unless Wipe dry with a dry, soft cloth in the direction of the wood grain. it’s in a water-tight container or in a drip tray. Spills should be immediately wiped up with a damp cloth. Don’t let vinyl binders stay on a surface for very long. Use protective pads under equipment with “rubber” cushioning Once a month feet. Some chemical compounds used in the feet on office Clean the surface with a soft cloth dampened with a quality equipment, such as printers and monitor stands, may leave cleaner formulated for wood furniture. -
ALTERNATIVE WOODS for GUITAR CONSTRUCTION
ALTERNATIVE WOODS for GUITAR CONSTRUCTION and other string fretted instruments by DAVID A. G. FREEMAN Luthier Prepared for Lecture at Metiers d’art de lutherie Quebec City, Quebec February 24,2013 Alternative Woods My intent tonight is to discuss what is desired in a wood to make it suitable for Instrument construction. This is from my own experimenting and research as well as discussions with other Luthiers. In order to understand what might be desirable in alternative woods one must first understand what the properties of a traditional wood are that contribute to the acoustics of instruments. Then one might look for woods that have similar qualities to achieve similar responses. To this end there is more than one variable, so it is important to have a clear concept of the sound one wants to achieve before you start. The other aspect you want to understand is what you are trading away, be it in sound, or structure, or aesthetics versus what you are gaining by using another wood species. Perhaps economics may also be considered in this balance. We live in an age when all musicians are not connoisseurs of resonant tone wood and want a less expensive instrument to carry on tours or play on the street. The other end of this spectrum is a collector that wants incredibly figured woods that still deliver a good tone. So be aware of the purpose of your choice to use a wood not traditionally found on an instrument. This helps you accept any acoustic changes that might occur. Woods can be tested with some science though many of the properties become relative to other species. -
“ Over 100 Years of Experience in Bringing Wood Products to You.” FEATURED PRODUCT
Hood Distribution McEwen Group Product Listing: Volume Three “ Over 100 Years of Experience in Bringing Wood Products to You.” www.HoodDistribution.com FEATURED PRODUCT FEATURED TABLE OF CONTENTS Since 1899, Hood Distribution, The McEwen Group has Products ....................................................................................................Page # FORMWOOD INDUSTRIES been known as being a leading distributor of high quality > Featured Products hardwood and specialty softwood products. In reviewing Formwood Industries ................................................................1 Hood Distribution has partnered with WOOD VENEER EDGEBANDING this brochure, you will see the wide array of products which Kirei ..................................................................................................2 FormWood Industries to provide our Edgebanding is produced by joining individual focus on the specialty millwork, commercial & residential Fulterer ............................................................................................3 customer base with high quality wood pieces of veneer together into a continuous cabinet, and furniture manufacturing industries. In addition, veneer and veneer related products. master roll by finger-jointing the veneer. The select branches are active in supplying the retail lumber Starboard .......................................................................................4 Since 1972, FormWood Industries has rolls are laminated with fleece, then sanded and slit to finished dealers -
Value Activation with Vertical Annual Rings – Material, Production, Products Dick Sandberg
Value Activation with vertical annual D Sandberg Value Activation with vertical annual rings – material, production, products Dick Sandberg TRITA-TRÄ R-98-36 ISSN 1104-2117 ISRN KTH/TRÄ/R--98/36--SE Value Activation with vertical annual rings – material, production, products by Dick U. W. Sandberg Stockholm Doctoral Thesis KTH-Royal Institute of Technology Dept of Manufacturing Systems 1998 Wood Technology and Processing SE-100 44 STOCKHOLM Abstract This thesis is a contribution to the R&D-program Value Activation at KTH- Trä. Two main aspects can be distinguished in the thesis. (i) A documentation and description of star-sawing technology from the initial idea to the first industrial plant. (ii) A description of research results within the fields of wood science and production technology, obtained during the development of the star-sawing technique. The two aspects are strongly linked to each other. The relation between ideas, scientific basis of the ideas and development results, the development of production technology and systems, and the dissemination of knowledge and technology transfer from all levels to the industrial implementation are described. The way in which all these development stages are connected in this work is also discussed. The thesis presents a new sawing technique developed at KTH, Div. of Wood Technology and Processing (KTH-Trä). The star-sawing concept, i.e. the sawing of the log according to the star-sawing pattern and the further refinement of the sawn product into PrimWood are described in detail. Experimental results are presented concerning different material properties of timber in general and of timber with vertical annual rings in particular. -
Chapter 3--Physical Properties and Moisture Relations of Wood
Chapter 3 Physical Properties and Moisture Relations of Wood William Simpson and Anton TenWolde he versatility of wood is demonstrated by a wide Contents variety of products. This variety is a result of a Appearance 3–1 spectrum of desirable physical characteristics or properties among the many species of wood. In many cases, Grain and Texture 3–1 more than one property of wood is important to the end Plainsawn and Quartersawn 3–2 product. For example, to select a wood species for a product, the value of appearance-type properties, such as texture, grain Decorative Features 3–2 pattern, or color, may be evaluated against the influence of Moisture Content 3–5 characteristics such as machinability, dimensional stability, Green Wood and Fiber Saturation Point 3–5 or decay resistance. Equilibrium Moisture Content 3–5 Wood exchanges moisture with air; the amount and direction of the exchange (gain or loss) depend on the relative humid- Sorption Hysteresis 3–7 ity and temperature of the air and the current amount of water Shrinkage 3–7 in the wood. This moisture relationship has an important Transverse and Volumetric 3–7 influence on wood properties and performance. This chapter discusses the physical properties of most interest in the Longitudinal 3–8 design of wood products. Moisture–Shrinkage Relationship 3–8 Some physical properties discussed and tabulated are influ- Weight, Density, and Specific Gravity 3–11 enced by species as well as variables like moisture content; Working Qualities 3–15 other properties tend to be independent of species. The thor- oughness of sampling and the degree of variability influence Decay Resistance 3–15 the confidence with which species-dependent properties are Thermal Properties 3–15 known. -
WOOD VENEERS Bring the Warmth and Sophistication of Real Wood to Your Next Cab Interior Project
Elevator Interior Panel and Ceiling Systems www.ECRcabs.com WOOD VENEERS Bring the warmth and sophistication of real wood to your next cab interior project. ECR has extensive experience working with wood veneer to help our clients achieve their desired design outcomes. We will work closely with you from initial selection through application to ensure your project meets your expectations and budget. Background Wood veneers and colours can have infinite permutations and vary from the exotics to the common, open or closed grain, hard or soft woods and a range of stain colors. Selection can be further complicated, and price increased with more exotic woods, desire for specific logs or flitch lots and complex layouts such as diagonal and diamond patterns. What follows is a good primer if you are considering a wood veneer finish and want to work within a reasonble budget: 1. Select a common hardwood with a Cut examples closed grain A readily available North American hard wood with a closed grain will reduce cost and make for a durable, even surface once installed. Examples of this type of wood include cherry, maple and walnut. 2. Select a cut Rotary Cut Quarter Cut The cut refers to how a slice of veneer is harvested from a log. Assembly examples Various cuts produce differing patterns and affects. Although we can accommodate specific cut requests, for most cabs we recommend selecting a quarter cut. 3. Choose the assembly method This is how the slices or cuts mentioned above are attached together to form a sheet. Examples of assembly methods are: Slip Match Slip, Random, and Book match.