DOCSLIB.ORG

Various Free Country (Songs Von Freiheit Und Abenteuer) Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Various Free Country (Songs Von Freiheit Und Abenteuer) Mp3, Flac, Wma Various Free Country (Songs Von Freiheit Und Abenteuer) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Free Country (Songs Von Freiheit Und Abenteuer) Country: Switzerland Released: 1983 Style: Country MP3 version RAR size: 1211 mb FLAC version RAR size: 1121 mb WMA version RAR size: 1168 mb Rating: 4.1 Votes: 636 Other Formats: DXD ASF AAC VOX AHX VOC AA Tracklist Hide Credits Ring Of Fire A1 –Johnny Cash Written-By – J. Carter*, M. Kilgore* High Noon (Do Not Forsake Me) A2 –Frankie Laine Written-By – Tiomkin*, Washington* Ringo A3 –Lorne Greene Written-By – Robertson*, Blair* Six Days On The Road A4 –Dave Dudley Written-By – Montgomery*, Green* I'm A Ramblin' Man A5 –Waylon Jennings Written-By – Pennington* Green, Green Grass Of Home A6 –Bobby Bare Written-By – Putman* El Paso A7 –Marty Robbins Written-By – M. Robbins* Some Broken Hearts Never Mend A8 –Don Williams Written-By – W. Holyfield* Bonanza B1 –Lorne Greene Written-By – Livingston/Evans* A Boy Named Sue B2 –Johnny Cash Written-By – S. Silverstein* Rawhide B3 –Frankie Laine Written-By – Tiomkin*, N. Washington* Waterloo B4 –Stonewall Jackson Written-By – Loudermilk*, Marijohn Wilkin Luckenbach, Texas (Back To The Basics Of Love) B5 –Johnny Russel* Written-By – Emmons*, Moman* Ruby, Don't Take Your Love To Town B6 –Johnny Darrell Written-By – Tillis* You're My Best Friend B7 –Don Williams Written-By – W. Holyfield* Wand'rin' Star B8 –Lee Marvin Written-By – Lerner/Loewe* Companies, etc. Phonographic Copyright (p) – K-Tel Copyright (c) – K-Tel Pressed By – Turicaphon AG Credits Cover, Design – Creative & Art Workshop Mastered By – R. SO.* Notes Label: Made in Switzerland Barcode and Other Identifiers Rights Society: SUISA Label Code: LC 2769 Matrix / Runout: TG-1419 A SWISS MADE Ⓣ Matrix / Runout: TG-1419 B R. SO. SWISS MADE Ⓣ Other versions Category Artist Title (Format) Label Category Country Year Free Country (Songs Von Freiheit Und TG 1419 Various K-Tel TG 1419 Germany 1983 Abenteuer) (LP, Comp) Free Country (Songs Von Freiheit Und TG 1419 Various K-Tel TG 1419 Austria 1983 Abenteuer) (LP, Comp) Free Country (Songs Von Freiheit Und MC 1420 Various K-Tel MC 1420 Switzerland 1983 Abenteuer) (Cass, Comp) Related Music albums to Free Country (Songs Von Freiheit Und Abenteuer) by Various Various - A Thing Called Love Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson - Silver Stallion Various - Country Special - 32 Golden Country Songs Frankie Laine, Johnny Ray - Las Grandes Estrellas Del Rock Johnny Cash - The Essential Johnny Cash Johnny Cash & Waylon Jennings - There Ain't No Good Chain Gang / I Wish I Was Crazy Again Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson - Highwayman 2 Johnny Cash - The Best Of Johnny Cash Vol. 6 - Johnny In Jail Johnny Cash - Cash For Kenya - Live In Johnstown, Pa Johnny Cash - Country Superstars Record 1 Frankie Laine - The World Of Frankie Laine Various - Country Music Best Hits.
Load more

Recommended publications
  • Alshire Records Discography
    Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M.
    [Show full text]
  • Willie Nelson
    LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.
    [Show full text]
  • Sweet & Lowdown Repertoire
    SWEET & LOWDOWN REPERTOIRE COUNTRY 87 Southbound – Wayne Hancock Johnny Yuma – Johnny Cash Always Late with Your Kisses – Lefty Jolene – Dolly Parton Frizzell Keep on Truckin’ Big River – Johnny Cash Lonesome Town – Ricky Nelson Blistered – Johnny Cash Long Black Veil Blue Eyes Crying in the Rain – E Willie Lost Highway – Hank Williams Nelson Lover's Rock – Johnny Horton Bright Lights and Blonde... – Ray Price Lovesick Blues – Hank Williams Bring It on Down – Bob Wills Mama Tried – Merle Haggard Cannonball Blues – Carter Family Memphis Yodel – Jimmy Rodgers Cannonball Rag – Muleskinner Blues – Jimmie Rodgers Cocaine Blues – Johnny Cash My Bucket's Got a Hole in It – Hank Cowboys Sweetheart – Patsy Montana Williams Crazy – Patsy Cline Nine Pound Hammer – Merle Travis Dark as a Dungeon – Merle Travis One Woman Man – Johnny Horton Delhia – Johnny Cash Orange Blossom Special – Johnny Cash Doin’ My Time – Flatt And Scruggs Pistol Packin Mama – Al Dexter Don't Ever Leave Me Again – Patsy Cline Please Don't Leave Me Again – Patsy Cline Don't Take Your Guns to Town – Johnny Poncho Pony – Patsy Montana Cash Ramblin' Man – Hank Williams Folsom Prison Blues – Johnny Cash Ring of Fire – Johnny Cash Ghost Riders in the Sky – Johnny Cash Sadie Brown – Jimmie Rodgers Hello Darlin – Conway Twitty Setting the Woods on Fire – Hank Williams Hey Good Lookin’ – Hank Williams Sitting on Top of the World Home of the Blues – Johnny Cash Sixteen Tons – Merle Travis Honky Tonk Man – Johnny Horton Steel Guitar Rag Honky Tonkin' – Hank Williams Sunday Morning Coming
    [Show full text]
  • How to Write a "Catchy" Song Title by Vince Corozine (ASCAP)
    How To Write a "Catchy" Song Title by Vince Corozine (ASCAP) The song title, "You Can't Take That Away From Me" immediately raises the question, "What can't you take away from me?" It drives the reader to want to investigate further and find out what the lyric says. It peaks our interest and arouses one's curiosity. A "catchy" song title will perk the interest of the listener and lead them to want to pursue more information about what the song is about. When selecting a song title one must ask, "What is the song about?" Is it about winning love, losing love, rival love, unrequited love? The topic of the song must be crystal clear in the mind of the songwriter and this central idea must be conveyed to the listener 1. What makes a good title? The title of a song should summarize the essence of the song and should be used in a prominent place in the song, like the first line of "Night and Day," or at the end of each verse as in "New York State of Mind," or at the very end of the song as in "You'll Never Walk Alone." Some of the strongest and best titles contain language that paints a verbal picture or suggests an image in the mind of the listener "A Boy Named Sue," or one that pertains to a color "Blue Suede Shoes." or one that mentions a place "Chicago," or represents a name "Michelle," or suggests a date "April Showers." 2. Can I use a title that already exists? It is fascinating to know that song titles, book titles, movie titles and so on are not copyrightable and therefore can be used freely by anybody without cost or paying royalties.
    [Show full text]
  • © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
    Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare
    [Show full text]
  • March 1-May 5, 2013
    March 1-May 5, 2013 Created by Richard Maltby, Jr. Conceived by William Meade Orchestrations by Steven Bishop and Jeff Lisenby RING OF FIRE: Milwaukee Repertory Theater presents THE MUSIC OF JOHHNY CASH PLAY GUIDE • Written by Leda Hoffmann Education Coordinator with contributions from Steven Esche Education Intern Created and Directed by Richard Maltby, Jr. Amanda Garrigan Conceived by William Meade Education Intern Orchestrations by Steven Bishop and Jeff Lisenby March 1- May 5, 2013 • Stackner Cabaret Play Guide edited by Lisa Fulton MARK’S TAKE: Director of Marketing “Prior to coming to America, I’d never paid much attention to country music. But it’s now JC Clementz Literary Assistant become a style that I absolutely love. Johnny Cash is so influential to so many musicians Jenny Kostreva across so many genres, and Ring of Fire treats Education Director us to all of those legendary, great songs, • while giving us a snapshot into his life. It’s a Graphic Design by celebration of his soul-stirring music—really good stuff!” Eric Reda -Mark Clements, Artistic Director TABLE OF CONTENTS Page 3 Synopsis Musical Numbers Page 4 Johnny Cash Timeline Tickets: 414-224-9490 www.MilwaukeeRep.com Page 6 Johnny Cash: The Man Page 7 Richard Maltby, Jr. Mark Clements Page 8 Visiting The Rep Artistic Director Milwaukee Repertory Theater 108 E. Wells Street Milwaukee, WI • 53202 SYNOPSIS Ring of Fire is a jukebox musical that celebrates the lives and stories Johnny Cash sang about in his music. A cast of four men and one woman tell his remarkable life story through some of the greatest songs of one of America’s most brilliant singer/ songwriters, Johnny Cash.
    [Show full text]
  • A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled
    Popular Music and Society ISSN: 0300-7766 (Print) 1740-1712 (Online) Journal homepage: http://www.tandfonline.com/loi/rpms20 A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled Michael Stewart Foley To cite this article: Michael Stewart Foley (2014) A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled, Popular Music and Society, 37:3, 338-359, DOI: 10.1080/03007766.2013.798928 To link to this article: http://dx.doi.org/10.1080/03007766.2013.798928 Published online: 26 Jun 2013. Submit your article to this journal Article views: 253 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rpms20 Download by: [University of Groningen] Date: 23 March 2016, At: 04:33 Popular Music and Society, 2014 Vol. 37, No. 3, 338–359, http://dx.doi.org/10.1080/03007766.2013.798928 A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled Michael Stewart Foley In the years since Johnny Cash’s death in 2003, popular and scholarly writing has persisted in framing Cash’s politics as contradictory—thus seeming to support Kris Kristofferson’s line, often assumed to be about Cash: a “walking contradiction, partly truth and partly fiction.” This essay argues that, although Cash may have seemed conflicted in the late 1960s and early 1970s, his political views on Native Americans, prison reform, and the Vietnam War, especially, were remarkably consistent in that they were based not on ideological views as much as on emotion, instinct, and an ability to relate to familial suffering.
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS APRIL 13, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Sam Hunt’s COVID-19 Complicates Nashville’s Southside Debuts >page 4 Fragile Studio Business John Prine Remembered If you’re looking for peace and quiet, the best place to find it globe. Overseas clients, nervous about contracting the novel >page 10 right now might be at a Nashville recording studio. coronavirus on airplane flights or in hotel rooms, had begun There are no pounding kick drums, no screeching guitar solos canceling sessions. and no singers belting out the high notes. The mics are turned At the Black River studios — which have held sessions for Mi- off, the rooms are empty, and the music is in hibernation, wait- randa Lambert, George Strait and Dan + Shay – numerous Russell Dickerson’s ing for the COVID-19 pan- players called nervously the Video Bonanza demic to pass over. morning after Music Row >page 10 Some of the city’s largest discovered that a prominent studios closed their doors manager had tested positive even before Nashville shut for COVID-19 after attend- down nonessential busi- ing a 15-minute meeting at Bellamys, nesses with a safer-at- Black River’s nonstudio Billy & Buds home order that took effect wing. In short order, the >page 11 March 23. And most are company canned a program likely to remain quiet until that allowed tourists to view June at the earliest, though live recording dates, and Makin’ Tracks: the lack of a concrete na- Black River sessions went Avenue Beat tional plan has left owners dormant on March 17.
    [Show full text]
  • The KARAOKE Channel Song List
    11/17/2016 The KARAOKE Channel Song list Print this List ... The KARAOKE Channel Song list Show: All Genres, All Languages, All Eras Sort By: Alphabet Song Title In The Style Of Genre Year Language Dur. 1, 2, 3, 4 Plain White T's Pop 2008 English 3:14 R&B/Hip- 1, 2 Step (Duet) Ciara feat. Missy Elliott 2004 English 3:23 Hop #1 Crush Garbage Rock 1997 English 4:46 R&B/Hip- #1 (Radio Version) Nelly 2001 English 4:09 Hop 10 Days Late Third Eye Blind Rock 2000 English 3:07 100% Chance Of Rain Gary Morris Country 1986 English 4:00 R&B/Hip- 100% Pure Love Crystal Waters 1994 English 3:09 Hop 100 Years Five for Fighting Pop 2004 English 3:58 11 Cassadee Pope Country 2013 English 3:48 1-2-3 Gloria Estefan Pop 1988 English 4:20 1500 Miles Éric Lapointe Rock 2008 French 3:20 16th Avenue Lacy J. Dalton Country 1982 English 3:16 17 Cross Canadian Ragweed Country 2002 English 5:16 18 And Life Skid Row Rock 1989 English 3:47 18 Yellow Roses Bobby Darin Pop 1963 English 2:13 19 Somethin' Mark Wills Country 2003 English 3:14 1969 Keith Stegall Country 1996 English 3:22 1982 Randy Travis Country 1986 English 2:56 1985 Bowling for Soup Rock 2004 English 3:15 1999 The Wilkinsons Country 2000 English 3:25 2 Hearts Kylie Minogue Pop 2007 English 2:51 R&B/Hip- 21 Questions 50 Cent feat. Nate Dogg 2003 English 3:54 Hop 22 Taylor Swift Pop 2013 English 3:47 23 décembre Beau Dommage Holiday 1974 French 2:14 Mike WiLL Made-It feat.
    [Show full text]
  • Page Who Is the Author of Aru Shah and the End of Time? Roshani
    question answer page Who is the author of Aru Shah and the End of Time? Roshani Chokshi cover What is the problem with growing up around dangerous things? InYou the get Museum used to ofthem. Ancient Indian Art and 1 Where did Aru Shah live? Culture 1 What was the lamp at the end of the Hall of the Gods called? The lamp of destruction 1 What kind of buttons did Aru have on her scarlet vest? Ahoney giant bees stone elephant at the entrance to 1 What did Aru grow up reading and doing her the Museum of Ancient Indian Art and homework under? Culture 1 What happened in India in 1947? It became independent of the Brish 1 What did Aru hide inside the mouth of a 400 year old sea dragon statue she named Steve? candy 1-2 What did Aru’s mom, Dr. K.P. Shah, do for a She was the museum curator and a famous living? archaeologist 2 What did Aru’s mom say the lamp was called? A diya 2 What did Aru think the cursed lamp looked like? A lump of clay like a pinched hockey puck 2 What was Aru Shah’s religion? Hindu 2 What did Aru Shah trade Burton Prater for a green colored penny? 2 dollars and half a Twix bar 2 Which statue was the king of the heavens and held a thunderbolt? Lord Indra 2 Which statue played flutes? Lord Krishna 2 Which state sat in a meditation position? Buddha 2 In what grade was Aru? Seventh grade 2 In what city and state did Aru Shah live? Atlanta, Georgia 2 What did Aru want to name a Great Pyrenees dog? Beowoof 4 Who was the head of museum security and Aru’s babysitter on weekends? Sherrilyn 4 What did some people complain that the Museum of Ancient Indian Art and Culture honored? The devil 4 What school did Aru attend? Augustus day School 5 What was Aru wearing when she answered the door at the museum on Sunday? PoppySpiderman Lopez, pajamas Burton Prater, and Arielle 5 Who showed up at the museum on Sunday? Reddy 5 Why did Poppy Lopez, Burton Prater, and To confront Aru after she told everyone in Arielle Reddy come to the museum? math class she was going to France.
    [Show full text]
  • American Country Music of the Second Half of the Twentieth Century
    PALACKÝ UNIVERSITY OLOMOUC FACULTY OF ARTS Department of English and American Studies Martin Hujčák AMERICAN COUNTRY MUSIC OF THE SECOND HALF OF THE TWENTIETH CENTURY Master thesis Supervisor: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martin Hujčák AMERICKÁ COUNTRY HUDBA DRUHÉ POLOVINY 20. STOLETÍ Diplomová práca Vedúci práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Prehlásenie Prehlasujem, ţe som diplomovú prácu na tému: American country music of the second half of the twentieth century vypracoval samostatne pod odborným dohľadom vedúceho diplomovej práce a uviedol som všetky pouţité podklady a literatúru. V Olomouci dňa……. ….……….. Podpis ……………………… Ďakujem vedúcemu mojej diplomovej práce Mgr. Jiřímu Flajšarovi, Ph.D. za uţitočné rady a pripomienky. Ďalej pánu doktorovi ďakujem za podnetné diskusie a trpezlivosť pri odpovedaní mojich otázok. V Olomouci 2.12.2015 Martin Hujčák Contents: Introduction ....................................................................................... 8 1 Country music background ............................................................... 10 1.1 American Folk music ..................................................................... 10 1.2 Society and the birth of Folk music ................................................ 11 1.3 Western music ................................................................................ 13 1.4 The beginning of commercial development ................................... 14 1.5 The
    [Show full text]
  • Ricky Roche Request List
    RICKY ROCHE REQUEST LIST ABBA S.O.S. Barenaked Ladies Beck WATERLOO BRIAN WILSON DEAD MELODIES Bryan Adams ONE WEEK GUESS I’M DOING FINE EVERYTHING I DO (I DO FOR YOU) Bay City Rollers LOST CAUSE SUMMER OF '69 I ONLY WANT TO BE WITH YOU TROPICALIA THIS TIME Beach Boys Harry Belafonte Aerosmith ANGEL DISNEY GIRLS (1957) JUMP IN THE LINE CRYIN’ GOD ONLY KNOWS The Bee Gees A-Ha TAKE ON ME HELP ME RHONDA HOW DEEP IS YOUR LOVE Air Supply ALL OUT OF LOVE SLOOP JOHN B I STARTED A JOKE Alice In Chains NO EXCUSES WOULDN’T IT BE NICE MASSACHUSETTS WOULD? The Beatles NY MINING DISASTER 1941 The Allman Bros ACROSS THE UNIVERSE TO LOVE SOMEBODY AINT WASTIN TIME NO MORE BLACKBIRD WORDS BLUE SKY * MELISSA DEAR PRUDENCE Bellamy Brothers MIDNIGHT RIDER FOOL ON THE HILL LET YOUR LOVE FLOW America HERE COMES THE SUN Tony Bennett BECAUSE OF YOU SISTER GOLDEN HAIR HERE THERE & EVERYWHERE Ben Folds / Ben Folds Five VENTURA HIGHWAY HEY JUDE ARMY The Animals HEY YOU’VE GOT TO BATTLE OF WHO DONT LET ME BE HIDE YOUR LOVE AWAY BRICK COULD CARE LESS MISUNDERSTOOD I WILL FRED JONES part 2 HOUSE OF THE RISING SUN I’LL BE BACK THE LUCKIEST Adam Ant I’LL FOLLOW THE SUN MAGIC GOODY TWO SHOES I’M A LOSER SELFLESS COLD & COMPOSED Marc Anthony I NEED TO KNOW I’M LOOKING THROUGH YOU SONG FOR THE DUMPED Louis Armstrong I’M ONLY SLEEPING YOUR REDNECK PAST WHAT A WONDERFUL WORLD IT’S ONLY LOVE Beyonce SINGLE LADIES Asia HEAT OF THE MOMENT I’VE JUST SEEN A FACE Big Country IN A BIG COUNTRY SMILE HAS LEFT YOUR EYES IN MY LIFE Big Star THIRTEEN Rick Astley JULIA Stephen Bishop
    [Show full text]