Studies in 20th & 21st Century Literature Volume 43 Issue 2 Article 47 December 2019 Consuming Beauty in the Weimar Republic: A Discussion of Youth, Cosmetics, and Power in Vicki Baum's play Pariser Platz 13 (1930) Victoria Vygodskaia - Rust Southeast Missouri State University,
[email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, French and Francophone Literature Commons, German Literature Commons, Latin American Literature Commons, Modern Literature Commons, and the Spanish Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Vygodskaia - Rust, Victoria (2019) "Consuming Beauty in the Weimar Republic: A Discussion of Youth, Cosmetics, and Power in Vicki Baum's play Pariser Platz 13 (1930)," Studies in 20th & 21st Century Literature: Vol. 43: Iss. 2, Article 47. https://doi.org/10.4148/2334-4415.2064 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact
[email protected]. Consuming Beauty in the Weimar Republic: A Discussion of Youth, Cosmetics, and Power in Vicki Baum's play Pariser Platz 13 (1930) Abstract Published in 1930, Vicki Baum’s play Pariser Platz 13: Eine Komödie aus dem Schönheitssalon engaged the readership with an unorthodox and thoroughly modern heroine: the successful owner of international beauty salons Helen Bross. Helen personified the wishes and dreams of Baum’s readers: Helen’s autonomy, both personal and financial, allowed her ot be an active consumer of modernity and its pleasures: travel, interaction with celebrities, and luxurious lodging.