Gun Street Girl Free

Total Page:16

File Type:pdf, Size:1020Kb

Gun Street Girl Free FREE GUN STREET GIRL PDF Adrian McKinty | 336 pages | 02 Jul 2015 | Profile Books Ltd | 9781846689826 | English | London, United Kingdom GUN STREET GIRL CHORDS by Tom Waits @ Libraries are closed until further notice. We are now offering contactless pickup and return at select locations with Books on the Go! Some notices were not sent. Check your account for due dates but we are still fine free! My Account. Log Out. Advanced Search. Logged In As. Library Home Page. New Titles for Adults. Library Reads. General Fiction. Science Fiction, Fantasy, Horror. Graphic Novels. Large Print. CD Audio Books. Downloadable Audio. Children's Fiction. Children's Nonfiction. Young Adult. BRiAN Help. Interlibrary Loan. Login in Interlibrary Loan. Search WorldCat. Downloadable Library. Library Events. Events for Adults. Events for Teens. Events for Kids. Average Rating. McKinty, Adrian. Choose a Format. On Shelf. Eva H. Perry Regional Gun Street Girl Mystery. Fuquay-Varina Community - Mystery. Quick Copy View. See Full Copy Details. Place Hold. Date Publisher Phys Desc. Language Gun Street Girl Seventh Street Books, an imprint of Prometheus Books, pages ; 21 cm. English On Shelf. More Info Place Hold. Available Online. Check Out OverDrive. Add a Review. Add Gun Street Girl List. More Details. Also in This Series. Similar Titles From NoveList. Similar Series From NoveList. Similar Authors From NoveList. Published Reviews. Reviews from GoodReads. Loading GoodReads Reviews. Staff View. Did Michael Kelly really shoot his parents at point blank and then jump off a nearby cliff? Borrower Reviews. Copies Location Call 2 of 2. Copies Location Call of 1. Copies Gun Street Girl Call 4 of 1. Cameron Village Regional Eva H. A suicide note points to this conclusion, but Duffy suspects even more sinister circumstances" Gun Street Girl by Mark Timlin We currently don't have any genres associated with this song. Would you like to contribute? Add Genre. We currently don't have any styles associated with this song. Add Styles. We currently don't have any moods associated with this song. Add Moods. We currently don't have any themes associated with this song. Add Themes. Sounding like an old Alan Lomax field recording of sharecroppers or a chain Gun Street Girl, or one of the hillbilly folk rave-ups Gun Street Girl Harry Smith's Anthology of American Folk Musicre-released inTom Waits barks out a folktale about a man on the lam after murdering his lover. He accompanies himself on a clanging banjo, Greg Cohen plays upright bass, and percussionist Michael Blair bangs on some iron bars, sounding like old-time railroad workers banging spikes. This being Waits specifically post Gun Street Girl, when he started to free himself from restrictive Gun Street Girl patternsthe lyrics are anything but straightforward; they pass by in a surreal haze Gun Street Girl evocative proper names, word combinations, and highly impressionistic images. From 's Rain Dogs which is considered the second in a trilogy of records that began with Swordfishtrombones in and finished with Frank's Wild Years in"Gun Street Girl" continues Waits' move away from the more traditional leanings of his s records. Those albums were steeped in rootsy blues, jazz, folk, and Tin Pan Alley pop. But Waits had seemed to paint himself into a corner with a persona and style that was edging toward self-parody. He almost completely reinvented himself in the s with strides toward a much wider range Gun Street Girl more adventurous musical styles, including Captain Beefheart-inspired deconstructed blues and Weimar era cabaret songwriting. It Gun Street Girl really unlike anything the songwriter had recorded prior to Swordfishtrombones. And while his lyrics were always one of his strong points, Waits abandoned many of the nostalgic, hipster, boozy poet themes that he had done so well but had started to become tired. Instead, he seemed Gun Street Girl choose to follow a more stream-of-consciousness approach that got more at the heart of Americana, rather than merely evoking scenes from noir films. His songs seemed more present and vital, though still timeless. While he embraced new elements, Waits was also wise to retain the aspects of his songwriting as well as his personality that set him apart; instead of tearing Gun Street Girl his past completely, he grew Gun Street Girl it. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Composed by Tom Waits. Release Year incorrect year? Song Genres. All Genres. Song Styles. All Styles. Song Moods. All Moods. Song Themes. All Themes. Tom Waits. Rain Dogs. Tom Waits Rain Dogs. Tom Waits - Gun Street Girl Lyrics | SongMeanings Log in now to tell us what you think this song means. Create an account with SongMeanings to post comments, submit lyrics, and more. Log in. Mixtapes Forums Lyrics Artists add Journals. Artists - T. Gun Street Girl Gun Street Girl found on the Gun Street Girl Rain Dogs. Tom Waits — Gun Street Girl. One, two, three Falling James in the Gun Street Girl mud Stick around to tell us all a tale Well, he fell in love with a Gun Street girl And now he's dancing in the Birmingham jail Dancing in the Birmingham jail He took a hundred dollars off a slaughterhouse Joe Brought a brand new Michigan twenty-gauge He got all liquored up on that road house corn Blew a hole in the hood of a yellow Corvette A hole Gun Street Girl the hood of a yellow Corvette He bought a second-hand Nova from a Cuban Chinese And dyed his hair in the bathroom of a Texaco With a pawnshop radio, quarter past four He left for Waukegan at the slamming of the door Left for Waukegan at the slamming of the door I said John, John, he's long gone Gone to Indiana, ain't never coming home I said John, John, he's long Gun Street Girl Gone to Indiana, ain't never coming home He's sitting in a sycamore in St. John's wood Soaking day-old bread in kerosene Well, he was blue as a robin's egg and brown as a hog He's staying out of circulation till the dogs get tired Out of circulation till the dogs get tired Shadow fixed the toilet with an old trombone He never get up in the morning on a Saturday Sitting by the Erie with a bull-whipped dog Telling everyone he saw, "they went that-a-way, boys" Telling everyone he saw, "they went that-a-way" Now the rain's like gravel on an old tin roof And Gun Street Girl Burlington Northern pulling out of the world Now a head full of bourbon and a dream in the straw And a Gun Street girl was the cause of it all A Gun Street girl was the cause of it all Well, he's riding in the shadow by the St. Joe ridge Hearing the click-clack tapping of a blind man's cane He was pulling into Gun Street Girl on a New Year's Eve One eye on a pistol and the other on the door One eye on a pistol and the other on the door Miss Charlotte took her satchel down to King Fish Row Smuggled in a brand new pair of alligator shoes With her fireman's raincoat and her long yellow hair Well, they tied her to a tree with a skinny millionaire Tied her to a tree with a skinny millionaire I said John, John, he's long gone Gone to Indiana, ain't never coming home I said John, John, he's long gone Gone to Indiana, ain't never coming home Banging on the table with an old tin cup Sing I'll never kiss a Gun Street girl again Never kiss a Gun Gun Street Girl girl again I'll never kiss a Gun Street girl again I said John, John, he's long gone Gone to Indiana, ain't never coming home I said John, John, he's long gone Gone to Indiana, ain't never coming home Edit Lyrics. Gun Street Girl song meanings. Add your thoughts 7 Comments. My Interpretation First stanza: "I'm going to tell you a story about a man who fell in love with a girl from the wrong side of the tracks. Now he's in jail. Fifth stanza: "Hiding in the woods Gun Street Girl perhaps actually hiding in a tree in the woods eating food that isn't the best and drowning it in strong booze. He's hiding until they stop looking. There was an error. I found some Tom Waits quotes on Gun Street Girl net about this song: "Gun Street Girl Gun Street Girl about a guy who's Gun Street Girl trouble with the law and Gun Street Girl traces all of these events back to this girl he met on Gun Street Gun Street Girl there on Center Market right in Little Italy there. Where is the end of this tale? There's: "Telling everyone they saw the went thataway". There's this girl tied to a tree Gun Street Girl a skinny millionaire and a guy coming into Baker with a pistol and Gun Street Girl So I just tried to throw it all in there and make it like Gun Street Girl It's like when you wake up in the middle of the Gun Street Girl and you try to remember Gun Street Girl that you don't, you remember just pieces of things? Thanks to whoever posted these, at this link: tomwaitslibrary.
Recommended publications
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • A.J. Croce Croce Plays Croce Thursday, February 6, 2020; 7:30 Pm
    A.J. Croce Croce Plays Croce Thursday, February 6, 2020; 7:30 pm BIO Listen to A.J. Croce’s albums and it’s clear that he holds an abiding love for all kinds of music – Blues, Soul, Pop, Jazz, and Rock n’ Roll. It is readily apparent too that people love Croce’s diverse approach to music. His nine albums have all charted, and done so on an impressive array of charts: Top 40, Blues, Americana, Jazz, Independent, College, and Radio 1, to name a few. The Nashville-based singer/ songwriter also has landed 18 singles on variety of Top 20 charts. A virtuoso piano player, Croce toured with B.B. King and Ray Charles before reaching the age of 21, and, over his career, he has performed with a wide range of musicians, Photo: Joshua Black Wilkins from Willie Nelson to the Neville Brothers; Bela Fleck to Ry Cooder. A.J. has also co-written songs with such formidable A.J. Croce performs Croce Plays Croce, a special night of tunesmiths as Leon Russell, Dan Penn, Robert Earl Keen music featuring a complete set of classics by his late and multi-Grammy winner Gary Nicholson. father Jim Croce, some of his own tunes, and songs that influenced both him and his father. This special event The late, great New Orleans piano man, and Croce hero, features such timeless songs as “Operator,” “You Don’t Allen Toussaint might have described A.J. most succinctly Mess Around with Jim,” “Time in a Bottle,” (a song written for when he proclaimed: “In such a crowded music universe A.J.), “Rapid Roy," (The Stock Car Boy), and “Lovers Cross," it is a pleasure to witness triple uniqueness: pianist, to name a few.
    [Show full text]
  • Clangxboomxstea ... Vxtomxwaitsxxlxterxduo.Pdf
    II © Karl-Kristian Waaktaar-Kahrs 2012 Clang Boom Steam – en musikalsk lesning av Tom Waits’ låter Forsidebilde: © Massimiliano Orpelli (tillatelse til bruk er innhentet) Konsertbilde side 96: © Donna Meier (tillatelse til bruk er innhentet) Trykk: Reprosentralen, Universitetet i Oslo III IV Forord Denne oppgaven hadde ikke vært mulig uten støtten fra noen flotte mennesker. Først av alt vil jeg takke min veileder, Stan Hawkins, for gode innspill og råd. Jeg vil også takke ham for å svare på alle mine dumme (og mindre dumme) spørsmål til alle døgnets tider. Spesielt i den siste hektiske perioden har han vist stor overbærenhet med meg, og jeg har mottatt hurtige svar selv sene fredagskvelder! Jeg skulle selvfølgelig ha takket Tom Waits personlig, men jeg satser på at han leser dette på sin ranch i «Nowhere, California». Han har levert et materiale som det har vært utrolig morsomt og givende å arbeide med. Videre vil jeg takke samboeren min og mine to stadig større barn. De har latt meg sitte nede i kjellerkontoret mitt helg etter helg, og all arbeidsroen jeg har hatt kan jeg takke dem for. Jeg lover dyrt og hellig å gjengjelde tjenesten. Min mor viste meg for noen år siden at det faktisk var mulig å fullføre en masteroppgave, selv ved siden av en krevende fulltidsjobb og et hektisk familieliv. Det har gitt meg troen på prosjektet, selv om det til tider var slitsomt. Til sist vil jeg takke min far, som gikk bort knappe fire måneder før denne oppgaven ble levert. Han var alltid opptatt av at mine brødre og jeg skulle ha stor frihet til å forfølge våre interesser, og han skal ha mye av æren for at han til slutt endte opp med tre sønner som alle valgte musikk som sin studieretning.
    [Show full text]
  • Tom Waits 2011.Pdf
    WILLISEEYOUTCfNIGHTONADOWNTOWNTRAINEVERYNIGHTISJUSTTHESAMEYOULEAVEMELONELYNOW TOM WAITS BY ROB BOWMAN § IS THE CASE Lord Buckley, and Charles Bukowski; the pri­ with a select few mal rock & roll crunch of the Rolling Stones; genre-defining the German cabaret stylings of Kurt artists such as Weill; the postwar, alternate world of invented Miles Davis, Bob instruments and rugged individualism o f avant- Dylan, and Joni garde composer Harry Partch; the proto-metal MitcheH,Tom Writs, blues of 1950s and 1960s Howlin’ Wolf and over the course of his nearly forty-year their extension into the w orld o f Captain B eef- career, has operated under the maxim “He heart’s late-i96os avant-rock; the archaic for­ not busy being born is busy dying.” Refus­ malism o f 19th-century parlor ballads; Dylan’s ing to stay still and rest on his laurels, Waits early- and mid-sixties transformation of the has continuously sought new influences, possibilities of language in the worlds of both dramatically reinventing himself and his art folk and rock; the elegance of pre-war Irving along the way. In Berlin, Cole Porter, the process, he has WAITS SEEM S and Hoagy Carmichael; forged a highly the sophistication of original, personal, TO HAVE NO postwar Frank Sinatra; and idiosyncratic LIMITS TO HIS and, more recently, the musical lexicon, bone-crushing grooves resulting in one of IMAGINATION of 1980s and 1990s the most distinc­ funk and hip-hop. In­ tive, rich, and diverse bodies of recorded deed, the art of Tom Waits has altogether tran­ work in American popular music history. scended time and, to some degree, place.
    [Show full text]
  • Rain Dogs Programme 4Pp.Indd
    WED 13 JUL RAIN DOGS REVISITED Follow us Wed 13 Jul 8pm Rain Dogs Revisited Directed by David Coulter with Arthur H, The Tiger Lillies, Camille O’ Sullivan, Stef Kamil Carlens, St. Vincent and Erika Stucky Soloists It did all this with a voice that seemed nurtured by Arthur H voice cigarettes and strained through a bourbon-soaked Stef Kamil Carlens voice, guitar rag. The voice of a poet, a dreamer, a beatnik: Camille O’Sullivan voice the voice of Tom Waits. The American singer/ St Vincent voice, guitar songwriter and street poet had already impressed Erika Stucky voice with the seminal Swordfishtrombone, an album that The Tiger Lillies: introduced a whole new acoustic orchestration - Martyn Jacques voice, accordion including a cornucopia of obscure instruments – to Adrian Stout double bass his already singular oeuvre. But Rain Dogs, the Adrian Huge drums second in a trilogy that would be completed by Frank’s Wild Years, took the bone and ran. Band David Coulter, saw, banjo, percussion “The day that Rain Dogs came out I caught the Dave Okumu guitar train up to London and headed straight to Virgin Terry Edwards alto & tenor sax, trumpet, flute Megastore where I bought the album on both Steve Nieve piano, harmonium, melodica, vinyl and cassette,” says Musical Director and hammond B3 multi-instrumentalist David Coulter, a man who Thomas Bloch ondes Martenot, cristal baschet, has collaborated on operas with Damon Albarn, glass harmonica coordinated tributes to Leonard Cohen and Tom Herbert double bass performed alongside such greats as Marianne Seb Rochford drums Faithful and Joe Strummer – and who is this evening’s musical director.
    [Show full text]
  • Los Angeles Times “Back from the Brink” [Steve Hochman] (1999)
    Back From the Brink : With 'Spider,' Mark Linkous of Sparklehorse returns from a life- threatening episode. Pop Music March 21, 1999|STEVE HOCHMAN | Steve Hochman writes regularly for Calendar Mark Linkous would never write a song with a subject as trite as getting back on his own two feet. That particular struggle is all too real for him. The release of "Good Morning Spider," the second album he's made under the band name Sparklehorse, and a tour that brings him to the Troubadour on Friday are just the latest steps in rebuilding his life and career after a nightmare. Two years ago, the Virginia-based musician was basking in the acclaim for "vivadixiesubmarinetransmissionplot," the first Sparklehorse album. It was being hailed in particular in Britain, where the press fell for the haunting mix of low-fi rural rock, dream-time pop and inward-looking imagery. Among his fans: the band Radiohead, which offered him the opening slot on most of its European shows in 1996 and 1997. In January 1997, though, everything came crashing down in a London hotel bathroom. "I had a big bottle of Valium from Mexico and had been on antidepressants for a long time," says Linkous, 34, with flat detachment--as if he doesn't remember the incident but has heard others describe it. "And I guess I'd been taking the Valium so much that I passed out. My legs were underneath me all night and half a day. When the paramedics came and straightened my legs out, it sent all the toxins to my heart and gave me a heart attack.
    [Show full text]
  • Tom Waits 07.12.2019 22:06-24:00 Uhr ======Musikredaktion Und Moderation: Andreas Müller-Crepon
    Late Night Jazz: Schon 70!? Tom Waits 07.12.2019 22:06-24:00 Uhr =============================================================================================== Musikredaktion und Moderation: Andreas Müller-Crepon Seine Stimme ist unverwechselbar - schon als er noch als Singer-Songwriter in der Nachfolge von Frank Sinatra operierte, war die Vorliebe für rauhe Töne und schräge Stoffe mit Händen zu greifen. Vom jazzigen Lounge-Stil hat er sich zum urwüchsigen Rockmusiker gemausert, um sich dann aber handkehrum dem Musiktheater mit Avantgarde-Einschlag zuzuwenden. Ganz zu schweigen von herzergreifenden Country- und Soul-Episoden. Einer der vielseitigsten, sperrigsten und einflussreichsten Musiker zwischen allen Stilen hat Geburtstag - wir feiern bis Mitternacht mit einer Auslese seiner Stücke. Titel: Komponist Interpreten Label CD-Titel I WISH I WAS IN NEW Tom Waits JERRY YESTER Asylum 1976 Small Change ORLEANS GET BEHIND THE MULE Tom Waits Tom Waits Anti Epita 1999 Tom Waits: Mule variations JESUS Lou Reed David Sanborn Elektra 1991 Another hand LITTLE BOY BLUE Tom Waits HOLLY COLE Metro Blue 1995 Temptation SHORE LEAVE Tom Waits Tom Waits Island Twin Tom Waits: Rain dogs / Swordfishtrombones UNDERGROUND Tom Waits Island Reco Swordfishtrombones JOCKEY FULL OF Tom Waits Ulf Wakenius Act + Vision Voyage BOURBON DOROTHY Mac Rebennack Dr. John Deomon 1981 Dr. John plays Mac Rebennack EGGS AND SAUSAGE Tom Waits Tom Waits Asylum 1975 Nighthawks At The Diner ROCKIN' CHAIR Tom Waits Tom Waits Bizarre 1971 Tom Waits: The Early Years ROCKIN' CHAIR Hoagy Carmichael Hoagy Carmichael Pacific Jazz 1956 Hoagy Sings Camichael Lazy River Hoagy Carmichael Hoagy Carmichael Pacific Jazz 1956 Hoagy Sings Camichael Georgia Lee Tom Waits Tom Waits Anti, Epita 1998 Tom Waits: Mule variations TRAMPLED ROSE Tom Waits Carolina Chocolate Drops Nonesuch Carolina Chocolate Drops: Geniune negro jig HARLEM NOCTURNE Earle Hagen Lounge Lizards EG 1980 The Lounge Lizards (CD 1/01: Incident on South Street).
    [Show full text]
  • Jazz Collection: Greg Cohen
    Jazz Collection: Greg Cohen Dienstag, 11. Juni 2013, 21.00 - 23.00 Uhr Samstag, 15. Juni 2013, 22.00 - 24.00 Uhr (Zweitsendung) Der amerikanische Jazzbassist Greg Cohen hat mit seinen sechzig Jahren keine grossartige Diskographie mit Aufnahmen unter eigenem Namen anzubieten. Natürlich hat er auch Platten unter eigener Regie produziert. Was aber selbst bei einem hastigen Blick in die lange Diskographie von Greg Cohen sofort auffällt, ist seine enorme Vielseitigkeit. Cohen spielte seit den späten siebziger Jahren in den Bands des Sängers Tom Waits, und dann ab 1984, nach seinem Umzug von Los Angeles nach New York, in so unterschiedlichen Formationen wie John Zorns Masada oder Woody Allens New Orleans Jazz Band. Die Downtown-Szene vertraut ebenso auf sein solides Fundament wie Popmusiker von Elvis Costello über Lou Reed bis zu Keith Richards und Laurie Anderson. Der Zürcher Bassist Patrick Sommer führt als Gast von Peter Bürli durch Greg Cohens abenteuerliche Diskographie. John Zorn’s Masada: Eight (1996) CD DIW 925 Track 5: Ne’eman Tom Waits: Heartattack And Vine (1980) CD Elektra 7559605472 Track 5: Jersey Girl Eddy Davis: The Bunk Project (1988) CD Music Masters 01612-65098 Track 4: Mecca Flats Blues Greg Cohen: Way Low (1996) CD DIW 918 Track 1: Way Low Misha Mengelberg Trio: No Idea (1996) CD DIW 619 Track 1: No Idea Dave Douglas: Charms Of the Night Sky (1997) CD Winter&Winter 910015 Track 6: Little One Ornette Coleman: Sound Grammar (2005) CD Sound Grammar SG 11593 Track 2: Jordan Holly Cole: Holly Cole (2007) CD Alert Track 2: Charade
    [Show full text]
  • Swordfishtrombones Revisited
    Swordfishtrombones Revisited Start time: 8pm Approximate running time one hour 30 minutes, no interval Please note all timings are approximate and subject to change David Sheppard talks to David Coulter about discovering a spirit of adventure through Swordfishtrombones. At the dawn of the 1980s, Tom Waits was in danger of sliding into terminal self-parody. While his songs were covered by everyone form The Eagles to Bruce Springsteen, Waits, who had just turned 30, seemed stuck in an artistic rut, his albums delivering a cocktail of retro styles: afterhours burlesques, Beat poet reveries, jazzy stomps and string-laden ballads, all of them rendered in the grizzled cartoon baritone of a heavy-smoking soak at least twice his age. Despite 1980’s Heart Attack & Vine, the sixth and last of his albums for Elektra/Asylum, winning critical plaudits, Waits was growing jaded, holed up in West Hollywood’s sybaritic Tropicana Hotel, still peopling his songs with lonely, hard-boiled characters apparently on loan from desolate Edward Hopper paintings or the novels of Dashiell Hammett. While elsewhere punk’s youthful new broom was gleefully sweeping away the old, Waits remained a goateed, trilby-hatted anachronism, a wilful throwback to a sentimentalised, pre-rock’n’roll America. ‘I used to think I was making movies for the ears… I was overly maudlin and romantic’, he later admitted. Happily, artistic deliverance would soon arrive courtesy of another kind of ‘movie for the ears’ – namely a commission from Francis Ford Coppola to write a ‘lounge operetta’ score for the director’s ambitious cine-musical, One From the Heart.
    [Show full text]
  • Wil the BLACJ( RIDER
    Contact: William Murray 718-636-4129 1111iHIWil THE BLACJ( RIDER A PACT WITH THE DEVIL THREE VISIONARIES COLLABORATE IN AMERICAN PREMIERE AT BAM ROBERT WILSON, TOM WAITS, WILLIAM S. BURROUGHS NOVEMBER 20 - DECEMBER 1, 1993 The Black Rider, a haunting , cabaret-infused , operatic melodrama created by director Robert Wilson , musician Tom Waits , and author William S. Burroughs , each a major figure in his field, has its American premiere as part of the Brooklyn Academy of Music's (BAM) 11th NEXT WA VE Festival, sponsored by Philip Morris Companies Inc . The production runs from November 20 through December 1 at the BAM Opera House which is located at 30 Lafayette Avenue , Brookl yn, N .Y. The Black Rider's plot is adapted from a collection of folk tales which inspired Carl Maria von Weber's 1821 opera Der Frieschutz . It is the story of a young marksman , Wilhelm, who falls prey to the devil in attempting to win the hand of his beloved Kathchen . David Reiff, in his review of the work's premiere in Hamburg called it "a grand act of cultural appropriation ." In the hands of Wilson, Waits and Burroughs , each in top form , it becomes a cabaret/psychodrama with a decidedly contemporary slant. Unlike Weber 's opera, in this version the devil -­ namely "The Black Rider" -- remains triumphant. The Black Rider premiered to enthusiastic crowds at the Thalia Theater Hamburg in March 1990, and has gone on to acclaimed performances in Paris , Vienna , Barcelona , and Sao Paulo . The Black Rider score , as interpreted by Tom Waits, was released in early November on Island Records .
    [Show full text]
  • 50-04 Tom Waits Teater
    Swend’s Bluesband celebrating Theatre Frank's Wild Years (June - July 1986) by Tom Waits and Kathleen Brennan Directed by Gary Sinise Cast In Order Of Appearance: Frank O'Brien - Tom Waits Dag Wilson - Vince Viverito J.P. Fitzgerald - Gary Cole Willa Bloom - Moira Harris Bongo Sweetkind - Randall Arney Tony Profit aka Reverend Bobby Whitewatch - Tom Irwin Zookies Announcer/ Buzz Slowman/ Joey Lane - Alan Wilder Dancing girls Demon Wine (1989) Written by: Thomas Babe Directed by: David Schweizer Thomas Babe's Demon Wine might as well be called "The forgotten play", cause for some reason it is hidden in the archives, so little is known about this performance. It was first presented by the Los Angeles Theater Center, February 1989. Tom Waits portrayed the character called "Curly". TW: Actor, Curly Tom Waits (1999): "I'm very undisciplined. The schedule is the hardest thing for me. I'm not used to getting up, working [in re- hearsals] for eight hours and then back home to go over the text and prepare the next days work. I have my own way of working on my own stuff. This schedule requires a discipline that's unknown to guy's like me." Then as if stringing together straight statements was too much to ask, he added, "It [the discipline] is a bone I do not have in my ribcage." Swend’s Bluesband celebrating Theatre The Black Rider The Casting Of The Magic Bullets (1990) Direction, set and lighting by Robert Wilson Music and Lyrics by Tom Waits Original Musical Arrangements by Greg Cohen and Tom Waits Text by William Burroughs Dramaturgy by Wolfgang Wiens Alice (1992) Direction and stage design: Robert Wilson Music: Tom Waits Lyrics: Tom Waits Co-author of music and lyrics: Kathleen Brennan Woyzeck (2000) En anonym soldat, som alle tramper på, havner som for- søgsperson hos en ernæringsfysiolog.
    [Show full text]
  • Tom Waits Big Time Mp3, Flac, Wma
    Tom Waits Big Time mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: Big Time Country: UK Released: 1988 Style: Blues Rock, Lo-Fi, Experimental MP3 version RAR size: 1816 mb FLAC version RAR size: 1852 mb WMA version RAR size: 1535 mb Rating: 4.3 Votes: 919 Other Formats: MOD MMF MPC DTS MP4 AUD XM Tracklist Hide Credits A1 16 Shells From A Thirty-Ought-Six A2 Red Shoes A3 Cold Cold Ground A4 Way Down In The Hole Falling Down A5 Double Bass [Upright Bass] – Larry TaylorDrums – Richie HaywardGuitar – Fred Tackett A6 Strange Weather B1 Big Black Mariah B2 Rain Dogs B3 Train Song B4 Telephone Call From Istanbul B5 Gun Street Girl B6 Time Companies, etc. Record Company – Bertelsmann Music Group Record Company – Ariola Eurodisc GmbH Recorded By – Westwood One Mobile Truck Mixed At – Sunset Sound Mixed At – Sunset Sound Factory Mastered At – Masterdisk Phonographic Copyright (p) – Island Records Inc. Copyright (c) – Island Visual Arts Published By – Jalma Music Published By – Ackee Music, Inc. Published By – Fifth Floor Music, Inc. Pressed By – Sonopress Printed By – TOPAC Distributed By – BMG Records Distributed By – BMG Ariola Credits Accordion, Organ [Hammond], Sitar, Congas – Willie Schwarz* Drums, Percussion, Bongos, Drum [Brake Drum] – Michael Blair Electric Bass, Horn [Alto] – Greg Cohen Guitar, Banjo, Trumpet – Marc Ribot Mastered By – Howie Weinberg Producer – Kathleen Brennan, Tom Waits Saxophone, Clarinet, Horns [Baritone] – Ralph Carney Written-By – Kathleen Brennan (tracks: A6), Tom Waits Notes Recorded live in Los Angeles, San Francisco, Dublin, Stockholm and Berlin Produced by Tom Waits and Kathleen Brennan. For all titles Jalma Music, admin.
    [Show full text]